National Theater of Japan Upgrades Its Comms With Riedels Bolero and Artist Intercom Systems

Date: 31/01/2019
National Theater of Japan Upgrades Its Comms With Riedels Bolero and Artist Intercom Systems
Riedel Communications today announced that the National Theater of Japan in Tokyo is using the Bolero wireless and Artist wired intercom systems across its two performance halls — a 1,610-seat theater and a smaller 590-seat theater — to enable flexible communications with crystal-clear audio quality. Staff across the theater's technical department relies on the Riedel system to support the production of a wide range of traditional theatrical and musical performances.
"The wireless intercoms we've used over the past 10 years were unstable and susceptible to radio interference and noise, so we started looking for a more reliable intercom system with greater RF robustness," said Mr. Makoto Ishii, Deputy Manager of the Theater Technical Department at the National Theater of Japan. "After evaluating various intercom products for ease of installation, sound quality, and stable performance, we chose to invest in Riedel's Artist and Bolero intercom systems."
"Since we began using the Bolero system, we have eliminated the noise and interference and used the wireless system's flexibility to make continuous improvements to our intercom setup," added Mr. Tatsuya Fujisawa, Sound Engineer at National Theater of Japan. "We've been pleased with new options the Bolero gives us, such as using our beltpack speakers as a two-way radio when that's a preferable alternative to using headsets."
Two Artist systems with integrated Bolero wireless intercoms ensure reliable communications in both halls, connecting technical staff with their master control rooms (MCRs). By choosing Bolero for its wireless intercom, the theater was able to reduce the number of antennas required, as well as the time and cost required to install them. The cost savings allowed for investment in an additional three beltpack units, for a total of 13.
Five Bolero beltpacks are dedicated to staff in each hall, and another three beltpacks are used by management staff in the MCR. Each beltpack boasts six channels, and staff working in either hall also can take advantage of point-to-point lines to "call" the MCR directly rather than rely on a phone, as they had in the past. "The team at the National Theater of Japan is committed to using the best technology to support its live productions, and Bolero is proving to be a great fit," said Ms. Takako Konishi, Sales Manager at Riedel Communications Japan. "We are proud that our technology plays a vital role during the theater's renowned presentations of traditional Japanese performing arts."
Tasked with the preservation and promotion of Japan's classical performing arts, the National Theater of Japan stages a wide range of performances deeply rooted in Japanese folk culture, ranging from traditional dance and dramatic performances to Buddhist chants or puppet theaters. In order to make them more accessible to contemporary audiences, these performances are gently modernized while respectfully maintaining their traditional character. By choosing a flexible and scalable solution based on Riedel's flagship intercom systems, the National Theater of Japan has effectively streamlined and future-proofed its production processes.
Further information about Riedel and the company's products is available at www.riedel.net.


Tags: National Theater of Japan | Upgrade | Comms | Riedel | Bolero | Artist | Intercom Systems | ISE 2019 | ISE 2019
Submitted by Wall Street Communications
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Tags: Cellular bonding. acquisition | contribution | news | sport | HEVC | 4K | 5G | IP
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Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

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Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

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“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

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“We represent a range of products that are ideal for the AV market, and as the world’s largest pro-AV show, ISE is the ideal venue to discuss our entire product range while featuring one of our most relevant product partners.”

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Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses Posted: 11/12/2019
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Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

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Tags: Finepoint Broadcast | Investment | Canon | Canon UHD Lenses | Dry Hire | Canon Lens Hire | Canon CJ24 | Canon CJ45 | Canon UJ90
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Autodesk Packs Artist-Driven Features into Maya 2020 Release

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Building on powerful animation features introduced in Maya 2019, Maya 2020 adds more than 60 new updates animators will notice in their day-to-day work. The release also includes Arnold 6, which can now be used for production rendering on both the CPU and GPU, as well as significant performance enhancements and new simulation features to Bifrost, the visual programming environment in Maya.

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Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU Posted: 10/12/2019
Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU

Autodesk today announced the release of Arnold 6 with Arnold GPU. From look development to final frame rendering, Arnold 6 with Arnold GPU simplifies how artists and studios create and iterate content, giving them the speed and flexibility to adapt to a fast-paced working environment and scale rendering capacity to accommodate the ebbs and flows of production. Arnold’s intuitive interface makes it easy to toggle between CPU and GPU rendering, maintaining the same settings with a single click. Arnold GPU is based on NVIDIA’s OptiX framework and optimized to take advantage of NVIDIA RTX technology.

“Rendering workloads continue to grow as content providers strive to meet rising audience expectations for content quality. Speed and interactivity have become more crucial than ever to the creative process. Arnold 6 delivers performance gains that will help lighten the load with the same high-quality render results that the CPU renderer is known for,” said Chris Vienneau, senior director, Media & Entertainment Products, Autodesk. “We’ve worked closely with NVIDIA to optimize Arnold GPU to run on the latest RTX GPUs and RTX Server, and we’re excited to get this latest update into the hands of new and existing Arnold customers.”

 

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Frame.io Makes its Debut on the iPad Posted: 10/12/2019
Frame.io Makes its Debut on the iPad

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Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and Cultural Studies Posted: 10/12/2019
Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and amp; Cultural Studies

 

Custom Consoles announces the completion of Module-R studio control desks and two MediaWall monitor display mounts for Cardiff University's School of Journalism, Media & Cultural Studios. The desks and display mounts form part of a full broadcast-quality news studio facility designed by UK-based system integrator ATG Danmon.

"We were invited to propose a turnkey solution based on an outline specification provided by the university," explains ATG Danmon Managing Director Russell Peirson-Hagger. "The project coincided with a relocation to new city-centre premises. It comprised a large TV studio and dedicated gallery, a smaller TV studio with its associated gallery, plus a broadcast newsroom. These will be used to train the next generation of television, radio, online and printed-media journalists. Module-R desks and MediaWalls are used in many broadcast facilities in the UK, Europe, MENA and Asia, so were a logical choice given the need to match the functionality and processes of a real broadcast environment. They are robustly constructed, ergonomically efficient for engineering staff and well as operators, and attractively styled. Both product series also gave us the freedom to match the available room dimensions from standard modular elements."

 

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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ADTH Announces Support for SRT Open Source Project Posted: 10/12/2019
ADTH Announces Support for SRT Open Source Project

 

 

Atlanta DTH, Inc. (ADTH) announces that it has joined the SRT Alliance, a broadcast media industry collaboration created to develop an open-source protocol allowing low-latency video streaming over the internet. ADTH will provide full support for the SRT (Secure Reliable Transport) protocol.

Developed and pioneered by Haivision, the SRT protocol optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal. It accounts for packet loss, jitter, and fluctuating bandwidth, maintaining the integrity and quality of a video stream.

"With its 25 years of experience in the broadcast and telecommunication sectors, ADTH is a very welcome addition to our membership," comments Haivision CCO & EVP Strategic Alliances Peter Maag. "With increasing support from across the entire industry, SRT is rapidly becoming the globally preferred standard for low-latency video streaming."

"Efficient and effective standards are essential to the advancement of any industry, not least in the OTT streaming sector where signal delivery needs to overcome many technical variables," adds ADTH founder and Managing Director Michael Day. "The SRT Alliance's aims and objectives are in full accord with our own strategy of promoting the highest possible video quality-of-experience securely, efficiently and at the lowest possible latency. We are SRT-ready."

 

 

 

 

Tags: Atlanta DTH | Inc. | ADTH | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniatur
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Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility Posted: 10/12/2019
Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility

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The new resource includes a total of seven desks in an open plan configuration. Located on the former BBC South West villa site in Plymouth, it is equipped with all the facilities required for the university's courses in journalism and broadcast production. These include a four-camera TV studio, a TV news room and TV production gallery, a radio news room, radio studio and central apparatus room.

"The design brief we were given was to create a fully professional radio and TV production environment including latest-generation Dante IP networking", says Altered Images' Media and Broadcast Solutions Director Russell Butcher. "Custom Consoles desks are very widely used throughout the broadcast media industry so will be met by many students as they progress into their careers. The desks and equipment bays look good, are ergonomically comfortable and efficient, and are very long-lasting."

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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ATG Danmon Completes New HD UHD Production System for That Lot Posted: 10/12/2019
ATG Danmon Completes New HD UHD Production System for That Lot

ATG Danmon announces the completion of a broadcast-quality production facility for the London headquarters of That Lot, one of Europe's leading providers of social media content production support. Core of this project is a multi-camera studio plus a fully equipped control room including lighting, vision and audio mixing, routing, recording, monitoring and archiving.

"Working with ATG Danmon, we have been able to create the most flexible possible system for use across our wide range of creative services," comments Ben Forder, Head of Video at That Lot. "The new studio and its control suite enable us to offer our clients versatile resources for creating broadcast-quality content for a wide range of media applications."

"A full-colour back-lit LED cyclorama, which we believe is the first of its kind in Europe, provides sharp chroma-key superimposition onto on any background. Lighting is from a ceiling-mounted rig which can be adjusted to get the exact style of illumination we need for live-streaming or recording sketches, scripted videos, interviews, podcasts, vodcasts and social media photoshoots. That includes 360 degree surround video and audio capture if specified."

 

 

 

Tags: ATG Danmon UK | broadcast systems integration | broadcast systems integrators | broadcast television systems | studio design | playout centre design | newsroom design | satellite system design | broadcast infrastructure | broadcast archive system design | broadcast
Submitted by Stylus Media Communications
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Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform Posted: 10/12/2019
Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform

 

Argentine telecommunications facilities provider Servicios y Telecomunicaciones SA (SYT) has chosen a complete mediaClass OTT TV Everywhere solution as the core of a newly launched Rocstar TV Everywhere platform. The system is designed to allow carriers, cable operators and ISPs to offer own-brand TV Everywhere OTT products based on a strong channel line-up and premium content. All functions are provided through an operator-class version of mediaClass software, customised and integrated into servers at SYT's headquarters in Buenos Aires.

"We signed the agreement with SYT at the April 2019 NAB Show and have been very busy adding specific features for Rocstar TV local markets," says mediaClass EVP Manelli Hosseini. "This new service will allow easy white-labeling for carriers, ISPs and cable operators to offer full TV Everywhere OTT and IPTV with their own brand and their own app. The system includes all the advanced TV Everywhere features – content source processing and storage, digital rights management, subscriber management, viewer analytics and an AI-based recommendation engine. We have also built in true multi-tenancy which is often claimed but not delivered. The resultant service is very easy to use, includes automatic configuration, and is highly cost efficient."

 

 

 

Tags: mediaClass | multiscreen platform | end-to-end hybrid OTT and IPTV | IPTV Management | OSS/BSS Integration | EPG | Reverse EPG | Multi-DRM | AI Recommendation Engine | Content Management System | CMS | Catchup Management | Set-top box APIs | IoS Apps | Android Apps | Ad
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Anevia Drives Expansion of Argentinian OTT TV Service Posted: 10/12/2019
Anevia Drives Expansion of Argentinian OTT TV Service

 

 

Anevia, a leading provider of OTT and IPTV software solutions, for the expansion of its multiscreen TV service.

The expansion was driven by the exponential growth of the market locally, as well as geographical inroads of the multiscreen TV service into other South American countries. To scale up, the telecommunication service provider chose the Anevia Embedded Distributed Storage (EDS) technology, where the same servers are used for both computing and storage. This enables costs to be kept under control by halving the number of physical rack units needed.

The operator has also continued expanding its CDN infrastructure using Anevia’s NEA-CDN® solution which enables it to ensure high quality during football matches and other peak traffic events as well as supporting the cutting-edge features required for interactive OTT television.

"We are thrilled that Anevia’s technology has once again been trusted to deliver premium services for OTT television, after four years of spectacular success with this OTT offering in Argentina," says Anevia CEO Laurent Lafarge. "Our EDS technology is widely recognised to be much more reliable and scalable than a traditional NAS architecture. It enables TV operators to thrive as they scale up."

 

 

 

 

Tags: Anevia | OTT software | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time-
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