KitPlus | Articles

Soutions for Portable Storage

We all know how frustrating it can be to keep losing data because your hard drive keeps packing in, right? So, I 've done my research to help you choose the best portable hard drives with a focus for the 'on the go ' editor of today!1. Coming in at No.1 is the 2TB Seagate Backup Plus Slim. This little beauty weighs 5.6 ounces and is incredibly thin...

Submitted by Beth Zarkosh

Published 14 June 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Dynamic display revolution!

Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus

Published 01 September 2015

How we got live streaming to work for us

by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#

Published 01 August 2015

The importance of storage

by Larry Jordan Issue 102 - June 2015 "What\'s the best computer to edit video?\" It\'s a great question - it\'s just the wrong question. Yes, CPU speed is important and the Internet is buzzing with the latest specs on GPUs. But, today, virtually any currently shipping computer is more than adequate to edit video; even 4K. The critical component th...

Submitted by Larry Jordan#

Published 01 July 2015

A wide spectrum of choice

by Andy Clements Issue 101 - May 2015 Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today\'s large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, grea...

Submitted by Andy Clements

Published 01 June 2015

Post Production gear guide - what new products to watch o...

by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh

Published 01 February 2015

Africans in London TV

by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail

Published 01 December 2014

Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

Professional Media Card Readers

by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte

Published 01 November 2014

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Playing games with radio mics on location

by Richard Meredith Issue 93 - September 2014 Some people use the same radio mics year in year out for every job that they do - others hire in radio mics for every job and don’t own anything - I am in the unique (nearly) position of being able to select the most appropriate from my own hire stock, and so every project has the equipment best suited...

Submitted by Richard Meredith

Published 01 October 2014

Communicating via IP

by Andy Covey Issue 93 - September 2014 At the turn of the 21st century the concept of IP-based systems first started to emerge, and with all things new, there were those who said it couldn’t be done with intercom systems. Communication, some reasoned, was simply too important to trust to perceived IT infrastructure issues of bandwidth and latency...

Submitted by Andy Covey

Published 01 October 2014

Fashionable Live Streaming

by Katie Phibbs Issue 93 - September 2014 For the launch of their Autumn Winter 2014 collection, Ted Baker called on London studio 3xScreen Media to provide an ambitious production and live streaming solution. The brief was to provide catwalk coverage via four simultaneous live streams viewed in a player designed and built for purpose. The fashion...

Submitted by Kate Phibbs

Published 01 October 2014

The brains behind a no brainer

by Thomas Dove Issue 92 - August 2014 It’s perhaps not surprising that a lot of professional video and audio editors don’t fully grasp the minutia of file-based media formats and delivery specifications such as those established by the Digital Production Partnership (DPP). After all, an editor’s job is to is to make compelling content, whether for...

Submitted by Thomas Dove

Published 01 September 2014