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Sin City

by Dick Hobbs Issue 113 - May 2016 I am writing this is the immediate aftermath of yet another NAB. For me that means a week of walking around,talking to a wide variety of people and taking the temperature of the industry. This year I developed a theory that there were three sorts of companies exhibiting at NAB,or at least three sorts of spokesmen...

Submitted by Dick Hobbs.

Published 13 May 2016

TV Futures

by Jemma Davis Issue 112 - April 2016 The second year of my degree course gives a variety of options, and one of these is scuba diving and filming. It\'s something I\'ve never considered before, so when I saw it as an option choice I was delighted to be faced with the opportunity to film underwater. I can also now say it was the best thing I\'ve ev...

Submitted by Jemma Davis

Published 25 April 2016

Females In The Broadcasting Industry

by Samantha Arlow Issue 112 - April 2016 Everyone has heard of the FBI right? The US Federal Bureau of Investigation that inspires images of hard talking detectives in dark suits and sunglasses. But if you work in Broadcast, there\'s another FBI you should know about. This FBI, as the name spells out, is an organisation specifically geared towards...

Submitted by Samantha Arlow

Published 25 April 2016

Building Blocks

by Dick Hobbs Issue 112 - April 2016 That is the MIT Media Lab saying, in a typically American academic way, that they want to help producers make better content. That is what you find if you Google "object-based broadcasting". Which is what I did on your behalf this month, because BT Sport - which seems to have taken up the idea of innovation in b...

Submitted by Dick Hobbs.

Published 25 April 2016

A virtual world but call it cloud if you must

I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner

Published 01 April 2016

TV Futures - Streaming

by Danielle Wiltshire and Oliver Ray Issue 111 - March 2016 Hello I\'m Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with tea...

Submitted by Danielle Wiltshire

Published 01 April 2016

4k is a reality for live production

Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we'r...

Submitted by Liam Laminman

Published 01 April 2016

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016

TV Futures

by Lloyd Ashton Issue 110 - February 2016 #TVFuturesUniversity radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years,...

Submitted by Lloyd Ashton

Published 16 March 2016

Media asset management: the key to business success

by Kevin Usher Issue 109 - January 2016 Media asset management: the key to business success By Kevin UsherIn todays media environment enterprises are under intense pressure to improve content monetization and maximize operational efficiency. Theyre expected to do moreto create more content for more platforms and deliver it to more peopleso they hav...

Submitted by Kevin Usher

Published 21 January 2016

Taking aim

by Dick Hobbs Issue 109 - January 2016 Happy 2016! We have a lot to look forward to this year. In Europe we are likely to find huge amusement in the American presidential election which this year seems to be throwing up an unprecedented set of clowns. In midsummer we have the Olympics in Rio, which should be quite a carnival. In our industry we hav...

Submitted by Dick Hobbs.

Published 21 January 2016

Broadcast Playout Over IP and in The Cloud

with Don Ash Issue 109 - January 2016 Simon Tillyer: Before we get heavy about IP and the cloud, what is the current state of the broadcast playout business? Don Ash: The transition to server-based systems in recent years has made the entire process of broadcast playout much easier to operate and automate than the tape-based equipment which precede...

Submitted by Don Ash

Published 21 January 2016

Media acquisition and Archive Workflow

by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins

Published 21 January 2016

How to solve a problem like 4k

with Peter Savage Issue 108 - December 2015 A lack of standards and content is holding back sales of 4k television sets and, until that situation changes, there is very little the consumer electronics business can do about it, writes Peter SavageSince the late 1960s and early 70s, when we began to ditch our old black and white TV sets in favour of...

Submitted by Peter Savage 2

Published 15 December 2015

Riding the TV Marketing and Social Media Wave

with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University

Published 15 December 2015