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Dynamic New Film Summit Launches in London Posted: 09/10/2019
Dynamic New Film Summit Launches in London
Launched today the [Future of Film] Summit 2019 is a dynamic conference-event designed to create the future of film and storytelling. The mission of the Summit is to inform, inspire and empower storytellers and transform the wider film ecosystem. Taking place on 26 November 2019 at BFI Southbank, London, the Summit will welcome world-class speakers for keynotes and panel sessions as well as hands on workshops on new tech and cutting edge creative and business strategies.
Tags: Future of Film Summit | Future of Film | BFI Southbank | Alex McDowell
Submitted by Bubble Agency
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Artjail raises the bar with Baselight colour grading Posted: 03/10/2019
Artjail raises the bar with Baselight colour grading
Independent VFX boutique Artjail has added a Baselight grading suite in each of its locations: one in its New York studio, and one in Toronto their newest studio that opened in January. Bringing grading and VFX together will strengthen the studio’s workflow for complex VFX projects. It will also further their reputation for short form advertising projects and long form work.
Tags: FilmLight | Clinton Homuth | colourist | Artjail | VFX boutique | Baselight | grading suite | Steve Mottershead | New York | Toronto | BLG | Flame | NUKE | Avid | VFX | feature set | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Sneaky Pete Color Corrected in DaVinci Resolve Studio Posted: 30/09/2019
Sneaky Pete Color Corrected in DaVinci Resolve Studio
Blackmagic Design announced today that season 3 of Amazon Prime Videos’ critically acclaimed series “Sneaky Pete” was colored in DaVinci Resolve Studio by senior colorist Scott Ostrowsky of Deluxe’s Level 3.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Color Correction | Grading | Post Production | Filmmaking | Amazon | Series | Sneaky Pete
Submitted by Blackmagic design
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New London Screen Academy (LSA) and Sony join forces to support the next generation of film and television creatives Posted: 26/09/2019
New London Screen Academy (LSA) and Sony join forces to support the next generation of film and television creatives
Sony has joined forces with a new sixth form academy, the London Screen Academy (LSA), to arm the next generation of aspiring filmmakers with the hands-on experience and skills needed to thrive in the media industry.
Tags: Sony | London Screen Academy | DMPCE | HDR | Film making
Submitted by Sony Professional Solutions Europe
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Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King Posted: 25/09/2019
Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King
Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned nearly $1.5 billion worldwide since its July 19, 2019 opening.
Tags: Blackmagic Design | BMD | Blackmagic | The Lion King | Disney | Virtual Production | VFX | Filmmaking | DaVinci Resolve | Cameras
Submitted by Blackmagic design
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Polar News: Pre IBC 2019 Posted: 09/09/2019
Polar News: Pre IBC 2019
News just in...There's a Polar Bear on the loose!
 
The chief Polar Bear from Polar Graphics introduces you to our suppliers from across the globe, who will be exhibiting at IBC 2019.
Tags: IBC2019 | IBCshow | PolarGraphics | Apantac | Bluefish444 | Cinedeck | ImagineProducts | MagStor | Mediaproxy | Stardom | StorageDNA | SNS | JetStream | PikoloSystems | Broadcast | Film | TV | PostProduction | IBC 2019 | IBC 2019
Submitted by Polar Graphics Ltd
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Fast-forward to creative results with FilmLight at IBC2019 Posted: 05/09/2019
Fast-forward to creative results with FilmLight at IBC2019

At this year’s IBC, FilmLight (Amsterdam, 13-17 September, stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency and flexibility for a wide range of workflows.

Tags: FilmLight | IBC2019 | Blackboard Classic | control panel | workflow improvements | colour management tool | Baselight | FLUX Store | VFX | Daylight | MKM Marcomms | MKM Marketing Communications | IBC 2019 | IBC 2019
Submitted by MKM Marketing Communications
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Miller Launches CiNX, New Line of Cinema Fluid Heads, at IBC Posted: 04/09/2019
Miller Launches CiNX, New Line of Cinema Fluid Heads, at IBC

At IBC 2019, Miller Tripods Ltd., a leader in the production of innovative camera support solutions, will introduce its new line of CiNX Fluid Heads. Available in three variations (CiNX 3, CiNX 5 and CiNX 7), the lightweight and durable fluid heads are packed with features designed to meet all the needs of cinematographers at an affordable price. The wide payload range of Miller’s new CiNX Fluid Heads enables accurate counterbalance of multiple camera sizes, lenses and accessories—increasing the flexibility of use. Miller Tripods will be co-exhibiting with Egripment throughout the show (Stand 12.A21).

Tags: IBC 2019 | CiNX | Miller Tripods | cinema | camera | pan | tilt | film production | fluid heads
Submitted by D. Pagan Communications
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Stewart Filmscreen Debuts New Balon Edge Projection Screen With a Sleek, Modern-Looking Ultra-Thin Frame Posted: 29/08/2019
Stewart Filmscreen Debuts New Bal and oacute;n Edge Projection Screen With a Sleek, Modern-Looking Ultra-Thin Frame

Stewart Filmscreen, the only two-time Academy Award®-winning manufacturer of professional projection screens and reference-standard projection screen materials for the audiovisual industry, today introduced the all-new Balón Edge. This new addition to the Balón series combines the best projection screen surface available with an ultra-thin frame, providing a minimalistic black border finish.

Tags: Stewart Filmscreen | Balón Edge | professional Projection Screen | Pro AV | CEDIA Expo 2019
Submitted by Wall Street Communications
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Summer 2019s Biggest Film Releases Used Blackmagic Design Posted: 20/08/2019
Summer 2019s Biggest Film Releases Used Blackmagic Design
Blackmagic Design announced today that a number of the 2019 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including its digital film cameras, DaVinci Resolve Studio editing, color correction, visual effects (VFX) and audio post production application, and more. This included some of the biggest blockbusters and expected blockbusters of the summer, such as “John Wick: Chapter 3 - Parabellum,” “Men In Black: International” and “Rocketman.”
Tags: Blackmagic Design | Blackmagic | BMD | Summer Films | Blockbusters | Filmmaking | DaVinci Resolve
Submitted by Blackmagic design
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New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve Posted: 20/08/2019
New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve
Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and will begin distribution in the United States and other countries in August.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | URSA Mini Pro | Sci-Fi | Filmmaking | Production | Post
Submitted by Blackmagic design
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FilmLight presents Colour On Stage at IBC2019 Posted: 13/08/2019
FilmLight presents Colour On Stage at IBC2019

At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to participate in live presentations and discussions with colourists and other creative professionals at the peak of their craft.

Tags: FilmLight | IBC2019 | Baselight | Colour on Stage | colourist | colour management | grading tools | colour grading | Alex Gascoigne | Technicolor | Eric Weidt | Stephen Edwards | Tom Chittenden | David Williams | CV Rao | Karine Feuillard | MKM Marketing Communications | IBC 2019 | IBC 2019
Submitted by MKM Marketing Communications
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Blackmagic Design Announces New Blackmagic Pocket Cinema Camera 6K Posted: 12/08/2019
Blackmagic Design Announces New Blackmagic Pocket Cinema Camera 6K
Blackmagic Design today announced the Blackmagic Pocket Cinema Camera 6K, a new handheld digital film camera with a full Super 35 size 6K HDR image sensor, 13 stops of dynamic range, an EF lens mount and dual native ISO up to 25,600 for incredible low light performance. This new model builds on the popularity of the Blackmagic Pocket Cinema Camera 4K but has a larger Super 35 sensor size with 6K resolution, allowing higher image quality. The EF lens mount model works with a wide range of lenses from companies such as Canon, Zeiss, Sigma and Schneider.
Tags: Blackmagic Design | Blackmagic | BMD | BMPCC6K | 6K | Pocket Camera | Filmmaking | EF Lens | HDR | Dynamic Range
Submitted by Blackmagic design
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Creating movie star looks for HBO Big Little Lies Posted: 12/08/2019
Creating movie star looks for HBO and rsquo;s Big Little Lies
The second season of HBO’s runaway hit drama Big Little Lies was completed at Technicolor in Los Angeles. Finishing artist and Vice President of business development Pankaj Bajpai, famed for grading the HBO series Sex in the City, True Detective and Nat Geo’s Genius seasons for both Einstein and Picasso, used Baselight to enhance the distinctly Californian look of the show.
Tags: FilmLight | Big Little Lies | HBO | Technicolor | Pankaj Bajpai | Baselight | Base Grade | Film Grade | Flare control | BLG for Flame | Baselight for NUKE | VFX | color grading | colour grading | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Legendary colourist Yvan Lucas reunites with Quentin Tarantino for Once Upon a Time... in Hollywood Posted: 05/08/2019
Legendary colourist Yvan Lucas reunites with Quentin Tarantino for Once Upon a Time... in Hollywood
The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson.
Tags: FilmLight | colourist | Yvan Lucas | Quentin Tarantino | Oce Upon A Time... In Hollywood | Cannes Film Festival | Robert Richardson | Baselight | colour grading | Éclair | Matt Tomlinson | Elodie Ichter | Daylight | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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