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Watch out for dead pixels


A dead pixel in a camera imaging sensor can manifest itself in a number of ways. Implying black, 'dead' is not necessarily the correct term for a pixel failure. This is because imager defects include hot pixels, sparkles, noisy or lazy pixels. These problems usually arise during the chip manufacturing process. Defective pixels can appear as unusual...

Submitted by Bob Pank#
Published 01 September 2012

Issues facing broadcasters of outdoor sporting events


Keeping Cool under PressureOne of the major issues facing Broadcasters using temporary structures for major sporting events is keeping the studios cool and quiet enough for presenters to work comfortably and effectively under the host of lights. Keeping cool often involved the use of air conditioning which historically would be turned off when film...

Submitted by Bob Pank#
Published 01 September 2012

Tally systems and Confidence Audio Monitoring for Sports...


Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#
Published 01 September 2012

Testing times of a 4K world


The term '4K' applies to some five slightly different picture formats with around 4,000 pixel horizontal resolution: all much bigger than HD. In fact roughly four times the total pixels required for 1920 x 1080 pixel high definition. 4K has been around for some years but was until recently only affordable by producers with mega budgets. Advances in...

Submitted by Will Strauss#
Published 01 August 2012

Handheld T and M the broadcast emergency service


“Test and Measurement”. Shudder. Like “Health and Safety”, “Bus” and “Replacement Service” or “Keith and Orville” it’s a collocation of words that fills me with dread. Seriously, who wants to read about “Test and Measurement”? Well, as it turns out, the answer is: quite a lot of people. Because, despite its lack of glamour, it is hugely important....

Submitted by Will Strauss#
Published 01 August 2012

4KTV The next bigger thing?


4KTV – The next bigger thing?The history of 4K digital moving images goes way back to the mid 1990s. That was when film effects started to be processed digitally and produced amazing results – maybe a bit too amazing for some. Of course the effects had to be seamless and so the digitised effects images had to carry all the required detail of the 35...

Submitted by Bob Pank#
Published 01 August 2012

PHABRIX hand held SxE solution for Quantel


PHABRIX recently visited UK based Quantel, developers of innovative, world-leading content creation systems for broadcast, post and DI to find out how the company are deploying their six PHABRIX hand held SxE in its test department. Quantel is well known in the broadcast industry for creating powerful and efficient tools for the digital age within...

Submitted by Bob Pank#
Published 01 August 2012

SPG - a commodity product or something special?


The need for a reference generator in broadcast television applications is universally accepted. Quite what that reference generator is or should be is another matter. Early reference generators produced signal pulses like Line Drive, Field Drive, Mixed Blanking, Sync, etc. Soon thereafter analogue colour black appeared on the scene and the sync pu...

Submitted by Bob Pank#
Published 01 August 2012

What should I know about lithium-ion batteries


Ask The Experts: Martyn Sly-Jex, Regional Sales Manager, EMEA, Anton/Bauer What should I know about the chemistries behind lithium-ion batteries? When Li-ion cell chemistry was first introduced, it was hailed as a breakthrough, lightweight power solution for broadcast and video professionals. It incorporated high-energy density and low-self-disch...

Submitted by Will Strauss#
Published 01 July 2012

Our third digital revolution?


Our third digital revolution?By Bob PankA little history – the first digital revolution for the TV production and post industries started somewhere about 1972 and then involved introducing digital islands into an analogue world. The introduction of much more affordable digital VTRs such as Sony’s DigiBeta in 1993 heralded the beginning of the end o...

Submitted by Bob Pank#
Published 01 July 2012

X 10 or X 3? - That is the question


X 10 or X 3? - That is the questionFor many years now, the sports programme producer has benefited from a triple speed (75fps) super motion replay facility. Initially replayed via specially modified BVW tape decks but once the industry standard EVS server acquired the ability to record the three phases of such cameras and supply a continual record...

Submitted by Bob Pank#
Published 01 July 2012

More Power for Camera Accessories


Reliable, durable and plentiful battery power is essential for broadcast acquisition. The power demands of modern high-definition camera set-ups are now greater than ever. As the number of camera accessories increases so do the demands for battery power. In addition to power-hungry cameras, there is also a greater number of camera accessories avail...

Submitted by Bob Pank#
Published 01 July 2012

Id Hide You.......


I’d Hide You....... The 8,000 mile journey of the Olympics torch has been the surprise hit of the games so far. Each step and every handover is filmed and beamed live to connected viewers over the Internet. Easy enough for an organisation as large and technically astute as the BBC, with its wealth of resources, but in this age of new technology, su...

Submitted by Kieron Seth#
Published 01 July 2012

Sport Pushes the Limits of Wireless Transmission


Sport Pushes the Limits of Wireless TransmissionBy Mark Anderson, Marketing Operations Manager, VislinkWith the London 2012 Games and the UEFA EURO 2012 European Football championships just around the corner, physical and mental endurance will be pushed to the limits. Those pressures also apply to the technology used to cover these events for the w...

Submitted by Kieron Seth#
Published 01 July 2012

NETWORKING AND THIRD PARTY CONTROL


Since the advent of digital technologies, the way audio and video is controlled and transported around broadcast facilities has been constantly evolving in the search for greater efficiencies and improved workflows. Today, broadcasters are demanding more and more versatility and integration from their equipment, and in turn, the capabilities now av...

Submitted by Bob Pank#
Published 01 June 2012