FUJINON Days Held in U.S. and Abroad

Date: 14/11/2016

As part of the companys overall initiative to increase awareness of its Cine-Style zooms among Cinematographers, Camera Operators and Camera Assistants throughout the world, the Optical Devices Division of FUJIFILM, FUJINON has embarked on a series of hands-on, educational seminars. Based on initial reviews from leading feature film and episodic cinematographers as well as rental house lens technicians at each of the regional events, this series has the potential for a long run.

The first FUJINON Day was held at the prestigiousASC (American Society of Cinematographers) Clubhouse on May 24th. To date, three other events have followed in the U.S.: Austin at MPS on September 15th, Atlanta at ARRI Rental on September 24th and New York City at Abel Cine on November 1st.

FUJINON Day at Sony DMPC in Los Angeles is scheduled for December 1st. Upcoming locations include events in:

  • Sao Paulo
  • Vancouver
  • Toronto
  • Montreal
  • Miami
  • Boston

Our goal with these events is to allow filmmakers to see for themselves the capabilities and characteristics of our extensive range of Premier and Cabrio lenses, and to combine that with the opportunity to learn from masters like Bill Bennett ASC, William Wages ASC and Dejan Georgevich ASC, said Chuck Lee, Western Regional and Technology Manager, FUJIFILM Optical Devices Division. We strongly encourage comments and questions during the presentations. We see these days as educational in nature, a chance to talk about how the technical aspects of lens design relate to look and feel, rather than merely boast about our lenses.

For three-time ASC Award winner William Wages, ASC (Buffalo Soldiers, Down in the Delta, Burn Notice, Into the West): the Cabrio 19-90 and 85-300mm zooms are virtually the only lenses Im presently using. The optical quality, small size and speed are unequaled. Theyve changed the way I shoot. Wages, the ASCs 2012 recipient of the Career Achievement in Television honor, added hes taking his FUJINON lenses to South Africa in November for a feature film shoot with director Roland Joffe (The Killing Fields, The Mission, City of Joy).

Eric Steelberg, ASC (Baywatch, Draft Day, Juno, 500 Days of Summer) was among those on hand at the ASC event. In the past, cinematographers have relegated zooms to a lower place in the hierarchy of lens technology, he said. If you wanted to use a zoom, you had to be willing to sacrifice. FUJINON, in my opinion, completely changed that paradigm. Now you dont have to decide to shoot zooms or primes based on performance. Now its based on workflow form and factor, and a cinematographers philosophy. But the technical limitations have been solved. Ive used them with Red, ALEXA, film, and across the board, they have performed. If you thought that FUJINON lenses were only for video or sports, Ive got news for you.

FUJINON zoom lenses have been used on major feature films ranging from Tomorrowland (Claudio Miranda, ASC) to Avatar (Mauro Fiore, ASC), to Jupiter Ascending (John Toll, ASC); and on TV shows such as The Last Ship (Rodney Charters, ASC CSC) and Sex & Drugs & Rock & Roll (Bill Nielsen).

After leading a discussion about the subtleties of lens characteristics at the ASC event, noted cinematographer Bill Bennett, ASC concluded, Many of the attendees were very experienced cinematographers. They dont need to be told what a good lens is or what good performance is. They would just as soon come and see for themselves and make up their own minds. Everybody makes judgments about lenses in their own way, so we just gave people the tools to take a good look.

Cinematographer Ian Ellis, known for his dramatically lit DP work on the TV series The Lying Game, and second unit DP work on Friday Night Lights and Revolution had never seen a FUJINON Premier lens in action before Fujinon Day in Austin. Ellis reports being amazed by the lack of breathing, vignetting, and overall beautiful imagery captured by the Premier and Cabrio zooms. I would love to get the 25-300mm Cabrio on a TV show. Its got such a huge range and doesnt fall apart at the long end wide open. We tend to live on big zooms on TV dramas, and we could go so many directions with that lens. I really want other people to see what it can do. And the Premier 75-400mm lens is insanely cool. It would be my ideal long-end lens for a feature film.

Steelberg added that lenses, like other filmmaking technologies, are evolving quickly. Its great to see companies like FUJIFILM continue to push the envelope with zoom lenses, he said. Companies are really spending a lot of time and effort developing lens technology. Theyre not accepting the status quo, and theyre pushing lens technology beyond what people thought was possible. Ive been shooting with zooms for most of a recent project, and using primes only when necessary due to space or other restrictions. Thats saying a lot. You no longer need to worry about having enough T-stop. And thats great for filmmakers and audiences alike. Some of these lenses are T2, which is the same as many primes, and they are just as sharp and free of distortion and aberration. Theyre really spectacular.

For many in the Austin video and film production community, the opportunity to provide feedback on lens performance from their hometown was a welcome one. According to Meredith Stephens, Vice President of Business Development, MPS Studios with offices in Austin, Dallas and Denver: FUJINON Day brought industry professionals from across the state together to gain an in-depth understanding of the technical specs and capabilities of zooms, get a hands-on look at the quality of glass, and ask questions directly of the experts. I was particularly impressed with the lenses balance and contrast performance. They stay in focus throughout the entire image, unlike other zooms. The speed, clarity and crispness across the Premier line is excellent, and they pair nicely with Master Primes.

Austin-based First Assistant Camera Operator Sebastian Vega (member IATSE Local 600) echoed this sentiment: I appreciated seeing a major manufacturer visit our market, not only to share their sales catalog, but to seek feedback from professional users. As Ive seen on set previously and again during this demo, the Premier zooms look terrific.

Speaking about the ASC-hosted event in LA, Matthew Duclos, COO/Project Manager of Duclos Lenses said, This was an excellent event. At Duclos, were very proud of our independence. Were not devoted to any single manufacturer. And an event like this isnt something youd normally see outside of a dedicated service shop or rental house. Its great to have a neutral organization like the ASC conduct an educational seminar.

FUJINON Day provides an opportunity to learn about lens design, technology, applications and the companys wide selection of PL mount zoom lenses. Workshops and panel discussions explore the creative, optical and budgetary considerations that are critical to modern optics design.

www.fujifilmholdings.com.



Tags: FUJINON | FUJIFILM | lenses | optical devices | FUJINON Days | cinematography | news
Submitted by Nicole Crane (Pipeline Communications)
View author's directory page

Related Interviews
  • Fujinon 18-55 Lens at BVE 2017

    Fujinon 18-55 Lens at BVE 2017

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • New Filters from Schneider Optics at NAB 2018

    New Filters from Schneider Optics at NAB 2018

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Cooke Optics on BroadcastShow LIVE at IBC 2013

    Cooke Optics on BroadcastShow LIVE at IBC 2013

  • Cooke Optics at BVE 2012

    Cooke Optics at BVE 2012

  • Cooke at IBC2011

    Cooke at IBC2011

  • SmallHD shows the Cine 7 monitor with camera control and integrated Teradek Bolt at NAB 2019

    SmallHD shows the Cine 7 monitor with camera control and integrated Teradek Bolt at NAB 2019

  • Bebob V-Mount Batteries at NAB 2019

    Bebob V-Mount Batteries at NAB 2019

  • DoP Choice show the latest lighting solutions at NAB 2019

    DoP Choice show the latest lighting solutions at NAB 2019

  • Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

    Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

    Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

  • IMT Vislink Air Pro 75Ka and NewSwift 240HD Antenna at IBC 2018

    IMT Vislink Air Pro 75Ka and NewSwift 240HD Antenna at IBC 2018

  • QNews Newsroom system from AQ Broadcast at IBC 2017

    QNews Newsroom system from AQ Broadcast at IBC 2017

  • NewsTicker 5 from ChyronHego at NAB 2017

    NewsTicker 5 from ChyronHego at NAB 2017

  • New CEO and news update from TMD at NAB 2017

    New CEO and news update from TMD at NAB 2017

  • ChyronHego NewsTicker at NAB 2016

    ChyronHego NewsTicker at NAB 2016

  • AQ Broadcast News Room System at BVE 2016

    AQ Broadcast News Room System at BVE 2016

  • Elemental Technologies news at IBC 2015

    Elemental Technologies news at IBC 2015

  • TMD news update at IBC 2015

    TMD news update at IBC 2015

  • Ross Video at BVE 2017

    Ross Video at BVE 2017

  • BroadStream ARMADA at IBC 2014

    BroadStream ARMADA at IBC 2014

  • BroadStream OASYS at IBC 2014

    BroadStream OASYS at IBC 2014

  • BroadStream CURRENT at IBC 2014

    BroadStream CURRENT at IBC 2014

  • BroadStream HARBOR at IBC 2014

    BroadStream HARBOR at IBC 2014

  • AVIWEST at IBC 2014

    AVIWEST at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • SIS LIVE ManPak and LoStow at IBC 2014

    SIS LIVE ManPak and LoStow at IBC 2014

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Dejero at NAB 2014

    Dejero at NAB 2014

  • Brainstorm on BroadcastShow LIVE at IBC 2013

    Brainstorm on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • SIS LIVEs Mark Shadbolt on BroadcastShow LIVE at IBC 2013

    SIS LIVEs Mark Shadbolt on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • ChyronHego Virtual Placement at IBC 2013

    ChyronHego Virtual Placement at IBC 2013

  • Inmarsat: Global Xpress and Explorer at NAB 2013

    Inmarsat: Global Xpress and Explorer at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Tariam Tooway stand at BVE 2013

    Tariam Tooway stand at BVE 2013

  • PlayBox Technology at BVE 2013

    PlayBox Technology at BVE 2013

  • Studio Technologies at NAB 2012

    Studio Technologies at NAB 2012

  • ITFC at IBC2011

    ITFC at IBC2011

  • PlayBox Technology at IBC2011

    PlayBox Technology at IBC2011

  • Mosart at IBC2011

    Mosart at IBC2011


Related Shows
  • Show 26 - 20th November 2013

    Show 26 - 20th November 2013


Related Articles
  • News Out Of The Cloud - Technology At The Front Line Of Journalism

    News Out Of The Cloud - Technology At The Front Line Of Journalism

  • BSC Expo 2019 Report

    BSC Expo 2019 Report

  • The Brutal Kit Environment of Education

    The Brutal Kit Environment of Education

  • Shopping for lenses and more...

    Shopping for lenses and more...

  • Artificial Intelligence and Economics

    Artificial Intelligence and Economics

  • State of the Nation

    State of the Nation

  • Growing a news agency from the inside out

    Growing a news agency from the inside out

  • When a lens is more than just a lens

    When a lens is more than just a lens

  • Top Tips on becoming an IBC Jedi

    Top Tips on becoming an IBC Jedi

  • Media Production Show and other news

    Media Production Show and other news

  • Dick finds the truth out there

    Dick finds the truth out there

  • Selecting the right broadcast minicam lens

    Selecting the right broadcast minicam lens

  • Life through a hire lens

    Life through a hire lens

  • News production with an IP workflow

    News production with an IP workflow

  • TV Futures - Streaming

    TV Futures - Streaming

  • Out with the new, in with the old

    Out with the new, in with the old

  • Lenses cant be that complicated can they? Part 1

    Lenses cant be that complicated can they? Part 1

  • Every election counts

    Every election counts

  • From newspaper to broadcaster: VG (Norway) and LiveU

    From newspaper to broadcaster: VG (Norway) and LiveU

  • DOPs discuss minicams, lenses, 4k and all

    DOPs discuss minicams, lenses, 4k and all

  • #TVFUTURES

    #TVFUTURES

  • Now that is how you do a newsroom

    Now that is how you do a newsroom

  • News - A New Beginning

    News - A New Beginning

  • Everything you need to know about Anamorphic Lenses

    Everything you need to know about Anamorphic Lenses

  • News

    News

  • Mobile News Gathering

    Mobile News Gathering

  • Manage and Monitor

    Manage and Monitor

  • Launching the Local Newsroom

    Launching the Local Newsroom

  • Israels i24news

    Israels i24news

  • War House goes live in 4K

    War House goes live in 4K

  • Live and behind the scenes with lEquipe

    Live and behind the scenes with lEquipe

  • Leading digital cinematography seminar with Matt Siegel

    Leading digital cinematography seminar with Matt Siegel

  • Feeding a world hungry for instant news and entertainment

    Feeding a world hungry for instant news and entertainment

  • Cellular bonding now and going forward

    Cellular bonding now and going forward

  • Storage news: Space 4K Duo, the facility goes on location

    Storage news: Space 4K Duo, the facility goes on location

  • Sky Sports News SNG coverage

    Sky Sports News SNG coverage

  • Mobile news gathering with Will Strauss

    Mobile news gathering with Will Strauss

  • Leading-edge cellular bonding technologies smooth the way for global news teams

    Leading-edge cellular bonding technologies smooth the way for global news teams

  • Sony cameras and Canon EF Lenses being used to great effect

    Sony cameras and Canon EF Lenses being used to great effect

  • Strictly successful

    Strictly successful

  • Zoom lenses and minicams

    Zoom lenses and minicams

  • Mastering a tough business

    Mastering a tough business

  • Here is the news

    Here is the news

  • Andrew McLeans Guide to Lenses

    Andrew McLeans Guide to Lenses

  • A morning with MTF¦¦.

    A morning with MTF¦¦.

  • LIGHTS, CAMERA, PROMPTING

    LIGHTS, CAMERA, PROMPTING

  • A day in the life of a Royals videographer

    A day in the life of a Royals videographer

  • NFTS, the future of digital visionaries

    NFTS, the future of digital visionaries

  • Television camera lenses

    Television camera lenses

  • Eye to Eye: Storage and archiving

    Eye to Eye: Storage and archiving


News
Magewell Unwraps Powerful New Features and New Model in Ultra Stream Encoder Family Posted: 18/07/2019
Magewell Unwraps Powerful New Features and New Model in Ultra Stream Encoder Family

Magewell's Ultra Stream HDMI standalone streaming encoder has earned industry and customer acclaim for making live streaming remarkably easy even for non-technical users, from church volunteers and educators to corporate marketers and live event organizers. The company today announced powerful upgrades that expand the encoders' versatility into more applications, plus a new Ultra Stream model for customers with SDI-based video sources.

Tags: live | streaming | encoder | hardware | recorder | recording | encoding | broadcast | professional AV | mobile | HDMI | SDI | Magewell | IBC2019 | IBC 2019 | IBC 2019
Submitted by Write Turn Communications
More from this author
Ben Hausdorff Shoots Pentatonix and Kirstin Maldonado Music Videos with Pocket Cinema Camera 4K Posted: 18/07/2019
Ben Hausdorff Shoots Pentatonix and Kirstin Maldonado Music Videos with Pocket Cinema Camera 4K
Blackmagic Design today announced director and videographer Ben Hausdorff used the Blackmagic Pocket Cinema Camera 4K to shoot music videos for Pentatonix’s new Ariana Grande medley. Hausdorff also used the Pocket Cinema Camera 4K to shoot Kirstin Maldonado’s upcoming music video for her cover of Selena’s ‘I Could Fall in Love.’
Tags: Blackmagic Design | Blackmagic | BMD | Pocket 4K | BMPCC4K | Music Video | Filmmaking | Pentatonix | Kirstin Maldonado
Submitted by Blackmagic design
More from this author
Picture Blocks Colorspace 4K HDR Vehicle Uses DaVinci Resolve and Blackmagic Design 12G Products Posted: 18/07/2019
Picture Blocks Colorspace 4K HDR Vehicle Uses DaVinci Resolve and Blackmagic Design 12G Products
Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design products.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Mobile Studio | Editing | Grading | HDR
Submitted by Blackmagic design
More from this author
Christian Revival Church Implements AV Solution from Blackmagic Design Posted: 18/07/2019
Christian Revival Church Implements AV Solution from Blackmagic Design
Blackmagic Design today announced that the newest branch of South Africa’s Christian Revival Church (CRC) has installed a multi purpose AV solution based on the ATEM 4 M/E Broadcast Studio 4K and ATEM 1 M/E Advanced Panel.
Tags: Blackmagic Design | Blackmagic | BMD | Live Production | AV | House of Worship | Church | URSA Broadcast | ATEM
Submitted by Blackmagic design
More from this author
Hyper RPG Powers Its YouTube and Twitch Live Streaming Workflows with Blackmagic Design Posted: 18/07/2019
Hyper RPG Powers Its YouTube and Twitch Live Streaming Workflows with Blackmagic Design
Blackmagic Design today announced that Hyper Rabbit Power Go (Hyper RPG), an online gathering place centered around video and tabletop gaming, comic books, movies and more, has incorporated a Pocket Cinema Camera 4K, ATEM Television Studio Pro 4K and ATEM Television Studio HD live production switchers and more to shoot and live stream around thirty hours of programming per week on its YouTube and Twitch channels.
Tags: Blackmagic Design | Blackmagic | BMD | YouTube | Twitch | Live Streaming | Hyper RPG | ATEM | BMPCC4K | Studio Cameras
Submitted by Blackmagic design
More from this author
Broadways Network Used Blackmagic Micro Studio Camera 4Ks and ATEM Switchers Posted: 18/07/2019
Broadways Network Used Blackmagic Micro Studio Camera 4Ks and ATEM Switchers
Blackmagic Design today announced that the hit Tony winning Broadway play “Network” used its products to help create an immersive experience for audience members, putting them right in the middle of a live news broadcast. Video Designer and Cinematographer Tal Yarden used Micro Studio Camera 4Ks, Studio Camera 4Ks, Video Assist 4K monitor/recorders, ATEM 2 M/E Production Studio 4K and ATEM 1 M/E Advanced Panel on and off stage to film and live switch the performance, helping to create a unique multimedia spectacle for the audience.
Tags: Blackmagic Design | Blackmagic | BMD | Micro Studio Camera | ATEM | Theatre | Broadway | Network
Submitted by Blackmagic design
More from this author
PlayBox Neo Channel-in-a-Box Goes Live at Life TV Asia Posted: 18/07/2019
PlayBox Neo Channel-in-a-Box Goes Live at Life TV Asia
Life TV Asia, based at Marikina City in the Philippines, has chosen PlayBox Neo Channel-in-a-Box as the core of its broadcast playout system. The new installation forms the core of an infrastructure upgrade designed to maximize the station's operating efficiency.
Tags: PlayBox Neo | Channel in a Box | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital med
Submitted by Stylus Media Consultants
More from this author
Apex Broadcast Relies on ATEM Constellation for 2019 Blancpain GT World Challenge America Posted: 18/07/2019
Apex Broadcast Relies on ATEM Constellation for 2019 Blancpain GT World Challenge America
Blackmagic Design today announced that Apex Broadcast has built a custom OB truck packed with the ATEM Constellation 8K switcher, ATEM 2 M/E Broadcast Panel, three ATEM Camera Control Panels, 13 URSA Broadcast cameras, Broadcast Videohub router, four HyperDeck Studio recorders and approximately 30 Mini Converter Optical Fiber 12G converters to broadcast the 2019 Blancpain GT World Challenge America. The professional auto racing series airs monthly on CBS Sports Network on Sundays from April to October 2019.
Tags: Blackmagic Design | Blackmagic | BMD | ATEM | ATEM Constellation | 8K | Motorsports | OB | GT
Submitted by Blackmagic design
More from this author
Duplitech Relies on Cintel Scanner 2 for HDR Film Scanning Posted: 18/07/2019
Duplitech Relies on Cintel Scanner 2 for HDR Film Scanning
Blackmagic Design today announced that Duplitech, one of L.A.’s most respected independent media service labs, is using a host of Blackmagic Design gear, including Cintel Scanner 2 for high dynamic range (HDR) film scanning. Duplitech found that Cintel Scanner 2 performs exceptionally well on 16mm film, having recently worked with the element while onboarding the “Blondie” television series from the 1950s.
Tags: Blackmagic Design | Blackmagic | BMD | Cintel | Film Scanning | HDR | DaVinci Resolve | Resolve
Submitted by Blackmagic design
More from this author
ATG Danmon Upgrades to New HQ Posted: 18/07/2019
ATG Danmon Upgrades to New HQ

ATG Danmon (www.atgdanmon.co.uk) announces a major upgrade of its management, operational and engineering facilities with a move to new headquarters.

Tags: ATG Danmon UK | broadcast systems integration | broadcast systems integrators | broadcast television systems | studio design | playout centre design | newsroom design | satellite system design | broadcast infrastructure | broadcast archive system design | broadcast
Submitted by Stylus Media Consultants
More from this author
Anevia Receives Futur40 Award Posted: 18/07/2019
Anevia Receives Futur40 Award
Anevia, a leading provider of OTT and IPTV software solutions, announces that it has received a Futur40 award, an annual trophy distinguishing the 40 small and medium-sized listed companies that have had the highest growth rate over the past three years.
Tags: Anevia | OTT sodftware | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time
Submitted by Stylus Media Consultants
More from this author
Ikegami to Demonstrate 4K Media-over-IP Gateway Module for UHK-430 Camera at IBC 2019 Posted: 18/07/2019
Ikegami to Demonstrate 4K Media-over-IP Gateway Module for UHK-430 Camera at IBC 2019

Ikegami (www.ikegami.com), a leader in HD and UHD cameras and production equipment for television content creators and broadcasters, will introduce to the European market at IBC 2019 a 4K Media-over-IP gateway for the UHK-430 studio camera.

Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
More from this author
Custom Consoles Announces Refinements to MediaWall, Module-R and SystemTwo Posted: 18/07/2019
Custom Consoles Announces Refinements to MediaWall, Module-R and SystemTwo
Custom Consoles (www.customconsoles.co.uk) will exhibit the latest refinements to its MediaWall studio monitor mounting frames and Module-R control room furniture on stand 8.B38 at IBC 2019 Amsterdam, September 13th-17th. Also on show will be an enhanced version of the SystemTwo motorised height-adjustable edit-suite desk with greater lifting power.
Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
More from this author
Leader Announces New Options for LV5600 and LV7600 Broadcast Test Instruments Posted: 18/07/2019
Leader Announces New Options for LV5600 and LV7600 Broadcast Test Instruments
Leader Electronics announces two new 25 GbE options for the LV5600 portable broadcast-quality waveform monitor and its LV7600 rasterising equivalent.
Tags: Leader Instruments | Asaca Shibasoku | video test equipment | audio test equipment | video waveform monitors | 3D video monitoring | surround sound audio monitors | rasterizers | loudness monitors | lipsync timing analysers | lipsync timing displays | 4K test equipm | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
More from this author
Finepoint Broadcast Adds Further 10 Sony HDC-4300 Camera Channels to Hire Stock Posted: 18/07/2019
Finepoint Broadcast Adds Further 10 Sony HDC-4300 Camera Channels to Hire Stock

Finepoint Broadcast announces an expansion of its camera hire stock with the addition of a further 10 Sony HDC-4300 channels.

Tags: Finepoint Broadcast | broadcast equipment rental | broadcast equipment hire service | broadcast camera rental | television production equipment rental | dry hire service-provider | new and used broadcast production equipment | professional audio visual sales and
Submitted by Stylus Media Consultants
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>