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Live audio contribution over wireless networks


Wireless “live” contribution from anywhere at any time, this is the ultimate goal for most news reporters. The old favorite of using ISDN is becoming harder and much more expensive to access easily. Today most of us use wireless daily, in particular Wifi and HSPA/LTE 4G networks. These are now mature technologies and widely used for many applicatio...

Submitted by Pablo Rodrigues Altmann
Published 08 September 2018

Trade shows and their role in the wired world


Historically trade shows afforded an opportunity to collect the latest brochures relevant to the visitor's chosen industry or career path. Today there seems little reason to store data of any kind, let alone paper brochures, when information is so easily accessible online. Brochure back-packing at exhibitions has become a rare sight, rarer still si...

Submitted by Richard Baker
Published 08 September 2018

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...


Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes
Published 18 July 2018

G-Teching Storage to another level


That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)Ah, the fun of video storage - it may not be t...

Submitted by Phil Vinter
Published 18 July 2018

Why is ST2110 important


Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake
Published 07 June 2018

Tried and tested: DPA d:vice


KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same...

Submitted by KitPlus
Published 26 March 2018

Playing with Pink Floyd


For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus
Published 12 February 2018

Speed in a Changing Media Landscape


We are living in the video era - the staggering statistics on video growth make that abundantly clear. According to Cisco’s Visual Networking Index: Forecast and Methodology 2016–2021, video will make up 82 percent of all consumer internet traffic by 2021, an increase from 73 percent in 2016. To put this in perspective, “it would take an individual...

Submitted by Mike Nash
Published 08 February 2018

Looking back at IBC 2017


IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri. Among th...

Submitted by Duncan Payne
Published 02 November 2017

Marjan Television Network - a case study


Internet and Satellite content distribution now allows production companies and broadcasters to send targeted TV programmes and video to widely dispersed audiences all over world, whilst located where theres easy access to the technology, equipment and expertise to produce top quality programmes. Marjan Television Network, typical of this new breed...

Submitted by Ian Muir
Published 02 November 2017

360 degree video storage requirements


i Swim with bears, run with the bulls, get a pads-eye view of a rocket launch: 360 degree video production, also known as cinematic VR, makes these and many other bucket list-worthy events more accessible than ever. The format has evolved into a powerful storytelling tool, and one that changes not only the way in which visual experiences are shaped...

Submitted by Dave Frederick
Published 07 September 2017

The challenges of media workflow automation


i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark
Published 07 September 2017

More than just selling cable


Choices facing technology decision-makers are becoming increasingly complex due to rapid changes in the industry like broadcast and IP technology convergence, multiplatform demands, and the rise of 4K and 8K. It is now a constant challenge to balance the need to maintain already-installed equipment and fulfil the desire to provide the highest resol...

Submitted by Chris Smeeton
Published 04 April 2017

Dick finds the truth out there


The Oxford English Dictionary has determined that its word of the year for 2016 was "post-truth". We\'ll skip over the fact that it is, clearly, two words. Post-truth is, according to the world\'s best lexicographers, "an adjective defined as \'relating to or denoting circumstances in which objective facts are less influential in shaping public opi...

Submitted by Dick Hobbs.
Published 15 February 2017

You need more damn pixels


There has obviously been a lot of chatter in recent years about 4K, but is it enough? 8K and beyond is where the excitement lies, but not in the way you might think. 8K and beyond for broadcast, both of which are easily achievable in a software-only, IP environment, may seem a bridge too far for most at the moment, and they\'re probably right¦for n...

Submitted by Jan Weigner
Published 13 January 2017