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Studio Invate - Case Studio


Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location wo...

Submitted by KitPlus
Published 12 February 2018

AoIP in the intercom world


Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow
Published 17 January 2018

Leveraging licensed broadcast spectrum assets


There are several different approaches to transmitting live and file-based content from the field to the studio. Traditional microwave Electronic News Gathering (ENG) provides high bandwidth, high-quality transmission with low latency. Using the secure, dedicated BAS spectrum keeps control in a broadcasters hands. The past few years have seen a shi...

Submitted by John Payne
Published 02 November 2017

Growing a news agency from the inside out


Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satel...

Submitted by Lorna Garrett
Published 02 November 2017

State of the Nation - part 2


This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there. This year’s IBC is a particularly special event, though. It is 50 years – almost to the day – since the very first Inte...

Submitted by Dick Hobbs - new
Published 19 October 2017

Production Communications in a Shrinking World


Communications today is a critical issueno matter if you are producing broadcast television, doing a live festival or rock concert outdoors, setting up a musical on the West End, or producing a local school play. Over the last few years, the proliferation of cell phones and other wireless devices has made it clear that most people prefer to communi...

Submitted by Gary Rosen
Published 19 October 2017

Back to Basics with IP Video Production


Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson
Published 19 October 2017

Cellular, Satellite or Fixed Link - how do you choose


Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree. Similarly, the subtleties betwe...

Submitted by Lorna Garrett
Published 19 October 2017

Implementing an IP workflow


i The eventual move to incorporate IP into your infrastructures is an inevitability. However, with justified concerns about interoperability and uncertainty about which vendors are best placed to help organisations achieve their IP media networking and content delivery goals, is it any wonder there is hesitation about moving forward? Broadcasters v...

Submitted by John Smith -new
Published 07 September 2017

Mobile internet connectivity in the field


i Mobile Internet connectivity is critical to the success of remote news crews. Whether they\'re doing a reporting assignment for news, sports, or live events, they need a strong and reliable Internet connection. To have an edge over their competition and get content to air faster, crews need to be able to work just as if they were in the studio, b...

Submitted by Bill Nardi
Published 07 September 2017

IP Based Remote Production


i Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris. Before I get into the detail of remote produc...

Submitted by Ed Calverley
Published 07 September 2017

360 degree video storage requirements


i Swim with bears, run with the bulls, get a pads-eye view of a rocket launch: 360 degree video production, also known as cinematic VR, makes these and many other bucket list-worthy events more accessible than ever. The format has evolved into a powerful storytelling tool, and one that changes not only the way in which visual experiences are shaped...

Submitted by Dave Frederick
Published 07 September 2017

Infrastructure boost with single node storage solutions


i Like other market segments, the motion picture and video production industry is dominated by smaller productions and facilities. Until now, the only option for this portion of the market to take advantage of the performance, fault-tolerance and ease of management of a modern scale-out storage platform was to invest in a storage cluster consisting...

Submitted by Lee Griffin
Published 07 September 2017

Modernizing the Cutting Edge


Over the last decade, streaming as a medium has seen tremendous growth. Services like Netflix, Hulu, and Amazon Video are no longer just post-hoc distributors of broadcast television content, they have become content creators and are producing some of the most well received "television\" content of the past few years. For example, at the 2013 Prime...

Submitted by Myles Carter - new
Published 19 May 2017

Live Remote Production Over IP


As broadcasters migrate to a more ubiquitous IP transport and switching network infrastructure, a key benefit is that the variable expenditures of remote on-site live productions can be dramatically reduced, as it is no longer necessary to carry the high field costs associated with these activities. The broadcast studio can now be seamlessly connec...

Submitted by John Smith -new
Published 04 April 2017