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REDucation - Real world RED camera training


by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff
Published 01 June 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015

Stability not short-term subscriptions


by Lewis Kirkaldie Issue 97 - January 2015 I\'ve been watching the prospect of subscription-based tools with interest. I talk to customers a lot, and they too are monitoring the situation. Some can see advantages; others are wary. I think it depends very much on what the tool is. Being able to switch a service on and off is attractive for some appl...

Submitted by Lewis Kirkaldie
Published 01 February 2015

Coffee and TV: Tracking the Samsung Galaxy Note 4 with mo...


by Jon Trussler Issue 97 - January 2015 When VFX artists are faced with tight deadlines, they rely on software to address particular pain points, helping them deliver the finished product in time. Such was the case when Soho-based VFX studio Coffee and TV was commissioned to hand off 70 VFX shots in just two weeks for three Samsung Galaxy Note 4 co...

Submitted by John Trussler
Published 01 February 2015

Matrox Monarch HD


Issue 96 - December 2014 Matrox Monarch HD is the video streaming and recording appliance for the first live underground music site of its kind, DMO Live (Don't Miss Out), a new platform that records and live-streams international music parties, exclusive artist interviews and festivals direct to the DMO website. Created for the electronic music lo...

Submitted by KitPlus
Published 01 January 2015

An artist gets bored of the same colour palette


by Rob Tarrant Issue 95 - November 2014 So the wait is over. The brand new VariCam was launched at IBC in September. Above all else that means extra choice for high end episodic dramas, advertising and movies, where it has to be said the choice has been limited for far too long. Since the introduction of the original VariCam in 2002, the first high...

Submitted by Rob Tarrant
Published 01 December 2014

Manipulate and Edit


Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#
Published 01 November 2014

Cooking Up A Creative Storm With Patrick And Kylie


Issue 94 - October 2014Three years ago, Patrick Drake, who had recently left a lucrative job working at Goldman Sachs in London to follow his true cooking passion, met Kylie Flavell, a young woman who had abandoned her career as a high-stakes fashion journalist in Australia to pursue her dream of one day hosting her own escapist travel and food sho...

Submitted by KitPlus
Published 01 November 2014

How To Record The Perfect Voice Over


by Beth Zarkhosh Issue 94 - October 2014 Ever wonder how much time and effort goes into creating the perfect voice over and how to record them yourself? As most of us hear the voices on the screen we rarely think about the person who has recorded it or the professional level of technique used to create it. Where can you record? So firstly let\'s ex...

Submitted by Beth Zarkhosh
Published 01 November 2014

Playing games with radio mics on location


by Richard Meredith Issue 93 - September 2014 Some people use the same radio mics year in year out for every job that they do - others hire in radio mics for every job and don’t own anything - I am in the unique (nearly) position of being able to select the most appropriate from my own hire stock, and so every project has the equipment best suited...

Submitted by Richard Meredith
Published 01 October 2014

SIZE is everything


Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus
Published 01 October 2014

What Directors do and dont do


by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman
Published 01 September 2014

Music licensing for corporate video


by Kevin Cook Issue 89 - May 2014 Music copyright is a nightmare. Its an incredibly confusing subject and failing to understand it can be potentially ruinous. As a corporate video producer you simply cant skip around the subject as its something that youll have to deal with on a daily basis. Quite often clients will also ask for their favourite com...

Submitted by Kevin Cook
Published 01 June 2014

Made with love


by Simon Marett Issue 89 - May 2014 It can wash over you, hardly heard but intensely felt. It can convey a mood without a word being spoken. It can jar and jangle your nerves - in a good way, if its a thriller. Or it can make you cry. The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, t...

Submitted by Simon Marett#
Published 01 June 2014

Tech trends drive more efficent and more flexible communi...


by Serkan Gner Issue 89 - May 2014 The emergence of new signal transport protocols and standards and the embrace of new methods of interfacing are changing the way communications are being handled for broadcasters. Increasing implementation of Audio Video Bridging (AVB) and the growing need and acceptance of remote mobile connections to intercom sy...

Submitted by Serkan Guner
Published 01 June 2014