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Primestream to Showcase New Solutions for IP Ingest, Review and Approval, and 4K UHD Media Management for Sports, Enterprise and Broadcast Workflows at IBC 2018 Posted: 08/08/2018
Primestream to Showcase New Solutions for IP Ingest, Review and Approval, and 4K UHD Media Management for Sports, Enterprise and Broadcast Workflows at IBC 2018

For the first time in Europe, Primestream® will demonstrate the next generation of its Dynamic Media Management platform at IBC 2018. The platform features new solutions for IP video capture and delivery covering professional and consumer formats, a cloud-based review and approval system, robust 4K workflow, public APIs to integrate third-parties into the Xchange™ platform, and a new configuration framework for quick and easy installations. The next generation of Primestream’s Dynamic Media Management platform is built for ease-of-use with powerful features needed to manage even the most complex sports, enterprise and broadcast workflows from capture through delivery.

Tags: Primestream | IBC2018 | IP Ingest | Review and Approval | 4K/UHD Media Management | Sports | Enterprise | Broadcast | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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Airbag Productions Chooses Frankie for its Real-time Video Reviews Posted: 28/07/2014
Airbag Productions Chooses Frankie for its Real-time Video Reviews

Airbag Productions has chosen Frankie to conduct video review sessions both internally and with its local and remote clients after testing and comparing many other options. For its work creating commercials, Airbag found Frankie to be the easiest product to use, with the most appealing interface and PDF summary. Production companies like Airbag now have an affordable and simple-to-use option to complete video reviews.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync
Submitted by philpott communications
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Frankie Adds Two Entry-Level Plans, Improves Pro Version Posted: 19/06/2014
Frankie Adds Two Entry-Level Plans, Improves Pro Version

Due to popular demand, Frankie has introduced new pricing plans for its video review-and-approval system, starting at just $49 per month. Frankie has also added new features and doubled quotas for our existing customers worldwide. With three levels of service, Frankie now caters to everyone from individual freelancers to the largest studios.

All three plans allow unlimited users, unlimited reviews, access to Frankie's powerful annotating drawing and comment tools and real-time synchronized reviews. Every review is automatically saved as you go, so there's never a chance of losing work.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync | editing
Submitted by philpott communications
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Combining the Power of cineSync Pro with the Simplicity of Frankie: Rodeo FX Works on Birdman Posted: 29/05/2014
Combining the Power of cineSync Pro with the Simplicity of Frankie: Rodeo FX Works on Birdman

Rodeo FX relies on both cineSync Pro and Frankie for its postproduction work on feature films, TV shows and commercials, including the movie Birdman, to be released by New Regency later this year. The Montreal-based VFX studio has created a collaborative workflow that relies on these review-and-approval tools for its work with clients and creatives around the world. With cineSync Pro and Frankie in place, post studios like Rodeo FX are maximizing efficiency even when the production company, director, ad agency and other creatives are in different cities.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync
Submitted by philpott communications
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Embassy Combines Use of cineSync and Frankie for Review and Approval of TV Commercials Posted: 28/04/2014
Embassy Combines Use of cineSync and Frankie for Review and Approval of TV Commercials

Both cineSync and Frankie, the review-and-approval tools from Cospective, were used to complete a humorous campaign of three TV commercials by Embassy, the South African production and post company. Using remote approval sessions between its suites in Johannesburg and Cape Town, Embassy was able to complete the project in two weeks for the South African theater chain, Ster-Kinekor. Using these two tools from Cospective, Embassy has demonstrated a cohesive, efficient and client-friendly remote workflow for client review and approval.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync | workflow
Submitted by philpott communications
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Frankie Simplifies the Remote Video Review-and-Approval Workflow at Drive Thru Posted: 03/04/2014
Frankie Simplifies the Remote Video Review-and-Approval Workflow at Drive Thru

Frankie, the browser-based and interactive video review tool from the maker of Academy Award(tm)-winning cineSync, is a key part of the review-and-approval process for the commercial campaigns of Drive Thru. Based in Minneapolis, Drive Thru is a production and postproduction company that relies on Frankie during sales pitches, throughout its internal creative process and for collaborative review-and-approval sessions with clients. With Frankie, companies like Drive Thru now have an innovative tool to streamline the creation and approval process in the era of remote postproduction workflows.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync
Submitted by philpott communications
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Cospective, Maker of cineSync, Releases Frankie 2.3 with Full Screen Mode Posted: 19/03/2014
Cospective, Maker of cineSync, Releases Frankie 2.3 with Full Screen Mode

Cospective released Frankie 2.3, an update of its browser-based video review tool that now allows users to review video in full screen mode and download original media files. These significant additions, along with increased upload speeds and many other fixes, will greatly enhance the user experience of Frankie. Ad agencies, production companies and postproduction facilities now have an even faster, more efficient tool for internal video review as well as for client review and approval.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync | collaboration
Submitted by philpott communications
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cineSync Used to Complete VFX for Academy Award(r) Nominee, Gravity Posted: 24/01/2014
cineSync Used to Complete VFX for Academy Award(r) Nominee, Gravity

Cospective's video review software cineSync played a key role in a globe-spanning VFX pipeline for Alfonso Cuarn's Gravity. Charting the lonely quest of an astronaut (Sandra Bullock) to survive after her spaceship is crippled, the film received ten Oscar(r) nominations, including one for Best Visual Effects. Framestore, principal VFX vendor on Gravity, tasked Australia's Rising Sun Pictures with completing a spectacular reentry sequence. From their facility in Adelaide, Rising Sun was able to integrate seamlessly with Framestore via cineSync. With cineSync as a remote collaboration tool, distributed postproduction teams can work together closely to create groundbreaking VFX, regardless of locations and time zones.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync | Gravity
Submitted by philpott communications
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Frankie Helps Trizz Move Toward the Virtual Studio Posted: 10/01/2014
Frankie Helps Trizz Move Toward the Virtual Studio

Frankie, the easy-to-use browser-based video review tool from the maker of cineSync, is a part of a new globe-spanning workflow created by Trizz to produce its innovative commercial campaigns. From its headquarters in Barcelona, Trizz uses Frankie to collaboratively develop spots with producers, agencies and clients from the U.S., Europe and Asia. With Frankie, creatives and postproduction teams can now operate as "virtual studios," employing the best talent regardless of location, and communicating with their clients on an ongoing basis, wherever they are based.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | Trizz
Submitted by philpott communications
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Frankie Helps Trizz Move Toward the Virtual Studio Posted: 10/01/2014
Frankie Helps Trizz Move Toward the Virtual Studio

Frankie, the easy-to-use browser-based video review tool from the maker of cineSync, is a part of a new globe-spanning workflow created by Trizz to produce its innovative commercial campaigns. From its headquarters in Barcelona, Trizz uses Frankie to collaboratively develop spots with producers, agencies and clients from the U.S., Europe and Asia. With Frankie, creatives and postproduction teams can now operate as "virtual studios," employing the best talent regardless of location, and communicating with their clients on an ongoing basis, wherever they are based.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | Trizz
Submitted by philpott communications
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Cospective, Maker of cineSync, Releases Frankie 2.2 Posted: 21/12/2013
Cospective, Maker of cineSync, Releases Frankie 2.2

Today Cospective released Frankie 2.2, an update of the company's easy-to-use browser-based video review tool. Along with a number of performance enhancements, Frankie 2.2 has introduced a Sync Options panel. Hosts can now switch between two different modes, choosing whether or not to allow guests to control sync.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction
Submitted by philpott communications
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Cospective Launches Frankie 2.1 Posted: 14/11/2013
Cospective Launches Frankie 2.1

Today Cospective, the makers of cineSync, announced that a new version of its video review tool, Frankie, is now available. Frankie 2.1 offers powerful new features, including zooming and panning, custom branding in the review interface, while also doubling storage to 20 GB. Ad agencies and production facilities now have an even more powerful tool to review short-form video work internally and with clients, where everyone can collaborate, regardless of locations or time zones.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction
Submitted by philpott communications
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BWM Uses Frankie Video Review Technology to Produce Animated Bank Commercials Posted: 30/10/2013
BWM Uses Frankie Video Review Technology to Produce Animated Bank Commercials

The Australian agency BWM recently relied on Frankie interactive video review technology to creatively review a series of dynamic TV commercials for the Bank of Queensland (BOQ). BWM, located in Sydney, was able to go over the animation content with their clients in Brisbane and the animation house in London using Frankie's browser-based software. Advertising agencies like BWM can review works-in-progress, regardless of where their collaborators and clients are located, with this click-and-play video review technology.

Tags: review and approval | postproduction | Frankie | Cospective | collaboration
Submitted by philpott communications
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Frankie 2.0 Helps Ingenuity Engine Create Virgin Holidays TVC Posted: 04/10/2013
Frankie 2.0 Helps Ingenuity Engine Create Virgin Holidays TVC

Hollywood-based production studio Ingenuity Engine recently relied on Cospective's video review tool, Frankie, to help finish a three-part television commercial campaign for Virgin Holidays. Frankie allowed the team at Ingenuity Engine to review and discuss work-in-progress with the director, producers and the ad agency, even though they were in four separate locations. Synchronized, interactive video review enabled an efficient creative decision-making process.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction
Submitted by philpott communications
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Frankie 2.0 Extends Collaborative Video Review Toolset Posted: 28/08/2013
Frankie 2.0 Extends Collaborative Video Review Toolset

Cospective, the creator of cineSync, has announced the release of Frankie 2.0, an easy-to-use browser-based video review tool. Frankie allows interactive, collaborative video review from any location where there is an internet connection. Based on cineSync technology, Frankie is an innovative browser-based tool for live, interactive video review. Frankie 2.0 also allows individual team members to initiate reviews at their convenience and save their session notes, for others to review and add to later. With this added power and convenience, creative agencies and postproduction facilities can now review short-form content with colleagues and clients regardless of geographic location or time zones.

Tags: commercial | review and approval | postproduction | editing
Submitted by philpott communications
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