KitPlus | Articles

Preparing for the future in television and film

by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#

Published 01 September 2013

A bag for life? PELI Elite Laptop Backpack reviewed

by Simon TillyerIssue 80 - August 2013 Were a big user of PELI cases here at tv-bay. We use them for what they were designed for... and then some with attempted drownings, drops, drags and dynamite tests!So when I was offered the chance to try out the new PELI Elite Laptop Backpack I jumped at the chance. My Workstation Specialists PC is loaded wit...

Submitted by Simon Tillyer

Published 01 September 2013

A preview of this years IBC with Will Strauss

by Will StraussIssue 80 - August 2013 Writing an IBC preview when the show itself is still seven weeks away is never easy. Despite best intentions, lots of exhibitors havent yet shown their hands (or are still deciding which cards to play) and many of those that have, are really not giving much away. However, fear not dear reader. The next two page...

Submitted by Will Strauss#

Published 01 September 2013

Why test and measurement is for real life, not just for e...

by Will StraussIssue 79 - July 2013 Thanks to its long-standing association with virtually incomprehensible acronyms, dark machine rooms and (lets face it) engineers with unruly beards, the subject of Test and Measurement (T&M) always gets a bit of bum rap. Yet, for all the pre-conceptions, it is a hugely important part of the production and broadc...

Submitted by Will Strauss#

Published 01 August 2013

Preparing for the future in television and film

“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#

Published 01 July 2013

The Cloud, a big hit at NAB with Bob Pank

NAB 2013 will go down in history as the event where the broadcast industry took to the Cloud in a big way. Perhaps it was the number of smaller companies and start-ups that have been successfully operating cloud services for a year or more that persuaded the big names to join in but, more likely, these moves have been in the pipeline for a while. T...

Submitted by Bob Pank#

Published 01 June 2013

Back to basics: MPEG Dash

by David Springall, CTO & Founder, YospaceJust when you thought that you had got your head around the different flavours of MPEG, another one comes along. What on earth is MPEG-DASH, and why do we need to care about it?The DASH part stands for dynamic adaptive streaming over HTTP. MPEG-DASH is an attempt to create a standardised approach to deliver...

Submitted by David Springall

Published 01 May 2013

Ask the Experts: What Workstation?

Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices. Scary if you aren’t a hardware guru...

Submitted by Mike Leach

Published 01 February 2013

Is it time to review your colour grading toolset?

One important step for all budget levels of post-production is the colour correction or grading tools you use to match the colour of different shots in your edit, to give a consistent look and feel. You may already be doing basic colour grading without really thinking of it as a separate process in your edit, or you may be sending off your edited t...

Submitted by Mark Brindle

Published 01 February 2013

The evolving face of post production

By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#

Published 01 February 2013

The highs and lows of histograms

Histogram displays for video analysis probably followed those found in common computer graphics programs such as Adobe Photoshop. This can be very useful in finding video signal problems that would be difficult or impossible to see with a conventional waveform display. The histogram is a way of showing statistical results as a bar-chart. The range...

Submitted by Kieron Seth#

Published 01 December 2012

OTT Monitoring: keeping it simple and useful

IntroductionOTT is generally understood to mean a technique where the transmission of video to the subscriber is based on the same underlying methods as those currently being used to serve out web pages on the internet today. The Over-the-Top name refers to the potential of this technology for bypassing existing traditional television distribution...

Submitted by Bob Pank#

Published 01 October 2012

So you think you know Flash?

So you think you know Flash?It is becoming widely accepted that HTML5 will eventually replace Flash as the platform for rich content and video on connected devices, but how can video publishers make the leap and avoid the pitfalls?David Springall, YospaceBack in the early nineties, when what few websites existed were almost completely static, a com...

Submitted by Bob Pank#

Published 01 July 2012

Eye to Eye: Video over IP

Live video streaming via Internet Protocol is perhaps most familiar in the form of Skype’s free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via one’s own...

Submitted by Bob Pank#

Published 01 May 2012

Taking the pain out of collaborative editing

Broadcast and post-production companies face the daily challenge of delivering more for less – both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure managemen...

Submitted by Bob Pank#

Published 01 April 2012