KitPlus | Articles

Restoring The World At War

Originally broadcast in 1973 by ITV, the sweeping documentary “The World at War” focuses on the events immediately before, during, and after World War II. The British-produced television series is presented in 26 hour-long episodes and provides one of the most penetrating views into the war ever put to film. Narrated by Sir Lawrence Olivier, “The W...

Submitted by Bob Pank#

Published 01 September 2010

Making the content factory a reality

The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#

Published 01 September 2010

Game, Set and Media Management

A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#

Published 01 August 2010

Playout in a recession

Times are tight and budgets are being cut. Weak companies may fail but the stronger ones will survive. Those in good shape and offering a lower priced alternative could actually thrive – but the product still has to perform. With the television industry still actually expanding the number of channels on-air are increasing with many looking at lower...

Submitted by Bob Pank#

Published 01 May 2010

How to Automate HD

HD movies are on average more than three times larger in size than the equivalent SD movie. Naturally therefore, HD material requires more storage and longer to transfer from the archive/storage to the transmission path. Managing these increased file sizes and optimally controlling the bandwidth is one of the main challenges which need to be addres...

Submitted by Bob Pank#

Published 01 May 2010

2020 television

Television has proved the most popular and efficient form of human communication since the evolution of speech and the development of the written word. The industry has come a long way in a short time and still has a huge future, whatever the delivery route or the receiving platform. My intention here is to outline the key factors influencing the d...

Submitted by Bob Pank#

Published 01 April 2010

A Guide to Testing IPTV: Technologies and Challenges Par...

Throughout this article series we have seen that IPTV network operators face many challenges and explained that effective test and measurement is key to overcoming these challenges. The majority of IPTV networks are still in the early stages of development and operators are therefore primarily concerned with optimising QoS parameters in order to ge...

Submitted by Dennis Lennie

Published 01 December 2009

SATIS in a day

Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie

Published 01 December 2009

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009

Automation in Uncertain Times

In light of the unfavourable economic outlook broadcasters need to protect their investment in technology like never before. There is a high chance that some products designed to make the broadcast environment more efficient will become obsolete and this in turn will have a knock-on and negative effect on workflow in transmission suite. Although br...

Submitted by Dennis Lennie

Published 01 October 2009

Mercedes-Benz Worlds winning formula, Online Creative and...

I set up Online Creative in 1999 after a number of years of linear editing and five years of post working for German non-linear editing manufacturer, FAST, during the pioneering days of digital video. The early 90s were a very exciting time editing with non-linear for the first time, although I haven’t done a linear edit since!Online Creative has g...

Submitted by Dennis Lennie

Published 01 October 2009

Digital Vision case study

The Edit Store, based in London’s W1, is one of the last few independent facilities in the city. Spread across two buildings, the Edit Store provides many of the world’s leading broadcasters with offline, online, grading and audio dubbing facilities primarily for broadcast factual programmes. At the heart of its HD grading suite, introduced in 2008...

Submitted by Dennis Lennie

Published 01 October 2009

Automation in Uncertain Times

In light of the unfavourable economic outlook broadcasters need to protect their investment in technology like never before. There is a high chance that some products designed to make the broadcast environment more efficient will become obsolete and this in turn will have a knock-on and negative effect on workflow in transmission suite. Although br...

Submitted by Dennis Lennie

Published 01 September 2009

Beating the Blu-ray coding blues

Tommy Simonsson runs SitoCad in Stockholm, Sweden, a professional video production company specialising in industrial work, conferences and weddings. He shoots in high definition on a Sony PMW-EX3 camcorder, and finishes his projects using the Grass Valley EDIUS nonlinear editor. “When I show them what HD looks like, most of my customers choose Blu...

Submitted by Dennis Lennie

Published 01 August 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009