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Gearhouse Broadcast USA completes 1850th REMI production Posted: 03/06/2019
Gearhouse Broadcast USA completes 1850th REMI production

Gearhouse Broadcast USA, the Gravity Media-owned supplier of technical facilities, crew and services used to capture the world’s most watched content, has successfully completed its 1850th multi-camera, remote integration (REMI) production. The milestone was passed at the close of the 2019 US collegiate sports season, when the Washington Huskies took on the University of California Bears in the Pac-12 Baseball and cements Gearhouse’s position as a leader in delivering ‘At Home’ centralized productions.

Tags: remote production | broadcast | Gearhouse Broadcast | Gravity Media | outside broadcast
Submitted by Red Lorry Yellow Lorry
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disguise vx 4 Servers Deliver Ambitious Eurovision Visuals Posted: 24/05/2019
disguise vx 4 Servers Deliver Ambitious Eurovision Visuals

The hotly-anticipated Eurovision 2019 spectacular landed in Tel Aviv in May with a bold ‘Dare to Dream’ tagline and world-class staging, upon which 26 countries battled to be crowned the winner. Video returned to the core of the show, powered by a chorus of disguise vx 4 and 4x4pro servers.

Tags: disguise | Eurovision | vx 4 | 4x4pro | Bild | Eurovision | live production | Shay Bonder Ltd | bright! Studios | for PRG | Gravity | video projection | r15.3 software
Submitted by Bubble Agency
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GRAVITY MEDIA GROUP MEETS GROWING UHD-4K CONTENT DEMAND WITH MAJOR EVS TECHNOLOGY INVESTMENT Posted: 01/02/2019
GRAVITY MEDIA GROUP MEETS GROWING UHD-4K CONTENT DEMAND WITH MAJOR EVS TECHNOLOGY INVESTMENT
Gravity Media Group is set to upgrade its entire fleet of EVS XT servers to run the latest Multicam 16.00 operating system. This deal includes the update of multiple units to XT-VIA live production servers, adding to one of the largest arsenals of EVS servers in the world. The owner of worldwide production and broadcast services specialists Gearhouse Broadcast, Hyperactive Broadcast and Input Media, will also deploy the latest versions of the IPDirector and XTAccess live tools.
Tags: Gravity Media | EVS
Submitted by Red
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New digital clips service generates 46 million online views, while 32 live broadcast feeds are delivered worldwide Posted: 10/01/2019
New digital clips service generates 46 million online views, while 32 live broadcast feeds are delivered worldwide

London-based sports production specialists Input Media captured and delivered complete coverage of The Emirates FA Cup third round for the first time, with all 32 matches made available as world feeds for The FA’s international rights-holders and a new digital clips service racking up 46 million views on social media.

Tags: Input Media | Gravity Media | Group | FA Cup
Submitted by Red
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Barry Revels appointed Business Development Director at Gravity Media Group Posted: 10/01/2019
Barry Revels appointed Business Development Director at Gravity Media Group

Gravity Media Group (GMG), the owner of worldwide production and broadcast services specialists Gearhouse Broadcast, Hyperactive Broadcast and Input Media, has appointed Barry Revels as its Business Development Director. Based at its Watford, UK, headquarters, Barry will spend much of his time on the road, meeting with customers and assessing new markets that could benefit from Gravity Media’s wide range of innovative production services.

Tags: Gravity Media Group | Gearhouse | Appointment | Barry Revels | LAWO
Submitted by Red
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Gearhouse Broadcast USA appoints Jeff Hallman as Director of Sales and Operations Posted: 05/09/2018
Gearhouse Broadcast USA appoints Jeff Hallman as Director of Sales and Operations
Gearhouse Broadcast USA, the Gravity Media-owned supplier of technical facilities, crew and services used to capture the world’s most watched content, has appointed Jeff Hallman as its Director of Sales and Operations, East Coast. The respected advanced broadcast media system design specialist will oversee Gearhouse’s East Coast operations from its Charlotte, NC office as well as be responsible for business growth in the area.
Tags: Gearhouse | Gravity Media Group | Jeff Hallman | Appointment
Submitted by Red
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Gravity Media expands into APAC with appointment of Masa Kato in key business development role Posted: 19/04/2018
Gravity Media expands into APAC with appointment of Masa Kato in key business development role
Gravity Media Group, the global provider of complex live broadcast facilities and production services, has appointed Masahiko (Masa) Kata as its director of business development for the APAC region. He will be based in Tokyo, Japan. This is a new role that has been created to help bring Gravity Media’s extensive range of services and innovative approach to live and as live production to the Asia-Pacific market. Masa joins from Hitachi Kokusai Electronic, where he has worked since 1981 and was most recently corporate officer and general manager of its Video and Communications Systems Business Unit, where responsibilities included overseeing its global sales strategy.
Tags: Gearhouse | Appointment | Gravity Media Group | GMG
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Spidercam GmbH and Gravity Media Group announce strategic partnership in North America Posted: 11/04/2018
Spidercam GmbH and Gravity Media Group announce strategic partnership in North America

Spidercam, the world leading cable camera system owner and Gravity Media Group, the global provider of complex live broadcast facilities and production services, have today announced a new strategic partnership to accelerate growth in the adoption, service and support of the Spidercam system in the USA and Canada. This agreement, which was finalised at the 2018 NAB Show in Las Vegas, builds upon the existing successful strategic partnership in Australia and New Zealand that has been in existence since 2015.

Tags: Partnership | Gearhouse | Gravity | NAB 2018 | NAB 2018
Submitted by Red
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Verizon Digital Media Services to exclusively power Gravity Point TVs all-new virtual reality hub Posted: 09/05/2017
Verizon Digital Media Services to exclusively power Gravity Point TVs all-new virtual reality hub
Verizon Digital Media Services today announced that it has been selected by Gravity Point TV, a leader in the worldwide virtual reality (VR) services space, to exclusively power the all-new VR viewing hub, Gravity Point VR. Already a user of Verizon's Uplynk Video Streaming service, Gravity Point TV will now also utilize the Edgecast Content Delivery Network (CDN) to ensure that Gravity Point VR content creators, publishers and providers -- in sectors from video entertainment and gaming to retail and distance learning -- can distribute quality content at scale and ensure a seamless viewer experience. 
Tags: Verizon Digital Media Services | Gravity Point TV | virtual reality | hub | VR content | customer | publisher
Submitted by Wall Street Communications
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Gravity Media Group secures substantial investment to fund future growth Posted: 16/09/2016
Gravity Media Group secures substantial investment to fund future growth

Gravity Media Group (GMG), the owner of worldwide broadcast services specialists Gearhouse Broadcast and Hyperactive Broadcast, has secured a substantial investment to fund future global growth by selling a minority stake in its business to investment management firm TowerBrook Capital Partners (TowerBrook).

Tags: gravity media group | gearhouse | broadcast | investment | IBC 2016 | IBC 2016
Submitted by Gearhouse
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Mo-Sys StarTracker goes to the movies at Cine Gear Expo 2016 Posted: 16/05/2016
Mo-Sys StarTracker goes to the movies at Cine Gear Expo 2016

Mo-Sys Engineering will present their pioneering camera tracking system, StarTracker, made available for VFX workflows, at Cine Gear Expo 2016.

Tags: Cine Gear | Expo | Mo-Sys | StarTracker | camera tracking | VFX workflows | robotics | Gravity | VFX Tools | MotionBuilder | QTake | Film Engine | Virtual Reality | augmented reality
Submitted by Stylus Media Consultants
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Mo-Sys will focus on robotics in 2016, launching the new ViaRail dolly at NAB Posted: 01/04/2016
Mo-Sys will focus on robotics in 2016, launching the new ViaRail dolly at NAB

Bringing robotics expertise directly from the set of Gravity, Mo-Sys Engineering will showcase a range of robotic camera systems at NAB 2016.

Tags: M0-Sys | robotics | Gravity | ViaRail | dolly | virtual sets | NAB | NAB 2016 | camera robotics | travelling rail systems | augmented reality | virtual reality
Submitted by Stylus Media Consultants
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Codex Recorders Harnessed by Nine Motion Pictures in 2014 Awards Season Posted: 27/01/2014
Codex Recorders Harnessed by Nine Motion Pictures in 2014 Awards Season

Codex (.www.codexdigital.com) is delighted to announce that its digital workflow and recording products were extensively used in the production pipelines of nine motion pictures nominated at the prestigious 2014 Oscar, Golden Globe, BAFTA and American Society of Cinematographers (ASC) awards.

Tags: Codex | Codex Digital | Gravity | Lubezki | Deakins | Prisoners | ARRI | ARRIRAW
Submitted by Prince PR
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cineSync Used to Complete VFX for Academy Award(r) Nominee, Gravity Posted: 24/01/2014
cineSync Used to Complete VFX for Academy Award(r) Nominee, Gravity

Cospective's video review software cineSync played a key role in a globe-spanning VFX pipeline for Alfonso Cuarn's Gravity. Charting the lonely quest of an astronaut (Sandra Bullock) to survive after her spaceship is crippled, the film received ten Oscar(r) nominations, including one for Best Visual Effects. Framestore, principal VFX vendor on Gravity, tasked Australia's Rising Sun Pictures with completing a spectacular reentry sequence. From their facility in Adelaide, Rising Sun was able to integrate seamlessly with Framestore via cineSync. With cineSync as a remote collaboration tool, distributed postproduction teams can work together closely to create groundbreaking VFX, regardless of locations and time zones.

Tags: Review and approval | Frankie | Cospective | commercial | postproduction | cineSync | Gravity
Submitted by philpott communications
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Sachtler Video 20 Helps Chronicle Misfire: The Rise and Fall of The Shooting Gallery Posted: 03/07/2013
Sachtler Video 20 Helps Chronicle Misfire: The Rise and Fall of The Shooting Gallery
In the 1990s The Shooting Gallery produced some of the hottest indie films, including Sling Blade (an Academy Award for Billy Bob Thornton), You Can Count On Me starring Mark Ruffalo (Academy Award nomination) and a series of projects with now-famous actors, producers and directors. Not long ago, director/producers Whitney Ransick and Bob Gosse, along with DP/producer Gil Gilbert and his co-DP Derek Wiesehahn, chronicled the rise and fall of this industry icon in Misfire: The Rise and Fall of The Shooting Gallery. To capture on-camera interviews, which would be interwoven with chosen footage, the team chose to shoot with a Canon EOS 5D Mark II supported by a Video 20 fluid head tripod system from Sachtler, part of Vitec Videocom, a Vitec Group company.
Tags: Sachtler | Vitec Videocom | Vitec Group | The Shooting Gallery | Sling Blade | Billy Bob Thornton | You can count on me | Mark Ruffalo | Whitney Ransich | Bob Gosse | Gil Gilbert | Derek Wiesehahn | Misfire: The Rise and Fall of The Shooting Gallery | Canon EOS 5D Mark II | Video 20 | fluid head | tripod head | tripod | tripod system | versatile | easy | set up | rock steady | Edie Falco | Laws of Gravity | Michael Spiller
Submitted by Sommer Kommunikation
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