KitPlus | Articles

Thanks for the memory

If I need to impress on someone just how old I really am, I explain that my first computer had 32kB of Ram. Then we go through the “you mean 32 meg” “no, I mean 32 k” routine. It does seem implausible that, while I managed to write letters on my BBC Model B, today I need half a million times the memory to bash out columns for TV Bay. This is, of co...

Submitted by Bob Pank#

Published 01 July 2011

Reviewed DSC Labs Chroma Du Monde

Visual Impact were provided with a DSC Labs CamAlign CDM 28R Chroma Du Monde to test at their Teddington base this week, and unsurprisingly were impressed with what they found. Upon first impressions, the test chart seemed to employ a far too reflective surface which would inherently cause unwanted reflections and thus yield incorrect results. A br...

Submitted by Bob Pank#

Published 01 July 2011

North West 200

As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#

Published 01 July 2011

tv-bay questions

Name & Title?Eugene McCrystal, owner of EMC Post Production in DublinWho are you? (about yourself and who you work for)?I have been working in the broadcast and film industry for over 20 years. I started my career as an engineer with Carlton Television but quickly transitioned within Carlton to online editor. In 2004, I co-founded EGG Post Producti...

Submitted by Bob Pank#

Published 01 June 2011

Its good to talk

Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

Either meet your listeners halfway, or get them to come t...

In TV Bay’s IPTV & Online issue, I spoke about how streaming video online enabled content owners to share their work with the world a lot more effectively, so although the end result is the same, what technical procedures are different for streaming pure audio content?The pace of technical advancements have now established distinct requirements for...

Submitted by Kieron Seth#

Published 01 June 2011

tv-bay questions

Name & TitleChristopher Pitbladdo, Creative Director at DB Creative TVWho are you? (about yourself and DB Creative)?I'm an editor who's been cutting broadcast television documentaries and commercials since 1997. Having spent time living and working in London, I decided to make a lifestyle choice, and go back to my hometown of Edinburgh. DB Creative...

Submitted by Bob Pank#

Published 01 May 2011

Back to basics asset management

There are two things you should know before I start. One is that the strapline for my company’s product, Mediaflex, is “Beyond Media Asset Management”. And the second is that I hate the term “Media Asset Management” because it has come to be meaningless. Too many people have used it to mean too many different things. So what is Media Asset Manageme...

Submitted by Bob Pank#

Published 01 May 2011

AdVision TV: Editing... Live

Glastonbury - it's on TV. Premier League Football? On TV. Not subscribing to the right satellite channel? Worried about missing a big event? Try Googling it, try YouTube. You would have thought that live events would struggle to survive in the face of this wall of media coverage. But rock concerts, sports matches, conferences and venues across the...

Submitted by Kieron Seth#

Published 01 May 2011

3D Post at NAB, Wimbledon, and more

You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even thoug...

Submitted by Bob Pank#

Published 01 May 2011

Why do broadcasters need to take an interest in connected...

Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#

Published 01 April 2011

Will Youview and IPTV change the face of TV Broadcasting

Youview, and the evolution of Internet Protocol TV (IPTV), are set to have a major impact on the UK broadcasting industry. Youview is the latest evolution of Freeview and Freesat, the Set Top Boxes (STB) that give access to additional channels without a monthly subscription. Freeview gives viewers access to terrestrial broadcasts, while Freesat ena...

Submitted by Bob Pank#

Published 01 April 2011

BBC Academy

Today’s broadcast industry depends on a mobile workforce of skilled professionals. And in the YouTube age where anyone can upload a film, what distinguishes the professional from the amateur? In short - great training!A recent survey of industry freelancers reveals that more than half rank training as one of the most important factors in developing...

Submitted by Bob Pank#

Published 01 March 2011

Neither a borrower nor a lender be....

Much has been written in the press recently about access to, or more frequently, the absence of funding for small businesses, otherwise known as SMEs (small and medium enterprises). But how do we define a small enterprise and when does a company transition from a small to medium enterprise?The official definitions are as follows: a small company ha...

Submitted by Bob Pank#

Published 01 March 2011

True Colours Shine Through With CCS

When you are a broadcast engineer working in front of a stack of LCD monitors, seeing a significant difference between the brightness and colour of each monitor can be both annoying and tiring on the eyes. Worse still, if you in a Master Control Room and the pictures have taken on a sickly green hue, how do you know that it is just the monitors at...

Submitted by Bob Pank#

Published 01 March 2011