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Cloud Matter Part 1 - Fear of Fluff!


Although I’m writing this article in the usual way, by sitting at my desk and tapping on my keyboard, the only app running on my computer is the web browser. I can see the article on the screen but have no idea where it’s being stored. Still I have every confidence that it will be instantly recalled whenever I want it.... provided my modem and Inte...

Submitted by Bob Pank#
Published 01 April 2012

The Biggest Game in Town


The Biggest Game in TownAnnually, as the Super Bowl approaches, stores across the States stack their shelves with the latest HDTV sets. Advertising sales teams cancel all holidays and prepare for a feeding frenzy. Networks bid in earnest to win exclusive game broadcasting rights. And new media innovators roll out their latest online and mobile apps...

Submitted by Kieron Seth#
Published 01 April 2012

Ask the experts......Intercoms for outside broadcasts


Ask the experts – intercoms for outside broadcastsBarry Spencer, Trilogy CommunicationsI just assume outside broadcast trucks come with an intercom. Why do I need to even think about it?The first big point is that an outside broadcast is not just a control room on wheels. It is an event. And that means communications beyond the truck. Within the pr...

Submitted by Kieron Seth#
Published 01 April 2012

Grading across the Atlantic


In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#
Published 01 February 2012

Do you think 3D Broadcasting in its current format is lik...


There are two issues that affect the potential growth of 3D in broadcasting: they are the widespread availability of 3D enabled devices, and the cost of producing and broadcasting 3D content. All HD TV sets from major manufacturers over 40 inches that are sold today include 3D capability, so the end-user market of 3D capable viewers is growing by d...

Submitted by Bob Pank#
Published 01 January 2012

Monitoring in the file-based environment


One of the major challenges facing broadcasters and content producers today is quality control. In the traditional model QC was performed by skilled viewers in real time, watching the content on a good monitor alongside a waveform monitor and audio meters to ensure the technical parameters were optimised. That is still critical, although the onus f...

Submitted by Bob Pank#
Published 01 December 2011

Fast 3D


It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#
Published 01 November 2011

Storage and archiving


Anyone looking closely at a helical scan video tape mechanism, particularly the miniature variety, might be forgiven for wondering how such an elaborate technology ever came to be invented. The first experimental video tape recorders were essentially audio recorders running at very high speed to achieve the bandwidth needed for television signals....

Submitted by Bob Pank#
Published 01 October 2011

Ask the Experts on Storage and Archive


What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#
Published 01 October 2011

Colourist and Online Editor


Who are you? (about yourself and who you work for)?I run East London Post based in Shoreditch, which is currently a single suite Colour Grading and Online Editing business based around DaVinci Resolve and Apple FCS3. What do you do? What does your company do?East London Post provides colour grading and online editing for a wide range of projects. W...

Submitted by Bob Pank#
Published 01 October 2011

Operating at the cellular level


The live coverage of outside broadcast events, news or sports has always been an expensive and logistically cumbersome business. The need to invest millions of pounds in specialist satellite trucks can take years to recoup, putting the ability to service live sports contracts beyond the economy of a very few suppliers. Even the live presentation of...

Submitted by Bob Pank#
Published 01 September 2011

So what is Digital Television. Part 3


Last month Richard described moving forward from analogue to Digital video. This month he covers Gamma and conversion difference…Gamma correctionAn analogue factor to be considered in the handling of the video signal is the perception that the video display is accurately reproducing the brightness of each element of the scene. The Cathode Ray Tube...

Submitted by Bob Pank#
Published 01 September 2011

Game, Set and Match


It was only three months ago that this column hailed featured the new DVB-3DTV standard. But already there’s talk of a second version, or rather ‘phase’, as described by David Wood of the EBU in the new 3D Roundabout newsletter. In a way this is healthy. It shows just how fast 3DTV is moving and, whereas phase 1 is designed to work with existing 2D...

Submitted by Bob Pank#
Published 01 August 2011

What is high-performance data transport and why is it imp...


What is high-performance data transport and why is it important?The advent of digital content has led major media companies and their IT partners to design fully-integrated systems for the creation, distribution, repurposing and archiving of their file-based content. While most processes associated with content production and distribution have tran...

Submitted by Bob Pank#
Published 01 August 2011

Cameras for streaming


I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#
Published 01 August 2011