Matysiak Picks New Lenses and Tiffen Filters for an Unforgiving Western Look on Old Henry

Date: 10/11/2021
Matysiak Picks New Lenses and Tiffen Filters for an Unforgiving Western Look on and quot;Old Henry and quot;

Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli's western. Inspired by photographers of the time, Matysiak used carefully chosen Tiffen diffusion filters to control contrast and sharpness while also enjoying the consistency and speed of precise modern lenses.

Matysiak and Ponciroli's historic fiction exists in a decidedly imperfect world, one where we watch hard-bitten characters in images carefully touched with glow and flare. The prototypical sunbaked deserts of classic westerns are absent. The story plays out largely under a bleak overcast sky, or in the lambent flicker of candles and oil lamps. Filter choices augment both, creating images far removed from common assumptions about anamorphic photography— and from the sometimes-excessive sharpness and clarity of modern lenses.

"There are a lot of ways to create texture in an image," Matysiak begins. "I think the choice of lens is one of them, and choice of filtration is another." Older glass, particularly given his desire to shoot anamorphic, might have been less versatile than adding a selection of filters. "We were going to be creating a world," Matysiak continues, "and I did not want to be distracted by distortions we couldn't control." With that in mind, he chose ARRI Master Anamorphic lenses and Tiffen Pearlescent, Black Satin and Black Pearlescent filters, selecting types and strengths based on the specifics of each frame, and particularly favoring Black Satin filters for their balance of halation, diffusion and contrast control. "Black Satins probably won out more," he recalls. "I feel like it was mainly Pearlescents on exterior stuff, and Black Satins on interiors, but I'm not that categorical. It goes back to emotion. Is this filtration working on this shot or on this sequence?"

"It was a very gray, overcast palette. We avoided shooting in full sun.” Lighting, especially any light source in frame, particularly influenced his choices. "One of the biggest challenges in a film that takes place before the advent of electricity is how to motivate light sources at night. We used a mix of actual oil lamps as well as lamps that we'd wired up with our own bulbs." One night interior, featuring Tim Blake Nelson as the titular Henry and Scott Haze as a wounded gunslinger, used both approaches. With a finely divided range of filter strengths, Matysiak could carefully pursue what he calls "the right balance of halation and highlight control."

Bolder effects appear during a flashback sequence, for which Matysiak's fiery backlight provoked what he describes as "a surreal quality... the filtration added this slight imperfection to the image that ended up feeling truly authentic to the emotion we were trying to convey. That was really enhanced in camera by the different strengths of filtration we used. That's what I like about Pearlescents and Black Satin. You can select how much halation you want to have based on the highlighting in the frame."

Much of the film used filter strengths between 1/8 and 1/2, with stronger filters used on day exteriors and subtler options where halation might become too obvious. "If there was too much halation you might go down to a 1/8 but never, never clean. Not even on the night exteriors. We always had some filters in the mattebox to keep consistency."

Meanwhile, the performance of modern lenses allowed Matysiak to keep sharpness consistent, even in difficult circumstances, and all the while enjoying the unique look of anamorphic. "As soon as we lost that direct light on our exteriors," he remembers, "that's when we were going to shoot our big wides. I learned on one of my first jobs using Master Anamorphics that you can shoot wide open, distort it with filters, and then shoot an extra half hour. That's an eternity, enough to get the second half of a scene!"

Monitoring and grading choices naturally interact with filters, and Matysiak integrates the two carefully. "For Old Henry, we took LUTs that I'd developed and adjusted them to be a little more in tune with the look we were after, but there are certain things you can't get in grading. You need to have the optical effects, and filtration is key to that—you can't just add a filter in post."

Ensuring everyone is aware of the cinematographer's intent, Matysiak says, is most easily achieved using in-camera tools. "It's rare we have the kind of control we'd need to say we're going to do something in post. I try to leave every project with something I'm happy to present to the world. Some cinematographers keep filtration secrets, but I'm pretty much an open book. While different cinematographers might use the same filters or the same set of lenses, every image is ultimately going to be uniquely your own."



Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Susan Lewis (Lewis Communications)
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  • K-tek Stingray range shown at NAB 2019

    K-tek Stingray range shown at NAB 2019

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Area 48 Color and more from BBS Lighting at IBC 2018

    Area 48 Color and more from BBS Lighting at IBC 2018

  • BBS Lighting Force 7 at NAB 2018

    BBS Lighting Force 7 at NAB 2018

  • DOP Choice Lighting Bracket and Snapbox at IBC 2017

    DOP Choice Lighting Bracket and Snapbox at IBC 2017

  • Hive Lighting at IBC 2015

    Hive Lighting at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Ianiro on BroadcastShow Tour May 2013

    Ianiro on BroadcastShow Tour May 2013

  • Jonathan Harrison at BVE North 2012

    Jonathan Harrison at BVE North 2012

  • Rotolight at NAB 2012

    Rotolight at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Rotolight and TNP at BVE 2012

    Rotolight and TNP at BVE 2012

  • Datavision at BVE 2012

    Datavision at BVE 2012

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • PAG at IBC2011

    PAG at IBC2011

  • IDX at IBC2011

    IDX at IBC2011

  • Miller Camera Support at IBC 2016

    Miller Camera Support at IBC 2016

  • Cineline Fluid Head from Miller Camera Support at NAB 2014

    Cineline Fluid Head from Miller Camera Support at NAB 2014

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

    Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

  • CueScript EMC prompter and control surface at IBC 2014

    CueScript EMC prompter and control surface at IBC 2014


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News
THEO Technologies launches hesp.live, the first HTTP-based real-time video API at scale Posted: 24/01/2022
THEO Technologies launches hesp.live, the first HTTP-based real-time video API at scale

Video tech company THEO Technologies has launched hesp.live, the first HTTP-based real-time video streaming infrastructure that reaches sub-second latency at scale. This technology disrupts the industry standard of multiple seconds of latency and is currently the fastest HTTP-based video live streaming solution. THEO Technologies achieved this by leveraging the High Efficiency Streaming Protocol (HESP) that enables live interactivity at scale for industries such as sports, betting, auctioning, gaming and live events.

Tags: OTT | low latency | live streaming | hesp | DASH | HLS | CDN
Submitted by Staff
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IBC Accelerators: Industry leaders take action to achieve Carbon Net Zero Live Production Posted: 24/01/2022
IBC Accelerators: Industry leaders take action to achieve Carbon Net Zero Live Production

A team of world-leading sports broadcasters, rights owners and technology vendors, collaborating as part of IBC’s Accelerator Media Innovation Programme, have revealed the initial results from an English Premier League production workflow trial to support the goal of a carbon ‘net zero’ future for live productions. Together, they demonstrate how innovative remote & cloud production workflows can meet ambitious sustainability objectives and reduce the environmental impact of live production




Tags: ibc
Submitted by Platform Comms
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Clear-Com HelixNet and FreeSpeak II Rise to the Challenge at the National Paralympic Games XVI Posted: 24/01/2022
Clear-Com and rsquo;s HelixNet and FreeSpeak II Rise to the Challenge at the National Paralympic Games XVI

The 16th National Paralympic Games were hosted in Indonesia last year from November 2nd – 13th at the Mandala Stadium in Jayapura, Papua, Indonesia. Clear-Com’s Indonesian-based Partner, 86 Inc., was contacted by the Organizing Committee of the Opening and Closing Ceremonies (OCC) to assist with the show management and live broadcast communications for the complex events. 86 Inc. recommended a solution based around Clear-Com®’sHelixNet® Digital Network Partyline and FreeSpeak II® Digital Wireless Intercom.

Tags: Clear-Com® HelixNet® Digital Network Partyline | FreeSpeak II® Digital Wireless Intercom
Submitted by Bubble Agency
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SDVI Congratulates Hilary Roschke on Being Named Head of Americas and Chair of Board for Rise North America Posted: 21/01/2022
SDVI Congratulates Hilary Roschke on Being Named Head of Americas and Chair of Board for Rise North America

SDVI, the leading platform provider for cloud-native media supply chains, today congratulates Hilary Roschke, vice president of strategic operations, for being named head of Americas and chair of board for Rise North America. In this new role for the Rise organization, Roschke will help build relationships and drive North American membership and program expansion.

Tags: Hilary Roschke | Rise North America | SDVi | Diversity | Women in tech
Submitted by Wall Street Communications
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Dynamic Infographic From Marketron Details Full Scope of Opportunity for Local TV Advertising Pros in 2022 Posted: 21/01/2022
Dynamic Infographic From Marketron Details Full Scope of Opportunity for Local TV Advertising Pros in 2022

Marketron, the broadcast industry's leading technology provider for more scalable, predictable, and reliable revenue, today unveiled a dynamic infographic designed to give local TV advertising professionals a clear understanding of 2022 digital advertising trends, as well as the data and recommendations to capitalize on trends and increase advertising opportunities.

Tags: Infographic | Marketron | Local TV | Advertising
Submitted by Wall Street Communications
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Visual Data Media Services Reimagines Content Remastering and Restoration with Matchmaker Posted: 21/01/2022
Visual Data Media Services Reimagines Content  Remastering and Restoration with Matchmaker

Visual Data Media Services responds to customers’ increased demand for quality content along with compressed delivery timelines with its Matchmaker™ film scanning and restoration solution. The workflow combines Artificial Intelligence (AI) algorithms with Visual Data’s creative and technical expertise, to significantly reduce the time needed to remaster content to 4K/ HDR and prepare it for distribution -- taking large-scale projects from years or months down to weeks or days.




Tags: Visual Data | Visual Data Media Services | Matchmaker
Submitted by Bubble Agency
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Adder Expands Distribution Partnership for the Nordics Region Posted: 21/01/2022
Adder Expands Distribution Partnership for the Nordics Region

Adder Technology, a global specialist in connectivity and IP KVM solutions, has today extended its successful relationship with recognized and respected distributor, DigiBox. For over a decade, Adder has been working with the specialist media and entertainment partner in the UK&I, and a new distribution agreement will see the partnership extend to the Nordics region.

Tags: IP KVM | KVM Matrix | ZeroU KVM | HDMI | DisplayPort | Computer Access | Computer Control | Remote Access | Post-Production | Outside Broadcast | Broadcast | Transport Technology | Industrial Technology | Air Traffic Control | VFX
Submitted by Adder
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Cobalt Digital Opens Doors to Representative Office in China Posted: 20/01/2022
Cobalt Digital Opens Doors to Representative Office in China

Cobalt® Digital, designer and manufacturer of award-winning edge devices for live video production and master control, and a founding partner in the openGear® initiative, has welcomed 2022 with the launch of a Representative Office in China. Based in Beijing, the Office is staffed by local sales and support professionals with deep regional knowledge and extensive experience supporting Cobalt’s product portfolio. The office, which represents Cobalt’s expanded reach into the growing China market, opened its doors in late December 2021.

Tags: Cobalt Digital | Cobalt’s 9971 | Multiviewer | openGear | 9971-MV6-4K | 9904-UDX-4K HDR | Ultra-Low Latency Mode | Encoder | 9992-ENC | BBG-1300-FR Mini openGear | 9905-MPx | Cobalt Digital’s 12G | Chris Shaw | encoders | decoders | 3G-SDI Models | RIST technology | Dr. Ciro Noronha | 9926
Submitted by Desert Moon
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Gigcasters Achieves Broadcast Quality Live Streaming with the Zixi OnAir Mobile App Posted: 20/01/2022
Gigcasters Achieves Broadcast Quality Live Streaming with the Zixi OnAir Mobile App

Gigcasters, a live streaming engineering company, has seen mobile production increase during the pandemic and witnessed first-hand the benefits of higher frequency, lower cost productions using Zixi’s OnAir app infrastructure. The company first tried live video delivery remotely using laptops and WebRTC, but found the reliability of the feed was not good, and packet loss and image quality were insufficient. Once the Zixi OnAir app was quickly enabled on local production teams’ mobile phones, getting a broadcast-quality feed was easy. 






Tags: Gigcasters | Zixi | Zixi OnAir
Submitted by Bubble Agency
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SMPTE Inks Partnership With the Entertainment Technology Center at USC to Study On-Set Virtual Production Solution Posted: 20/01/2022
SMPTE Inks Partnership With the Entertainment Technology Center at USC to Study On-Set Virtual Production Solution

SMPTE®, the home of media professionals, technologists, and engineers, has signed a memorandum of understanding with the Entertainment Technology Center, a department within the School of Cinematic Arts at the University of Southern California (ETC), an entertainment technology think tank and research center. The memo supports a partnership between the two organizations to collaborate on a SMPTE solution for on-set virtual production (OSVP) — the first in the Society's planned series of Rapid Industry Solutions (RIS) intended to address quickly evolving technologies and their application across the media and entertainment industry.

Tags: On-set virtual production | Rapid Industry Solutions | OSVP | Entertainment Technology Center | SMPTE | USC
Submitted by Wall Street Communications
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New Dalet AmberFin Update Enables Customers to Expand Streaming Workflows Posted: 20/01/2022
New Dalet AmberFin Update Enables Customers to Expand Streaming Workflows

Enhanced media processing capabilities and seamless integration with Dalet Flex and Dalet Pyramid solutions elevate user experience, support mobility, and expand workflow options; Successful AWS Foundation Technical Review ensures cloud excellence

Tags: Dalet | Dalet AmberFin | Dalet Flex | Dalet Pyramid
Submitted by Zazil Media Group
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Broadcast Solutions Partners with Video Automation Software Developer Seervision Posted: 20/01/2022
Broadcast Solutions Partners with Video Automation Software Developer Seervision

Broadcast Solutions and its branch Broadcast Solutions Nordic partners with Seervision, developerof video automation software solutions.

Tags: Seervision | Broadcast Solutions
Submitted by Broadcast Solutions
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Cromorama Chooses Leader LV5600 Reference Instrumentation Posted: 20/01/2022
Cromorama Chooses Leader LV5600 Reference Instrumentation

Cromorama, one of Europe's most experienced specialists in film and television color management, has chosen Leader LV5600 reference instrumentation for use at its Warsaw headquarters and on location. Cromorama's founder, Pablo Garcia Soriano, pioneered the implementation of multi-delivery HDR and SDR for large sports events. In recent years he has become a worldwide reference on color control technology for broadcast and digital cinematography productions.


Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment
Submitted by Stylus Media Communications
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Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace Posted: 20/01/2022
Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace

Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace

Ateliere enables easy purchasing of their digital supply chain platform in AWS Marketplace, allowing customers to take advantage of existing AWS relationships and incentives.

Tags: Ateliere Creative Technologies | Ateliere Connect | Ateliere Discover | Cloud-native media supply chain | SaaS | IMF | broadcasters | content creators
Submitted by Bubble Agency
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Autodesk Acquires Moxion Cloud Solution for Digital Dailies Posted: 20/01/2022
Autodesk Acquires Moxion Cloud Solution for Digital Dailies

Today Autodesk announced the acquisition of Moxion, the New Zealand-based developer of a powerful, cloud-based platform for digital dailies used by leading filmmakers on some of the world's most complex and challenging productions, including “The Midnight Sky,” “The Marvelous Mrs. Maisel,” and “The Matrix Resurrections.” The acquisition of Moxion’s talent and technology will expand Autodesk's own cloud platform for Media and Entertainment upstream, moving beyond post-production into production, bringing new users to Autodesk while helping better integrate processes across the entire content production chain. 

Tags: Autodesk | Moxion | Dailies | Digital Dailies | Production
Submitted by Autodesk
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