Ineos 159 Challenge Marathon Run with Eliud Kipchoge Uses LiveU to Create Dynamic Production Gallery for Documentary

Date: 07/11/2019
Ineos 159 Challenge Marathon Run with Eliud Kipchoge Uses LiveU to Create Dynamic Production Gallery for Documentary

On October 12th this year, renowned marathon runner Eliud Kipchoge made the world sit up, watch and listen as he ran the first sub two-hour marathon, setting an unofficial world record, clocking a barely believable time of 1:59:40 in the Ineos 159 Challenge.

The event took place in Vienna, Austria, with Kipchoge running a time almost two minutes faster than previously run. In the build-up to the event, LiveU’s long-time Austrian partner, ETAS High-Tech Systems GmbH, was contracted by Austrian production company Filmhaus Wien, who in turn was working with Ridley Scott Creative Group, Amsterdam, to provide technical assistance in the production of a documentary about the event.

The challenge was to create an OB truck-based production gallery to allow real-time camera feed monitoring and control.ETAS hired and prepared the production OB truck.15 ARRI Alexa-equipped camera crews were deployed around the course, linked to 15 LiveU LU600 HEVC portable transmission units. In the truck there were five quad servers with IFB for wired and wireless intercom. There were three 4K quad multiviewer screens. ETAS also provided the camera crews with LiveU training.

Robert Frosch, Account Manager with ETAS, who was heavily involved in the project, said, “The director of the documentary footage needed to be able to see, in high quality, each camera view at any given moment. Each LiveU unit, capped at 10Mbps, sent an HD SDI feed to the production truck, and via IFB, the director could talk to each camera operator during the event. The actual footage was recorded on each camera. It’s an innovative use of LiveU technology and one that gave the production company the precision and flexibility they required.”

The documentary production crew also used video overlays on the camera feeds, which turned out to be essential. This meant that those in the truck could see when, for example, the white balance needed to be adjusted or a higher frame rate needed to be used for high-speed action shots. ETAS also managed the delivery of the camera footage to the production company.

Zion Eilam, Regional VP of Sales, EMEA, LiveU, said, “LiveU use is continuing to grow at an exciting rate across the sports market, not only for primary and expanded content feeds, but also for DR. Now we are beginning to see uses like this where our technology allows production companies to precisely control and monitor what they are shooting by creating a production gallery with our technology. This gives directors and vision mixers access to the high-quality images they require at a very affordable price point.”



Tags: Cellular bonding. acquisition | uplinking | contribution | news | sport | HEVC | 4K
Submitted by Joss Armitage (Jump PR)
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News
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Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, has announced the opening of a cutting-edge digital cinema at its leading facility in West London, UK.

The new cinema is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4 projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to 28x JBL speakers and 14x 1KW Crown amplifiers.

Of particular interest is the 4-meter-wide acoustically transparent woven fabric screen. This is designed to Dolby and THX standards, and allows users to hear the cinema audio without the distraction of the perforations that are typically required to allow the sound from speakers mounted behind the screen to travel into the auditorium.

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Tags: Visual Data Media Services | digital supply chain | global | digital cinema | 28x JBL speakers | 14x 1KW Crown amplifiers | 4K QC
Submitted by Bubble Agency
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Tags: Partner Communications | Broadpeak | Server-Side Ad Insertion | SSAI | OTT Ads | content delivery network | CDN
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DVB, an industry consortium that develops open, interoperable technical specifications for the delivery of digital media and broadcast services, today announced the approval of its DVB-I specification by the DVB Steering Board in Geneva. It has been published as DVB BlueBook A177.

The DVB-I specification aims to ensure that linear television delivered over the internet is as user-friendly and robust as a traditional broadcast television experience. It offers the possibility for linear television services to be delivered to any device with a suitable internet connection and media player, including TV sets, smartphones, tablets and media streaming devices.

"In developing an internet-centric solution for linear television services, we are providing the industry with a crucial missing piece that raises internet-based delivery to the same level in the DVB ecosystem as RF-based content delivery," said DVB Chair Peter MacAvock. "With these building blocks, addressing the discovery of DVB-I services and the delivery of programme metadata, DVB offers broadcasters and operators an exciting new deployment option."

The DVB-I specification defines DVB-I Service Lists, a means for internet-connected devices to find curated sets of linear television services that may be delivered through broadband or broadcast mechanisms. It also defines the methods to retrieve electronic programme data for those services, which can be integrated into a single coherent offering that is accessed through a consistent user interface.

Tags: DVB | Linear Television Services | BlueBook A177 | open technical specifications | digital media | broadcast services
Submitted by 202 Communications
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PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects Posted: 13/11/2019
PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects

New PixStor secure multi-tenancy capabilities allow leading VFX and animation house to meet exacting security standards whilst delivering collaborative workflows.

Pixit Media, pioneer of software-defined storage and data-management solutions for Media and Entertainment, is delighted to announce that BAFTA and Emmy award-winning VFX and animation house Jellyfish Pictures is leveraging the power of PixStor’s new secure container services to meet the highest security accreditation standards, whilst supporting collaborative workflows across its multiple sites.

Established in 2001, Jellyfish’s combination of creativity, technological prowess, and reputation for security has established it as a major player in the international VFX and animation industry. Attracting A List clients and with recent blockbuster titles across film and TV including Star Wars, The Innocents, Black Mirror and many more on its slate, it has already worked extensively with the Trusted Partner Network (TPN) to ensure that all its sites are security compliant and certified to protect its clients high-value assets.

A long-term Pixit Media client, Jellyfish relies on PixStor software-defined scalable infrastructure as its central storage platform to unify users, applications and data into a single environment and enable collaboration with guaranteed sustained high-performance - on-premise, across multiple sites and into the Cloud. With content security an increasingly pressing concern and non-negotiable requirement amongst clients such as Netflix and HBO, Jellyfish is now benefiting from PixStor’s new secure multi-tenancy capabilities to isolate client materials in a TPN-compliant manner within the PixStor environment.

Tags: Pixit Media | PixStor | Jellyfish Pictures
Submitted by Bubble Agency
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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AVer EP65, the ultimate Zoom Rooms conferencing system Posted: 13/11/2019
AVer EP65, the ultimate Zoom Rooms conferencing system

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

Tags: AVer | business | conferencing | Nuvola | interactive panel | Zoom Rooms | Zoom | Sony | Windows | meeting room
Submitted by brookscomm
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AJA Introduces 8K Support for HDR Image Analyzer 12G Posted: 13/11/2019
AJA Introduces 8K Support for HDR Image Analyzer 12G
AJA Video Systems has announced new 8K support for HDR Image Analyzer 12G, its powerful real-time HDR and WCG monitoring and analysis platform developed in partnership with Colorfront. The upcoming free software release will feature up to 8K/UHD2 HDR monitoring and analysis for high raster content with 12G-SDI for higher bandwidth workflows with the simplicity of single-cable connectivity.
 
HDR Image Analyzer 12G fuses AJA’s production-proven video I/O technology with powerful HDR and WCG image analysis tools from Colorfront, including waveform, histogram and vectorscope monitoring and analysis of up to 8K content over 12G-SDI for broadcast and OTT production, post, QC and mastering. Within a compact 1RU chassis, HDR Image Analyzer 12G provides users with a comprehensive toolset to monitor and analyze SDR and HDR formats, including PQ (Perceptual Quantizer) and Hybrid Log Gamma (HLG). 

 

 

 

Tags: AJA | AJA Video Systems | Video Production | HDR Image Analyzer 12G
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AJA Upgrades Ki Pro GO and Ki Pro Ultra Plus Posted: 13/11/2019
AJA Upgrades Ki Pro GO and amp; Ki Pro Ultra Plus

 AJA Video Systems has introduced new upgrades for its Ki Pro Family of production-proven file-based recorders. A new v1.5 firmware update for Ki Pro GO adds timecode recording and playback, expanded primary and backup recording to all USB ports and new clip naming and segment recording. Ki Pro Ultra Plus v5.0 introduces a new Infinite Recording feature that allows the unit to act as an always running backup recorder. Both firmware updates will be available soon to customers as free downloads.

Ki Pro GO is AJA’s new portable, multi-channel H.264 recorder and player, featuring up to 4-channels of simultaneous HD and SD capture to affordable, off-the-shelf USB media. With the v1.5 firmware update, Ki Pro GO now records and plays video with timecode. The timecode can originate from an incoming SDI video’s RP188 data, be recorded as the time of date or be specified to start at a specific hour. For playback, timecode values are automatically embedded as RP188 data on Ki Pro GO’s SDI outputs. The v1.5 update also expands backup and primary recording to all five USB ports, providing users with increased flexibility to choose their desired recording destination. Additionally, the update adds new clip naming and segment recording, automatically creating a unique file name for each clip and identifying each segment of a continuous recording for extended event time needs.

 

Tags: AJA | AJA Video Systems | Video Production | Infinite Recording | Video Recording
Submitted by Newsfeed
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AJA Announces OG-12GDA-2x4 openGear 12G-SDI Distribution Amplifier Posted: 13/11/2019
AJA Announces OG-12GDA-2x4 openGear and reg; 12G-SDI Distribution Amplifier

AJA Video Systems has announced the OG-12GDA-2x4, an openGear 12G-SDI distribution amplifier, featuring support for High Dynamic Range video and Ross® DashBoard software for remote monitoring.

Designed for critical broadcast, OB truck and live event production environments, OG-12GDA-2x4 features dual-channel inputs for incoming 12G-SDI signals, with reclocking of the distributed signals to dual 4x 12G-SDI outputs. In an AJA OG-X-FR openGear frame, this allows for incredibly high density with up to 20x 12G-SDI inputs distributed to a total of 80x 12G-SDI outputs when fully loaded with ten cards.

OG-12GDA-2x4 features compatibility with OGX, OG3 and DFR-8321 openGear frames, and DashBoard software support on Windows®, macOS® and Linux® for flexible device control and monitoring over a local network or remotely.

 

Tags: AJA | AJA Video Systems | Video | Video Production | Distribution Amplifier | Remote Monitoring
Submitted by Newsfeed
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Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS Posted: 12/11/2019
Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS

Cobalt Iron Inc., a leading provider of SaaS-based enterprise data protection, today announced that it has extended its mature Compass™ enterprise software-as-a-service backup platform with advanced features that bring tremendous value to service providers who sell Compass as their backup-as-a-service (BaaS) offering. Those advanced features, which are unique to Compass, allow service providers to manage complex environments with multiple tenants in a secure manner and provide those different users with appropriate access while reducing the service provider's operational costs and improving the quality of service.

Compass was built from the ground up with multitenancy and extensive automation in mind. That means BaaS service providers can easily:
• Set up multiple users with different access privileges.
• Assign different pricing methodologies to different systems.
• Customize reporting and management with company logos.
• Integrate with existing accounting and service ticketing systems for automated billing.

Compass' comprehensive multitenancy capabilities support complex organizational dynamics across an ecosystem of service providers, partners, customers and their internal organizations, and distributors. Support includes management, monitoring, visibility, chargeback, reporting, and resource utilization by organization.

Tags: Cobalt Iron | Compass enterprise backup | BaaS | Multitenancy | SaaS data protection
Submitted by Wall Street Communications
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Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment Posted: 12/11/2019
Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment

Viaccess-Orca (VO), an Orange Group company and a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that the Malian Transmission and Broadcasting Corporation (SMTD) in West Africa has chosen VO's cardless Conditional Access System (CAS) to secure its free-to-view and pay-TV platforms as part of a nationwide government initiative to roll out digital terrestrial television (DTT). Thomson Broadcast has been tasked with handling the deployment for SMTD's new infrastructure, while also supplying the video headend, contribution and distribution network, and TV transmitters.

"We are excited about offering digital terrestrial television in Mali, as it will significantly improve our viewers' quality of experience while offering a broader range of content choices," said Ismaila Togola, CEO of SMTD. "Working with Thomson Broadcast and Viaccess-Orca, both leaders in their respective industries, will help us get this new DTT service securely deployed to market."

Tags: Viaccess-Orca | AfricaCom 2019 | Thomson Broadcast | DTT | CAS | Orange Group | SMTD | Conditional Access System
Submitted by 202 Communications
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Testronic achieves Dolby Vision Certification Posted: 12/11/2019
Testronic achieves Dolby Vision and reg; Certification

Testronic, a leader in quality assurance (QA), localization services, and compliance for the film, television and games industries, has achieved Dolby Vision® Certification following an intensive period of training and investment in their Burbank facility. In order to achieve this certified status, the facility was subjected to rigorous review and is now configured and set up to meet the standards of a Dolby Vision certified facility.

Dolby Vision® certification ensures that all of Testronic’s Master QC personnel have been trained by Dolby and that the facility has been commissioned by Dolby engineers. Dolby Vision post production tools and workflows give content creators what they need to efficiently create both Dolby Vision, HDR, and legacy SDR content. Dolby Vision ensures that the look they create in the color suite stays true when experienced across TV’s PC’s, tablets and mobile devices.  Testronic can now test that this stays true across all OTT Platforms.

 

Tags: Testronic | Dolby Vision Certification
Submitted by PRComs
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Nevion sales grow by more than a third in the Americas Posted: 12/11/2019
Nevion sales grow by more than a third in the Americas

 

Nevion, award-winning provider of virtualized media production solutions, has experienced a growth in bookings in its Americas region of 34% so far in 2019, compared to the same period in 2018. Sales of software and services in the region have also more than quadrupled in the period, reflecting the increased demand for IP solutions, based on Nevion’s flagship software-defined products.

In 2019, Nevion has signed several significant deals with new and existing customers in in the Americas, most notably with a US national broadcast network and a leading international satellite services provider. These high-profile projects are currently in the process of being delivered.

To build on that growth, and to meet the surge in interest in workflow-transforming IP solutions, two seasoned and highly-regarded sales executives, Edward McGivern and Ron Rosenthal, have recently joined Nevion’s Americas team.

With 20 years’ experience selling high-value technology solutions in the broadcast market, McGivern has held senior sales positions at Snell Advanced Media, Imagine Communications and Grass Valley. Most recently, he was the director of Tektronix’s video sales division for the Americas.

Tags: Nevion | Broadcast | US | Growth | Appointment | Americas
Submitted by Whiteoaks
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Broadcasters look to virtual programming to exploit their content libraries Posted: 12/11/2019
Broadcasters look to virtual programming to exploit their content libraries

More than a third (36%) of broadcasters are failing to utilize their content library despite facing increasing competition from streaming services, according to research by ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

Although almost all (98%) of the broadcasters surveyed use their content library to create new channels for particular events or occasions, the majority (82%) are impeded in the ability to do it quickly, unlike their streaming counterparts. 44% of broadcasters revealed it takes them up to three days to create a new channel, while over a third (38%) say it takes them up to a week, which not only hinders their ability to capitalize on events but could result in potential revenue loss.

“With a continuous influx of competition from all angles, broadcasters must begin to do more with their content libraries. Creating new, virtual channels would allow broadcasters to take advantage of topical and cultural events, such as award season, during which they could use their back catalogue to quickly develop one-off channels to celebrate winners as they are announced,” commented Remi Beaudouin, Chief Strategy Officer, ATEME.

As broadcasters explore ways to use technology to maximize their content, almost two-thirds (60%) of broadcasters are utilizing virtual broadcasting to create one-off channels, while of the broadcasters not currently doing virtual broadcasting 70% said they will do so within a year.

Tags: ATEME | Broadcast | Research | Content
Submitted by Whiteoaks
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A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones Posted: 12/11/2019
A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones

DPA Microphones’ recently launched 4097 CORE Supercardioid Choir Microphone was used to great effect in Kuala Lumpur when a choir of 12 men and women gathered in Independence Square to mark the 50th anniversary of the Department of Enforcement, Kuala Lumpur City Hall. The event, entitled Hari Penguatkuasa DBKL, featured a parade in conjunction with the Golden Jubilee Celebration of Enforcement Day. It culminated in a live performance by the DBKL City Hall Choir who performed in front of an audience of approximately 2,000 people.

 

Mr Ajun Mubari, head of Malaysian audio rental company Mubari, says DPA’s 4097 CORE Supercardioid Choir Microphones were chosen to amplify the choir because their integrated shock mount and wind screen made them ideally suited to outdoor use. “The 4097 microphone is awesome and very easy to work with,” he says. “We used one pair to cover the choir group and positioned them on either side of the choir who were standing in a semi-circle. The concert generated very high sound pressure levels – in excess of 90dB – but, thanks to the 4097’s high isolation, the sound coming from the stage monitors (which were placed in front of the choir and behind the microphones) did not affect the available gain during the performance. This was a huge advantage as it meant we could capture the true sound of the choir without picking up any other sound.”

 

Tags: DPA Microphones | 4097 CORE | Supercardioid Choir Microphone
Submitted by D. Pagan Communications
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