tube catches the MIF17 Buzz

Date: 05/08/2017

tube catches the MIF17 Buzz

Audio specialist tube uk delivered sound systems to a diverse mix of over 30 shows, site specific installations and one-off performances in a variety of venues across the city throughout the 18-day Manchester International Festival 2017 (MIF17).

tube's Melvyn Coote oversaw all the projects, collaborating closely with festivals technical director Jack Thompson.

The tube project management team of Adam Taylor, John Redfern, Dan Steele and Melvyn ran the numerous jobs from a pre-production and planning aspect then a top team of 7 warehouse and logistics staff, headed up and orchestrated by Jamie Sharman, implemented the equipment preps and the hectic delivery schedules.

A further 15 - 20 regular freelance engineers and technicians implemented the installation, rigging and operating of the various shows and gigs.

The pace was relentless with tubes crew working 16-18 hour days for most of the period, so it was essential to have a team who could function well on minimal sleep and under serious pressure to deliver amazing service ¦ keeping good humoured throughout.

The whole team was fantastic, enthused Melvyn after a hugely successful and highly acclaimed festival that entertained and enthralled with a raft of invigorating new works. The passion, dedication and commitment by everyone has been incredible, commented Melvyn.

All the kit that tube owned was deployed, leaving a bare warehouse. It worked hard throughout the event for which the company supplied 80% of the audio requirements from full theatre productions to small idiosyncratic installations, from banging DJ systems to refined orchestral and spoken word PAs, most of which were unconventional and challenging, needing lateral thinking and creative implementation!

Equipment from a wide range of brands was featured, including d&b, Tannoy, Yamaha, Sennheiser, DPA, Crown, Crest, QLab and MAX.

There were many challenges. The advanced logistics of what needed to be where and when was a real brain-teaser, together with the scheduling and time-planning. This had to factor in transportation, rigs, de-rigs, preps and re-preps and on top of that, the different facilities on offer at the venues and what was needed for rigging and physical installations in the found spaces.

Venues ranged from regular theatres and concert halls to site specific gems like Mayfield depot, and incorporated everyday public locations like the elevator concourse between Selfridges and Marks & Spencer or Victoria Station, St Annes square, Whitworth Park and numerous others.

tube also supplied the PA for the Opening and Closing Ceremonies.

The OC What Is the City but the People? was staged in Piccadilly Gardens featuring a 200 foot long catwalk, traversed by a diversity of people representing all communities making Manchester the vibrant, colourful and friendly place it is local heroes, celebrities and ordinary people from all backgrounds.

A ground-stacked d&b V series PA was installed with M4 monitor wedges and two Yamaha QL5 consoles, one for FOH and one for monitors ¦ which ensured the large and exuberant crowds could hear the catwalk show soundtrack played live by music-maker and producer Graham Massey assisted by an unexpected mix of local musicians.

Ceremony was a world premiere by Turner-nominated artist Phil Collins, an amazing collage of two films to conclude 18 extraordinary days of art, passion, performance and engagement!

Part of the show incorporated a movie documenting the journey of a decommissioned Soviet-era statue of 19th century philosopher and radical thinker Fredrich Engels, which Collins acquired and has returned from the Ukraine to Manchester where he is now permanently installed in Tony Wilson Place back in the city that was his home for 20 years and shaped his most seminal ideas.

tube supplied a d&b PA & monitor systems, Yamaha control and Sennheiser IEM systems, to two stages in Tony Wilson Place in front of the contemporary theatre / film centre HOME ¦. Multiple RF and microwave links beamed audio, vision feeds and comms between this site and the nearby NCP Bridgewater Hall Car Park where another d&b V series system covered the large audience watching the proceedings on an impressive 100m sq LED screen.

For the full duration of MIF17 four separate sound systems were built in different venues at the main Festival Square hub in Albert Square just in front of Manchester Town Hall.

The Pavilion was a large tepee multi-purpose space with a lively programme primarily of DJ based performances ¦ which rocked till late.

The Pavilion Theatre was a 500 capacity live stage hosting an extensive range of bands who utilised a d&b Q series PA and Yamaha control, together with the facility to accommodate monitors and other rider extras as requested, complete with a standard wired mics package.

Another system was installed on the Outdoor Stage used for a range of presentations and showcases, mainly for local acts ¦. And the Glass House was a double decked, clear-skinned structure serving as corporate hospitality space at one end of the square, hired by various companies and organisations throughout the event, whose guests could catch the heartbeat of the festival.

Other highlights included Last and First Men, a one-off performance at Bridgewater Hall, Cotton Panic at Upper Campfield Market Hall and 10000 Gestures at Mayfield depot.

Last and First Men was a film and live score by Icelandic composer Jhann Jhannsson and narrated by Tilda Swinton, with cinematography by Sturla Brandth Grvlen. The BBC Philharmonic played live, conducted by Daniel Bjarnason.

The tube team utilised Bridgewater Halls house sound system as part of their left-centre-right speaker configuration the centre being used for the vocal narrative and a separate left/right d&b V series system for the orchestral and playback elements. A Yamaha CL5 desk fully loaded with 68 channels of inputs and 22 outputs - took care of the orchestra mix, with the BBC taking split feeds for broadcast.

It sounded awesome.

Another d&b V Series was installed in Upper Campfield Market Hall for the powerful and emotive Cotton Panic! devised by Jane Horrocks, Nick Vivian and the band Wrangler. An impelling medley of gig and gripping performance art unfolded the story of the Cotton Panic that devastated the north of England in 1861 ¦ as the US Civil War set in thousands of miles away. It also made the connection to todays textile industry, the influence of international trade deals and the far reaching potential of their consequences for everyday people, for the human beings who quite literally are the fabric of the industry.

A Yamaha CL5 (FOH) and a QL5 (Monitors) were supplied with d&b V series flyers and ground stacks. Monitors consisted of d&b M4 wedges and Sennheiser IEMs, with Sennheiser 5000 series hand-held and beltpack radio mics providing the main theatrical inputs.

The need was to have the clear visceral sung / spoken narrative audible above a growling, grooving sound track the task was fine-tuned beautifully by the tube team.

Across the other side of the city in Mayfield depot, the dilapidated charm of this derelict industrial space provided the perfect backdrop to 10000 Gestures, a hugely energetic immersive dance work created by one of Europes most daring choreographers, Boris Charmatz. The ensemble of 25 dancers performed literally 10,000 gestures joyous, melancholy, ephemeral every one unique. Some of them VERY loud!

The PA was another d&b V8 series system, with V-SUBS in ground stacked columns around the space where it became part of the visual set along with the striking steelwork and structural columns.

Control was a Yamaha QL1 and the design worked ideally well for the resonant and lively sonic space that is Mayfield.

To assist in presenting Susan Hefunas ToGather exhibition at The Whitworth Galley, a free public event was staged that invited local residents originally from faraway places to trace their individual paths through Whitworth Park. Their movements were echoed by dancers from Studio Wayne McGregor inspired by the emotions experienced by the migrants as they walk around their new hometowns.

To transmit background sound between the five performances taking place five times only on one sunny afternoon, tube installed 20 Sennheiser LSP500 wireless speakers around the park that created an audio ambience. Each speaker was surrounded by a sculpture that was part of the exhibition.

Around the performance space, a d&b Y7P system was installed with Y-SUBs and a QLab playback system, controlled via a Crest analogue desk.

These were just a few examples of a diverse performance schedule demanding a wide and inventive range of different sonic solutions!

Melvyn and the team are extremely proud to have been involved in such a massively successful event, MIF17 really captured the spirit and imagination of Manchester perfectly and embraced so many remarkable locations, opening new perspectives to all working on the event and those enjoying it as members of the public.

It was a truly awesome 18 days and we loved every minute of it the challenges, the brain-teasers, the chance to try new and distinctive designs and technical solutions. It was a pleasure working with Jack Thompson and his team and all the many talented artists, directors, creatives and producers who offered us the opportunities to help them deliver their work.

Photo: Louise Stickland



Tags: tube uk | MIF17 | Manchester | sound | Sennheiser | BBC | broadcast
Submitted by Louise Stickland
View author's directory page

Related Interviews
  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • Live Sports Broadcast Commentator from Glensound at NAB 2017

    Live Sports Broadcast Commentator from Glensound at NAB 2017

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Glensound at IBC 2016

    Glensound at IBC 2016

  • Sennheiser HandMic digital and MKE 440 at IBC 2016

    Sennheiser HandMic digital and MKE 440 at IBC 2016

  • Sennheiser VR at IBC 2016

    Sennheiser VR at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • Sound Devices 6-Series mixers at NAB 2016

    Sound Devices 6-Series mixers at NAB 2016

  • Glensound at NAB 2016

    Glensound at NAB 2016

  • Glensound at BVE 2016

    Glensound at BVE 2016

  • Kit Overview from IBC 2015

    Kit Overview from IBC 2015

  • EBS at IBC 2015

    EBS at IBC 2015

  • Sound Devices 688 at IBC 2015

    Sound Devices 688 at IBC 2015

  • Glensound Expedition at IBC 2015

    Glensound Expedition at IBC 2015

  • Glensound at BVE 2015

    Glensound at BVE 2015

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Studio Technologies at NAB 2014

    Studio Technologies at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Sennheiser HDM Pro at BVE 2014

    Sennheiser HDM Pro at BVE 2014

  • DPA Microphones and Bubblebee Industries at BVE 2014

    DPA Microphones and Bubblebee Industries at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

    Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Calrec Callisto at IBC 2013

    Calrec Callisto at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Manchester TOUR!

    Manchester TOUR!

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Shure Sound Devices at BVE 2013

    Shure Sound Devices at BVE 2013

  • Glensound at BVE 2013

    Glensound at BVE 2013

  • Glensound at BVE North 2012

    Glensound at BVE North 2012

  • Editors Keys at BVE North 2012

    Editors Keys at BVE North 2012

  • Shure Distribution at BVE North 2012 Part 2

    Shure Distribution at BVE North 2012 Part 2

  • Glensound at IBC 2012

    Glensound at IBC 2012

  • TSL Products at IBC 2012

    TSL Products at IBC 2012

  • Look Listen Experience in Manchester

    Look Listen Experience in Manchester

  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Bluebell at NAB 2012

    Bluebell at NAB 2012

  • Glensound at BVE 2012

    Glensound at BVE 2012

  • Soundfield at BVE 2012

    Soundfield at BVE 2012

  • Sennheiser at BVE 2012

    Sennheiser at BVE 2012

  • Sound Devices at ProVideo2011

    Sound Devices at ProVideo2011

  • Audio Developments at ProVideo2011

    Audio Developments at ProVideo2011

  • BVE North - what the exhibitors had to say!

    BVE North - what the exhibitors had to say!

  • Sennheiser at BVE North 2011

    Sennheiser at BVE North 2011

  • HHB and Soundfield at BVE North 2011

    HHB and Soundfield at BVE North 2011

  • Source Distribution and Rode at BVE North 2011

    Source Distribution and Rode at BVE North 2011

  • BVE North 2011

    BVE North 2011

  • Sound Devices at IBC2011

    Sound Devices at IBC2011


Related Shows
  • The future of audio with BBC R&D at BVE

    The future of audio with BBC R&D at BVE


Related Articles
  • Sennheiser Digital 6000 review

    Sennheiser Digital 6000 review

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • Health and Safety gone mad

    Health and Safety gone mad

  • 80 years of broadcast and how far we have come

    80 years of broadcast and how far we have come

  • Scopes, a creative trilogy

    Scopes, a creative trilogy

  • IBC with the BBC

    IBC with the BBC

  • Sound Devices: My Choice For Everything Audio

    Sound Devices: My Choice For Everything Audio

  • Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

    Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

  • Soho shaking all over Manchester

    Soho shaking all over Manchester

  • Monitoring Q & A

    Monitoring Q & A

  • TVFutures:Student pitch

    TVFutures:Student pitch

  • Hold up the weather

    Hold up the weather

  • Chasing ratings

    Chasing ratings

  • Three days to launch a TV station

    Three days to launch a TV station

  • The Tour June 2015 review

    The Tour June 2015 review

  • An end-to-end solution

    An end-to-end solution

  • Finding the Oracle of audio capture

    Finding the Oracle of audio capture

  • Cautionary notes from GTC Member number 001

    Cautionary notes from GTC Member number 001

  • CALM - A crucial act to follow

    CALM - A crucial act to follow

  • 5 must haves for sound recordists

    5 must haves for sound recordists

  • Is it my eyes, is it in focus?

    Is it my eyes, is it in focus?

  • Why video codecs matter

    Why video codecs matter

  • Education meets industry...

    Education meets industry...

  • Sealife - Shooting 4k

    Sealife - Shooting 4k

  • Walking into manufacturing with a Dedleg

    Walking into manufacturing with a Dedleg

  • Archiving as a service at BBC Studios and Post Production

    Archiving as a service at BBC Studios and Post Production

  • Wild about Hovercam

    Wild about Hovercam

  • The Tour Revisited

    The Tour Revisited

  • Manipulate and Edit

    Manipulate and Edit

  • Capture and Produce

    Capture and Produce

  • Manipulate and Edit

    Manipulate and Edit

  • Keeping it real

    Keeping it real

  • Vision for the future of TV

    Vision for the future of TV

  • Does lack of training produce inaudible sound

    Does lack of training produce inaudible sound

  • Taming the Thames for Boat Race coverage

    Taming the Thames for Boat Race coverage

  • QSC Sound Reinforcement System Supports Daft Punk, Michael Jackson & Olly Murs

    QSC Sound Reinforcement System Supports Daft Punk, Michael Jackson & Olly Murs

  • When the going gets tough

    When the going gets tough

  • Dick Hobbs reaches for the remote

    Dick Hobbs reaches for the remote

  • The Digital Production Partnership

    The Digital Production Partnership

  • Ask the Experts: Wireless microphone systems for cameras

    Ask the Experts: Wireless microphone systems for cameras

  • In the Flesh: On set with the BBC

    In the Flesh: On set with the BBC

  • The circle of life with Dick Hobbs

    The circle of life with Dick Hobbs

  • Estuary TV interview: Local TV launches in the UK

    Estuary TV interview: Local TV launches in the UK

  • Peter Savage asks: Is the 1980s vision still relevant today?

    Peter Savage asks: Is the 1980s vision still relevant today?

  • Revealing the real-lives behind 999 responses

    Revealing the real-lives behind 999 responses

  • Will Strauss looks at the growth of MediaCityUK and dock 10

    Will Strauss looks at the growth of MediaCityUK and dock 10

  • Demystifying the black art of digital audio

    Demystifying the black art of digital audio

  • Product spotlight: Sonifex Redbox RG-TGHDB

    Product spotlight: Sonifex Redbox RG-TGHDB

  • The intricacies of capturing phase-coherent surround sound

    The intricacies of capturing phase-coherent surround sound

  • How to choose the right broadcast microphone

    How to choose the right broadcast microphone


News
ENCODING AND MANAGEMENT Posted: 23/08/2017
Starting on the contribution side, ATEME (Stand 1.D71) will be displaying two major innovations at IBC. The first is a partnership with next-gen satellite communications standard provider NovelSat to use its modulation/demodulation PCIe board, which is compatible with the ATEME platform and COTS server. Secondly is ContentSecure®, which provides dynamic and rolling protection for broadcasters most valuable content, sports for instance.
Tags: encoding | compression | decoding | IPTV headend | multiplexers | professional decoders | distribution | OTT | Connected TV | distribution | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
UHD MULTISCREEN TRANSCODING Posted: 23/08/2017
Media Excel is the leading supplier of multi-screen video encoding/transcoding solutions.
At IBC (Stand 14.P05) , Media Excel will showcase the HERO product line of OTT and 4K Encoders/Transcoders and Decoders for both contribution and distribution workflows. These are available both appliance based and also as a virtual licence for the public or private cloud.
Tags: encoding | compression | decoding | IPTV headend | multiplexers | professional decoders | distribution | OTT | Connected TV | contribution | distribution | IBC 2017
Submitted by Garland Partners Limited
More from this author
LIVE VIDEO BROADCAST Posted: 23/08/2017
LiveU continues to drive the live video revolution, developing the must-have solutions for live video streaming for TV, mobile, online, and social media. AT IBC (Stand 3.B62) Along with LiveUs LU600 their new portable transmission field unit for global newsgathering and live sports and events coverage theyve added the HEVC Pro Card, bringing onboard unparalleled video performance with extreme bandwidth efficiency. Theyll be demonstrating both, so make sure this is on your must-do list of things to see.
Tags: Cellular uplink | wireless camera | mobile satellite uplinks | portable | outside broadcast | remote production | OB truck | SNG truck | IBC 2017
Submitted by Garland Partners Limited
More from this author
SECURE VIDEO BROADCAST Posted: 23/08/2017
What does it takes to extend your broadcast service success over any IP network?
VideoFlow (Stand 3.B56) will show why Video Quality protection is mandatory but not sufficient for professional broadcast services over IP.
Tags: Edge devices | encoding | compression | IPTV headends | multiplexers | public internet | Video Quality protection | packet recovery | IP network reliability | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
4K UHD CONTRIBUTION Posted: 23/08/2017
Renowned for its leadership in hardware-based 4K/UHD HEVC codec technology, NTT Electronics (Stand 2.C58) has proven it provides performance that is second to none, with the highest quality, most efficient bandwidth and density savings in the market today.
Tags: encoding | compression | decoding | professional decoders | contribution | remote production | fibre | SNG truck | OB truck | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
VIDEO OVER IP Posted: 23/08/2017
New Multiscreen Launch Platform (MLP)
This is a high-density transcoder, packager, and origin server in 1RU. This all-in-one carrier-grade product processes up to 12 HD or 24 SD sources and plays out HLS streams to up to 500 subscribers simultaneously. It is the ideal OTT solution for high-value internet video services.
Tags: encoding | compression | decoding | IPTV headend | multiplexers | professional decoders | distribution | OTT | Connected TV | IPTV | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
CLOUD-BASED HEVC Posted: 23/08/2017

Keepixo (Stand1.C29), a leading provider of software-based and cloud-ready head end solutions for IPTV & OTT will be at IBC on booth 1.C29. The company will be showcasing its ever-improving encoding products, with a focus on CMAF and its iOS compatibility for HEVC. Keepixo will also be introducing its unique Capped ABR technology for high efficiency H.264 encoding, allowing bandwidth and CDN costs savings.

Tags: encoding | compression | decoding | IPTV headend | multiplexers | professional decoders | distribution | OTT | Connected TV | Multiviewer | IPTV | distribution | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
VIDEO WALL Posted: 23/08/2017
Teracue GmbH provides professional IPTV, IP-video and streaming solutions. IBC (Stand11.D13)
 
ICUE-GRID Showcasing at IBC, this IP Video Wall is designed for situations where a exible, responsive multiview layout is required. By using IP video signals and a distributed processing approach, ICUE-GRID is innitely adjustable in size, resolution, streams and positioning. Every single display has its own processing unit mounted at the back. The combined performance of all these distributed units is managed by the web based ICUE-GRID controller that can be installed anywhere in the network. This intuitive management tool together with the distributed GRID processing eliminates the need for a traditional expensive video wall controller.
Tags: encoding | compression | decoding | IPTV headend | multiplexers | professional decoders | distribution | OTT | Connected TV | Video Wall | IPTV | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
SATELLITE COMMUNICATIONS Posted: 23/08/2017
On the show floor for Teamcast at IBC (Stand 2.B51) as a premiere for Satellite Transmission:
* The new SmartGate satellite Gateway, a DVB-S2/S2X satellite modulator with embedded advanced powerful filtering & routing process, layer 2 or 3 optimized encapsulation and full management of PSI/SI tables. SmartGate is a real IP & Ethernet Gateway with ultra-low latency for VSAT.
Tags: satellite communication | portable and mobile satellite uplinks | radio transmitters | terrestrial broadcast | IBC 2017 | IBC 2017
Submitted by Garland Partners Limited
More from this author
Espial Named a Finalist in Two CSI Awards Categories Posted: 22/08/2017
Espial today announced it has been shortlisted for two CSI Awards 2017. The Espial Media Service Platform is a finalist in the "Best Cable or Satellite IP Solution" category based on being the supplier and MSI for the Tele Columbus advanceTV service in Germany. In addition, the Espial Media Service Platform and Espial G4 STB Client have been recognized in the "Best Customer Premise Technology" category for their work on the UMA service with NOS, Portugal's leading cable operator.
Tags: Espial | CSI Awards | IP | Cable | CPE | Best Cable or Satellite IP Solution
Submitted by 202 Communications
More from this author
ASC Opens Call for Entries in Television Competition Posted: 22/08/2017


The American Society of Cinematographers (ASC) has opened its call for entries in the television categories for the 32nd Annual ASC Awards for Outstanding Achievement in Cinematography, which will be held February 17, 2018, at the Ray Dolby Ballroom at Hollywood & Highland.

Tags: ASC | ASC Awards | TV Production
Submitted by ignite strategic communications
More from this author
Video Clarity to Demonstrate IP Test Solutions at IBC2017 Posted: 22/08/2017
Video Clarity Inc., a provider of market-leading audio and video quality measurement and analysis systems, today announced a slate of demonstrations at IBC2017 that will showcase the capabilities of its IP-specific test solutions for honing IP production and delivery workflows.
Tags: Video Clarity | IP Test Solutions | IBC2017 | audio | video | quality measurement | IP production | PacketStorm Communications
Submitted by Wall Street Communications
More from this author
Verizon Digital Media Services introduces Verizon Dynamic Imaging, powered by LiquidPixels LiquiFire OS Posted: 22/08/2017
Verizon Digital Media Services, part of Oath, and LiquidPixels, Inc announced today they have worked together to bring dynamic image optimization to websites supported by the Verizon Edgecast Content Delivery Network (CDN). The all-new Verizon Dynamic Imaging option powered by LiquidPixels(R) LiquiFire(R) Operating System allows users to maintain just one version of each image used on their websites by enabling dynamic image resizing, automated image reformatting and flexible file compression. In addition to improving website image quality and load speeds, the new solution helps reduce the cost and complexity of image storage and management.
Tags: Verizon Digital Media Services | VDMS | Verizon Dynamic Imaging | LiquidPixels | LiquiFire OS | TheNation.com | Edgecast Content Delivery Network
Submitted by Wall Street Communications
More from this author
Bluebell Introduces Hothead Silhouette for Power Insertion and Long-Distance, 4K Remote-Camera Operation at Live Events Posted: 22/08/2017
Bluebell Opticom Ltd., provider of innovative fibre optic solutions for fixed and remote applications, today announced the launch of the Hothead Silhouette, an end-to-end, self-contained power, control, and video tool for 4K robotic-camera productions. Hothead Silhouette replaces copper cabling with one hybrid cable and, more importantly, allows camera operators to sit far away from the robotic head -- a combination of benefits not previously available in conjunction with 4K UHD production and remote powering.
Tags: Bluebell | Hothead Silhouette | Power Insertion | Long-Distance | 4K Remote-Camera Operation | Live Events | optic solutions
Submitted by Wall Street Communications
More from this author
Digigram: Building Advanced Broadcast Solutions on Cutting-Edge Technologies Posted: 22/08/2017
Digigram, a radio changemaker, offers solutions to the broadcast industry. In 2017, after 32 years of sustained history in the radio broadcast arena, Digigram will gain new momentum through a major change to its management board. Committed to moving closer to customers and making technology become invisible to the user, the company is gearing up to create new market-oriented end-to-end solutions. Historically providing leading technical solutions, Digigram intends to bring a new vision to the industry. The company will bring to the market advanced solutions that allow broadcasters, radio automation editors, and even journalists to vastly improve their way of working.
Tags: Digigram | technologies | IQOYA | IP Codec | Software Solution | Cloud Technologies | IQOYA *CLOUD | SIP Infrastructure | Management | Web Application | SaaS Mode
Submitted by Wall Street Communications
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>