KitPlus | Articles

Professional Media Card Readers

by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte

Published 01 November 2014

How To Produce and Stream a live Production

by Chris Waddington Issue 94 - October 2014 Today, anyone with a smartphone and an internet connection can stream video content for free. The challenge is to create professional looking content that makes an impact; to do that it needs to have the polished look viewers are accustomed to seeing on network television, or they\'ll stop watching. In th...

Submitted by Chris Waddington

Published 01 November 2014

Mobile News Gathering

by Erwan Gasc Issue 93 - September 2014 What are the most common challenges facing broadcasters in the field today? One of the most critical challenges for broadcasters today is arriving first on the scene of a breaking news story and being able to send live video coverage. Tough competition between TV channels, combined with the fact that consumer...

Submitted by Erwan Gasc

Published 01 October 2014

Communicating via IP

by Andy Covey Issue 93 - September 2014 At the turn of the 21st century the concept of IP-based systems first started to emerge, and with all things new, there were those who said it couldn’t be done with intercom systems. Communication, some reasoned, was simply too important to trust to perceived IT infrastructure issues of bandwidth and latency...

Submitted by Andy Covey

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

FM Over Satellite Challenges

by Werner Drews Issue 93 - September 2014 Seeking new ways to refine operational efficiency, broadcasters using satellite to deliver FM now have a palette of options. The combination of satellite with IP is being investigated by many in a variety of configurations, to achieve some or all of the goals of cost reduction, flexibility, redundancy, and...

Submitted by Werner Drews

Published 01 October 2014

SIZE is everything

Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus

Published 01 October 2014

A Closer Look at DVB-S2X

by Joerg Rockstroh Issue 93 - September 2014 Is DVB-S2X a feature set on top of DVB-S2 or a complete new signal form?DVB-S2X is an extension of the DVB-S2 specifi cation that formalizes existing features (e.g., smaller roll-offs) in addition to introducing completely new features (e.g., higher MODCODs). This enables operators to achieve substantial...

Submitted by Joerg Rockstroh

Published 01 October 2014

Israels i24news

by Jason Danielston Issue 92 - August 2014 Israeli international news channel i24news went on air in July 2013. Broadcasting from Jaffa port, Tel Aviv, it airs international news on three channels in three languages: English, French, and Arabic. The channel provides news content and magazine pieces to 800 million households around the world on cabl...

Submitted by Jason Danielson#

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Seamless and automated online publishing

by Rino Petricola Issue 91 - July 2014 In todays anywhere/anytime/any screen media environment, companies and advertisers have an unprecedented opportunity to connect with audiences. Consumers appetite for Internet-enabled gadgets and devices is showing no signs of abating, driven by improvements in encoding technology and bandwidth infrastructure....

Submitted by Rino Petricola

Published 01 August 2014

Advanced security solutions

by David Leporini Issue 91 - July 2014 In todays connected world, TV content is everywhere. By facilitating the streaming of high-quality video content, the Internet has made it simpler and cheaper to consume content, including live TV. While this scenario presents obvious advantages for consumers, it has also created significant challenges for con...

Submitted by David Leporini

Published 01 August 2014

The Challenges of streaming media

by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#

Published 01 August 2014

Take it to the bridge

by Will Strauss Issue 91 - July 2014 Since the late 1980s, studios, facilities, OB trucks and many other professional broadcast set-ups have relied on digital video standards such as SDI (Serial Digital Interface) to move audio and video around. Using SDI it has been possible to happily construct a reliable, error-free, plug-and-play, real-time ope...

Submitted by Will Strauss#

Published 01 August 2014

Disaster Recovery the broadcast emergancy service

by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard

Published 01 July 2014