KitPlus | Articles

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

How to Sell a Film Before it is Made

by Beth Zarkosh Issue 93 - September 2014 Independent filmmakers can produce some of the most gripping, compelling and original cinematic works around, but without funding it’s a real struggle to piece together the requisite resources for such productions to get the backing that they deserve. So what’s the answer? Simple - sell the DVD before you’v...

Submitted by Beth Zarkhosh

Published 01 October 2014

Keeping it real

by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#

Published 01 September 2014

Lighting for virtual sets

by Mike Perry Issue 92 - August 2014 We often get asked why lighting for a virtual set is not working well. The client has fitted a virtual studio painted with domestic green paint and fitted with presumably suitable lights, but the camera just can’t get a decent image. Where’s it all going wrong? Well, to answer questions about lighting a virtual...

Submitted by Mike Perry

Published 01 September 2014

On Set of Top Gear festival live

Issue 91 - July 201420th June 2014, London UK - Zero Division provided a bespoke installation of the Boxx TV Zenith system for the Top Gear Festival in Barbados at the newly renovated Bushy Park race track, and provided on-site support during the event. The Top Gear Festival is a live show staged to tens of thousands of visitors, to bring the spiri...

Submitted by KitPlus

Published 01 August 2014

The Challenges of streaming media

by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#

Published 01 August 2014

Is the future virtual

by Dick Hobbs Issue 91 - July 2014 Just a couple of days ago, I went to a memorial service for a very nice man called John Wilson. If you have heard of John, it was probably for his work as the chairman of IBC in the 1990s, leading the move from Brighton to Amsterdam, then to an annual event, then to its management by an independent and professiona...

Submitted by Dick Hobbs.

Published 01 August 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

Information Control and Automation but not as you know it

by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire

Published 01 July 2014

Ask the Experts

by Matthew Rehrer Issue 90 - June 2014 What trends are you seeing with respect to investment in archiving solutions?Investment in archiving solutions has been shaped by several major trends, all fundamentally driven by the desire to store and manage media content in such a way that it can better support effective and/or profitable use of those asse...

Submitted by Matthew Rehrer

Published 01 July 2014

RTS Thames Valley NAB 2014 Review

by Simon Tillyer Issue 90 - June 2014 A sunny, early summer evening welcomed over 40 people to the annual RTS NAB review on 14th May. This annual get together features a panel of guests, chaired by Dick Hobbs discussing their experiences and thoughts of NAB. The panel consisted of Maya Severyn (Head of Technical Services & Support - Chellomedia), J...

Submitted by Simon Tillyer

Published 01 July 2014

Ask the experts: the future for media archives

by Stefano Cavaglieri Issue 89 - May 2014 Semantic linking is a term coined by Tim Berners-Lee and used to describe a framework of syntax that allows computers to understand complex statements of the kind humans are able to deal with easily. If all the information online were to be accessible through semantic linking, computers would be able to mak...

Submitted by Stefano Cavaglieri#

Published 01 June 2014

Does lack of training produce inaudible sound

by John Barlow Issue 89 - May 2014 Jamaica Inn just happens to be the latest example of a mainstream TV drama production being broadcast with inaudible dialogue. The reasons vary from production to production but the end result is always an enormous waste of both acting and technical talent along with immense swathes of production budgets. Was it a...

Submitted by John Barlow

Published 01 June 2014

Problems and solutions in audio

by Mike Law Issue 89 - May 2014 BCD Audio is a UK manufacturing and design company specialising in audio products for the global broadcast and professional market. Mike Law is company managing director and also head of design. He is a member of the IET and the AES. He presents here several case studies to illustrate how the company has been able to...

Submitted by Mike Law#

Published 01 June 2014

Audio monitoring: critical to visual media services

by Simen Frostad Issue 89 - May 2014 Its a fact of TV broadcasting that audiences will tolerate reduced visual quality much more readily than any impairment to the audio. So long as the audio continues and is intelligible, viewers tend to put up with glitches in the video or even temporary loss of picture. But if a broadcaster lets the audio qualit...

Submitted by Simen Frostad

Published 01 June 2014