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FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018 Posted: 08/11/2018
FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018

FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). This marks both the five-year anniversary of the FilmLight office in Tokyo, and provides the opportunity to showcase the latest version of FilmLight’s colour grading and management platform, Baselight v5, for the Japanese market.

Tags: FilmLight | Japan | Inter BEE 2018 | Baselight v5 | post production | Tokyo | colour grading | cutting edge | creative tools | Koichi Matsui | streamline complex workflows | Prelight | Baselight Editions | Daylight | VFX | MKM Marketing Communications
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FilmLight creates Cold War look for The Americans Posted: 29/10/2018
FilmLight creates Cold War look for The Americans

The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colourist, working on the Baselight colour grading system from FilmLight.

Tags: FilmLight | Cold War | The Americans | Technicolor PostWorks | HDR | 4K Ultra HD | John Crowley | colorist | colourist | Baselight | colour grading | Dan Sackheim | David Woods | Crystal Whelan | Fox 21 Television Studios | FX Productions | Emmy Award | MKM Marcomms
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Baselight innovation streamlines collaborative creativity at IBC2018 Posted: 07/09/2018
Baselight innovation streamlines collaborative creativity at IBC2018

FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown on Baselight grading stations, and also implemented across FilmLight’s product range, which includes Prelight for on-set visualisation, the Daylight dailies system and the expanding Baselight Editions range for editing and VFX.

Tags: FilmLight | Baselight | IBC | IBC2018 | new functionality | color grading | colour grading | Prelight | Daylight | Baselight Editions | streamline workflows | cutting edge | Martin Tlaskal | rotoscoping | Merge View | Panorama sandwich | Blend panel | MKM Marcomms | IBC 2018 | IBC 2018
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FilmLight boosts performance and collaboration for editing, VFX and compositing with Baselight Editions Posted: 30/08/2018
FilmLight boosts performance and collaboration for editing, VFX and compositing with Baselight Editions

At IBC, FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product in the Baselight Editions range. The popular plugins bring sophisticated colour control and creativity to Avid editors, NUKE compositors and Flame artists.

Tags: FilmLight | BaseLight | IBC | IBC2018 | BLG for Flame | Avid | NUKE | Flame | Martin Tlaskal | interoperability | Baselight Editions | plugins | Robin McGloin | Youngster | Gamut Compression | Boost Contrast | Texture Equaliser | MKM Marcomms | MKM Marketing Communications | IBC 2018 | IBC 2018
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FilmLights Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day Posted: 07/08/2018
FilmLights Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day

FilmLight is to stage one of its hugely popular colour tour masterclasses at IBC2018 (RAI Amsterdam) on Sunday 16 September. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges that HDR and new delivery formats bring, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5.

Tags: FilmLight | masterclass | IBC 2018 | colourist | post industry | colour management | Baselight | Maxine Gervais | Sylvain Canaux | Mike Nuget | colour science | colorist | Daniele Siragusano | MKM Marcomms | MKM Marketing Communications | IBC 2018 | IBC 2018
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Encore turns to Baselight to colour the story of Picasso Posted: 05/07/2018
Encore turns to Baselight to colour the story of Picasso

The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked the time and place as well as the art.

Tags: FilmLight | Baselight | Picasso | National Geographic | colorist | colourist | Pankaj Bajpai | Encore | Hollywood | Kenneth Biller | Base Grade | Ron Howard | Brian Grazer | Emmy | Antonio Banderas | Mathias Herndl | MKM Marcomms | MKM Marketing Communications
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FilmLight introduces BLG for Flame at NAB2018 Posted: 20/06/2018
FilmLight introduces BLG for Flame at NAB2018

At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a Linux-only plugin for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade (BLG) files or directly from a Baselight scene.

Tags: FilmLight | NAB2018 | BLG for Flame | Baselight | Prelight | Daylight | Will Harris | Autodesk | Flame | colour correction | colorist | colour grading | Mike Nuget | MKM Marcomms | MKM Marketing Communications
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FilmLight launches worldwide colour masterclass tour Posted: 20/06/2018
FilmLight launches worldwide colour masterclass tour

To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive and specialist masterclasses on a world tour. Dates are already set for London (15 May), Mumbai (16 May), Hollywood (4 June) and Seoul (7 June), with more to be added.

Tags: FilmLight | Baselight | masterclass | colourist | colorist | colour grading | colour-managed workflow | colour spaces | colour science | grading tool | Filmlight expert | Andy Minuth | Daniel Siragusano | Peter Postma | MKM Marcomms | MKM Marketing Communications
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Baselight helps Donbass meet Cannes deadline Posted: 20/06/2018
Baselight helps Donbass meet Cannes deadline

Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.

Tags: FilmLight | Baselight | Cannes Film Festival | Donbass | Ukrainian movie | Sergei Loznitsa | Digital Cube | Oleg Mutu | Claudiu Doaga | Sebastian Plamadeala | Danielus Kokanauskis | colorist | colour grading | MKM Marcomms | MKM Marketing Communications
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FilmLight welcomes colourist Andy Minuth Posted: 29/11/2017
FilmLight welcomes colourist Andy Minuth

FilmLight, the leading provider of professional colour grading solutions, has recruited colourist Andy Minuth as Colour Workflow Specialist. He brings a deep technical knowledge of image processing and colour management as well as a long and successful track record in colour grading.

Tags: FilmLight | Grading | Baselight | Colour | Workflow | Post production | Andy Minuth | Color | DIT | editor | compositor
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Germanys nhb expands its reach with Baselight Posted: 21/11/2017
Germanys nhb expands its reach with Baselight

Full service post-production house nhb has recently opened two new facilities, adding a second studio in Hamburg, nhbNEXT, and extending its reach into Munich. These two new smaller sites sit alongside its existing Berlin, Hamburg and Dusseldorf locations.

Tags: FilmLight | Baselight | nhb | germany | colour | grading | workflow | remote grading | The Mill | LUT | colourist
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Lespace Vision adds FilmLight grading and high-speed media server Posted: 17/10/2017
Lespace Vision adds FilmLight grading and high-speed media server

Top Tokyo post house Lespace Vision is marking its 30th anniversary by adding a powerful grading suite from FilmLight. As well as a Baselight TWO workstation, with the new version 5.0 software, it is adding the 160TB FLUX Store post-production data server, designed to stream media throughout the facility, as well as providing additional support with its rendering and data management capabilities.

Tags: Lespace Vision | Filmlight | Flux Store | Baselight | Stream media | MKM Marcomms
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Pinewood Digital expands use of FilmLights Daylight workflow Posted: 04/10/2017
Pinewood Digital expands use of FilmLights Daylight workflow

Pinewood Digital, the specialist front-end dailies division of Pinewood Studios Group, is a pioneering user of Daylight and recently extended its investment in the platform with new systems in both London and Atlanta. Daylight is the near-set dailies management tool from FilmLight, which embeds grading decisions to create high quality dailies and other deliverables.

Tags: FilmLight | Daylight | Pinewood | Dailies | Baselight
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FilmLight releases Baselight 5.0 ahead of IBC2017 Posted: 13/09/2017
FilmLight releases Baselight 5.0 ahead of IBC2017

At IBC2017, FilmLight is celebrating the formal release of Baselight 5.0, as well as exhibiting the 5.0 colour tools across its entire product range.

Offering over 50 new features, version 5.0 has been comprehensively put through its paces over the last year on a variety of real projects with complex workflows. Baselight 5.0 has been at the heart of blockbusters, high-end television series and commercials. The feedback from colourists around the world has been very positive, and the results are stunning.

Tags: FilmLight | Baselight | Colour | Grading | IBC 2017 | IBC 2017
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Technicolor takes Tulip Fever into the Dutch golden age with Baselight Posted: 01/09/2017
Technicolor takes Tulip Fever into the Dutch golden age with Baselight

Technicolor in London has completed the finishing on Tulip Fever, a romantic period drama from The Weinstein Company and directed by Justin Chadwick. As well as performing the grade, conform and deliverables, Jean-Clement Soret, MPCs global creative director of colour grading, was also responsible for completing the trailers, allowing the audience to be immersed in the look and feel of the movie from the preview onwards.

Tags: FilmLight | Baselight | Tulip Fever | Technicolor | Grading | Colour
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