More Than 40 of the 2017 Fall Television and Streaming Series Rely on Blackmagic Design

Date: 30/11/2017

More Than 40 of the 2017 Fall Television and Streaming Series Rely on Blackmagic Design
Blackmagic Design today announced that a variety of its production and post products are being used by DPs, DITs, VFX artists, online editors and colorists to complete many of the fall 2017 seasons new and returning television shows and streaming series. More than 40 shows rely on Blackmagic Designs digital film cameras; Fusion Studio visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve Studio editing, color correction and digital audio software; as well as its switchers, routers, monitors, and capture and playback devices.
DPs, such as Christian Sebaldt, ASC and Byron Shah, rely on the URSA Mini Pros and Micro Studio Camera 4Ks high quality images and compact form factors to capture unique angles, stunts and action shots. Hollywood-based VFX studios such as Muse VFX continue to depend on Fusion Studio for VFX work and compositing across their projects. DaVinci Resolve Studio has long been a staple for many post professionals. For example, approximately 85 percent of the 140+ OTA, OTT and cable series and shows posting at Deluxes Encore, Level 3, Company 3 and EFilm facilities use DaVinci Resolve Studio for color grading, and a number of these shows also use the system for conforming.
Part of L.A.-based post production company Mango, The Loft Post, handles online editing and color grading using DaVinci Resolve Studio for several new and returning hit network shows. The Loft Post is an essential link in Mangos chain of delivering all post needs in one stop, said Mango President/Co-owner Stan Cassio. Together Colorist Joe Cook and Online Editor Dave McLaughlin are able to seamlessly deliver projects using a real-time, collaborative process in DaVinci Resolve Studio.
SOME OF THE 2017 FALL SERIES USING BLACKMAGIC DESIGN CAMERAS AND HARDWARE INCLUDE:
* The Exorcist DP Byron Shah uses Micro Studio Camera 4Ks as crash cameras with accompanying Video Assist 4Ks for recording;
* Lucifer DP Christian Sebaldt, ASC uses an URSA Mini Pro, Blackmagic Cinema Camera, Production Camera 4K and Video Assist for stunts, action and additional angles;
* Once Upon A Time DP Tony Mirza and DIT Brian Scholz use Production Camera 4Ks for select shots, including car rigs and stunt and crash cameras;
* Speechless DP Rhet Bear uses Smart Videohub 20x20 for routing and video distribution;
* Travelers DP Stephen Jackson uses URSA Mini 4.6K as a crash camera and to shoot in small spaces; and
* DPs Jayson Crothers and Rohn Schmidt both use Micro Cinema Cameras and a Pocket Cinema Camera on their respective network shows. Crothers also uses a Video Assist monitor/recorder.
FOR ON-SET GRADING AND DIT WORK:
* Bull DIT Gabe Kolodny uses Smart Videohub 40x40 router, Videohub Smart Control, SmartScope Duo 4K monitor and UltraStudio Express;
* Crazy Ex-Girlfriend DIT Sam McConville uses ATEM 1 M/E Production Studio 4K switcher, SmartView Duo monitor and DeckLink Mini Recorder;
* Designated Survivor DIT Kyle Kurbegovich uses DaVinci Resolve Studio, SmartView 4K, DeckLink Mini Monitor and Smart Videohub 12x12;
* The Exorcist DIT Jonathan Yip uses Smart Videohub 20x20, MultiView 4, SmartScope Duo and Mini Converters SDI Distribution;
* Kevin Can Wait DIT David Satin uses DaVinci Resolve Studio, Universal Videohub 72x72, UltraStudio Mini Monitor and various DeckLink cards;
* Lucifer DIT John Reyes uses the Smart Videohub 12x12, SmartScope Duo 4K, SmartView Duo, UltraStudio Mini Monitor and UltraStudio Mini Recorder;
* Madam Secretary DIT Keith Putnam uses Smart Videohub 20x20, Mini Converters, UltraStudio Mini Monitor, Media Express and DaVinci Resolve Studio for viewing camera original media, reviewing VFX comps from post, pulling high quality stills and Power
Window work; * Marvels Inhumans DIT Dane Brehm worked on the first two episodes using DaVinci Resolve Studio, Smart Videohub 20x20 and UltraStudio Extreme 4K; and
* Me, Myself & I DP Craig Kief and DIT Aaron Biller use DaVinci Resolve Studio, Smart Videohub 16x16, HyperDeck Studio and DeckLink SDI 4K.
FOR VFX WITH FUSION STUDIO:
* Flash Film Works Compositing Supervisor Jeremy Nelson and the team use Fusion Studio for VFX work on Jane the Virgin; and
* Muse VFX Founders and Visual Effects Supervisors John Gross and Fred Pienkos and their team use Fusion Studio to composite Elementary, Fuller House, Kevin (Probably) Saves the World, Madam Secretary, NCIS and Teen Wolf.
FOR POST PRODUCTION WITH DAVINCI RESOLVE STUDIO:
* ColorTimes Russell Lynch grades In The Vault, Life in Pieces and Modern Family;
* DigitalFilm Trees Lakan de Leon online edits American Housewife;
* DigitalFilm Trees Jacob Tillman online edits NCIS: Los Angeles;
* DigitalFilm Trees Patrick Woodard grades American Housewife and NCIS: Los Angeles;
* Harbor Picture Companys Joe Gawler grades She's Gotta Have It;
* Light Iron LAs Jeremy Sawyer grades Better Things;
* Picture Shops Paul Allia grades Damnation;
* Picture Shops Chris Boyer grades Blindspot, Graves, Me, Myself & I and The Walking Dead;
* Picture Shops George Delaney grades NCIS and NCIS: New Orleans;
* Picture Shops George Manno grades Arrow, Lethal Weapon, Once Upon A Time and Young Sheldon;
* Point.360 Creative Services Aidan Stanford grades Fresh Off the Boat and Youre the Worst;
* SIMs Todd Bochner grades Jane the Virgin and Madam Secretary;
* SIMs John Persichetti grades Dynasty and Scorpion;
* Technicolor PostWorks Sam Daley grades The Deuce and The Sinner; and
* Warner Bros. Motion Picture Imagings Scott Klein grades Empire and Halt and Catch Fire.


Tags: Blackmagic Design | Production | Post Production | TV Shows | VFX | Fusion Studio | Colour Correction | Editing | DaVinci Resolve Studio
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

Related Interviews
  • Playbox Production Air Box shown at IBC 2017

    Playbox Production Air Box shown at IBC 2017

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • AQ Broadcast at NAB 2014

    AQ Broadcast at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • aQ Broadcast Production Suite at BVE 2014

    aQ Broadcast Production Suite at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Grass Valley at BVE 2014

    Grass Valley at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012


Related Shows
  • Larry Jordan and Den Lennie talk editing at BVE

    Larry Jordan and Den Lennie talk editing at BVE


Related Articles
  • Multi-camera fly-away for live music production

    Multi-camera fly-away for live music production

  • Production Communications in a Shrinking World

    Production Communications in a Shrinking World

  • Back to Basics with IP Video Production

    Back to Basics with IP Video Production

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • Media Production Show and other news

    Media Production Show and other news

  • Understanding the process of video production

    Understanding the process of video production

  • 360 degree video storage requirements

    360 degree video storage requirements

  • Live sports and event production

    Live sports and event production

  • IP Based Remote Production

    IP Based Remote Production

  • Integrated and automating marketing campaign production

    Integrated and automating marketing campaign production

  • Remote Production - Speed, Control, Infrastructure

    Remote Production - Speed, Control, Infrastructure

  • The Masters of Dirt - Extreme Production

    The Masters of Dirt - Extreme Production

  • Designing the correct workflow

    Designing the correct workflow

  • OBs are still outside and so are broadcasts

    OBs are still outside and so are broadcasts

  • Live Remote Production Over IP

    Live Remote Production Over IP

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • Challenges for MAM with varying production types

    Challenges for MAM with varying production types

  • Grading Quantum Break

    Grading Quantum Break

  • The future of post production

    The future of post production

  • Smart audio - the way foward for live broadcast production

    Smart audio - the way foward for live broadcast production

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • The vital role of communications in live production

    The vital role of communications in live production

  • Reducing the costof live production

    Reducing the costof live production

  • Interrontrons - a prompting gimmick or a real production tool

    Interrontrons - a prompting gimmick or a real production tool

  • News production with an IP workflow

    News production with an IP workflow

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Remote Production

    Remote Production

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Waveform Monitors in 4K Production

    Waveform Monitors in 4K Production

  • IP for live production

    IP for live production

  • 4k is a reality for live production

    4k is a reality for live production

  • Educating with Robots

    Educating with Robots

  • New Upmixing Challenges and Strategies for Audio Post-production Today and Tomorrow

    New Upmixing Challenges and Strategies for Audio Post-production Today and Tomorrow

  • Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

    Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

  • Editing broadcast video in a mobile app a ridiculous notion or the next big thing

    Editing broadcast video in a mobile app a ridiculous notion or the next big thing

  • Post Production Companies Protection

    Post Production Companies Protection

  • Setting out your terms of business

    Setting out your terms of business

  • Making remote production over IP a reality

    Making remote production over IP a reality

  • The key to stability

    The key to stability

  • Matrox VS4-based Multi-channel Recording System

    Matrox VS4-based Multi-channel Recording System

  • Ground breaking production tool

    Ground breaking production tool

  • Making multi-camera shooting faster & more affordable

    Making multi-camera shooting faster & more affordable

  • The Lobster - achieving a textural grain

    The Lobster - achieving a textural grain

  • Are you a trainer? Keeping up to date is vital

    Are you a trainer? Keeping up to date is vital

  • Dealing with clients

    Dealing with clients

  • Looking at the teleprompter

    Looking at the teleprompter

  • The evolution of vision mixers

    The evolution of vision mixers

  • Picking the right prompter

    Picking the right prompter

  • The production desk finally gets innovative

    The production desk finally gets innovative

  • The IP revolution in television is only the beginning

    The IP revolution in television is only the beginning


News
XTRMX Integrates with the Avid MediaCentral Platform Posted: 15/12/2017

XTRMX, a leading innovator in remote collaborative video editing and review solutions, announced today that they have signed an Alliance Sales Agreement with Avid®. As an Avid Alliance Partner, XTRMX has integrated its next-generation product portfolio, which includes the innovative, xView multi-user video review, and ediX remote editing, with Avid MediaCentral® and Avid Media Composer®. The groundbreaking new workflow facilitates multi-user access and native control of media assets via XTRMX. An industry first, multiple users producers, clients, editors and assistant editors - can concurrently review and edit content within a single Avid Media Composer edit session, eliminating the time-consuming back-and-forth between users and multiple file versions.

Tags: video collaboration | avid | video review | collaborative workflows | post production
Submitted by Zazil Media Group
More from this author
NextRadioTV Selects Dalet to Power all Channels in a Major Expansion and Consolidation Posted: 14/12/2017
Dalet, a leading provider of solutions and services for broadcasters and content professionals, announced today that NextRadioTV is placing the Dalet Galaxy Media Asset Management (MAM), Orchestration and Editorial platform at the heart of a major new facility in Paris, France. The multimillion-Euro installation, spearheaded by Dalet Professional Services and configured on a single, agile, highly scalable and resilient Dalet Galaxy platform, will orchestrate all production, playout and distribution workflows for TV, Radio and digital channels of NextRadioTV media network.
Tags: NextRadioTV | Media Asset Management | workflow orchestration | broadcast workflows | news workflows
Submitted by Zazil Media Group
More from this author
Wisycom Performs Outstanding Audio Feats for Cirque du Soleil: Volta Posted: 14/12/2017
When independent Sound Designer Jean-Michel Caron was tasked with the challenge of providing impeccable sound for the new Cirque du Soleil: VOLTA Big Top touring production, he knew that Wisycom would be the perfect fit. Caron relied heavily on the company's wireless microphone transmitters and receivers, and in-ear receivers for his wireless and RF needs.
Tags: Wisycom
Submitted by D. Pagan Communications
More from this author
AIMS and MNA Announce Merger Posted: 14/12/2017
The Alliance for IP Media Solutions (AIMS) today announced that it is merging with the Media Networking Alliance (MNA) to form a single trade association for promoting IP in the media and entertainment industry. The merger comes after a two-year history of collaboration, and it will enable the organizations to have an even greater impact on the industries they serve. The new joint organization will retain the AIMS name and will be governed by the existing AIMS bylaws.
Tags: MNA | AIMS and MNA Merger | Alliance for IP Media Solutions
Submitted by Wall Street Communications
More from this author
ELEMENTS Adds Eric Thorne to Growing North American Team as VP Sales Americas Posted: 14/12/2017

ELEMENTS, developer of advanced solutions for unrestricted collaboration in shared media workflows, has added Eric Thorne to its growing North American team as its VP Sales Americas. Thorne joins ELEMENTS with over 25 years of sales experience in the media & entertainment market sector. His responsibilities, effective immediately, include supporting existing customers, developing new business targets and sectors, and expanding the reseller channel in the USA, Canada, and Latin America,

Tags: ELEMENTS | Eric Thorne | Storage Solutions
Submitted by Desert Moon Communications
More from this author
IPE Partners with AVC Group Posted: 14/12/2017

IPE today announced a new partnership with Auckland New Zealand-based AVC Group. AVC will represent IPE as a reseller of IPEs Intelligent Display Systems (IDS) and other products throughout New Zealand, Australia, India, the Middle East and the Pacific Islands.

Tags: AVC | IPE Technologies | CABSAT | IDS
Submitted by Manor Marketing
More from this author
Riedel Products at CABSAT 2018 Posted: 14/12/2017

Bolero Wireless Intercom System

Riedel's Bolero is a game-changing new wireless intercom solution. A 6-channel, 1.9GHz DECT-based system with seamless handover, Bolero is fully integrated into Riedel's Artist digital matrix intercom platform. Bolero offers a rich set of features and connectivity that can be applied three ways: as an exceptional wireless beltpack, as a wireless keypanel, and in an industry first as a walkie-talkie radio.
Tags: Riedel | CABSAT 2018 | Bolero Wireless Intercom System | DECT Receiver | MediorNet | CABSAT 2018 | CABSAT 2018
Submitted by Wall Street Communications
More from this author
Latest Sound Desk from Stage Tec Revealed at BVE 2018 Posted: 14/12/2017
Broadcast audio distributor Aspen Media is proud to present AVATUS, the new sound desk from its German supplier Stage Tec, at BVE 2018 in February.
Tags: Aspen Media | BVE 2018 | AVATUS | Stage Tec | Mixer | sound desk | IP
Submitted by Aspen Media Ltd
More from this author
IP-Based Sports Production Becomes Reality with NewTek 3Play and 3P1 Posted: 14/12/2017

NewTek introduced today the NewTek 3Play® 3P1, the most cost-effective, easy-to-use and feature-rich replay solution in the world with native IP video processing. 3Play 3P1 offers both NDI® and 3G SDI input, cross conversion, and output. An intuitive dual-channel first replay telestration solution allows talent to draw over live NDI video, or optionally reverse-keyed on the field-of-play on any PC, tablet, or touchscreen with a single network cable.

Tags: NewTek | 3Play 3P1 | IP-Based | Sports Production | SDI Replay
Submitted by Bubble Communications
More from this author
Globecast promotes Sylvain Merle to Chief Operating Officer Posted: 14/12/2017

Globecast, the global solutions provider for media, announces the promotion of Sylvain Merle to Chief Operating Officer, effective immediately. He will replace Philippe Fort, who previously held that role for 16 years before announcing his retirement earlier this year.

Tags: playout | managed playout | satellite | metadata | media management | cloud | VOD
Submitted by Jump PR
More from this author
Swiss Regional Broadcaster La Tele Installs New Aveco ASTRA Studios and Incite MAM Editing Solution Posted: 14/12/2017

Aveco®, the worldwide broadcast automation specialist, through Geneva-based systems integrator IMC Technologies has installed two ASTRA studio automation systems in the cities of Lausanne and Fribourg for La Tele, the regional Switzerland broadcaster.

Tags: Aveco | automation | MAM | NRCS
Submitted by Silverknight Consulting
More from this author
TSL Products Announces New MPA1 Mix SDI Audio Monitor Posted: 13/12/2017
TSL Products, a leading broadcast equipment manufacturer, today announced the release of the new MPA1 Mix SDI audio monitor. Part of the MPA (Monitor Plus Audio) range, the MPA1 Mix SDI provides users with an intuitive yet flexible audio monitoring tool that enables quick and easy creation of audio monitor mixes comprised of embedded SDI audio, AES and analogue audio sources.
Tags: TSL | TSL PRODUCTS
Submitted by D. Pagan Communications
More from this author
US MILITARY LAUNCH NEW MPEG-4 HD SET-TOP BOXES WITH INVIEW MIDDLEWARE Posted: 13/12/2017

Inview Technology, the broadcast/OTT software and service specialist, and DigitalGlue, a systems integrator, equipment provider and software developer for the production and distribution of digital video, have today announced the launch of DigitalGlue's new MPEG-4 HD set-top boxes used by the American Forces Network (AFN).

Tags: DigitalGlue | Inview Technology | MPEG-4 HD Set-Top Box
Submitted by Desert Moon Communications
More from this author
Japans Yomiuri TV Selects TVU One with HEVC for Live Video-Over-IP Remote News Coverage Posted: 13/12/2017

TVU Networks, the global technology and innovation leader in live IP video solutions, is announcing that its Tokyo-based reseller Star Communications has procured multiple TVU One with HEVC mobile IP newsgathering transmitters for its client, Yomiuri Telecasting Corporation. Based in Osaka, Yomiuri Telecasting serves the Kansai region of Japan and was the first station to be affiliated with Nippon Television Network.

Tags: TVU Networks | live video | IP video | video over IP | TVU One | new gathering | news production
Submitted by Pipeline Communications
More from this author
Full Production for Blend Abu Dhabi Posted: 13/12/2017

Award winning event technical production specialist Maestras UEA based operation delivered rigging, staging, sound, lighting and video / AV for Blend Abu Dhabi, a special event to relaunch the YAS Marina Formula One circuit meeting space.

Tags: Maestra | Dubai | Blend | Abu Dhabi | production | lighting | video | sound | LED
Submitted by Louise Stickland
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>