Screen Systems and automatic live subtitling at NAB 2018
Dean Wales talks subtitling technology direct from NAB 2018 - Las Vegas
All IP Workflow from Quantum with Xcellis Workflow Storage solutions at NAB 2018
Laura talks Xcellis Workflow Storage solutions with an all IP workflow direct from NAB 2018 - Las Vegas
Soft step migration to IP with Media Links at NAB 2018
Thinking about migrating to IP? Check this out from Media Links direct from NAB 2018 - Las Vegas
Excelero Any-K at NAB 2018
Pioneering uses of Excelero’s NVMesh server SAN software allow editing, finishing and VFX to achieve higher efficiency, drive down cost and future-proof the infrastructure for “Any-K&rdquo...
Blackmagic ATEM Television Studio Pro 4K at NAB 2018
Stuart Ashton shows the new 4k ATEM television studio direct from NAB 2018 - Las Vegas
Zixi announce their user interface control ZEN Master at NAB 2018
Hear all the latest from Zixi including the launch of ZEN Master direct from NAB 2018 - Las Vegas
4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018
Thomas Tang, CEO of Apantac, presents the HDMI 2.0 UHD Multi-viewer direct from NAB 2018 - Las Vegas
ADDERLink INFINITY 100T from Adder at NAB 2018
Looking at the ADDERLink INFINITY KVM 100T from Adder direct from NAB 2018 - Las Vegas
Blackmagic Davinci Resolve 15 at NAB 2018
Stuart Ashton shows the latest version of DaVinci Resolve direct from NAB 2018 - Las Vegas
MX1 at NAB 2018
CEO of MX1 expalinsd what's new direct from NAB 2018 - Las Vegas
Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018
Paul Tapa from Nugen Audio shows the real-time loudness meter and Halo Upmix (stereo to surround) plus new for the show Halo Downmix (surround to stereo) all direct from NAB 2018 - Las Vegas
Monarch LCS Radar from Matrox at NAB 2018
Dan shows the latest dashboard for the LCS direct from NAB 2018 - Las Vegas
Marquis Broadcast show Backup Versioning at NAB 2018
Paul Glasgow shows how Marquis can now version Avid back-ups in the Cloud with AWS encryption, ideal for freelancer work in progress - direct from NAB 2018 - Las Vegas
Paint from ChyronHego at NAB 2018
Bradley from ChyronHego shows the updates to Paint direct from NAB 2018 - Las Vegas
Interra Systems Broadcast at NAB 2018
QC and Video Analysis from Interra Systems at NAB 2018 - Las Vegas
Cinegy Desktop 12 at NAB 2018
At NAB 2018, Cinegy introduced the latest version of its collaborative workflow production tool, Cinegy Desktop 12, a feature-rich front end that provides real-time access to live ingested video feed...
Live Production with ChyronHego at NAB 2018
Everything you need to know about live production from ChyronHego direct from NAB 2018 - Las Vegas
3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018
Looking at the latest developments from 3D Storm to Live Media Server and Live CG Broadcast - Direct from NAB 2018 - Las Vegas
Facilis ships version 10.1 at NAB 2018
James from Facilis explains the benefits of the new 10.1 direct from NAB 2018 - Las Vegas
eGFX Breakaway Box and Puck from Sonnet at NAB 2018
Greg talks us through the eGFX Breakaway Box and Puck plus an iMac Pro running DaVinci Resolve accelerated by two eGFX Breakaway 650 Boxes giving 3x the already fast render speed - all direct from NAB...
Increasing Diversity in the UK Indie Market
London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table.
“Over the past thirty years, film...
Keeping the Show on the Road
There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because y...
Post Production - Keeping Track
One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to wo...
The LED Lighting Revolution
Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology f...
To Remotely Go - TVFutures
One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curr...
The University of the Third Age
Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like "....mastered in Dolby Vision Domestic and SDR Rec 709....." become just...
REVIEW Canon UJ111x8_3B UHD Lens
Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outri...
Why MADI is Still Relevant
While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI w...
Covering Ironman Australia
KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 ev...
Original KVM or KVM over IP
Will the technology used in broadcasting solely consist of IP devices? For years, IP has been entering all areas of life. Especially control room applications as they are typically deployed in broadca...
Undercover Remote Production
It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!
The move to remote pr...
State of the Nation - Getting Connected
We are all familiar with statistics about the growth of the internet. Cisco’s latest report, for instance, says that global IP traffic is increasing at 26% a year, and will reach 4.8 zetabytes a...
The Future of Broadcast Connectivity
The use of KVM equipment has been essential to meet the evolving needs of the broadcast industry for many years. Over that time, many in the industry have recognised the importance of using IP-enabled...
The Making of Zero
The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi short
In a post-apocalyptic world where humankind has emerged victorious in a war against artificial in...
Keeping Pace with the Content Revolution
These are uniquely challenging times for broadcasters and their technical teams. Not only are they having to negotiate the move to IP-based infrastructures and the introduction of new formats and tech...
Making Metadata Work
I dare say that if you’re a keen reader of my column then you will be brushing up on your Dutch pronunciation and acclimatising yourself to mayonnaise on your chips rather than ketchup. If you&r...
IP Technology for Broadcast Audio Routing Systems
As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existi...
Make Time for Remapping
For my 4th Kitplus article I thought I’d highlight an effect in Premiere Pro that frankly I would be lost without. Namely - time remapping.
The Evolution of Audio Monitoring
Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring co...
TVFutures. No More Comfort Zone - Get a Placement
I have often heard that any chance of getting work in the television industry is based quite heavily on who you know, and whilst that might indeed be true, I’ve also come to the realisation that...
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