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UWP-D11 Review


by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook
Published 01 August 2014

The Challenges of streaming media


by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#
Published 01 August 2014

Teletest Telesend HD LCD receiver Review


by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast
Published 01 July 2014

Information Control and Automation but not as you know it


by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire
Published 01 July 2014

Problems and solutions in audio


by Mike Law Issue 89 - May 2014 BCD Audio is a UK manufacturing and design company specialising in audio products for the global broadcast and professional market. Mike Law is company managing director and also head of design. He is a member of the IET and the AES. He presents here several case studies to illustrate how the company has been able to...

Submitted by Mike Law#
Published 01 June 2014

Game Set Match


by Nico Lewis & Jon Ridel Issue 89 - May 2014 Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without...

Submitted by Nico Lewis
Published 01 June 2014

Digital Communications


by Christian Bockskopf Issue 87 - March 2014 1. What does Riedel do? Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems,...

Submitted by Christian Bockskopf
Published 01 April 2014

Cutting the cord


by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#
Published 01 April 2014

Ask the Experts: Wireless microphone systems for cameras


by Tobias von Allwrden Issue 86 - February 2014 Wireless microphone systems for cameras are used by ENG crews and reporting teams as well as for TV and film shootings, where compact size, low weight and unobtrusive miking are particularly important. A professional camera receiver like the EK 3241 is designed according to the Unislot or Sony standar...

Submitted by Tobias von Allworden
Published 01 March 2014

A new 4k year with Bob Pank


by Bob Pank Issue 85 - January 2014 Throughout 2013 manufacturers were popping up with solutions for 4K which together could take the format all the way from scene to screen. It has been an amazing experience to watch all the technical bricks being developed to complete, well almost, the 4K wall. This rate of progress shows just how fast digital te...

Submitted by Bob Pank#
Published 01 February 2014

Three big questions on OTT


by Simen FrostadIssue 84 - December 2013 Every media operator wants to deliver OTT services, or is already doing so. Growth over the past 18 months has been phenomenal, and a media operation without OTT is almost inconceivable now. But for many coming from a broadcast background, the technical side of OTT is terra incognita, and a mixture of fear a...

Submitted by Simen Frostad
Published 01 January 2014

Live and behind the scenes with lEquipe


Issue 84 - December 2013L'Equipe is a nationwide daily French newspaper devoted to the world of sports. It has a significant online presence, including a popular weekly live web series, Chats Video Orange-Ligue 1 L'Equipe, interviewing players, managers and club owners involved in France’s top flight football league. Each interview lasts 30 minutes...

Submitted by KitPlus
Published 01 January 2014

A testing 4K future...


by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney
Published 01 December 2013

Will Strauss looks at automatic QC for the people


by Will StraussIssue 83 - November 2013 The method in which television producers should deliver their programmes to UK broadcasters is changing. From 1 October 2014 it will be digital files, rather than HDCam SR tapes, that are the preference. It is a fundamental and fairly disruptive change that is the cause of much debate right now. The parameter...

Submitted by Will Strauss#
Published 01 December 2013

Redefining the archive with Raj Patel


by Raj PatelIssue 80 - August 2013 The entire broadcast workflow has changed dramatically in recent years. Predictably, its been a slow-process. The enormity of transitioning from an analogue to a digital workflow is huge for a variety of reasons - planning, testing, implementation and budget, can mean some installations taking up to two years to c...

Submitted by Raj Patel
Published 01 September 2013