Dallas Cowboys Usher in 4K Era With ChyronHegos Next-Generation Arena Graphics Systems

Date: 09/04/2019
Dallas Cowboys Usher in 4K Era With ChyronHegos Next-Generation Arena Graphics Systems
The Dallas Cowboys are nearing completion of a comprehensive upgrade of the ChyronHego-based arena graphics systems at the team's home field, AT&T Stadium in Arlington, Texas. Headlining the project is Click Effects PRIME, ChyronHego's integrated graphics toolset for delivering live arena- and stadium-based AV presentations to any canvas size with any number of outputs in any resolution. Click Effects PRIME — together with the latest versions of ChyronHego's LyricX, Paint, and Virtual 1st — is ushering in a new era of 4K production on the LiveFX Endzone board at AT&T Stadium.
"AT&T Stadium is beginning its 11th season this year, and ChyronHego systems have been our mainstay since day one. Personally, I've been using Chyron products for the better part of my 40-year career, which gives me a keen perspective on how well these technologies have improved and evolved," said Dwin Towell, director of broadcast engineering for the Dallas Cowboys. "Our migration to 4K will eventually require replacement of every screen and system in this stadium, but we've never questioned whether ChyronHego was the right graphics provider in this huge undertaking. With Click Effects PRIME as the perfect example, these solutions are mature, dependable, and very well-supported. Also, since ChyronHego is an industry standard for graphics production, it's easy to find technicians who are well-versed in the systems."
The Cowboys' first LED to display 4K content, and the team's first Click Effects PRIME installation, is the large LiveFX Endzone board. Used primarily for game support graphics such as replay videos and fan entertainment during breaks, the board went live with 4K video clips and graphics driven by Click Effects PRIME for the 2018 football season.
For the 2019 season, all Dallas Cowboys cameras will record in 4K, and the team will expand Click Effects PRIME to larger numbers of displays. Eventually, Click Effects PRIME will drive 4K graphics to every display in AT&T Stadium, including the huge center-hung LED, two levels of ribbon boards, gap boards over the four entrances, and more than 3,000 smaller screens located throughout the stadium.
The new native GPU-based technologies in Click Effects PRIME give the Cowboys the power to deliver HD and UHD content to multiple screens simultaneously and synchronize multiple outputs in native resolutions. This capability makes possible "Moments of Exclusivity" or MOEs, in which the team is able to trigger multiple displays throughout the stadium network and display a single, exciting graphic on each; e.g. a large "Touchdown!" graphic when the Cowboys score or an eye-catching image of a key player at the instant he reaches a lifetime career record.
In addition to Click Effects PRIME, the Dallas Cowboys are upgrading to the latest versions of the LyricX graphics creation and playout solution, Paint telestration tool, and Virtual 1st "down and distance" football graphics tool. The Cowboys' deployment of Paint and Virtual 1st is unique, with inputs from two separate cameras delivering north and south views to the center-hung screen to give each fan the best possible viewing angle. Paint and Virtual 1st are able to calibrate both inputs quickly and automatically to show the virtual first down line and enable telestrated explanations of replays from any vantage point on the field.
"4K resolution is the wave of the future for live, arena-based productions. As they have done for so many other key technology innovations, the Dallas Cowboys are blazing a trail for 4K stadium shows," said Randy Dickerson, national director sports venues and strategic accounts at ChyronHego. "It's an honor to work with the Cowboys as they make history, once again, and keep pushing the envelope for arena-based sports and entertainment."
# # #
About ChyronHego
ChyronHego, a portfolio company of Vector Capital, is a global leader in products, services, and solutions for the broadcast and sports industries. Specializing in live television, news, and sports production, ChyronHego offers some of the industry's most widely deployed solutions — including Lyric®, the world's most popular broadcast graphics creation and playout offering; the all-new CAMIO Universe newsroom workflow; and the TRACAB™ optical sports tracking system. Headquartered in New York, ChyronHego also has offices in the Czech Republic, Denmark, Finland, Germany, Mexico, the Netherlands, Norway, Singapore, Slovak Republic, Sweden, and the United Kingdom.
For more information on ChyronHego, visit www.chyronhego.com.


Tags: Dallas Cowboys | 4K | ChyronHego | Next-Generation | Arena Graphics Systems | Click Effects | PRIME | 4K-Ready | Migration | Next-Generation | AV Production | AT&T Stadium | NAB 2019 | NAB 2019
Submitted by Wall Street Communications
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Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of operating the software.

Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

Tags: Colorfront | Express Dailies | HDR | UHD | HFR | 6K | dailies | Mac Pro | Pro Display XDR
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Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone Posted: 11/12/2019
Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone

Blackmagic Design today announced that Grid VFX relied on Fusion Studio throughout its in house compositing pipeline to deliver newly released children’s animated feature, Latte & The Magic Waterstone.

Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

“Latte was a huge project for us. It’s a feature animation with a limited budget, so we knew we had to work as efficiently as possible,” begins compositing supervisor at Grid, Laurens Bekaert.

“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

Tags: Blackmagic | Blackmagic Design | BMD | Fusion | Fusion Studio | VFX | Compositing | Post Production | Filmmaking | Animation
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Polar Graphics takes a stand at ISE 2020 Posted: 11/12/2019
Polar Graphics takes a stand at ISE 2020

Polar Graphics, a UK leading distributor for the broadcast, post and pro-AV industries, has taken a stand with one of its longest serving partners Bluefish444 for ISE, taking place at the Amsterdam RAI from 11-14 February 2020.

Bluefish444 is a manufacturer of the professional video industry’s highest-quality uncompressed 4K SDI, ASI, Video Over IP & HDMI I/O cards. Bluefish444 also offers IngeSTore Server, a recording appliance supporting SDI, HDMI, NDI, RTP/RTSP and SMPTE IP capture, suitable for any live production workflow in the AV market.

Polar Graphics Managing Director Peter Rowsell said, “Although I have been personally visiting ISE for a dozen years, 2020 will mark our first participation as a co-exhibitor. It will be an excellent opportunity to further expand our business and that of our valued partners.

“We represent a range of products that are ideal for the AV market, and as the world’s largest pro-AV show, ISE is the ideal venue to discuss our entire product range while featuring one of our most relevant product partners.”

Alongside a focus on Bluefish444, Polar Graphics representatives will be on hand for discussions on other brands represented: Apantac, Cinedeck; Imagine Products; MagStor; Mediaproxy; Stardom; StorageDNA; and Studio Network Solutions (SNS).

Tags: Polar Graphics | ISE 2020 | AV | AV Tradeshow | Pro- AV | AV Distributor | Bluefish444 | IngeSTore Server | KRONOS K8
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Broadcast Solutions looks back on successful Broadcast Innovation Day 2019 in Bingen, Germany Posted: 11/12/2019
Broadcast Solutions looks back on successful Broadcast Innovation Day 2019 in Bingen, Germany

Broadcast Solutions GmbH draws a very positive balance of their Broadcast Innovation Day 2019. On 28 November 2019, the system integrator invited the broadcast community to this one-day event at their headquarters in Bingen, Germany. With around 350 participants from 30 countries, more visitors than ever before came to Bingen and turned the event into an international industry meeting.

Stefan Breder, CEO at Broadcast Solutions GmbH, comments on the event: “We invented the Broadcast Innovation Days as a series of events years ago, and they have increasingly developed into a meeting place for the international broadcast industry. This year’s edition has been the highlight so far. As an international company, it is extremely important for us to show our innovation leadership and attract international visitors to Bingen. The compact size and the direct contact to and between the visitors make up the charm of the Broadcast Innovation Day.

Tags: Broadcast Innovation Day | Panel | event
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Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses Posted: 11/12/2019
Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses

As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

Tags: Finepoint Broadcast | Investment | Canon | Canon UHD Lenses | Dry Hire | Canon Lens Hire | Canon CJ24 | Canon CJ45 | Canon UJ90
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Autodesk Packs Artist-Driven Features into Maya 2020 Release Posted: 10/12/2019
Autodesk Packs Artist-Driven Features into Maya 2020 Release

Today, Autodesk announced the release of Autodesk Maya 2020, bringing animators, modelers, riggers, and technical artists a host of new tools and improvements that enable faster, more intuitive CG content creation from first concept to final delivery.

Building on powerful animation features introduced in Maya 2019, Maya 2020 adds more than 60 new updates animators will notice in their day-to-day work. The release also includes Arnold 6, which can now be used for production rendering on both the CPU and GPU, as well as significant performance enhancements and new simulation features to Bifrost, the visual programming environment in Maya.

Tags: Autodesk | Autodesk Maya | Autodesk Maya 2020 | Autodesk Arnold
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Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU Posted: 10/12/2019
Autodesk Arnold 6 Offers Production Rendering on Both CPU and GPU

Autodesk today announced the release of Arnold 6 with Arnold GPU. From look development to final frame rendering, Arnold 6 with Arnold GPU simplifies how artists and studios create and iterate content, giving them the speed and flexibility to adapt to a fast-paced working environment and scale rendering capacity to accommodate the ebbs and flows of production. Arnold’s intuitive interface makes it easy to toggle between CPU and GPU rendering, maintaining the same settings with a single click. Arnold GPU is based on NVIDIA’s OptiX framework and optimized to take advantage of NVIDIA RTX technology.

“Rendering workloads continue to grow as content providers strive to meet rising audience expectations for content quality. Speed and interactivity have become more crucial than ever to the creative process. Arnold 6 delivers performance gains that will help lighten the load with the same high-quality render results that the CPU renderer is known for,” said Chris Vienneau, senior director, Media & Entertainment Products, Autodesk. “We’ve worked closely with NVIDIA to optimize Arnold GPU to run on the latest RTX GPUs and RTX Server, and we’re excited to get this latest update into the hands of new and existing Arnold customers.”

 

Tags: Autodesk | Arnold | Arnold 6 | Arnold GPU
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Frame.io Makes its Debut on the iPad Posted: 10/12/2019
Frame.io Makes its Debut on the iPad

Frame.io, the world's leading video review and collaboration platform, announced today the arrival of Frame.io for iPad. Frame.io for iPad follows the success of the company’s 2016 Apple Design Award-winning iOS app, and, like its smaller sibling, allows users to stay up to date with what’s happening on set or in the edit suite while on the move. Frame.io for iPad is another step toward realizing a fully, globally distributed video workflow, giving creators and collaborators the ability to review or approve work in progress from anywhere in the world. Apple’s high quality iPad screen lets users view true-to-life color, while making the mobile experience more flexible and delightful. There are times when watching dailies, evaluating VFX shots, or getting a better sense of composition and color benefits from a larger display than a smartphone can offer - that’s where Frame.io for iPad comes into play.

Tags: frameio | debut | ipad
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Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and Cultural Studies Posted: 10/12/2019
Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and amp; Cultural Studies

 

Custom Consoles announces the completion of Module-R studio control desks and two MediaWall monitor display mounts for Cardiff University's School of Journalism, Media & Cultural Studios. The desks and display mounts form part of a full broadcast-quality news studio facility designed by UK-based system integrator ATG Danmon.

"We were invited to propose a turnkey solution based on an outline specification provided by the university," explains ATG Danmon Managing Director Russell Peirson-Hagger. "The project coincided with a relocation to new city-centre premises. It comprised a large TV studio and dedicated gallery, a smaller TV studio with its associated gallery, plus a broadcast newsroom. These will be used to train the next generation of television, radio, online and printed-media journalists. Module-R desks and MediaWalls are used in many broadcast facilities in the UK, Europe, MENA and Asia, so were a logical choice given the need to match the functionality and processes of a real broadcast environment. They are robustly constructed, ergonomically efficient for engineering staff and well as operators, and attractively styled. Both product series also gave us the freedom to match the available room dimensions from standard modular elements."

 

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
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ADTH Announces Support for SRT Open Source Project Posted: 10/12/2019
ADTH Announces Support for SRT Open Source Project

 

 

Atlanta DTH, Inc. (ADTH) announces that it has joined the SRT Alliance, a broadcast media industry collaboration created to develop an open-source protocol allowing low-latency video streaming over the internet. ADTH will provide full support for the SRT (Secure Reliable Transport) protocol.

Developed and pioneered by Haivision, the SRT protocol optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal. It accounts for packet loss, jitter, and fluctuating bandwidth, maintaining the integrity and quality of a video stream.

"With its 25 years of experience in the broadcast and telecommunication sectors, ADTH is a very welcome addition to our membership," comments Haivision CCO & EVP Strategic Alliances Peter Maag. "With increasing support from across the entire industry, SRT is rapidly becoming the globally preferred standard for low-latency video streaming."

"Efficient and effective standards are essential to the advancement of any industry, not least in the OTT streaming sector where signal delivery needs to overcome many technical variables," adds ADTH founder and Managing Director Michael Day. "The SRT Alliance's aims and objectives are in full accord with our own strategy of promoting the highest possible video quality-of-experience securely, efficiently and at the lowest possible latency. We are SRT-ready."

 

 

 

 

Tags: Atlanta DTH | Inc. | ADTH | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniatur
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Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility Posted: 10/12/2019
Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility

Altered Images, a leading UK supplier of visual communications technology solutions, has chosen Custom Consoles Module-R, M-Desk Technical and custom-designed studio furniture for a newly completed broadcast media training suite at Plymouth Marjon University.

The new resource includes a total of seven desks in an open plan configuration. Located on the former BBC South West villa site in Plymouth, it is equipped with all the facilities required for the university's courses in journalism and broadcast production. These include a four-camera TV studio, a TV news room and TV production gallery, a radio news room, radio studio and central apparatus room.

"The design brief we were given was to create a fully professional radio and TV production environment including latest-generation Dante IP networking", says Altered Images' Media and Broadcast Solutions Director Russell Butcher. "Custom Consoles desks are very widely used throughout the broadcast media industry so will be met by many students as they progress into their careers. The desks and equipment bays look good, are ergonomically comfortable and efficient, and are very long-lasting."

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
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ATG Danmon Completes New HD UHD Production System for That Lot Posted: 10/12/2019
ATG Danmon Completes New HD UHD Production System for That Lot

ATG Danmon announces the completion of a broadcast-quality production facility for the London headquarters of That Lot, one of Europe's leading providers of social media content production support. Core of this project is a multi-camera studio plus a fully equipped control room including lighting, vision and audio mixing, routing, recording, monitoring and archiving.

"Working with ATG Danmon, we have been able to create the most flexible possible system for use across our wide range of creative services," comments Ben Forder, Head of Video at That Lot. "The new studio and its control suite enable us to offer our clients versatile resources for creating broadcast-quality content for a wide range of media applications."

"A full-colour back-lit LED cyclorama, which we believe is the first of its kind in Europe, provides sharp chroma-key superimposition onto on any background. Lighting is from a ceiling-mounted rig which can be adjusted to get the exact style of illumination we need for live-streaming or recording sketches, scripted videos, interviews, podcasts, vodcasts and social media photoshoots. That includes 360 degree surround video and audio capture if specified."

 

 

 

Tags: ATG Danmon UK | broadcast systems integration | broadcast systems integrators | broadcast television systems | studio design | playout centre design | newsroom design | satellite system design | broadcast infrastructure | broadcast archive system design | broadcast
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Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform Posted: 10/12/2019
Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform

 

Argentine telecommunications facilities provider Servicios y Telecomunicaciones SA (SYT) has chosen a complete mediaClass OTT TV Everywhere solution as the core of a newly launched Rocstar TV Everywhere platform. The system is designed to allow carriers, cable operators and ISPs to offer own-brand TV Everywhere OTT products based on a strong channel line-up and premium content. All functions are provided through an operator-class version of mediaClass software, customised and integrated into servers at SYT's headquarters in Buenos Aires.

"We signed the agreement with SYT at the April 2019 NAB Show and have been very busy adding specific features for Rocstar TV local markets," says mediaClass EVP Manelli Hosseini. "This new service will allow easy white-labeling for carriers, ISPs and cable operators to offer full TV Everywhere OTT and IPTV with their own brand and their own app. The system includes all the advanced TV Everywhere features – content source processing and storage, digital rights management, subscriber management, viewer analytics and an AI-based recommendation engine. We have also built in true multi-tenancy which is often claimed but not delivered. The resultant service is very easy to use, includes automatic configuration, and is highly cost efficient."

 

 

 

Tags: mediaClass | multiscreen platform | end-to-end hybrid OTT and IPTV | IPTV Management | OSS/BSS Integration | EPG | Reverse EPG | Multi-DRM | AI Recommendation Engine | Content Management System | CMS | Catchup Management | Set-top box APIs | IoS Apps | Android Apps | Ad
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Anevia Drives Expansion of Argentinian OTT TV Service Posted: 10/12/2019
Anevia Drives Expansion of Argentinian OTT TV Service

 

 

Anevia, a leading provider of OTT and IPTV software solutions, for the expansion of its multiscreen TV service.

The expansion was driven by the exponential growth of the market locally, as well as geographical inroads of the multiscreen TV service into other South American countries. To scale up, the telecommunication service provider chose the Anevia Embedded Distributed Storage (EDS) technology, where the same servers are used for both computing and storage. This enables costs to be kept under control by halving the number of physical rack units needed.

The operator has also continued expanding its CDN infrastructure using Anevia’s NEA-CDN® solution which enables it to ensure high quality during football matches and other peak traffic events as well as supporting the cutting-edge features required for interactive OTT television.

"We are thrilled that Anevia’s technology has once again been trusted to deliver premium services for OTT television, after four years of spectacular success with this OTT offering in Argentina," says Anevia CEO Laurent Lafarge. "Our EDS technology is widely recognised to be much more reliable and scalable than a traditional NAS architecture. It enables TV operators to thrive as they scale up."

 

 

 

 

Tags: Anevia | OTT software | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time-
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PlayBox Neo Reports Buoyant 2019 with Sustained Demand for Channel-in-a-Box TV Branding and Playout Posted: 10/12/2019
PlayBox Neo Reports Buoyant 2019 with Sustained Demand for Channel-in-a-Box TV Branding and Playout

PlayBox Neo Ltd reports a buoyant 2019 with strong demand for its Channel-in-a-Box and software-based TV channel branding and playout systems. Total unit deliveries reached and surpassed 18,500, supported by product demonstrations at NAB Las Vegas, Broadcast Asia, IBC, NAB New York and regional events in various countries.

"Our Channel-in-Box series, refined over 20 years, continues to sustain us as one of the strongest performing companies in the global playout solutions market," says PlayBox Neo CEO Pavlin Rahnev. "Success in the media playout sector stems from paying close attention to the industry's needs. The primary demand in the playout sector is for operational flexibility. PlayBox Neo Channel-in-a-Box can be configured from a wide range of software modules to match practically any workflow and any required level of backup security. With our SaaS-based Cloud2TV offering, we also offer great flexibility in the way channel managers can handle supplementary aspects such as intelligent archiving, event-specific channels and emergency recovery.

 

Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
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