X2X Media Group Announces Formation of Specialized Production Services Division

Date: 20/11/2019
X2X Media Group Announces Formation of Specialized Production Services Division

X2X Media Group, the entertainment industry leader in the development of secure communication and content management solutions, has announced the formation of X2X Labs, a highly technical team focused on developing specialised services and workflows in pre-production, on set, and throughout the post process. X2X Labs will help accelerate the adoption of new products and services that brands PIX and CODEX introduce to the market, provide valuable feedback on product direction, and provide tailor-made solutions in the rapidly evolving production landscape.

X2X Labs, will be under the direction of Craig Mumma, a 20-year production industry veteran and his scope is to provide custom solutions including API gateway extensions, third-party integrations, bespoke hardware and software solutions and on-location support.

“As production evolves, X2X Labs will help accelerate the adoption of new services that we introduce to the market,” says Craig Mumma, Director, X2X Labs. “Our mission with the formation of X2X Labs is to provide valuable feedback on product direction, and ultimately help X2X Media Group align with our clients’ needs.”



Tags: X2X | Entertainment Industry | PIX | CODEX | Craig Mumma
Submitted by Bubble Agency (Bubble Agency )
View author's directory page

Related Interviews
  • PixelPower offers ST2110 Streamaster and Gallion at IBC 2019

    PixelPower offers ST2110 Streamaster and Gallion at IBC 2019

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Video Devices PIX-E Series at IBC 2015

    Video Devices PIX-E Series at IBC 2015

  • COMPIX at NAB 2015

    COMPIX at NAB 2015

  • Pixel Power Buzz at IBC 2014

    Pixel Power Buzz at IBC 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • Pixel Power on BroadcastShow LIVE at IBC 2013

    Pixel Power on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Pixel Power at IBC 2013

    Pixel Power at IBC 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Pixel Power at NAB 2012

    Pixel Power at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

  • Pixelution at BVE North 2011

    Pixelution at BVE North 2011

  • Pixel Power at IBC2011

    Pixel Power at IBC2011

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • Filming kit review from NAB

    Filming kit review from NAB

  • Video Devices at NAB 2016

    Video Devices at NAB 2016

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • Shure Sound Devices at BVE 2013

    Shure Sound Devices at BVE 2013

  • Shure Distribution at BVE North 2012 Part 2

    Shure Distribution at BVE North 2012 Part 2

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Sound Devices at ProVideo2011

    Sound Devices at ProVideo2011

  • TMD at IBC2011

    TMD at IBC2011

  • Sound Devices at IBC2011

    Sound Devices at IBC2011

  • Codex at IBC2011

    Codex at IBC2011


Related Shows
  • Pixel Power LIVE at BVE 2016

    Pixel Power LIVE at BVE 2016


Related Articles
  • Marjan Television Network - a case study

    Marjan Television Network - a case study

  • Integrated and automating marketing campaign production

    Integrated and automating marketing campaign production

  • Does the cloud have substance?

    Does the cloud have substance?

  • Smarter Branding

    Smarter Branding

  • You need more damn pixels

    You need more damn pixels

  • IBC - how was it you

    IBC - how was it you

  • The new world of playout

    The new world of playout

  • A Marathon Filming Review

    A Marathon Filming Review

  • THE EVOLVING DRONE CAPTURE MARKET

    THE EVOLVING DRONE CAPTURE MARKET

  • Emphasising Television in streaming television

    Emphasising Television in streaming television

  • Capture and Produce

    Capture and Produce

  • Move and Deliver

    Move and Deliver

  • Capture and Produce

    Capture and Produce

  • Dick Hobbs is Counting Pixels

    Dick Hobbs is Counting Pixels

  • NAB is for soothsayers, trendsetters and people with roadmaps

    NAB is for soothsayers, trendsetters and people with roadmaps

  • What you see is what you get? Doubtful!

    What you see is what you get? Doubtful!

  • The Future of 3D

    The Future of 3D

  • Take control with Helm

    Take control with Helm

  • Watch out for dead pixels

    Watch out for dead pixels

  • Beaten by branding

    Beaten by branding

  • The evolution from audio to PIX

    The evolution from audio to PIX

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • tv-bay questions

    tv-bay questions

  • Whats new in broadcast test and measurement

    Whats new in broadcast test and measurement

  • How to create and brand a live TV experience online

    How to create and brand a live TV experience online

  • Does one size fits all

    Does one size fits all

  • NAB 2009 report

    NAB 2009 report

  • EPIC HD Upgrade

    EPIC HD Upgrade

  • A brief history of television graphics

    A brief history of television graphics


News
The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
More from this author
Film students at FAMU in Prague get a lesson in audio with Calrec Brio console Posted: 03/12/2019
Film students at FAMU in Prague get a lesson in audio with Calrec and rsquo;s Brio console

The Film and TV School of the Academy of Performing Arts (FAMU) in Prague has purchased its first digital console - a Brio36 - from Calrec. It’s being used for various projects including automated dialogue replacement/voiceovers in the school’s recording room.

Martin Kebrdle, Head of the Sound Department Studio at FAMU, explained that the school needed a powerful console that could be used with Avid Pro Tools on several applications. “The console is connected to Pro Tools with MADI cards. In the future we plan to add Calrec’s Hydra2 networking. The console is perfect for our needs; it’s compact and it has been incredibly easy for the students to learn — which has been a blessing since this is the first time many of them are using a digital audio console. The Brio is a great introduction into the world of digital audio recording for our students.”

FAMU is the fifth oldest film school in the world and was founded in 1947. As part of the Academy of Performing Arts in Prague, FAMU is composed of eleven departments, where students can achieve their bachelors, masters and doctoral degree in every discipline of filmmaking including: directing, documentary filmmaking, scriptwriting, dramaturgy, animated film, cinematography, sound design, editing, production, photography, and the interdisciplinary Center of Audiovisual Studies. The Brio is installed in the school’s sound direction room. The sale and installation were handled by Calrec’s distributor Mediatronik S.R.O.

“The fact that the Brio is being used by students to help them prepare for careers in audio clearly shows the Brio’s versatility. It’s not simply a console for broadcasters; it’s useful for many applications and awards relevant experience for those learning an audio discipline,” commented Mike Reddick, International Sales Manager, Calrec.

Tags: Audio; audio consoles; audio routing; audio processing
Submitted by Jump PR
More from this author
KRK Limited Edition ROKIT G4 White Noise Monitors Now Available Posted: 02/12/2019
KRK Limited Edition ROKIT G4 and ldquo;White Noise and rdquo; Monitors Now Available

KRK Systems, part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level.

Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores.

Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.

 

Tags: KRK Systems | ROKIT G4 White Noise | Studio Monitors | speakers | Gibson Pro Audio
Submitted by D. Pagan Communications
More from this author
DPA New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture Posted: 02/12/2019
DPA and rsquo;s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture

YouTubers, sound designers, podcasters, vloggers and other content creators, including filmmakers who want to capture authentic immersive audio for their projects, can now do so with ease thanks to the launch of the new 4560 CORE Binaural Headset Microphone from Danish manufacturer, DPA Microphones.

The new binaural headset delivers the superior sound quality for which DPA products are internationally renowned. The professional quality of the microphones allows them to capture, in real time, exactly what each ear is hearing so that those listening on headphones can experience the full immersive sound. These qualities are also appealing to other applications such as sound system documentation, soundscape analysis, sound quality assessment, and sound for theatrical productions or gaming, among others. Jazz and classical musicians have also seen the potential in this mic: recording the sound from the performers’ perspective instead of the audience’s is a completely new way of sharing the artists’ sound experience with fans. The result, an ultimate surround experience.

 

Tags: DPA Microphones | Binaural Headset Microphone | 4560 | CORE | DPA | immersive sound | surround sound
Submitted by D. Pagan Communications
More from this author
Masstech Announces Srinivas Gankidi As New Sales Manager For India Posted: 28/11/2019
Masstech Announces Srinivas Gankidi As New Sales Manager For India

Masstech is pleased to announce that Srinivas Gankidi has joined the company as Sales Manager for India.

Srinivas has over 20 years’ experience in the media and entertainment industry, delivering file-based technology solutions to major broadcasters in India, Bangladesh and Sri Lanka, including Zee TV, Sony TV, SRM Channels, Jain HITS, TV9, RIL (Reliance Infocom), NTV, Star Maa, Somoy TV, and Ghazi TV.

Prior to joining Masstech, Srinivas was Sales Manager for Media & Entertainment at Quantum Storage India Pvt Ltd., and previously held sales engineering positions with Evertz Microsystems and Harmonic Inc.

Srinivas will form part of Masstech’s Asia Pacific team, designing and deploying Masstech’s Kumulate intelligent storage and asset lifecycle management solutions for clients throughout the region.

Tags: Masstech | Sales Manager | India | Srinivas Gankidi
Submitted by Bubble Agency
More from this author
Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads Posted: 28/11/2019
Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads

Four-fifths (80%) of broadcasters are considering implementing ads tailored to the consumer but are increasingly falling behind streaming services due to hesitance around adopting cloud technologies, according to research carried out on behalf of ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

 

The survey of those in middle management positions or above within the realms of TV and broadcast also found that 96% of broadcasters feel there is a demand from customers for more personalized services. As over a third (34%) of broadcasters currently generate revenue through adverts, offering personalized adverts could help them increase this revenue. Consequently, over a quarter (26%) are currently looking into how to offer these services to customers.

 

“Our research found that more than half (58%) of broadcasters are investing up to 20% of their budget in trialing new customer content or services as they prioritize personalization to offer customers enhanced viewing experiences,” said Remi Beaudouin, Chief Strategy Officer, ATEME. “By using technology and the data available to them to tap into this trend, traditional broadcasters will be able to create a tailor-made viewing experience and potentially open up new revenue streams,” he added.

Tags: ATEME | Broadcast | Research | Ads | Cloud
Submitted by Whiteoaks
More from this author
AVer Europe Launches New High Spec Visualiser for Educators Posted: 28/11/2019
AVer Europe Launches New High Spec Visualiser for Educators

AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Tags: visualiser | teaching | education | technology | camera | HD
Submitted by brookscomm
More from this author
Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system Posted: 28/11/2019
Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system

The 80s … who doesn’t like remembering that decade? From a fashion perspective, it may not have sparkled, but musically the 80s undoubtedly had a lot to offer. 

Thomas Gottschalk, who once again gathered a who's who of 80's cult stars at the TUI Arena in Hannover for Gottschalk's Big 80s Show, also clearly thinks that. Performances by Kim Wilde, Paul Young, Thomas Anders, Marc Almond and many more could be experienced on the set's four show stages, with the concert broadcast by ZDF.

Lighting cameraman / gaffer for the production was Michael Donecker. Frank Hofmann — better known as FH — from Scan Design Berlin was responsible for the show lighting design of a production that lasted for several hours. FH, who developed a penchant for lighting design early in life, today works predominantly for TV productions. He was clear from the outset exactly what requirements this special show would place on the production lighting design. "As the name implies, this was about the 80s and everything that made this time so exciting,” he said. “Therefore, I wanted to imitate the looks of those days but using modern technology."

Tags: broadcast | 3wm | LED | GLP | KNV
Submitted by 3WM Communications
More from this author
The Red Giant Year End Sale Returns Bigger and Better than Ever on December 10th Posted: 26/11/2019
The Red Giant Year End Sale Returns Bigger and Better than Ever on December 10th

In just two weeks, Red Giant will kick off its Year End Sale, the 24-hour annual blowout on all Red Giant tools, running from 8:00 a.m. PST (11:00 a.m. EST) on Tuesday, December 10, 2019 to 8:00 a.m. PST (11:00 a.m. EST) Wednesday, December 11, 2019. This year’s sale will be the biggest one yet: customers will have access to 50% off Red Giant Complete, a subscription that gives editors, motion designers and VFX artists access to all Red Giant tools at one low price - Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. Everything else in the online store will be on sale at 30% off.

WATCH NOW: RED GIANT 2019 YEAR END SALE - https://www.youtube.com/watch?v=96nKa0l4QYk&feature=youtu.be

Win Red Giant Complete - One Full Year of Free Software

For the next two weeks, Red Giant will be giving away free software every 12 hours. Simply follow @redgiantnews on Twitter and retweet the special contest tweets using the hashtag #RGYearEndSale for a chance to win a one-year subscription to Red Giant Complete. Enter once every 12 hours for a chance to win. Contest ends Monday December 9, 2019, at 6:00 p.m. PST (9:00 p.m. EST). That’s 24 chances to win tons of free software.

 

 

Tags: Red Giant | year end sale | promotions
Submitted by Zazil Media Group
More from this author
AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management Posted: 26/11/2019
AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management

 

Statistical Multiplexing (Statmux) is now available with AWS Elemental MediaLive, Statmux is a technology used in live broadcast workflows that allocates bits in real time among multiple live video channels. It instantaneously adjusts the bitrate of each channel in the statmux pool to make the best use of total available bandwidth and combines the encoded outputs into a single transport stream. This maximizes network efficiency by optimizing picture quality for a group of channels within a fixed total bandwidth.

Using AWS Elemental MediaLive with Statmux, customers can now deploy linear video processing and playout in the AWS Cloud for broadcast, cable, or terrestrial distribution.

Media companies, such as national broadcasters, originate live content and simultaneously share that content with their distribution partners. Traditionally, this has been accomplished by preparing channels for distribution using purpose-built, on-premises hardware encoders. These systems can take months to procure and configure, require extensive engineering to operate reliably, and cannot be repurposed once deployed. AWS Elemental MediaLive with Statmux lets broadcasters and content providers build and manage broadcast video workflows on fully managed AWS services and gain flexibility, reduce hardware and management costs, and deliver excellent picture quality with built-in reliability.

Key benefits of AWS Elemental MediaLive with Statmux include:

  • Cloud flexibility—Add, remove, or update live channels based on evolving audience and business needs, easily introduce new codecs, prioritize resources on a per-channel basis, and take advantage of multiple codecs and resolutions.
  • Built-in resiliency—Resources are automatically allocated across multiple availability zones for high availability and fully managed failover.
  • High video quality—Statmux for MediaLive lets you maximize video quality while optimizing for fixed satellite or cable distribution bandwidth. And, you can tune quality settings on a per-channel basis without disruption to assure that the highest-priority channels maintain the highest quality.
  • Operational efficiency—Build broadcast distribution workloads in minutes, without on-premises hardware, and deliver channels more efficiently over fixed network bandwidth.
  • Monitoring and metrics—Integrated Amazon CloudWatch monitoring enables real-time views of video metrics and multiplexer performance.
  • Unified headend—For content providers that distribute traditional broadcast video as well as multiscreen linear video, Statmux for MediaLive can deliver both through a single architecture. With the increasing importance of OTT delivery, having one system to manage all encoding can dramatically simplify operations.

Learn more about how customers are saving time, reducing overhead, maximizing low-cost cloud resources, and maintaining optimized picture quality with AWS Elemental MediaLive and Statmux here: https://aws.amazon.com/medialive/features/statmux.

Tags: aws | aws elemental | medialive | video | broadcast | amazon
Submitted by Raz Public Relations
More from this author
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors Posted: 26/11/2019
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors

No matter how old you are, it is always lovely when something excites you enough to feel like a child again – and that is exactly how renowned musician, composer and orchestrator Youki Yamamoto felt the first time he heard PMC monitors in his own studio.

Yamamoto has had a 15 year residence at Pinewood Studios where he creates his own music as well as other compositions for films and computer games. He is also equally at home in Katara Studios, Doha, which is where he first had the idea of investing in a pair of PMC monitors for his own facility.

After doing some research, he chose PMC MB2 monitors with a separate Class A Bryston amp because he felt this was the most versatile system for any kind of music. “I get all the lovely clarity and detail that PMC delivers, but I don’t get tired listening all day and the sound is so beautiful that I find it hard to leave the studio,” he says. “I just want to stay in there and keep working. It is almost like being with your first ever girlfriend!”

Tags: PMC Speakers | Youki Yamamoto | MB2 monitors | Composer | Orchestrator | Final Fantasy | Paddington 2 | Pinewood Studios
Submitted by White Noise Public Relations Ltd
More from this author
Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution Posted: 26/11/2019
Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution

Videon today announced compatibility with AWS Elemental MediaStore, enabling a cost-effective, low-latency solution. Videon customers can now use AWS Elemental MediaStore as a direct ingest from the EdgeCaster H.264/HEVC video encoding platform to support ultra-low latency workflows with outputs supporting both HLS and DASH using CMAF. AWS Elemental MediaStore's support of EdgeCaster's ingest protocols enables less than three-second worldwide latency to be achieved with standards-based, scalable, and cost-effective workflows.

"Live streaming should not come with a latency penalty as compared to traditional broadcast TV," said Todd Erdley, founder and CEO of Videon. "EdgeCaster's compatibility with AWS Elemental MediaStore is a strong step forward to making live streaming truly live —using standards-based, viewer-scalable, and cost-effective solutions. Compatibility with AWS Elemental MediaStore represents an important development in our relationship with Amazon Web Services. AWS Elemental offers crucial insight into how streams can be ingested into AWS Elemental MediaStore and how Videon can optimize our platform."

 

Tags: Videon | EdgeCaster | Edge Compute Encoder | AWS Elemental MediaStore | H.264/HEVC | CMAF | H.264
Submitted by Wall Street Communications
More from this author
OMNIMAGO Selects Xytech MediaPulse to Streamline Project Management Needs Posted: 26/11/2019
OMNIMAGO and nbsp;Selects Xytech and rsquo;s MediaPulse to Streamline Project Management Needs

German post-production specialist OMNIMAGO GmbH, has chosenXytech’s MediaPulse resource management software as its go-to solution for its scheduling, billing and project management needs.

 

Recently released at IBC 2019, MediaPulse 2019 features an updated user interface developed to place targeted functionality in the hands of all users in an enterprise, including every staff member, freelancer and vendor to create a seamless end-to-end automated workflow accessible on any device connected to the internet.

 

Given the variety of projects OMNIMAGO takes on, it was integral the company found a solution to contain the whole process, from bidding to invoicing, within the same system.

 

“This ensures all of the necessary information is easily available to all of the people and departments involved,” said Peter Fries, OMNIMAGO’s managing director. “MediaPulse has proven itself as the ultimate tool to support us during the administration process on all of our technical projects.”

 

Currently holding 45 MediaPulse licenses, OMNIMAGO has been using MediaPulse for almost 20 years and selected the software for its best-in-class efficiency.

 

“It fulfills all of our scheduling, billing and project management requirements in the best possible way,” Fries said. “We took a number of other established ERP systems into consideration, but nothing compared to the efficiency of MediaPulse.

Tags: xytech | omnimago | software | mediapulse | user interface | automated | workflow
Submitted by Xytech Systems
More from this author
Broadcast Solutions Finland modernises Directors Cut production control rooms Posted: 26/11/2019
Broadcast Solutions Finland modernises Directors Cut production control rooms

In the two renewed multipurpose control rooms, Director's Cut creates the Finnish national programmes for international sporting events (e.g. football Champions League, ice hockey or tennis). Director's Cut's primary customer is MTV3, Finland's largest private television station.

After the successful implementation, it is now possible to produce up to six Finnish-language programme feeds simultaneously from two multipurpose control rooms with only two producers. One Mainfeed and two Sidefeeds can be produced per control room. Audio processing takes place in a Lawo Powercore. Control is via Lawo VisTool user interfaces and an 8-fader Ruby console for the Mainfeed and via two 4-fader Ruby consoles for the two Sidefeeds.

Broadcast Solutions created the VisTool interfaces especially to meet the individual workflows of Director's Cut. The new facility also includes six commentator booths equipped with Lawo LCUs and 43" Sony monitors.

 

Tags: Studio | refurbishment | Director\'s Cut | commentary | Lawo | Grass Valley
Submitted by Broadcast Solutions
More from this author
Cooke Optics opens LA service operation for increased customer support in key market Posted: 26/11/2019
Cooke Optics opens LA service operation for increased customer support  in key market

Cooke Optics announced today that it has opened a service operation in Los Angeles, CA to provide full lens servicing and testing. This new operation further strengthens Cooke Optics’ dedication to worldwide service and support.

Les Zellan, Chairman, Cooke Optics, said, “With hundreds of movies and TV shows shot in and around LA each year, and many local rental houses stocking Cooke lenses, we’re proud to offer full lens servicing at a convenient location. The LA operation joins the Cooke service operations around the world, so customers can now reach us directly on both US coasts, the UK, São Paulo in Brazil and Shanghai in China.”

Michael Nadas has joined Cooke Americas as the company’s Optical Engineer in LA. He comes to the team with 28-plus years of technical experience in the film and television production industry, specializing in evaluating, testing and repairing both cinematic and broadcast lenses from multiple manufacturers to factory specifications. Michael established the quality control standards for lens testing and evaluating procedures company-wide at Sim, a leading supplier of studios, production equipment, workflow/dailies and post-production solutions. Over the course of his career, he has acquired an in-depth technical knowledge of specific types of lenses that are unique to our industry and most recently led Sim’s Motion Picture Optics department out of Los Angeles.

Tags: Cooke Optics | Service operation
Submitted by Bubble Agency
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>