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The UPs and Downs At NAB with Mr MXF


i "Nothing is finer than the pictures on that monitor", said my colleague as we stood in front of the enormous Sony LED screen showing super bright, super wide HDR pictures that were beautifully shot and carefully presented. The English language, however, can be confusing because when I returned from NAB and showed my wife the photos that I took, s...

Submitted by Bruce Devlin - new
Published 01 August 2017

A Software Based Approach to Video Monitoring


Real-time content monitoring is a mission-critical operation for broadcasters, telecom, and satellite operators. Traditionally, service providers have used monitoring systems based on specialized hardware with a dedicated, fixed interface designed to monitor a specific number of video feeds. Yet, bespoke hardware solutions require a substantial amo...

Submitted by Anupama Anantharaman - new
Published 04 April 2017

Television is dead, long live television


After decades of operating within the same fundamental model, the walls around our world - what was the broadcast world, or "vertical", in marketing terms - are crumbling. NAB 2016 clearly showed this and IBC 2016 took it one step further: momentum is strengthening as we push towards an IP future. The TVB2020 conference earlier this year also refle...

Submitted by Ephraim Barrett
Published 07 December 2016

Hacking Hell


There was a really scary story in the news a week or two ago. In the words of Yves Bigot, director-general of TV5 Monde, "we were a couple of hours from having the whole station gone for good". What happened to this highly respected broadcaster was that malicious hackers set out to destroy the network\'s systems. That has to be an alarm call for al...

Submitted by Dick Hobbs.
Published 07 December 2016

Selecting the right broadcast minicam lens


So we all know that HD and 4K (and beyond) is the norm for content creation and delivery, with the need for unique and versatile shots being offered to increase the audiences participation and visual experiences. A major factor aside from the camera itself is the selection of lens, for some of the UHD sensor formats a broad spectrum of "off the she...

Submitted by Steffan Hewitt
Published 10 November 2016

Ask The Expert- Post Production Supervisor at BBC Studios...


by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman
Published 21 January 2016

Taking aim


by Dick Hobbs Issue 109 - January 2016 Happy 2016! We have a lot to look forward to this year. In Europe we are likely to find huge amusement in the American presidential election which this year seems to be throwing up an unprecedented set of clowns. In midsummer we have the Olympics in Rio, which should be quite a carnival. In our industry we hav...

Submitted by Dick Hobbs.
Published 21 January 2016

Riding the TV Marketing and Social Media Wave


with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University
Published 15 December 2015

When the going gets tough


Issue 100 - April 2015 From the monsoonal rainforests of Papua New Guinea to the frozen Antarctic wastes , Peli cases perform in all conditions as Producer/Director and Cameraman, Alexis Girardet explains... Peli cases are renowned for their high quality, durability and dependability in extreme conditions. Offering watertight, dustproof and crushpr...

Submitted by KitPlus
Published 01 May 2015

How full is your spectrum?


by Ian Muir Issue 98 - February 2015 Colour tuneable (Bi-Colour) LED based lamps are now increasingly commonplace in the world of Film and Broadcast. Their capacity to provide a choice of colour temperatures, usually in the realms of 3200K to 5600K, can be extremely useful. This is particularly beneficial when working in environments where setup ti...

Submitted by Ian Muir
Published 01 March 2015

Kit Protection - the professionals choice


Issue 98 - February 2015More than 30 years of product development has ensured Peli Cases are the market leader in essential protection for broadcast and photographic equipment. Offering watertight, dustproof and crushproof security, Peli cases are backed by legendary "You break it, we replace it\" lifetime guarantee. Professionals choose Peli cases...

Submitted by KitPlus
Published 01 March 2015

Archiving as a service at BBC Studios and Post Production


by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw
Published 01 February 2015

Studio furniture at the cutting edge


by Graham Buchanan Issue 97 - January 2015 Custom Consoles was established in 1996 to meet the market demand for efficient and robust studio furniture at accountant-friendly prices. That may sound trite but we were working in SI roles ourselves and knew from direct experience how difficult it was to commission third-party desks built to the high st...

Submitted by Graham Buchanan
Published 01 February 2015

Heavy duty LCD Transportation


Over the last few years we have seen the release of hundreds of new plasma LCDs LEDs and now 3D LED with new models from new manufactures being released with what seems like every day. The huge growth in the sector has driven down the cost of production allowing companies to be very creative in how and which way to use the screens. For example we n...

Submitted by Bob Pank#
Published 01 January 2015

Stars of the show - A visitors view


by Ben Sheriff Issue 96 - December 2014 Yesterday TV-BAY - Kit Plus came to East London\'s Brick Lane showcasing a roadshow packed with great seminars and kit to whet our appetites in advance of BVE in February. It was no great surprise that, for the DPs and camera operators at least the star of the event was the Sony PXW-FS7. Sony\'s latest large...

Submitted by Ben Sherriff
Published 01 January 2015