KitPlus | Articles

Speed in a Changing Media Landscape

We are living in the video era - the staggering statistics on video growth make that abundantly clear. According to Cisco’s Visual Networking Index: Forecast and Methodology 2016–2021, video will make up 82 percent of all consumer internet traffic by 2021, an increase from 73 percent in 2016. To put this in perspective, “it would take an individual...

Submitted by Mike Nash

Published 08 February 2018

Multi-camera fly-away for live music production

A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2...

Submitted by Aaron Dunleavy

Published 19 October 2017

Preserving the Past is a Forlorn Task

by Larry Jordan Issue 109 - January 2016 This week I presented a webinar on how to protect your stuff using archiving. Why? Because hard disks are great for immediate storage, but inadequate for files that you want to keep for a long time. To help you understand my point of view, backup is something you do on a daily and/or weekly basis so you have...

Submitted by Larry Jordan#

Published 21 January 2016

Extreme equipment for the Film and TV industry

Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus

Published 01 May 2015

Eye to Eye: Video Post-production

Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#

Published 01 January 2015

Taking legacy content into the 4K world

by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc

Published 01 January 2014

Bob is up in the air with 4K

by Bob Pank Issue 84 - December 2013 The closer you look at 4K UHD the more you see what needs to be done to make it work from scene to screen. Until that pipe is complete no practical service can flow to the consumer. The parts that are working and available now are the cameras, recorders and post production. Beyond those there are a few satellite...

Submitted by Bob Pank#

Published 01 January 2014

A testing 4K future...

by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney

Published 01 December 2013

Do you think 3D Broadcasting in its current format is lik...

There are two issues that affect the potential growth of 3D in broadcasting: they are the widespread availability of 3D enabled devices, and the cost of producing and broadcasting 3D content. All HD TV sets from major manufacturers over 40 inches that are sold today include 3D capability, so the end-user market of 3D capable viewers is growing by d...

Submitted by Bob Pank#

Published 01 January 2012

Building an HD MCR for The Associated Press

The Associated Press delivers fast, unbiased news from every corner of the world to all media platforms and formats. Founded in 1846, it has grown into a large and trusted source of independent news and information. AP’s activity in the broadcast market centres on the supply of live and edited video to over 500 broadcasting operations and 200 news...

Submitted by Bob Pank#

Published 01 December 2011

HTML5 and H.264. Friends United....

H.264 - The Success StorySome technologies like DVD, CD, TV and the PC prove themselves over time. They are practical, flexible, reliable - even universal. Is H.264 one of those magic bullet technologies?H.264, also known as MPEG-4 Part 10 or AVC, is the video codec that has taken the broadcast and consumer world by storm. In 2008, Anthony Rose, fo...

Submitted by Kieron Seth#

Published 01 August 2011

Post Production Ask The Experts

IntroductionIt’s a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Eye to eye: The changing face of video displays

Video display technology is progressing so fast that the phrase 'More revolutions than a banana republic' inevitably comes to mind. No offence intended if you have just taken over as president. From the 1930s to the present century, television display was dominated almost entirely by cathode ray tubes. Competition then arrived in the form of plasma...

Submitted by Bob Pank#

Published 01 March 2011

Does 2D to 3D really work?

It is widely said that 3D has to be done well as, if it’s not, then it actually can hurt the viewer and give 3D a bad name. Certainly there have been big efforts to make good 3D, with Sky going to great lengths to ensure they set a high standard. Unlike the old 3D celluloid films, digital 3D can be a completely stable medium; it does not degrade wi...

Submitted by Bob Pank#

Published 01 December 2010