SMPTE Reimagines Annual Technical Conference

Date: 09/04/2019
SMPTE Reimagines Annual Technical Conference
SMPTE®, the organization that is defining the future of storytelling, today announced that the SMPTE 2019 Annual Technical Conference & Exhibition (SMPTE 2019) has been reimagined with a fresh style, focus, layout, program schedule, logo, and website. The Society's flagship event, SMPTE 2019, will run Oct. 21-24 at the Westin Bonaventure Hotel & Suites in downtown Los Angeles.
"We've updated and restructured our annual conference at every level so that it's easy and enjoyable to discover, engage, and excel," said SMPTE Executive Director Barbara Lange. "We're bringing the conference and exhibition elements together to create a richer and more interactive atmosphere for attendees. In addition to making the educational experiences more engaging, we'll be hosting various networking and social events throughout the conference."
SMPTE's flagship annual event is the world's premier forum for the exploration of media and entertainment technology. Full conference registration for SMPTE 2019 will include the keynote presentation, entry to the exhibition and to all conference sessions, a rooftop lunch each day of attendance, and an opening night party.
SMPTE 2019 will provide access to the latest technology and offer top-quality education and professional development opportunities to help attendees increase their personal and professional value within the media and entertainment industry. The event is known for attracting the industry's innovators — both creative and technical — and its business leaders, and this year's event will provide attendees with a more intimate atmosphere for meeting and exchanging ideas.
SMPTE 2019 offers a more focused combination of submitted and programmed content to address the needs and interests of both experienced creatives and technologists as well as early career professionals. On the first day of the show, the latter group can leverage tutorials that will lead to in-depth sessions later in the week. Through a series of brief presentations, the industry's most thought-provoking thinkers and doers will share their insights and anecdotes on motion-imaging technology and future directions in a non-commercial setting.
The exhibits and special events will create an enhanced experience for attendees, providing them with opportunities for networking and face-to-face meetings with industry experts.
Extended lunch breaks each day will take place on the iconic hotel's spectacular rooftop venue. Attendees looking for more sunshine and fresh air can take part in the second annual 4K 4Charity Fun Run. Pop-up happy-hours and featured exhibits in the conference foyer will allow for impromptu gatherings.
"As always, SMPTE technical conference sessions will address timely, forward-looking topics like no other event in the industry does," said SMPTE Education Vice President Sara Kudrle, who is also product marketing manager at Imagine Communications. "From the fundamental elements of cinema and broadcast workflows to the latest in immersive experiences, SMPTE 2019 will offer expert insights on the technologies driving the future of storytelling."
Tickets for many SMPTE 2019 events are limited, and early registration is encouraged. Early-bird registration pricing is available now through July 27. Attendees also can save by booking SMPTE group room rate at the Westin Bonaventure, where a limited block of reduced-rate rooms will be available through Sept. 27, or while rooms remain available. A NAB Show special — available only through April 13 at the 2019 NAB Show — gives attendees $100 off registration. Come by the SMPTE booth located in the south hall, upper level, LSU1, for the discount code.
Prospective exhibitors can find information regarding booth selection at https://2019.smpte.org/home/exhibits. Sponsorship information is available at https://2019.smpte.org/home/sponsorship.
SMPTE is seeking technical manuscript proposals for SMPTE 2019. Abstracts are due by May 3. Authors of manuscript proposals selected by the SMPTE 2019 program committee will have the opportunity to present at the event and network with the industry's most esteemed technology thought leaders and engineering executives during the world's premier forum for the exploration of media and entertainment technology. Following SMPTE 2019, accepted manuscripts will be published to the SMPTE digital library, hosted on the IEEE Xplore platform, and video of each paper presentation will be posted on the Society's YouTube channel, Submitted manuscripts will also go through peer review for possible publication in the award-winning SMPTE Motion Imaging Journal. Program sessions will address advancements in current technology, plus future-looking developments in media technology, content creation, image and sound, and the allied arts and sciences.
Details on SMPTE's call for papers, including topics and instructions on how to submit an abstract, plus additional information about SMPTE 2019 is available at 2019.smpte.org. Additional information about SMPTE is available at smpte.org.


Tags: SMPTE | Annual Technical Conference | SMPTE 2019 | Technology Exhibits | Sessions | Discover | Engage | Excel
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NAB 2020: FOR-A Offers World of Possibilities with 12G-SDI 4K Solutions, Expanded IP Options Posted: 20/02/2020
NAB 2020: FOR-A Offers and lsquo;World of Possibilities and rsquo; with 12G-SDI 4K Solutions, Expanded IP Options

With expansive product lines supporting 4K, 12G, HDR, and IP workflows, FOR-A Corporation of America will offer a “World of Possibilities” to attendees at the 2020 NAB Show (Booth C5016) in April in Las Vegas, Nev. Making its NAB debut, the new MFR-6100 routing switcher was built to support 12G-SDI infrastructures. It provides single-cable transfer of 4K video for less complex cabling. The MFR-6100 also includes multi-format I/O support, auto signal detection, and SNMP monitoring support. Add up to 16 I/O cards (nine channels per card) to configure a matrix up to 144x144.

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Additionally, FOR-A will demonstrate efficient HD integration with third-party graphics, replay systems, and production servers, including partner products such as the ODYSSEY Insight video server, ClassX content creation and graphics playout solution, Variant Systems Group's Envivo Replay sports and live event replay solution, and InSync's frame synchronizer, frame rate converter, and up/down converters.

Tags: NAB2020 | 12G | HDR | 8K | 4K | IP | production switcher | video switcher | routing switcher | frame rate converter | signal processor | 3D LUT | image correction | NAB 2020 | NAB 2020
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New IP Workflows Take Centre Stage In Eight Different Countries as Axon and rsquo;s PRE-NABSHOW TOUR 2020 Hits The Road

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The Axon PRE-NABSHOW TOUR 2020, which runs across 16 locations in eight different European countries, kicks off on March 2nd. It allows broadcasters to experience tomorrow’s workflows by getting on board today. The products demonstrated on the truck will be exactly the same as those on display at Axon’s booth at NAB, so this will also provide a perfect opportunity for people who are not going to Las Vegas to get up-close and personal with Axon’s solutions.

For further information about the tour and to access a full schedule, please follow this link: https://www.axon.tv/knowledge/axon-pre-nab-tour-2020/

 

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With New FOR-A HVS-2000 Switcher and ClassXGraphics, and nbsp;WLVT-TV Improves Production Workflows and On-Air Look

FOR-A Corporation of America today announced PBS39/WLVTTV, part of Lehigh Valley Public Media based in Bethlehem, Penn., upgraded its control room last August with a FOR-A HVS-2000 HANABI video production switcher and ClassX broadcast graphics system. The new equipment has improved the on-air look of the station’s original programming as well as its live production workflows.

 

For example, the HVS-2000 can load and playback graphics from the ClassX, so the TD can access them during live productions. As a result, PBS39’s graphics designer does not have to be in the control room for “routine” productions. “When I saw how well the two integrated together, plus the price, it seemed like an obvious choice,” said Andrea Cummis, chief technology officer.

The ClassX also supports the use of RSS feeds for updating election results and other data in graphics, a feature that was not supported by the station’s older graphics system. Cummis said the system “worked great” for local primary election coverage last year, but she is looking forward to using the system to its full potential for Election Night in November.

 

Tags: FOR-A | PBS | production switcher | video switcher | live production | CG | broadcast graphics
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The Mosaic asset organiser makes it far easier to quickly search for, retrieve, and view video assets. Mosaic automatically scans all inbuilt metadata and integrates it with AI tagging enabling the ability to store, catalogue and access assets with no need for manual intervention, making it a substantial time and money saver.

GB Labs new CORE.4 Lite operating system is a custom OS specifically designed to serve media files. Its high degree of speciality guarantees stable performance for every user, whether as workgroups or individuals, while maximising the efficiency of every disk.

A powerful new feature included with CORE.4 Lite is Analytics Centre, a dashboard that runs in the background of GB Labs intelligent storage devices and continuously analyses the network, providing complete visibility of exactly how, and by whom, data is being used.

GB Labs CEO-CTO Dominic Harland said, “Read/write speeds are usually compromised by a misconfigured network, which wastes resources. But configuration issues can be difficult to locate and resolve manually. Analytics Centre automatically analyses the read/write process through the network with specially designed algorithms that identifies, locates, and suggests how to resolve any issues, often before they occur, thereby eliminating the need for painstaking manual intervention.”

GB Labs will also demonstrate how its proprietary Dynamic Bandwidth Control identifies and selects high, medium, and low priority users to guarantee that the storage system automatically adjusts to operate at peak performance for all.

According to Harland, “Dynamic Bandwidth Control makes storage malleable to ensure it can flexibly respond to changes in usage priorities without breaking. This is unique to GB Labs and can be implemented whether storage is in use by one user or an entire workgroup.”

For backup and archiving, the exhibition stand workspaces will be coupled with GB Labs EasyLTO, an easy-to-use, cost-effective, all-in-one, high-speed solution.

Finally, the company will also discuss the success of recent GB Labs deployments to new customers including M for Media; Qatl Al Youm TV; Polimer TV; Craft; Kalvi TV; and Madha TV.

Tags: GB Labs | Media storage | CABSAT | CORE.4 Lite | OS | AI tagging | Mosaic | Analytics Centre | Dynamic Bandwidth Control | EasyLTO
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Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020 Posted: 19/02/2020
Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020

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Tags: Colorfront | On-Set Dailies | Expres Dailies | SDR | HDR | UHD | HFR | 4K | 6K | 8K | dailies | Transkoder | Lederhosen | AJA
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