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Sarah Koehler Joins Clear-Com and rsquo;s Applications Engineering Team to Support Continued Growth Posted: 25/06/2021
Sarah Koehler Joins Clear-Com and rsquo;s Applications Engineering Team to Support Continued Growth

Clear-Com is pleased to announce the appointment of Sarah Koehler to the company’s renowned Applications Engineering team. Based in Southern California, Sarah brings extensive industry experience with a focus on IP-based intercom expertise from her time at Disneyland as an Audio Designer and Project Manager for new entertainment venues and parades in California, Shanghai and Tokyo. Prior to these roles, Sarah worked as Head of Audio for World of Color and Fantasmic, where she was a first-hand Clear-Com user.
Tags: Clear-Com | Sarah Koehler | Engineering | Disneyland | IP | Entertainment | Technology
Submitted by Bubble Agency
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Visual Data Media Services Taps Theo Gluck to Drive Restoration and amp; Preservation Business Posted: 01/06/2021
Visual Data Media Services Taps Theo Gluck to Drive Restoration and amp; Preservation Business

Global provider of media services, distribution, and content management Visual Data Media Services is expanding its media supply chain capabilities with the addition of former Walt Disney Studios' industry veteran Theo Gluck, as Director of Library Restoration and Preservation. Gluck will focus on growing the company’s restoration business to serve the increasing global demand for diverse media across multiple platforms.




 
Tags: Visual Data Media Services | Visual Data | Theo Gluck | Disney
Submitted by Bubble Agency
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Disney Feature Safety Uses Production Through Post DaVinci Resolve Studio Workflow Posted: 12/01/2021
Disney Feature Safety Uses Production Through Post DaVinci Resolve Studio Workflow

Disney motion picture “Safety” utilized a complete DaVinci Resolve Studio workflow from principal photography through final delivery, incorporating an innovative digital asset management (DAM) system on set built around Blackmagic Design’s switchers, recorders, routers and monitors. The film had its premiere on Disney+ this month.
Tags: Blackmagic | Blackmagic Design | BMD | Disney | Safety | DIT | Post Production | Editorial | DaVinci Resolve
Submitted by Blackmagic design
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Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King Posted: 25/09/2019
Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King
Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned nearly $1.5 billion worldwide since its July 19, 2019 opening.
Tags: Blackmagic Design | BMD | Blackmagic | The Lion King | Disney | Virtual Production | VFX | Filmmaking | DaVinci Resolve | Cameras
Submitted by Blackmagic design
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Tim Burtons Dumbo Delivered In Dolby Vision with Blackmagic Design Posted: 26/04/2019
Tim Burtons Dumbo Delivered In Dolby Vision with Blackmagic Design
Blackmagic Design has today announced that DaVinci Resolve Studio was used throughout the full color pipeline on Disney’s live action remake of Dumbo. Directed by Tim Burton with a screenplay by Ehren Kruger, the DI was delivered by Goldcrest Post’s Adam Glasman, who collaborated with Director of Photography Ben Davis, BSC.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Dumbo | Disney | Tim Burton | Ben Davis | Goldcrest | Cinema | Dolby Vision
Submitted by Blackmagic design
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More Than 25 of Summer 2018s Biggest Film Releases Used Blackmagic Design Posted: 10/07/2018
More Than 25 of Summer 2018s Biggest Film Releases Used Blackmagic Design
Blackmagic Design announced today that more than 30 of the 2018 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including its digital film cameras, DaVinci Resolve Studio editing, color correction and audio post production application and more.
Tags: Blackmagic Design | Summer | Blockbusters | Film | Filmmaking | DaVinci Resolve | Disney | Jurassic World | Deadpool | Post Production
Submitted by Blackmagic design
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Disney In Concert Sounds Awesome With DPA Microphones Posted: 11/04/2018
Disney In Concert Sounds Awesome With DPA Microphones
The superlative sound provided by DPA microphones helped thousands of people in Germany, Switzerland and Austria enjoy a night to remember when they attended Disney In Concert, a series of 15 musical events that took place in major arenas over a period of four weeks.
Tags: DPA Microphones | Disney in Concert | d:vote Instrument Microphone
Submitted by White Noise Public Relations Ltd
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The Walt Disney Company, Panasonic, Dolby Laboratories Make Cornerstone Donations to SMPTE Centennial Campaign Posted: 24/10/2014
The Walt Disney Company, Panasonic, Dolby Laboratories Make Cornerstone Donations to SMPTE Centennial Campaign

The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that The Walt Disney Company, Panasonic, and Dolby Laboratories have made contributions totaling $1 million to the SMPTE Centennial Celebration Campaign's Next Century Fund. These gifts, formally recognized today at the SMPTE 2014 Annual Technical Conference & Exhibition, are the largest financial commitments in the Society's history.
Tags: Society of Motion Picture and Television Engineers | SMPTE | SMPTE Centennial Campaign | The Walt Disney Company | Panasonic | Dolby Laboratories
Submitted by Wall Street Communications
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Company 3 and Colors Tim Burtons Frankenweenie with DaVinci Resolve Posted: 25/09/2012
Company 3 and reg; Colors Tim Burtons Frankenweenie with DaVinci Resolve

Blackmagic Design today announced that Company 3s London based office has used DaVinci Resolve for color grading Walt Disneys new 3D animated stop motion feature, Frankenweenie. 

From creative genius Tim Burton, the film tells a heartwarming tale about a boy and his dog. After unexpectedly losing his dog, Sparky, young Victor harnesses the power of science to bring his best friend back to life, albeit with a few minor adjustments. Working with cinematographer Peter Zorg it was the job of London based colorist Rob Pizzey to create a look and feel for the film that would tell this story in Tim Burtons own unique style. 
Tags: Frankenweenie | Tim Burton | Walt Disney | DaVinci Resolve | Blackmagic Design
Submitted by Blackmagic design
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Creel Really Cooks with Sachtlers Ace Posted: 29/08/2012
Creel Really Cooks with Sachtlers Ace

Whether its for the ongoing cooking series Thats Fresh or the website video for The Restaurant at Meadowood (a 3 Michelin Star restaurant in Napa), actress turned filmmaker Leanna Creel says she has used her Ace by Sachtler, part of Vitec Videocom, a Vitec Group company, non-stop since she acquired it.
Tags: Sachtler | Vitec Videocom | Vitec Group company | Ace | tripod | fluid head | tripod system | Leanna Creel | The Restaurant at Meadwood | That\'s Fresh | Disney | Canon EOS 5D Mark II | YouTube
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ABC DISNEYS DETROIT 1-8-7 KEEPS IT REAL WITH FUJINON LENSES PROVIDED BY FLETCHER CAMERA AND LENSES Posted: 16/12/2010
ABC DISNEYS DETROIT 1-8-7 KEEPS IT REAL WITH FUJINON LENSES PROVIDED BY FLETCHER CAMERA AND LENSES On ABC Disney, Detroit 1-8-7 is a scripted police drama that captures the essence of reality police shows like Cops or The First 48 with spontaneity and grit. With that visual goal in mind, Director of Photography Lisa Wiegand worked with Fletcher Camera and Lenses, a rental house in Chicago, to assemble just the right Fujinon ENG lens package. HA13X4.5BERM HD ENG wide angle lens with 2x extender, HA20x7.5BERM HD telephoto lens, and HA22x7.3BERM HD ENG/EFP lens were selected for use on Panasonic VariCam 3700 P2 HD camcorders. The HA42x9.7BERD lens is also used for the show on occasion. 
Tags: abc disney | detroit 1-8-7 | fujinon | lenses | eng | tv production
Submitted by Pipeline Communications
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UKS FIRST EVER MOBILE TV SUBSCRIPTION VIDEO-ON-DEMAND OFFERING Posted: 17/03/2010
UKS FIRST EVER MOBILE TV SUBSCRIPTION VIDEO-ON-DEMAND OFFERING On Demand Group and The Walt Disney Company UK have agreed a deal to provide subscribers on-demand access to entire episodes of hit television shows via 3 UK's first ever mobile TV subscription video-on-demand (SVOD) service. Under the terms of the deal Disney will offer hundreds of episodes to subscribers on the 3 network in the UK, including ABC Studios' award winning live action series 'Lost', 'Desperate Housewives', 'Grey's Anatomy' and more.
 
The breakthrough SVOD service called 'TV on Demand' is fully managed and powered by On Demand Group, the three-screen enabler for premier content and operations brands. The TV on Demand service fulfils the industry's anytime, anywhere personal TV vision to provide the most desired programs to any handset with complete on-demand control.
Tags: 3 | video-on-demand | disney | on demand | walt disney | svod
Submitted by
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