KitPlus | Articles

Converting for displays

Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie

Published 01 September 2009

Eye to eye Picture displays and multiviewers 2009

The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie

Published 01 September 2009

Longevity of media archives

The role of the archive has evolved rapidly, delivering not only new revenue opportunities but crucial conservation possibilities for historical and cultural libraries that have lain dormant for many years. The economic downturn means that now more than ever cost saving is a huge issue; facilities need to create new revenue opportunities whilst red...

Submitted by Dennis Lennie

Published 01 August 2009

NAB 2009 report

By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

Eye to Eye. Whats new in test and measurement 2009

The transition from analogue to digital programme production, storage and delivery lulled some innocent folk into anticipating a world without need for test equipment. If required at all, so the thinking went, all signal analysis would be performed in software. Maybe someday. For now, the T&M sector remains alive and well. The following summary out...

Submitted by Dennis Lennie

Published 01 May 2009

Red One Hit or Myth

So – after having arrived a year ago to these shores the Red is starting to settle into everyday living here in the UK. Possibly being American and designed by an iconic trendy sunglasses designer, we shouldn’t be surprised by its many foibles. The Red started life in the UK as whispered conversations about a piece of equipment being developed that...

Submitted by Dennis Lennie

Published 01 April 2009

Surround Sound For HD Broadcast

While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie

Published 01 February 2009

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

IBC top visitor tips

From flower bulbs to North Sea ferries, here are some top tips from the people in the know…!Tip 1 - The funny smelling coffee shops don't generally sell good coffee!Tip 2 - Prostitution is legal in Amsterdam - not compulsory!Tip 3 - When crossing the roads, once you've safely avoided the cars, taxis, trams, bikes and rickshaws - keep an another eye...

Submitted by Dennis Lennie

Published 01 December 2008

Virtual Sets

When I first started approaching people in the UK with Brainstorms Virtual Studio software I was surprised to have them shake their heads vigorously and explain that virtual studio systems were “far too expensive and too difficult to set up and run” Coupled with that was the lack of realism and who’s using them?In Spain where Brainstorm are based t...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual sets come of age

Virtual studios (VS) have experienced a roller coaster ride of popularity through their short life. Initially they were hailed as the future for live broadcasting, seamlessly combining people and computer-generated environments without the need for post-production. But the racks of SGI computers, complex studio set-ups, complex camera tracking syst...

Submitted by Dennis Lennie

Published 01 November 2008

Aston 7 your lucky number for Sports Graphics

Aston Broadcast has been supplying CG products for long enough to know that the world of live sports graphics presentation never stands still for long. Programme directors like to push the boundaries on visual effects in order to wow the viewer and to differentiate the presentation from that of rival channels or programmes. More often than not, Ast...

Submitted by Dennis Lennie

Published 01 October 2008