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TVFutures - The Battle of the Flowers


Studying on the BSc Television and Broadcasting course at the University of Portsmouth had given me some experience working as a camera operator, but this summer I had the chance to put what I\'d learned over the last two years into practice. Back home in the sunny island of Jersey, in what newsrooms would usually call the \'silly season\', an even...

Submitted by Alex Watson
Published 10 November 2016

Heading towards brightness regulations


I like IBC in the same way that I find NAB grating. Maybe I have been living in the UK for too long, but the bright morning Amsterdam sun breaking through clouds and reflecting off the canal while fit young things on bicycles pedal to college; snapchatting with their friends and avoiding collisions with practised ease has a certain charm. You just...

Submitted by Bruce Devlin
Published 10 November 2016

IBC with the BBC


IBC is an exciting opportunity for us in BBC R&D to share with the world the work we've been doing on a range of technologies. Those attending the conference will be able see much of the work we are doing on new forms of content and workflows and get an understanding of the object based principles for broadcasting which we are working towards, enab...

Submitted by Jon Page
Published 26 September 2016

Reducing the costof live production


Prime time ratings are declining. Viewers can now watch their favourite shows plus new programming where and how they want and it customer loyalty is fast becoming a trait of the past. However, one area which is still continues to attract significant audience figures is live TV, particularly live sporting events. For example: it was estimated that...

Submitted by John Smith
Published 26 September 2016

The vital role of communications in live production


Live event production is extremely challenging under the best of circumstances. Whether it be sports, concerts, theater or some other event, live production only gives you one chance to get it right. Staging, sound, lighting, cameras, video, special effects, costume, makeup and more, can all go into making a successful live production. Starting hou...

Submitted by Tom Turkington
Published 26 September 2016

Make sure you are connected. The writing is on the wall


SIS LIVE has a long history of providing OB technology for horse and dog racing, our traditional link to sports. So you can rightly deduce that we\'re not what could be considered a more generic OB company. Racing is our heritage and is something we continue to support. Having said that, we work with a multitude of OB companies in our new guise as...

Submitted by John Bozza
Published 26 September 2016

Self contained and expandable commentary systems


Adopting innovative technologies and techniques is always fundamental to the control of capital and operational costs - the key to broadcast facilities or technology providers gaining competitive advantage. Sports commentary has continually suffered from high operational costs, whether at the sports venue itself or "off-glass", due to the need for...

Submitted by Chris Collings
Published 26 September 2016

Shooting the WRC Rally


Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway
Published 25 August 2016

The FAQs on automated quality assurance


The transition from tape-based to file-based video and audio recording allowed a completely new approach to the business of checking that programmes and interstitials conform to broad-cast industry standards prior to transmission. The Vidcheck team designed the world\'s first au-tomated broadcast quality control product. We have been working on fil...

Submitted by Thomas Dove
Published 25 August 2016

The future of timing and timecode


It is SMPTE\'s 100th anniversary! I hope that all readers have had a chance to view the Centennial Video (https://www.youtube.com/watch?v=jN2yYrEFMFQ) and to contemplate that 100 years ago we were in the dawn of the cinema era, where different equipment used different frame rates, different sprocket sizes, different frame sizes and the concept of d...

Submitted by Bruce Devlin
Published 24 August 2016

The return of the Minimoog


The iconic Minimoog is making a return and a return well worth the wait! As this was the world\'s first portable synthesizer and became the role model for all electronic keyboards, the Minimoog Model D was and now is a synthesiser force to be reckoned with. First released in the 1970\'s, it became popular worldwide and attracted attention for its f...

Submitted by Beth Zarkosh
Published 24 August 2016

Test and measurement in a multiformat world


The evolution of television technology since the days of 525-line and 625-line standard definition has left a large legacy of standards which modern broadcast systems now have to recognise and process. In today's video and audio business, creatives and technical staff have to be ready to handle a multiplicity of signal types. In its standard form,...

Submitted by Kevin Salvidge
Published 24 August 2016

On the road with AMG


Established in 1994, AMG Television Productions started out as a video production company filming small club rallies on a local basis. The first TV contract came in 1995 when they were commissioned to film the Safety Devices Hillrally for a program on Sky Sports. The following year they filmed the complete Hillrally championship along with several...

Submitted by Andy Glossop
Published 22 July 2016

The true benefits of the media factory ideal


As an industry we know that to be successful in the new multi-platform, multi-format environment there are hurdles that broadcasters and other content owners must overcome. These include: the introduction of non-linear offerings, which require different services to be managed in parallel; the reduction of revenues from conventional linear channels,...

Submitted by Julian Fernandez-Campon
Published 22 July 2016

The modern day media manager


As industry trends move towards all file-based workflows from production to post production, there are several concepts and traditional industry practices that need to be modified and adapted for the transition. This spans throughout the entire production process in order to ensure that all deliverables are being recorded, edited and stored within...

Submitted by Jonathan Aroesty
Published 22 July 2016