GRAVITY MEDIA: A BRAND-NEW COMPANY WITH A 30-YEAR PEDIGREE

Date: 01/11/2019
GRAVITY MEDIA: A BRAND-NEW COMPANY WITH A 30-YEAR PEDIGREE

From today, the four leading broadcast and production houses Gearhouse Broadcast, Hyperactive Broadcast, Input Media and Chief Entertainment owned by Gravity Media Group will trade under the brand name of ‘Gravity Media’. All Gravity Media companies around the world are making this transition and will go to market as a single brand with a bold new look and purpose.

Gravity Media is a leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors. Our 500 people serve clients across the sport, media, news and entertainment industries from bases in the UK, Australia, USA, France, Germany and Qatar. At the centre of Gravity Media lie three broad categories of expertise: media services & facilities; production & content; and equipment rental & sales. Combining our forces under one roof will allow us to better use our breadth and scale to offer more end-to-end solutions – driving greater value for our clients.

Gravity Media Group was formed in 2000 to purchase leading broadcast solutions provider Gearhouse Broadcast which was founded in 1993. In 2015 the group acquired HyperActive Broadcast, a leading international provider of post-production and live workflow solutions for both film and TV which was established in 1985.

In 2016 the group secured substantial investment from TowerBrook Capital Partners and in 2017 it took over leading sports production company Input Media and Australian communications solutions company Stranger Designs. In 2018 Gravity Media bought Germany-based Genesis Broadcast Services to meet the needs of the production markets of Northern Europe and acquired Proshow Broadcast, a leading supplier of mobile production solutions to broadcasters, producers and rights holders throughout North America. In September 2019, Gravity Media acquired Chief Entertainment, a leading Sydney, Australia-based provider of live studio and production services.

Gravity Media worked with Superunion, the leading global brand agency, to develop its new brand strategy and visual identity which is now being rolled out across the business world-wide.

John Newton, CEO at Gravity Media, commented:

“At Gravity Media we are driven by client service excellence, and we never stand still. We’re always looking and listening, keeping up with the latest broadcast innovations – or pioneering them. Above all, we channel our energy into maintaining our reputation for flawless execution, deep technical expertise, and efficient delivery.

“We use the collective pull of our people and resources to capture, craft and create world-class content that inspires and excites. Gravity Media is a brand-new company with a 30-year pedigree, a force to be reckoned with formed by the coming together of four well known broadcast and production houses: Gearhouse Broadcast, HyperActive Broadcast, Input Media and Chief Entertainment.

“We are confident that this change and our new modern branding will make it easier for our clients to recognise Gravity Media as the leading provider of live broadcast facilities and production services.”

About Gravity Media

Gravity Media is a leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors. We use the collective pull of our people and resources to capture, craft and create world-class content that inspires and excites. Our 500 people serve clients across the sport, media, news and entertainment industries from bases in the UK, Australia, USA, France, Germany and Qatar.

Gravity Media is a brand-new company with a 30-year pedigree, a force to be reckoned with formed by the coming together of four well known broadcast and production houses: Gearhouse Broadcast, HyperActive Broadcast, Input Media and Chief Entertainment.

Find out more at gravitymedia.com



Tags: broadcast | production | sport | media | news | entertainment | Gearhouse Broadcast | Hyperactive Broadcast | Input Media | Chief Entertainment | Gravity Media
Submitted by Anna Lapacz (RLYL)
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    Studer Glacier at IBC 2016

  • Nugen Audio at IBC 2016

    Nugen Audio at IBC 2016

  • Sennheiser HandMic digital and MKE 440 at IBC 2016

    Sennheiser HandMic digital and MKE 440 at IBC 2016

  • Sennheiser VR at IBC 2016

    Sennheiser VR at IBC 2016

  • Wohler at IBC 2016

    Wohler at IBC 2016

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • Soliton Zao at IBC 2016

    Soliton Zao at IBC 2016

  • Bluefish444 KRONOS at IBC 2016

    Bluefish444 KRONOS at IBC 2016

  • KITPLUS at IBC 2016

    KITPLUS at IBC 2016

  • Hive Lighting at IBC 2015

    Hive Lighting at IBC 2015

  • AVIWEST at IBC 2015

    AVIWEST at IBC 2015

  • BBright at IBC 2015

    BBright at IBC 2015

  • Blue Lucy at IBC 2015

    Blue Lucy at IBC 2015

  • ChyronHego Channel Box Prime at IBC 2015

    ChyronHego Channel Box Prime at IBC 2015

  • ChyronHego Lyric64 at IBC 2015

    ChyronHego Lyric64 at IBC 2015

  • Cinegy at IBC 2015

    Cinegy at IBC 2015

  • Clear-Com at IBC 2015

    Clear-Com at IBC 2015

  • Comigo at IBC 2015

    Comigo at IBC 2015

  • CueScript at IBC 2015

    CueScript at IBC 2015

  • EBS at IBC 2015

    EBS at IBC 2015

  • Elemental Technologies - Amazon acquisition at IBC 2015

    Elemental Technologies - Amazon acquisition at IBC 2015

  • Elemental Technologies at IBC 2015

    Elemental Technologies at IBC 2015

  • Guntermann and Drunck Matrix Grid at IBC 2015

    Guntermann and Drunck Matrix Grid at IBC 2015

  • Guntermann and Drunck at IBC 2015

    Guntermann and Drunck at IBC 2015

  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • FilmGear LED lighting at IBC 2015

    FilmGear LED lighting at IBC 2015

  • LiteGear at IBC 2015

    LiteGear at IBC 2015

  • LiteGear LED LiteMat at IBC 2015

    LiteGear LED LiteMat at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Miller Cineline tripods at IBC 2015

    Miller Cineline tripods at IBC 2015

  • Miller Compass tripods at IBC 2015

    Miller Compass tripods at IBC 2015

  • MultiDyne at IBC 2015

    MultiDyne at IBC 2015

  • NUGEN Audio at IBC 2015

    NUGEN Audio at IBC 2015

  • Omnitek Ultra 4K Tool Box at IBC 2015

    Omnitek Ultra 4K Tool Box at IBC 2015

  • Photon Beard at IBC 2015

    Photon Beard at IBC 2015

  • Portaprompt at IBC 2015

    Portaprompt at IBC 2015

  • Rascular Technology at IBC 2015

    Rascular Technology at IBC 2015

  • ROOT6 Technology at IBC 2015

    ROOT6 Technology at IBC 2015

  • SIS LIVE at IBC 2015

    SIS LIVE at IBC 2015

  • Thomson Video Networks at IBC 2015

    Thomson Video Networks at IBC 2015

  • Tektronix at IBC 2015

    Tektronix at IBC 2015

  • VITEC at IBC 2015

    VITEC at IBC 2015

  • WORK Microwave at IBC 2015

    WORK Microwave at IBC 2015

  • Zylight at IBC 2015

    Zylight at IBC 2015

  • Dalet at IBC 2015

    Dalet at IBC 2015

  • Playbox at IBC 2015

    Playbox at IBC 2015

  • Polecam at IBC 2015

    Polecam at IBC 2015

  • Viaccess-Orca content security at IBC 2015

    Viaccess-Orca content security at IBC 2015

  • Viaccess-Orca at IBC 2015

    Viaccess-Orca at IBC 2015

  • Matrox at IBC 2015

    Matrox at IBC 2015

  • Sound Devices 688 at IBC 2015

    Sound Devices 688 at IBC 2015

  • Video Devices PIX-E Series at IBC 2015

    Video Devices PIX-E Series at IBC 2015

  • Lynx Technik at IBC 2015

    Lynx Technik at IBC 2015

  • Glensound Expedition at IBC 2015

    Glensound Expedition at IBC 2015

  • Tally Technologies at IBC 2015

    Tally Technologies at IBC 2015

  • Phabrix Qx at IBC 2015

    Phabrix Qx at IBC 2015

  • Phabrix TAG and Rx at IBC 2015

    Phabrix TAG and Rx at IBC 2015

  • Dejero at IBC 2015

    Dejero at IBC 2015

  • NOA Audio Solutions at IBC 2015

    NOA Audio Solutions at IBC 2015

  • Dedolight at IBC 2015

    Dedolight at IBC 2015

  • Kino Flo Select at IBC 2015

    Kino Flo Select at IBC 2015

  • RTS at BVE 2015

    RTS at BVE 2015

  • Sachtler Bags at BVE 2015

    Sachtler Bags at BVE 2015

  • Litepanels at BVE 2015

    Litepanels at BVE 2015

  • LCA - Inteca products at BVE 2015

    LCA - Inteca products at BVE 2015

  • LCA - LITEGEAR at BVE 2015

    LCA - LITEGEAR at BVE 2015

  • PhotonBeard - HMI Blonde - at BVE 2015

    PhotonBeard - HMI Blonde - at BVE 2015

  • TMD at BVE 2015

    TMD at BVE 2015

  • Glensound at BVE 2015

    Glensound at BVE 2015

  • Portaprompt at BVE 2015

    Portaprompt at BVE 2015

  • AVIWEST at BVE 2015

    AVIWEST at BVE 2015

  • Tiger Technology at BVE 2015

    Tiger Technology at BVE 2015

  • Guntermann and Drunck at BVE 2015

    Guntermann and Drunck at BVE 2015

  • PhotonBeard - LED Redhead - at BVE 2015

    PhotonBeard - LED Redhead - at BVE 2015

  • ERA - Adobe Anywhere - at BVE 2015

    ERA - Adobe Anywhere - at BVE 2015

  • BeyondHD - Exoskeleton - at BVE 2015

    BeyondHD - Exoskeleton - at BVE 2015

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Sachtler Tripods at BVE 2015

    Sachtler Tripods at BVE 2015

  • BeyondHD - Letus Helix Gimbal System at BVE 2015

    BeyondHD - Letus Helix Gimbal System at BVE 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • Cavena Image Products at BVE 2015

    Cavena Image Products at BVE 2015

  • Autocue at BVE 2015

    Autocue at BVE 2015

  • AntonBauer at BVE 2015

    AntonBauer at BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • CameraCorps at BVE 2015

    CameraCorps at BVE 2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • PAG talk about flying with batteries at IBC 2014

    PAG talk about flying with batteries at IBC 2014

  • Philip Blooms recommendations at IBC 2014

    Philip Blooms recommendations at IBC 2014

  • Polecam Antelope Pico at IBC 2014

    Polecam Antelope Pico at IBC 2014

  • Panasonic show VariCam at IBC 2014

    Panasonic show VariCam at IBC 2014

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • NOA Archive Solutions at IBC 2014

    NOA Archive Solutions at IBC 2014

  • Phabrix RX series at IBC 2014

    Phabrix RX series at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • Tektronix at IBC 2014

    Tektronix at IBC 2014

  • Clear-Com LinQ at IBC 2014

    Clear-Com LinQ at IBC 2014

  • Clear-Com FreeSpeak II at IBC 2014

    Clear-Com FreeSpeak II at IBC 2014

  • Ross Video Acuity at IBC 2014

    Ross Video Acuity at IBC 2014

  • Wohler MPEG Monitoring Series at IBC 2014

    Wohler MPEG Monitoring Series at IBC 2014

  • Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

    Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

  • CueScript EMC prompter and control surface at IBC 2014

    CueScript EMC prompter and control surface at IBC 2014

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • Photon Beard Platinum Blonde at IBC 2014

    Photon Beard Platinum Blonde at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • MultiDyne SilverBACK at IBC 2014

    MultiDyne SilverBACK at IBC 2014

  • Dejeros products at IBC 2014

    Dejeros products at IBC 2014

  • Zylight Fresnel updates at IBC 2014

    Zylight Fresnel updates at IBC 2014

  • Pronology at IBC 2014

    Pronology at IBC 2014

  • Thomson Video Networks at IBC 2014

    Thomson Video Networks at IBC 2014

  • BBright at IBC 2014

    BBright at IBC 2014

  • WORK Microwave at IBC 2014

    WORK Microwave at IBC 2014

  • EBS at IBC 2014

    EBS at IBC 2014

  • Visual Unity at IBC 2014

    Visual Unity at IBC 2014

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • KITPLUS at IBC 2014

    KITPLUS at IBC 2014

  • Comigo at IBC 2014

    Comigo at IBC 2014

  • Viaccess-Orca at IBC 2014

    Viaccess-Orca at IBC 2014

  • Harmonic at IBC 2014

    Harmonic at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Cobham satellite EXPLORER products at IBC 2014

    Cobham satellite EXPLORER products at IBC 2014

  • Cobham new receiver at IBC 2014

    Cobham new receiver at IBC 2014

  • Fibrenetix with StorageDNA at IBC 2014

    Fibrenetix with StorageDNA at IBC 2014

  • Cinegy at IBC 2014

    Cinegy at IBC 2014

  • Front Porch Digital at IBC 2014

    Front Porch Digital at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Facilis at IBC 2014

    Facilis at IBC 2014

  • Fibrenetix with Quadrus at IBC 2014

    Fibrenetix with Quadrus at IBC 2014

  • Sonnet Technologies Thunderbolt Chassis at IBC 2014

    Sonnet Technologies Thunderbolt Chassis at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Volicon at IBC 2014

    Volicon at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • ChyronHego Lyric PRO at IBC 2014

    ChyronHego Lyric PRO at IBC 2014

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Metus at NAB 2014

    Metus at NAB 2014

  • Cineline Fluid Head from Miller Camera Support at NAB 2014

    Cineline Fluid Head from Miller Camera Support at NAB 2014

  • PAG Batteries at NAB 2014

    PAG Batteries at NAB 2014

  • Phabrix RX rack mount range at NAB 2014

    Phabrix RX rack mount range at NAB 2014

  • Phabrix at NAB 2014

    Phabrix at NAB 2014

  • Phabrix TAG at NAB 2014

    Phabrix TAG at NAB 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • Polecam presents award to AMS Pictures at NAB 2014

    Polecam presents award to AMS Pictures at NAB 2014

  • Pronology at NAB 2014

    Pronology at NAB 2014

  • Quantel Pablo Rio at NAB 2014

    Quantel Pablo Rio at NAB 2014

  • Quantel Enterprise sQ at NAB 2014

    Quantel Enterprise sQ at NAB 2014

  • Quantel QTube at NAB 2014

    Quantel QTube at NAB 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • SIS LIVE product range at NAB 2014

    SIS LIVE product range at NAB 2014

  • SIS LIVE ManPak at NAB 2014

    SIS LIVE ManPak at NAB 2014

  • Softron MovieRecorder updates at NAB 2014

    Softron MovieRecorder updates at NAB 2014

  • Sony Alpha7S at NAB 2014

    Sony Alpha7S at NAB 2014

  • Perception at NAB 2014

    Perception at NAB 2014

  • Visual Unity at NAB 2014

    Visual Unity at NAB 2014

  • Calrec Summa at NAB 2014

    Calrec Summa at NAB 2014

  • ChyronHego PowerClips at NAB 2014

    ChyronHego PowerClips at NAB 2014

  • ChyronHego at NAB 2014

    ChyronHego at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Cobalt Digital at NAB 2014

    Cobalt Digital at NAB 2014

  • CueScript Prompters at NAB 2014

    CueScript Prompters at NAB 2014

  • DPA Microphones at NAB 2014

    DPA Microphones at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Ericsson at NAB 2014

    Ericsson at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • IMT at NAB 2014

    IMT at NAB 2014

  • Inmarsat at NAB 2014

    Inmarsat at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • JVC concept products at NAB 2014

    JVC concept products at NAB 2014

  • Libec ALLEX slider system at NAB 2014

    Libec ALLEX slider system at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • Atomos Shogun and Ninja Star at NAB 2014

    Atomos Shogun and Ninja Star at NAB 2014

  • Atomos Operating System at NAB 2014

    Atomos Operating System at NAB 2014

  • Atomos at NAB 2014

    Atomos at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • NAB 2014

    NAB 2014

  • BVE 2014

    BVE 2014

  • Cambridge Imaging Systems at BVE 2014

    Cambridge Imaging Systems at BVE 2014

  • RTS Omneo at BVE 2014

    RTS Omneo at BVE 2014

  • Videosys Wireless Transmitters at BVE 2014

    Videosys Wireless Transmitters at BVE 2014

  • Angelbird SSDs at BVE 2014

    Angelbird SSDs at BVE 2014

  • Tally Technologies at BVE 2014

    Tally Technologies at BVE 2014

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • Sony Monitors at BVE 2014

    Sony Monitors at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sennheiser HDM Pro at BVE 2014

    Sennheiser HDM Pro at BVE 2014

  • Wohler DPP at BVE 2014

    Wohler DPP at BVE 2014

  • DPA Microphones and Bubblebee Industries at BVE 2014

    DPA Microphones and Bubblebee Industries at BVE 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Matrox Monarch HD and VS4 at BVE 2014

    Matrox Monarch HD and VS4 at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • Wohler MPEG Monitoring at BVE 2014

    Wohler MPEG Monitoring at BVE 2014

  • TSL Products SAM1 MADI at BVE 2014

    TSL Products SAM1 MADI at BVE 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • ERA at BVE 2014

    ERA at BVE 2014

  • ERA Avere at BVE 2014

    ERA Avere at BVE 2014

  • Camdec at BVE 2014

    Camdec at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • JVC HM850 at BVE 2014

    JVC HM850 at BVE 2014

  • October TOUR 2013 Roundup

    October TOUR 2013 Roundup

  • Pinewood TOUR!

    Pinewood TOUR!

  • Leeds TOUR

    Leeds TOUR

  • Belfast TOUR

    Belfast TOUR

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Calrec Callisto at IBC 2013

    Calrec Callisto at IBC 2013

  • DPA Microphones at IBC 2013

    DPA Microphones at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • Broadstream Solutions on the Oasys stand at IBC 2013

    Broadstream Solutions on the Oasys stand at IBC 2013

  • Oasys Chameleon at IBC 2013

    Oasys Chameleon at IBC 2013

  • Loft London Solutions with Cubix on the Oasys stand at IBC 2013

    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

  • RTW at IBC 2013

    RTW at IBC 2013

  • Atomos Ninja2 Recorder at IBC 2013

    Atomos Ninja2 Recorder at IBC 2013

  • Atomos Ronin at IBC 2013

    Atomos Ronin at IBC 2013

  • Atomos new Samurai Blade at IBC 2013

    Atomos new Samurai Blade at IBC 2013

  • Autocue DSLR Prompter using iPad at IBC 2013

    Autocue DSLR Prompter using iPad at IBC 2013

  • Blueshape Batteries at IBC 2013

    Blueshape Batteries at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • Metus MAM and Ingest at IBC 2013

    Metus MAM and Ingest at IBC 2013

  • Polecams range of accessories and minicams at IBC 2013

    Polecams range of accessories and minicams at IBC 2013

  • Tektronix at IBC 2013

    Tektronix at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • TSL Systems at IBC 2013

    TSL Systems at IBC 2013

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Pixel Power at IBC 2013

    Pixel Power at IBC 2013

  • Albis Technologies celebrating ten years at IBC 2013

    Albis Technologies celebrating ten years at IBC 2013

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Brainstorm with Aston demonstration at IBC 2013

    Brainstorm with Aston demonstration at IBC 2013

  • Brainstorm at IBC 2013

    Brainstorm at IBC 2013

  • Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

    Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

  • Broadpeak at IBC 2013

    Broadpeak at IBC 2013

  • Cobham transmitters at IBC 2013

    Cobham transmitters at IBC 2013

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • Global Distribution with mLogic at IBC 2013

    Global Distribution with mLogic at IBC 2013

  • Viaccess-Orca at IBC 2013

    Viaccess-Orca at IBC 2013

  • Quantel Pablo Rio at IBC 2013

    Quantel Pablo Rio at IBC 2013

  • Quantels Stream-based Workflows at IBC 2013

    Quantels Stream-based Workflows at IBC 2013

  • Matrox Maevex at IBC 2013

    Matrox Maevex at IBC 2013

  • Matrox Avio at IBC 2013

    Matrox Avio at IBC 2013

  • Matrox Video with Monarch HD at IBC 2013

    Matrox Video with Monarch HD at IBC 2013

  • NuGen Audio at IBC 2013

    NuGen Audio at IBC 2013

  • IBC 2013

    IBC 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Manchester TOUR!

    Manchester TOUR!

  • Glasgow TOUR!

    Glasgow TOUR!

  • London TOUR!

    London TOUR!

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • Jampro Antennas at NAB 2013

    Jampro Antennas at NAB 2013

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Zylight F8 LED Fresnel at NAB 2013

    Zylight F8 LED Fresnel at NAB 2013

  • Calrec at NAB 2013

    Calrec at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

  • NAB 2013

    NAB 2013

  • BVE 2013

    BVE 2013

  • Lemo at BVE 2013

    Lemo at BVE 2013

  • JVC at BVE 2013

    JVC at BVE 2013

  • Glensound at BVE 2013

    Glensound at BVE 2013

  • Azule Finance at BVE 2013

    Azule Finance at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Thear Technology Limited at BVE North 2012

    Thear Technology Limited at BVE North 2012

  • IBC 2012

    IBC 2012

  • NAB 2012

    NAB 2012

  • BVE 2012

    BVE 2012

  • ProVideo2011

    ProVideo2011

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • TNP and Hitachi at BVE North 2011

    TNP and Hitachi at BVE North 2011

  • Jigsaw at BVE North 2011

    Jigsaw at BVE North 2011

  • BVE North 2011

    BVE North 2011

  • Gearhouse at IBC2011

    Gearhouse at IBC2011

  • IBC2011

    IBC2011

  • Streamstar Sports Live production solutions. All the tools for complete production at IBC2019

    Streamstar Sports Live production solutions. All the tools for complete production at IBC2019

  • Medialinks 100G media Production Solutions for IP production at IBC 2019

    Medialinks 100G media Production Solutions for IP production at IBC 2019

  • Social Media Virtual Production Switching from Sony

    Social Media Virtual Production Switching from Sony

  • The Latest Production Control Solution from TSL Products at IBC 2018

    The Latest Production Control Solution from TSL Products at IBC 2018

  • Live Production with ChyronHego at NAB 2018

    Live Production with ChyronHego at NAB 2018

  • Playbox Production Air Box shown at IBC 2017

    Playbox Production Air Box shown at IBC 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Bebob V-Mount Batteries at NAB 2019

    Bebob V-Mount Batteries at NAB 2019

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • SGO at IBC2011

    SGO at IBC2011

  • Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

    Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

  • Video Transport over IP from MediaLinks at NAB 2017

    Video Transport over IP from MediaLinks at NAB 2017

  • Lynx Technik new 8k fiber transport and additions to series 5000 and green machine

    Lynx Technik new 8k fiber transport and additions to series 5000 and green machine

  • HDR and BT Sport with Phabrix at IBC 2019

    HDR and BT Sport with Phabrix at IBC 2019

  • Argosy cables, connectors, active products, network KVM switches and fiber transport at IBC 2019

    Argosy cables, connectors, active products, network KVM switches and fiber transport at IBC 2019

  • E-Sports streaming with Intinor. ESL now using Intinor for the linear ESLGaming at IBC2019

    E-Sports streaming with Intinor. ESL now using Intinor for the linear ESLGaming at IBC2019

  • DALET SportsPack at NAB 2015

    DALET SportsPack at NAB 2015

  • Vitec Digital Signage at NAB 2016

    Vitec Digital Signage at NAB 2016

  • BroaMan at NAB 2013

    BroaMan at NAB 2013

  • Quantel Enterprise sQ at NAB 2013

    Quantel Enterprise sQ at NAB 2013

  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Glensound at NAB 2012

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News
Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities Posted: 14/11/2019
Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities

 

Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, has announced the opening of a cutting-edge digital cinema at its leading facility in West London, UK.

The new cinema is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4 projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to 28x JBL speakers and 14x 1KW Crown amplifiers.

Of particular interest is the 4-meter-wide acoustically transparent woven fabric screen. This is designed to Dolby and THX standards, and allows users to hear the cinema audio without the distraction of the perforations that are typically required to allow the sound from speakers mounted behind the screen to travel into the auditorium.

“This is the final time that many of our clients will see their film before it is distributed to the cinema network and it’s important that they have no visual distractions and are also assured that they’re reviewing their content in a high-end and fully calibrated environment,” explains David Margolis, Director of Digital Cinema at Visual Data Media Services.

Tags: Visual Data Media Services | digital supply chain | global | digital cinema | 28x JBL speakers | 14x 1KW Crown amplifiers | 4K QC
Submitted by Bubble Agency
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Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution Posted: 13/11/2019
Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that Partner Communications Company (NASDAQ and TASE: PTNR), a leading provider of telecommunications services in Israel, will deploy its server-side ad insertion (SSAI) solution. Integrating Broadpeak's SSAI solution with other Broadpeak technologies already deployed, including origin server, CDN, and cloud PVR, will enable Partner Communications to deliver personalized ads within VOD content, helping it to better monetize its cutting-edge OTT television service.

"We chose Broadpeak's server-side ad insertion solution because it is flexible and simple to integrate with other ecosystem equipment, eliminating the need to perform complex ad insertion at the video level," said Ronen Gutmanovitz, head of TV technologies at Partner Communications.

The operator will use Google Ad Manager, iFeelSmart for the client application, and Broadpeak's solutions for manifest manipulation. Broadpeak's ad insertion solution allows Partner Communications to personalize ads. Broadpeak's SSAI solution avoids rebuffering during ads and defeats ad blockers, ensuring a superior television experience for end users. In addition, iFeelSmart has integrated Broadpeak SmartLib, which enables avoiding ad skipping and provides client-side analytics information. Broadpeak's BkA100 video delivery analytics system then displays this information, combining it with server feedback, in order to provide decision makers with a comprehensive view of the entire system.

Tags: Partner Communications | Broadpeak | Server-Side Ad Insertion | SSAI | OTT Ads | content delivery network | CDN
Submitted by 202 Communications
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DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services Posted: 13/11/2019
DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services

DVB, an industry consortium that develops open, interoperable technical specifications for the delivery of digital media and broadcast services, today announced the approval of its DVB-I specification by the DVB Steering Board in Geneva. It has been published as DVB BlueBook A177.

The DVB-I specification aims to ensure that linear television delivered over the internet is as user-friendly and robust as a traditional broadcast television experience. It offers the possibility for linear television services to be delivered to any device with a suitable internet connection and media player, including TV sets, smartphones, tablets and media streaming devices.

"In developing an internet-centric solution for linear television services, we are providing the industry with a crucial missing piece that raises internet-based delivery to the same level in the DVB ecosystem as RF-based content delivery," said DVB Chair Peter MacAvock. "With these building blocks, addressing the discovery of DVB-I services and the delivery of programme metadata, DVB offers broadcasters and operators an exciting new deployment option."

The DVB-I specification defines DVB-I Service Lists, a means for internet-connected devices to find curated sets of linear television services that may be delivered through broadband or broadcast mechanisms. It also defines the methods to retrieve electronic programme data for those services, which can be integrated into a single coherent offering that is accessed through a consistent user interface.

Tags: DVB | Linear Television Services | BlueBook A177 | open technical specifications | digital media | broadcast services
Submitted by 202 Communications
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PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects Posted: 13/11/2019
PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects

New PixStor secure multi-tenancy capabilities allow leading VFX and animation house to meet exacting security standards whilst delivering collaborative workflows.

Pixit Media, pioneer of software-defined storage and data-management solutions for Media and Entertainment, is delighted to announce that BAFTA and Emmy award-winning VFX and animation house Jellyfish Pictures is leveraging the power of PixStor’s new secure container services to meet the highest security accreditation standards, whilst supporting collaborative workflows across its multiple sites.

Established in 2001, Jellyfish’s combination of creativity, technological prowess, and reputation for security has established it as a major player in the international VFX and animation industry. Attracting A List clients and with recent blockbuster titles across film and TV including Star Wars, The Innocents, Black Mirror and many more on its slate, it has already worked extensively with the Trusted Partner Network (TPN) to ensure that all its sites are security compliant and certified to protect its clients high-value assets.

A long-term Pixit Media client, Jellyfish relies on PixStor software-defined scalable infrastructure as its central storage platform to unify users, applications and data into a single environment and enable collaboration with guaranteed sustained high-performance - on-premise, across multiple sites and into the Cloud. With content security an increasingly pressing concern and non-negotiable requirement amongst clients such as Netflix and HBO, Jellyfish is now benefiting from PixStor’s new secure multi-tenancy capabilities to isolate client materials in a TPN-compliant manner within the PixStor environment.

Tags: Pixit Media | PixStor | Jellyfish Pictures
Submitted by Bubble Agency
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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AVer EP65, the ultimate Zoom Rooms conferencing system Posted: 13/11/2019
AVer EP65, the ultimate Zoom Rooms conferencing system

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

Tags: AVer | business | conferencing | Nuvola | interactive panel | Zoom Rooms | Zoom | Sony | Windows | meeting room
Submitted by brookscomm
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AJA Introduces 8K Support for HDR Image Analyzer 12G Posted: 13/11/2019
AJA Introduces 8K Support for HDR Image Analyzer 12G
AJA Video Systems has announced new 8K support for HDR Image Analyzer 12G, its powerful real-time HDR and WCG monitoring and analysis platform developed in partnership with Colorfront. The upcoming free software release will feature up to 8K/UHD2 HDR monitoring and analysis for high raster content with 12G-SDI for higher bandwidth workflows with the simplicity of single-cable connectivity.
 
HDR Image Analyzer 12G fuses AJA’s production-proven video I/O technology with powerful HDR and WCG image analysis tools from Colorfront, including waveform, histogram and vectorscope monitoring and analysis of up to 8K content over 12G-SDI for broadcast and OTT production, post, QC and mastering. Within a compact 1RU chassis, HDR Image Analyzer 12G provides users with a comprehensive toolset to monitor and analyze SDR and HDR formats, including PQ (Perceptual Quantizer) and Hybrid Log Gamma (HLG). 

 

 

 

Tags: AJA | AJA Video Systems | Video Production | HDR Image Analyzer 12G
Submitted by Newsfeed
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AJA Upgrades Ki Pro GO and Ki Pro Ultra Plus Posted: 13/11/2019
AJA Upgrades Ki Pro GO and amp; Ki Pro Ultra Plus

 AJA Video Systems has introduced new upgrades for its Ki Pro Family of production-proven file-based recorders. A new v1.5 firmware update for Ki Pro GO adds timecode recording and playback, expanded primary and backup recording to all USB ports and new clip naming and segment recording. Ki Pro Ultra Plus v5.0 introduces a new Infinite Recording feature that allows the unit to act as an always running backup recorder. Both firmware updates will be available soon to customers as free downloads.

Ki Pro GO is AJA’s new portable, multi-channel H.264 recorder and player, featuring up to 4-channels of simultaneous HD and SD capture to affordable, off-the-shelf USB media. With the v1.5 firmware update, Ki Pro GO now records and plays video with timecode. The timecode can originate from an incoming SDI video’s RP188 data, be recorded as the time of date or be specified to start at a specific hour. For playback, timecode values are automatically embedded as RP188 data on Ki Pro GO’s SDI outputs. The v1.5 update also expands backup and primary recording to all five USB ports, providing users with increased flexibility to choose their desired recording destination. Additionally, the update adds new clip naming and segment recording, automatically creating a unique file name for each clip and identifying each segment of a continuous recording for extended event time needs.

 

Tags: AJA | AJA Video Systems | Video Production | Infinite Recording | Video Recording
Submitted by Newsfeed
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AJA Announces OG-12GDA-2x4 openGear 12G-SDI Distribution Amplifier Posted: 13/11/2019
AJA Announces OG-12GDA-2x4 openGear and reg; 12G-SDI Distribution Amplifier

AJA Video Systems has announced the OG-12GDA-2x4, an openGear 12G-SDI distribution amplifier, featuring support for High Dynamic Range video and Ross® DashBoard software for remote monitoring.

Designed for critical broadcast, OB truck and live event production environments, OG-12GDA-2x4 features dual-channel inputs for incoming 12G-SDI signals, with reclocking of the distributed signals to dual 4x 12G-SDI outputs. In an AJA OG-X-FR openGear frame, this allows for incredibly high density with up to 20x 12G-SDI inputs distributed to a total of 80x 12G-SDI outputs when fully loaded with ten cards.

OG-12GDA-2x4 features compatibility with OGX, OG3 and DFR-8321 openGear frames, and DashBoard software support on Windows®, macOS® and Linux® for flexible device control and monitoring over a local network or remotely.

 

Tags: AJA | AJA Video Systems | Video | Video Production | Distribution Amplifier | Remote Monitoring
Submitted by Newsfeed
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Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS Posted: 12/11/2019
Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS

Cobalt Iron Inc., a leading provider of SaaS-based enterprise data protection, today announced that it has extended its mature Compass™ enterprise software-as-a-service backup platform with advanced features that bring tremendous value to service providers who sell Compass as their backup-as-a-service (BaaS) offering. Those advanced features, which are unique to Compass, allow service providers to manage complex environments with multiple tenants in a secure manner and provide those different users with appropriate access while reducing the service provider's operational costs and improving the quality of service.

Compass was built from the ground up with multitenancy and extensive automation in mind. That means BaaS service providers can easily:
• Set up multiple users with different access privileges.
• Assign different pricing methodologies to different systems.
• Customize reporting and management with company logos.
• Integrate with existing accounting and service ticketing systems for automated billing.

Compass' comprehensive multitenancy capabilities support complex organizational dynamics across an ecosystem of service providers, partners, customers and their internal organizations, and distributors. Support includes management, monitoring, visibility, chargeback, reporting, and resource utilization by organization.

Tags: Cobalt Iron | Compass enterprise backup | BaaS | Multitenancy | SaaS data protection
Submitted by Wall Street Communications
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Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment Posted: 12/11/2019
Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment

Viaccess-Orca (VO), an Orange Group company and a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that the Malian Transmission and Broadcasting Corporation (SMTD) in West Africa has chosen VO's cardless Conditional Access System (CAS) to secure its free-to-view and pay-TV platforms as part of a nationwide government initiative to roll out digital terrestrial television (DTT). Thomson Broadcast has been tasked with handling the deployment for SMTD's new infrastructure, while also supplying the video headend, contribution and distribution network, and TV transmitters.

"We are excited about offering digital terrestrial television in Mali, as it will significantly improve our viewers' quality of experience while offering a broader range of content choices," said Ismaila Togola, CEO of SMTD. "Working with Thomson Broadcast and Viaccess-Orca, both leaders in their respective industries, will help us get this new DTT service securely deployed to market."

Tags: Viaccess-Orca | AfricaCom 2019 | Thomson Broadcast | DTT | CAS | Orange Group | SMTD | Conditional Access System
Submitted by 202 Communications
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Testronic achieves Dolby Vision Certification Posted: 12/11/2019
Testronic achieves Dolby Vision and reg; Certification

Testronic, a leader in quality assurance (QA), localization services, and compliance for the film, television and games industries, has achieved Dolby Vision® Certification following an intensive period of training and investment in their Burbank facility. In order to achieve this certified status, the facility was subjected to rigorous review and is now configured and set up to meet the standards of a Dolby Vision certified facility.

Dolby Vision® certification ensures that all of Testronic’s Master QC personnel have been trained by Dolby and that the facility has been commissioned by Dolby engineers. Dolby Vision post production tools and workflows give content creators what they need to efficiently create both Dolby Vision, HDR, and legacy SDR content. Dolby Vision ensures that the look they create in the color suite stays true when experienced across TV’s PC’s, tablets and mobile devices.  Testronic can now test that this stays true across all OTT Platforms.

 

Tags: Testronic | Dolby Vision Certification
Submitted by PRComs
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Nevion sales grow by more than a third in the Americas Posted: 12/11/2019
Nevion sales grow by more than a third in the Americas

 

Nevion, award-winning provider of virtualized media production solutions, has experienced a growth in bookings in its Americas region of 34% so far in 2019, compared to the same period in 2018. Sales of software and services in the region have also more than quadrupled in the period, reflecting the increased demand for IP solutions, based on Nevion’s flagship software-defined products.

In 2019, Nevion has signed several significant deals with new and existing customers in in the Americas, most notably with a US national broadcast network and a leading international satellite services provider. These high-profile projects are currently in the process of being delivered.

To build on that growth, and to meet the surge in interest in workflow-transforming IP solutions, two seasoned and highly-regarded sales executives, Edward McGivern and Ron Rosenthal, have recently joined Nevion’s Americas team.

With 20 years’ experience selling high-value technology solutions in the broadcast market, McGivern has held senior sales positions at Snell Advanced Media, Imagine Communications and Grass Valley. Most recently, he was the director of Tektronix’s video sales division for the Americas.

Tags: Nevion | Broadcast | US | Growth | Appointment | Americas
Submitted by Whiteoaks
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Broadcasters look to virtual programming to exploit their content libraries Posted: 12/11/2019
Broadcasters look to virtual programming to exploit their content libraries

More than a third (36%) of broadcasters are failing to utilize their content library despite facing increasing competition from streaming services, according to research by ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

Although almost all (98%) of the broadcasters surveyed use their content library to create new channels for particular events or occasions, the majority (82%) are impeded in the ability to do it quickly, unlike their streaming counterparts. 44% of broadcasters revealed it takes them up to three days to create a new channel, while over a third (38%) say it takes them up to a week, which not only hinders their ability to capitalize on events but could result in potential revenue loss.

“With a continuous influx of competition from all angles, broadcasters must begin to do more with their content libraries. Creating new, virtual channels would allow broadcasters to take advantage of topical and cultural events, such as award season, during which they could use their back catalogue to quickly develop one-off channels to celebrate winners as they are announced,” commented Remi Beaudouin, Chief Strategy Officer, ATEME.

As broadcasters explore ways to use technology to maximize their content, almost two-thirds (60%) of broadcasters are utilizing virtual broadcasting to create one-off channels, while of the broadcasters not currently doing virtual broadcasting 70% said they will do so within a year.

Tags: ATEME | Broadcast | Research | Content
Submitted by Whiteoaks
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A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones Posted: 12/11/2019
A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones

DPA Microphones’ recently launched 4097 CORE Supercardioid Choir Microphone was used to great effect in Kuala Lumpur when a choir of 12 men and women gathered in Independence Square to mark the 50th anniversary of the Department of Enforcement, Kuala Lumpur City Hall. The event, entitled Hari Penguatkuasa DBKL, featured a parade in conjunction with the Golden Jubilee Celebration of Enforcement Day. It culminated in a live performance by the DBKL City Hall Choir who performed in front of an audience of approximately 2,000 people.

 

Mr Ajun Mubari, head of Malaysian audio rental company Mubari, says DPA’s 4097 CORE Supercardioid Choir Microphones were chosen to amplify the choir because their integrated shock mount and wind screen made them ideally suited to outdoor use. “The 4097 microphone is awesome and very easy to work with,” he says. “We used one pair to cover the choir group and positioned them on either side of the choir who were standing in a semi-circle. The concert generated very high sound pressure levels – in excess of 90dB – but, thanks to the 4097’s high isolation, the sound coming from the stage monitors (which were placed in front of the choir and behind the microphones) did not affect the available gain during the performance. This was a huge advantage as it meant we could capture the true sound of the choir without picking up any other sound.”

 

Tags: DPA Microphones | 4097 CORE | Supercardioid Choir Microphone
Submitted by D. Pagan Communications
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