KitPlus | Articles

The evolving face of post production

By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#

Published 01 February 2013

Ask the Experts - Loudness

Introduction:Loudness level inconsistencies are one of the most common problems in the broadcast industry. Loudness standards are now being introduced as discontinuities in audio levels between programs, or between programs and advertisements, have been the cause of viewer complaints – in fact they are the number one cause. Of course anything that...

Submitted by Bob Pank#

Published 01 August 2012

A live video streaming advocate

As you may or may not know, I’m a bit of a live video streaming advocate. I love the idea of being able to distribute high quality content via the internet, without the need for huge budgets, licensing, and all the hassle involved more conventional means. I do a lot of live streaming from small venues, and by their very nature is difficult to fit m...

Submitted by Bob Pank#

Published 01 July 2012

Big Fish, Little Fish, Camera-Top-Box

Big Fish, Little Fish, Camera-Top-BoxFor whole swathes of people within the television industry the concept of digital production - and what we generally refer to as ‘going tapeless’ – is probably now considered slightly old hat. Broadcasters, engineers, camera people and other early adopters of technology are so au fait with digital production the...

Submitted by Will Strauss#

Published 01 July 2012

Quality is the best policy

Despite all the changes in our industry at the moment – and maybe because of them – quality is more important than ever. HD has become the production standard norm. Why have audiences embraced HD so enthusiastically? Because it looks and sounds great. If you have a 42” or bigger screen in your home then the difference between SD and HD is obvious t...

Submitted by Bob Pank#

Published 01 February 2012

Eye to eye: How secure is your content?

Before getting up steam for this article, I contacted a former colleague who worked for several decades on the editorial side of the consumer-audio press. He became one of the first collectors of Compact Discs, a medium trusted by many archivists. The oldest items in his collection date back to the original Q4 1982 launch of audio CDs. Were the old...

Submitted by Bob Pank#

Published 01 November 2011

Eye to Eye, Portable power supplies

The true portability of modern HD mini-cameras and flash-RAM video recorders is encouraging programme makers to go way beyond reach of tethered power supplies. But are the battery-makers living up to the demands being placed on them?Recommendation 1 in portable power supplies is so obvious it almost doesn't need stating: rechargeable batteries are...

Submitted by Bob Pank#

Published 01 February 2011

AF101 a first look

IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Distribution and Delivery 2010

Distribution and Delivery are two elements of in the broadcast chainthat get taken pretty much for granted but both are highly important. My focus in this summary is on equipment and software introduced since IBC 2009 and in the run-up to NAB 2010. Distribution linksThese come in many shapes and flavours, over copper, optical fibre, RF, point-to-po...

Submitted by Bob Pank#

Published 01 May 2010

Stryder TV Brick House Video User Report

Stryder TV is based in Oxfordshire and for decades we have provided both British and International broadcasters with a complete video production services. Our camera crews have operated in 45 countries from the Arctic to the Tropics and we produce anything from web content to beaming live pictures across the world with our satellite truck. We neede...

Submitted by Dennis Lennie

Published 01 October 2008

The Brown Stabilizer

Garrett Brown is best known as the Oscar-winning inventor of the Steadicam®. He has shot with it on nearly 100 movies including Rocky, The Shining and Return of the Jedi. Garrett holds 50 patents worldwide for camera devices which include the new Steadicam Merlin, a miniature version for camcorders; Skycam, the robot camera that flies on wires over...

Submitted by Dennis Lennie

Published 01 March 2008