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Custom Consoles Introduces Operator Safety Screen Posted: 03/07/2020
Custom Consoles Introduces Operator Safety Screen

Custom Consoles announces a new addition to its range of technical control furniture. Developed in response to the coronavirus pandemic, the Operator Safety Screen reduces the risk of airborne infection or direct physical contact between control room personnel without restricting their forward or side view of video monitor displays.

 

Tags: Custom Consoles Ltd | broadcast control room furniture | Covid-19 safety screens | Operator Safety Screen | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture
Submitted by Stylus Media Communications
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DejaSoft supports in-house hosted S3 server in DejaEdit 3.1 Posted: 02/07/2020
DejaSoft supports in-house hosted S3 server in DejaEdit 3.1

DejaSoft has released version 3.1 to support private cloud environments using the open source MinIO object storage solution.

DejaEdit 3.1 brings cost-saving advantages, allowing clients to use their own servers, reducing ongoing costs of an Amazon hosted S3 account, but more importantly, bringing the whole data operation in-house, ensuring absolute control with regard to data security and integrity.

MinIO is an open source Object Server, which can run in-house on a Linux, Mac, and Windows server and available for Docker. MinIO provides data storage via an S3 compliant API. This allows applications, such as DejaEdit, to store objects in private centralised storage, rather than to a cloud-hosted Amazon S3 storage device.

The ability to operate in a private cloud environment further adds to the security management features released in DejaEdit 3, where permission to access specific assets by particular users can be controlled via a management console.

DejaEdit allows multiple, remote Avid editors to work together by mirroring locally stored media and edit assets to the local storage of other connected systems, using secure, background transfers across the internet. It can also be used to exchange media with on-location DITs and VFX/Audio houses. 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | in-house | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
Submitted by DejaSoft
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Custom Consoles Module-R Desks Chosen for One of the Worlds Largest News Agencies Posted: 02/07/2020
Custom Consoles Module-R Desks Chosen for One of the Worlds Largest News Agencies

Custom Consoles announces the completion of control room desks and multiscreen monitor display mounts for the London studios of one of the world's largest news agencies. The desks were provided in partnership with broadcast system integrator ATG Danmon.

"Control room furniture is an important part of every major contract," comments ATG Danmon Managing Director Russell Peirson-Hagger. "Bespoke designs tend to be expensive and require very detailed specification. We commissioned all four desks by selecting optimal elements from Custom Consoles' established Module-R series. Our clients appreciate the robust build quality, excellent ergonomics and timeless styling of Module-R. The Module-R range is also well thought out in terms of cable ducting, equipment access and ventilation."

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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BBC and Hulus Hit Adaptation of Normal People, Produced by Element Pictures, Finished in DaVinci Resolve Studio Posted: 01/07/2020
BBC and Hulus Hit Adaptation of Normal People, Produced by Element Pictures, Finished in DaVinci Resolve Studio

Blackmagic Design today announced that the hugely popular television adaptation of Sally Rooney’s New York Times best selling novel, Normal People, was graded and finished in DaVinci Resolve Studio.

Produced by the Oscar and BAFTA award winning production company, Element Pictures, and generating almost 48 million requests on BBC iPlayer so far, the 12 part drama has gripped audiences across the UK and US, with critics racing to heap praise on the Irish love story.

Tags: Blackmagic Design | DaVinci Resolve | Grading | Post Production | Drama | Normal People | BBC | Hulu
Submitted by Blackmagic design
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Post Control Helsinki top VFX Supervisor is a Deja Edit fan Posted: 26/06/2020
Post Control Helsinki and rsquo;s top VFX Supervisor is a Deja Edit fan

Post Control Helsinki’s top Visual Effects Supervisor Tuomo Hintikka, known for his work on “Dark Floors” (2008), “FAUST” (2011) and “The Girl King” (2015) says he is a big fan of DejaEdit. Also an accomplished film editor, Tuomo has extensive on-set experience with over 25 years of digital post-production knowledge, and the longest VFX track record in Finland. He recently used DejaEdit on all 8 episodes of the Swedish and Finnish TV drama series “The White Wall” for SVT/YLE/DRG, directed by A. Salmenperä and A. Zackrisson.

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | VFX | DejaSoft | DejaEdit | production workflows | DIT | postproduction
Submitted by Radiance Communications
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Sohonet and Moxion Partner to Provide Synchronous and Asynchronous Remote Review for the Production, Post and Visual Effects Communities Posted: 19/06/2020
Sohonet and Moxion Partner to Provide Synchronous and Asynchronous Remote Review for the Production, Post and Visual Effects Communities

Sohonet, the global experts in connectivity, media services and network security for the media and entertainment industry, announced their partnership with Moxion and its revolutionary platform for HDR Immediates and Cuts. The partnership broadens the range of remote collaboration solutions Sohonet can now offer the production, post and visual effects communities.

 

 

 

 

Tags: Sohonet | Moxion | Post Production | Visual Effects
Submitted by ignite strategic communications
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PKT Technologies Unveils Ground-breaking Programmable QWERTY Keyboard Posted: 10/06/2020
PKT Technologies Unveils and nbsp;Ground-breaking Programmable QWERTY Keyboard

PKT Technologies Pty Ltd (PKT Tech), a leader in user interface technology, has unveiled an innovative QWERTY keyboard equipped with keys that dynamically change to match the activity of the user.

The Picture Key Board (PKB 5000) leverages PKT Tech’s patented Picture Key Technology (PKT) to deliver an interface that combines the advantages of a touch screen with the benefits of tactile ‘haptic’ feedback.

Each of the keyboard’s 110 keys can be programmed to display any required image and enact predetermined action. This allows the keyboard to be customised for specific workflows and changed as often as required. Keys can be configured for different languages or linked to specific functions within software applications.

Tags: Keyboard | technology | electronics | programmable | post-production | broadcast
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Custom Consoles Module-R Desks and MediaWalls Chosen for Fidelity International Posted: 01/06/2020
Custom Consoles Module-R Desks and MediaWalls Chosen for Fidelity International

Custom Consoles announces the completion of two studio control desks and MediaWall monitor displays for a new UHD production facility at the London headquarters of Fidelity International. Supervised by systems integration specialist ATG Danmon, the project formed part of Fidelity's relocation to new premises in the centre of the city's financial district. The studios will be used for a range of applications including participation in finance-related broadcasts.

"We recommended Module-R and MediaWall on the basis of long experience with both product ranges," comments ATG Danmon Managing Director Russell Peirson-Hagger. "Their inherent modularity allowed us to specify exactly the required parameters in the full knowledge that the results would be robustly built, ergonomically sound, attractively styled, accurately sized and easy to install."

Largest of the two desks is a six metre wide in-line unit positioned along the main wall of the Studio 1 production gallery. This is configured for use by up to six operators including camera shading, robotic camera control, lighting control, graphic effects, vision mixing and control room to studio talkback. Sloping 3U high equipment pods run almost the entire width of this desk. All equipment above and below the main worktop remains easily accessible.

 

 

 

Tags: ustom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Modu
Submitted by Stylus Media Communications
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Deja Soft releases Deja Edit Version 3 Posted: 28/05/2020
Deja Soft releases Deja Edit Version 3

DejaSoft has launched Version 3 of its media file synchronising tool DejaEdit.

DejaEdit is an essential application for productions enabling Avid editors to work together from any location. It ensures media and bins are copied securely in the background, between each remote editing station or Nexus / EditShare storage system.

Version 3 enhances editors' user experience, provides improved workflow management, efficiency, and additional reliable security features. These new developments are crucial toolsets that support producers and post supervisors in simplifying complex media file sharing activities across the entire production process.

Highlights in DejaEdit 3 include the option for users to use their own S3 account for Cloud media storage; upgraded “Private and Public” bin sharing abilities; sophisticated “Folder Support”; “Notifications”; partial media downloads to each editor; License key safeguards; and the brand new DejaEdit Manager feature.

DejaEdit uses an intuitive “email” style interface, presented within the Avid environment, where bins and metadata can be shared with other users by simply dropping it into the Outbox, ToSet or ToVFX folders. Version 3 now allows editors to add subfolders to these pre-set folders to further organise shared media assets. A new notification system now alerts editors to available content and location. 

 

 

 

 

 

 

 

 

Tags: DejaEdit | DejaSoft | Avid | Bins | Folders | Security | Workflows | productions | remote | collaboration | editors | editing | post-production
Submitted by DejaSoft
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Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve Posted: 28/05/2020
Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve

Blackmagic Design today announced that Singapore based Echo Entertainment used URSA Mini Pro G2 cameras shooting in Blackmagic RAW to capture the first season of Mediacorp Singapore’s upcoming TV dramedy “Classmates.” Echo Entertainment also used DaVinci Resolve Studio for color correction and VFX work, with the DaVinci Resolve Fairlight page used for audio editing.

Echo Entertainment, established in 2010, is a Singapore based motion picture company that handles television dramas of all genres, corporate videos, commercials and other multi camera productions. They provide all aspects of production and post production, from storyboarding to shooting and post production.

Tags: Blackmagic Design | Blackmagic | Fairlight | DaVinci Resolve | URSA Mini Pro | Filmmaking | Post Production
Submitted by Blackmagic design
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Why DejaEdit is considered an indispensable Collaborative tool in Film Productions Posted: 22/05/2020
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions

Anna Knochenhauer is a well-respected Stockholm-based film producer/ post-producer with impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.

Carving a successful career of VFX-heavy feature films and drama series, she declares DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).

DejaEdit is a media file synchroniser that gives editors the ability to collaborate super-efficiently between multiple remote Avid editing platforms. “I depend on DejaEdit for all my productions because it ensures that the media files and timelines that we have created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. It all takes place quickly, securely and automatically in the background... 
The fact that DejaEdit ensures all media is pushed automatically to all connected Avids means that the Assistant Editor (AE) or Editors don’t ever have to search for any missing media files. DejaEdit has saved us a lot of time and headaches."

 

 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | editor | dailies | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
Submitted by DejaSoft
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AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji Posted: 18/05/2020
AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji

Blackmagic Design today announced India based digital cinema designer and colorist G. Balaji used DaVinci Resolve Studio to grade the recent Indian hit film “AADAI” and the upcoming “Andhaghaaram.”

Working on dozens of Indian feature films and TV shows, Balaji started his career as a film editor before moving to DIT and colorist work. Since 2015 he has used DaVinci Resolve Studio on more than 30 films for both color correction in post production and on set dailies work.

“AADAI” is a hit thriller film that was released for theatrical distribution in India and across global streaming networks in 2019. The film follows a free spirited girl, Kamini, who had become famous creating Internet prank videos. One night, she gets the shock of her life when she finds herself alone and naked in an abandoned building after a late night party and is forced to face her past.

Tags: Blackmagic Design | DaVinci Resolve | Post Production | Grading | Frame.io | Filmmaking
Submitted by Blackmagic design
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Everest VR: Journey to the Top of the World Edited, Graded and Stitched with DaVinci Resolve Studio Posted: 29/04/2020
Everest VR: Journey to the Top of the World Edited, Graded and Stitched with DaVinci Resolve Studio

Blackmagic Design today announced that the stunning new 8K 3D documentary “Everest VR: Journey to the Top of the World,” produced by Facebook’s Oculus, was edited, graded and stitched with DaVinci Resolve Studio and Fusion Studio.

In April of 2017, world famous climber Ueli Steck died while preparing for climbing both Mount Everest and Mount Lhotse without the use of bottled oxygen. Ueli’s close friends Jonathan Griffith and Sherpa Tenji attempted to finish off this project while award winning VR director and alpine photographer Griffith captured the entire story.

Over the course of three years, Griffith shot footage following Tenji and some of the world’s most accomplished climbers on some of the world’s most extreme locations. The series also includes footage that lets viewers witness what it is like to be engulfed in a Himalayan avalanche, cross a crevasse and staring deep in its depths, take a huge rock climbing fall, camp under the stars and soak in the view from the top of the world.

Tags: Blackmagic Design | Blackmagic | VR | Everest | DaVinci Resolve | Fusion | Post Production | Facebook | Oculus | 3D
Submitted by Blackmagic design
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Storage Innovation and Collaboration Webinars with ELEMENTS Posted: 20/04/2020
Storage Innovation and Collaboration Webinars with ELEMENTS

ELEMENTS, provider of innovative, high-performance media storage and server systems for the post-production and broadcast industry, is unveiling how to make your storage work harder for a smoother and less complicated workflow through a series of webinars designed for working remotely – now and in the future.

Learn about web browser-based remote collaboration with the Media Library. How to view, edit, annotate and comment on your material, securely sharing it with your colleagues and external contributors for review and approval. Trigger custom workflows from an easy-to-use web interface that runs on-premise or on a hosted virtual ELEMENTS Gateway via your preferred cloud provider. And all this whilst preserving and securing requirements with easy VPN integrations.

Explore Proxy workflows of the future and how flexible automation features and cloud-based gateways re-define what’s possible by connecting multiple, remote editors to the cloud. Work on small, low-bandwidth media in all major NLEs and sync back project files to the main editing facility.

Tags: ELEMENTS | Webinars | media storage | post-production
Submitted by Manor Marketing
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Polar Graphics announces product support and technical sales appointments Posted: 24/03/2020
Polar Graphics announces product support and technical sales appointments

Polar Graphics, a UK leading distributor for the broadcast, post and pro-AV industries, has announced the appointments of Alexandros Galanos and Christopher Stone to further enhance ongoing business growth.

Galanos joins Polar Graphics as a product support specialist with responsibility for providing technical liaison with resellers and end users as well as support for product demos. Prior to Polar Graphics, Galanos was at Tyrell as a senior engineer with extensive experience in technical auditing, installation, workflow design, and technical support.

Stone takes on the role of technical sales manager, responsible for advising resellers and end users of the best product fit from the Polar Graphics product range for their specific workflow and providing full, first-hand guidance through the entire purchase process. Before his arrival at Polar Graphics, Stone was EMEA and APAC director of business development for XenData Ltd.

Polar Graphics Managing Director Peter Rowsell said, “Alexdandros and Christopher are seasoned professionals who bring a wealth of industry experience to their respective roles and I am delighted to welcome them both. The hands-on knowledge and decades of experience they possess will be of great benefit to our customers and is a clear indication of the ongoing expansion of Polar Graphics’ business.”

Galanos said, “Polar Graphics has a long and enviable reputation as a first-class distributor, and I look forward to using what I know to the benefit of the company and its customers.”

Stone echoed Galanos, saying, “With 40 years of experience around the broadcast world, I believe I am very well-placed to guide Polar Graphics customers, traditional and new, through a process that identifies the best product fits for their operation and, even more specifically, for their world region.”

Both appointments are effective immediately.

Tags: Polar Graphics | Appointment | Alexandros Galanos | Christopher Stone | Reseller | Distributor | AV | Broadcast | Post Poroduction
Submitted by Page Melia PR
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