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Dejero and First Mile ease creative collaboration process for film, TV and commercial production during COVID-19 and beyond Posted: 08/07/2020
Dejero and First Mile ease creative collaboration process for film, TV and commercial production during COVID-19 and beyond

Dejero has made it possible for business to business integrated connectivity expert First Mile Technologies to address the urgent connectivity, security and team synchronization challenges that emerged on-set and in post-production during the recent COVID-19 pandemic, when teams couldn’t meet to collaborate due to social distancing and travel limitations.

Tags: Dejero | First Mile Technologies | Send a Virtual Solo | EnGo | GateWay | CuePoint | CellSat | Desjardins | Brandon Cooper | Radke Films | Manny Rego | KAOS Video | Smart Blending Technology | VideoNerve Studio | Publicis Canada | Mercedes | Bogdan Frusina | MKM Marcomms
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Dejero LivePlus Mobile App Revolutionizes San Diego KFMB-TV Emergency Reporting Posted: 30/06/2020
Dejero LivePlus Mobile App Revolutionizes San Diego and rsquo;s KFMB-TV Emergency Reporting

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has provided San Diego TV station KFMB-TV, also known as CBS 8, with over 60 Dejero LivePlus mobile apps to support the broadcaster’s emergency news coverage strategy. The LivePlus app, which is downloadable to smartphones and tablets, has allowed KFMB-TV to deliver incredible live footage from the recent Black Lives Matter rallies, inside of San Diego’s recent wildfires, and to respond with agility to the broadcasting challenges of the ongoing COVID-19 pandemic.

Tags: Dejero | LivePlus | mobile app | San Diego | KFMB-TV | emergency reporting | breaking news | CBS 8 | EnGo | Kenny McGregor | Smart Blending Technology | multiple viewpoints | wild fires | Black Lives Matter | COVID-19 | MKM Marketing Communications | MKM Marcomms
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Dejero to Support Juneteenth Petition March Coverage Posted: 19/06/2020
Dejero to Support Juneteenth Petition March Coverage

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, is providing a range of its Smart Blending Technology solutions to production company, Artistic Visual Studios (AVS) for its live production of Opal’s Walk; a petition march from Fort Worth, Texas to Washington D.C, led by 93 year old Opal Lee. Ms. Opal aims to gather one million signatures on her way to Congress today in order to make ‘Juneteenth’ (June 19th) a national holiday to commemorate the abolition of slavery in the United States.

Tags: Dejero | Juneteenth Petition March | Smart Blending Technology | Artistic Visual Studios | Opal\'s Walk to DC | AVS | Opal Lee | cloud-managed solutions | GateWay | WayPoint | CuePoint | EnGo | LivePlus | Doug Johnston | Russell Lopez | Bogdan Frusina | MKM Marcomms
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Dejero Launches Compact WayPoint 50 and CuePoint 50 for Agile Remote Production and Business Continuity Posted: 09/06/2020
Dejero Launches Compact WayPoint 50 and CuePoint 50 for Agile Remote Production and Business Continuity

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has introduced new short-depth versions of its 1U rack-mounted WayPoint receiver and CuePoint return video and teleprompter server to its portfolio. The smaller chassis of WayPoint 50 and CuePoint 50 make them the perfect fit for remote production vehicles where space is at a premium, and for portable flyaway kits that simplify transport and enable rapid response in case of a disaster recovery scenario or for contingency preparedness as part of a broader business continuity plan.

Tags: Dejero | WayPoint 50 | CuePoint 50 | agile | remote production | business continuity | video and teleprompter server | portable flyaway kit | compact receiver | Yvonne Monterroso | WayPoint | CuePoint | GateWay | PathWay | disaster recovery | MKM Marcomms
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Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil Posted: 20/05/2020
Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has joined a consortium of technology providers delivering a range of broadcast technology to media partners and Dejero customers, to facilitate the coverage of NASA and SpaceX’s historic May 27th launch of the first US astronauts from the United States since 2011.

Dejero’s technology will enable the worldwide distribution of feeds from multiple pool cameras positioned to cover the launch to the International Space Station. The request to support the broadcast came from a group of news organizations looking for a solution to provide dynamic launch coverage while following social distance guidelines at the NASA press site.

 

Tags: Dejero | space | human space flight | NASA | SpaceX | Kennedy Space Center | cloud-managed solutions | International Space Station | PathWay | MultiPoint | WJXT | WayPoint | Ali Hassan | WJXT/WCWJ | Robert Behnken | Douglas Hurley | astronauts | Elon Musk | MKM Marcomms
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Dejero Supports COVID-19 Business Continuity Strategy at The Jewellery Channel Posted: 14/05/2020
Dejero Supports COVID-19 Business Continuity Strategy at The Jewellery Channel

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has provided British teleshopping channel The Jewellery Channel (TJC) with EnGo mobile transmitters, a WayPoint receiver, a CuePoint return feed server and complimentary LivePlus mobile apps, that have formed a key part of the broadcaster's business continuity plan during the COVID-19 pandemic. TJC has also been using this Dejero equipment to lead a significant change in how live teleshopping is produced and broadcast.

"While we intend to continue broadcasting from our main studio in Surrey house, London, for as long as possible, we are all dependent on government policy during this extraordinary time and TJC wanted to be ready to broadcast from home if this was required," said Martin Willingham, technical director at TJC. "Dejero's technology has been a great comfort blanket for us in that scenario. As one of the main TV shopping channels in the UK, we broadcast 24/7, 365 days a year and our reputation depends on us not having technical problems. The reliability and sturdiness of the Dejero workflow has really impressed us."

Tags: Dejero | The Jewellery Channel | COVID-19 | business continuity | Smart Blending Technology | flexible remote broadcasting | EnGo | TJC | WayPoint | CuePoint | LivePlus | teleshopping | Martin Willingham | MKM Marcomms | MKM Marketing Communications
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Texas A and M Goes IP with Imagine Communications for Integrated Sports Production Posted: 28/04/2020
Texas A and amp;M Goes IP with Imagine Communications for Integrated Sports Production

12th Man Productions, the sports broadcast and post facility for Texas A&M University, has moved to IP connectivity to provide a common production platform for all its sports venues. A cornerstone of the new installation is the Selenio™ Network Processor (SNP) from Imagine Communications.

The A&M campus in College Station, Texas, incorporates seven sports venues, spread across the site, which host as many as 110 events a year. As well as offering broadcast outputs from any event at any location, 12th Man Productions also provides in-stadium big screen entertainment and information. The football stadium, Kyle Field, was rebuilt in 2014, and as part of that project, a central studio was planned.

Today, fiber circuits connect every field back to the Kyle Field stadium, allowing resources to be allocated to any venue dynamically. Four control rooms allow two venues to broadcast live, while also producing big screen shows at two more venues. This calls for a large number of feeds in each direction, supporting monitors, multiple digital signage networks and big screen replays, as well as feeds for home and visiting teams. There is also a need to provide for official replay facilities in many sports. All signals are handled as uncompressed HD, minimizing latency by eliminating the delays of compression math, and allowing for live remote production even when venues are 10 kilometers from the control room.

Tags: Imagine Communications | Texas A&M | SMPTE ST 2110 | 12th Man Productions | IP connectivity | SNP | Selenio Network Processor | live remote production | Zack Bacon | Cassidy Phillips | MKM Marketing Communications | MKM Marcomms
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Pixotope powers stunning visuals and engaging information in WePlay Esports championship streaming Posted: 09/04/2020
Pixotope powers stunning visuals and engaging information in WePlay  Esports championship streaming

The Future Group, developer of live photo-realistic virtual production system Pixotope™, today announced that it provided the mixed reality platform for WePlay! Esports’ ‘Dota 2 Tug of War: Mad Moon’ tournament, which took place in Kiev, Ukraine, from 19-23 February. WePlay! Esports, which organises tournaments as well as providing online coverage, has the vision to blend competitive esports with entertainment in all-embracing coverage – “esportainment” is the word coined by Oleg Krot, CEO at WePlay! Esports.

To bring the audience into the esports action, WePlay! Esports decided to use augmented reality. “For us, augmented reality is a powerful tool to enhance the tournament theme, and add creativity and consistency to the broadcast,” said Aleksii Gutiantov, Head of AR Dept at WePlay! Esports. He turned to the proven Pixotope solution from The Future Group: “the best product on the market in my experience,” Gutiantov added.

Pixotope takes the remarkable rendering power of the Unreal Engine from Epic Games, and builds it into a complete virtual production hub. While offering a user interface simple enough for the pressures of live production, it provides along with the ability to make last minute changes while in live mode, all the power of an augmented reality system including camera tracking, motion capture and data-driven graphics.

 

Tags: The Future Group | Pixotope | WePlay! | Esports | championship | photo-realistic | virtual production | mixed reality | esportainment | Oleg Krot | Aleksii Gutiantov | Unreal Engine | Epic Games | Maksym Bilonogov | The Mad Moon | Marcus Blom Brodersen | MKM Marcomms
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Dejero Helps Broadcasters and Public Safety Bodies Respond to COVID-19 Pandemic Challenges Posted: 08/04/2020
Dejero Helps Broadcasters and Public Safety Bodies Respond to COVID-19 Pandemic Challenges

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, is providing various support options to broadcasters and to public safety bodies who need to create and deliver reliable, high-quality live content or communications during the current COVID-19 pandemic.

"This unprecedented situation has presented major challenges for both broadcasters striving to continue its live news reporting while staff adhere to government requirements, and for emergency teams striving to mobilize and respond quickly in times of great network stress,” said Bogdan Frusina, founder of Dejero.

"We commend the critical services that broadcasters and public safety organizations are providing to the public during the coronavirus (COVID-19) pandemic, and as circumstances are constantly changing, we are doing everything we can to ensure that video and general-purpose connectivity needs are met, and we continue to provide the high-level of technical support that our customers expect, even with our transition to remote work for the vast majority of our employees.”

Tags: Dejero | public safety | broadcasters | pandemic | Covid-19 | LivePlus | mobile app | rapid deployment | emergency comms | live news reporting | Bogdan Frusina | Smart Blending Technology | business continuity | reliable connectivity | critical services | MKM Marcomms
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Pixotope supercharges the Super Bowl with ambitious live mixed reality production Posted: 06/03/2020
Pixotope supercharges the Super Bowl with ambitious live mixed reality production

The Future Group, provider of live photo-realistic virtual production system, Pixotope™, has revealed its key involvement in the stunning production and delivery of the NFL’s ground-breaking Super Bowl LIV, mixed reality pre-game presentation. The complex, seven-minute production combined live action from multiple moving cameras with augmented virtual stages and graphics. The 2020 Super Bowl was watched by an estimated domestic audience of 100 million people, plus international viewers.

The Future Group provided six installations of its virtual production platform, Pixotope, along with essential technical expertise to liaise with all other aspects of the multi-faceted production.

As an opener to the Super Bowl LIV, NFL planned to reveal its “100 All Time Team”. They approached fan experience company– coincidently named, The Famous Group – to design and choreograph the pre-show content. The brief was to celebrate the history of the sport and the contribution of those 100 players and 10 coaches, using graphics, historical film and live shots of attendees. The Famous Group looked to achieve this through extensive use of mixed reality virtual elements, and selected Pixotope, with expertise from The Future Group, as their technological solution.

The complexities of such a project cannot be overstated. Multiple virtual assets such as stages and screens needed to be designed to exactly match the stadium environment to which they would be augmented. Cameras needed to be tracked in real time and have their lenses aligned so that the virtual elements would be generated at precisely the right angle to accurately match real-world positions. Lighting needed to be measured so that it could be simulated in the virtual world to ensure correct shadows and highlights.

In-stadium screens, which would show the augmented content to the crowd, had to be accurately marked out in the virtual scene so that they could be blocked out to avoid visual “feedback”. All this had to take place under precise time control to synchronise with the voice-over and contributing performers in the stadium.

Pixotope product specialist, David Stroud, was part of a team of experienced mixed reality technicians, helping to specify and install the required technology, and bring together all the constituent departments. The Future Group team were involved from the outset, initially collaborating using a shared virtual project to provide technical assistance for The Famous Group creatives. Then later, the team positioned themselves at the Hard Rock Stadium, Miami FL, where the main event would take place 11 days later.

David Stroud recalled, “Although the virtual scene had been set up “offline” from scans and measurements from the stadium, there are inevitably adjustments that can only be done on site. We used our Pixotope virtual production platform to receive images and tracking data from each of the cameras, one of which was a Skycam “wire-camera”, and augment onto those the virtual elements designed by The Famous Group. This allowed everyone to see the results in real time, making adjustments and improvements as we rehearsed the show in the days leading up to the Super Bowl.”

Stroud continued, “We helped the camera operators visualise how the preshow would come together, as understandably, they were more used to following the unscripted action of a football game than reacting to very specific time cues. Pixotope has the capability to continuously output the final result, even while editing the graphics – a great tool for directors following rapid changes and updates because it’s always live.

“We also worked closely with camera tracking specialists SMT, and in fact, we were able to improve our data exchanges to further perfect the virtual camera motion. And we worked with both the broadcaster (Fox) and the companies providing in-stadium displays to ensure the very highest visual quality possible.”

Andrew Isaacson, Executive VP Business Development for creative agency The Famous Group affirms, “Needless to say, the best creative ideas rely on solid technological platforms and expertise to deliver them. This could not be truer for a live event on the scale of The Super Bowl. We needed to know, without any shadow of a doubt, that what we planned would be delivered faultlessly, accurately and to the highest quality. This is why we chose Pixotope as our platform for delivering cutting edge mixed reality for the Super Bowl.

“Having used Pixotope on previous productions, we know that the system, and expertise from The Future Group, allow our creative ideas to be unleashed to the great benefit of our clients like the NFL. We look forward to working on many more productions with Pixotope.”

All hardware was provided by Quince Imaging and camera tracking was completed by SMT. The final mixed reality sequence can be viewed online, here: https://www.youtube.com/watch?v=FqXBKweKQ9U

Tags: The Future Group | Pixotope | Super Bowl | mixed reality | live production | Super Bowl LIV | photo-realistic | virtual production | NFL | The Famous Group | David Stroud | real time | SMT | Fox | Andrew Isaacson | cutting edge | MKM Marcomms | MKM Marketing Communications
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Dejero to Showcase Latest Field Contribution, Content Distribution, and Connectivity Solutions at NAB 2020 Posted: 18/02/2020
Dejero to Showcase Latest Field Contribution, Content Distribution, and Connectivity Solutions at NAB 2020

Dejero, an innovator in cloud-managed solutions that provides Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, is returning to NAB with an exciting display of technologies that include enhancements to its renowned contribution, distribution, and connectivity solutions.

Shining a spotlight on the capabilities of their latest EnGo mobile transmitter, WayPoint receiver’s support of SMPTE ST 2110, the importance of first- and last-mile connectivity, and cloud-based content distribution, Dejero’s NAB booth is guaranteed to appeal to a wide spectrum of broadcasters and media organizations.

 

Second Emmy Award Win

In January 2020, it was announced that Dejero had been awarded a second prestigious Technology and Engineering Emmy® Award and will be honored as recipients at a ceremony taking place at the Wynn Hotel in Las Vegas on Sunday, April 19th, during NAB 2020. The award, in the category of Video over Bonded Cellular Internet (VoCIP) technology, recognizes Dejero’s innovation in the industry, and is attributed to the development of its patented Smart Blending Technology and unique Hybrid Encoding Technology. The technologies work in concert to form a tightly integrated system that responds in real-time to changes in network quality and video content complexity. This has helped transform how broadcasters contribute live content from the field using cellular networks, providing newsgathering crews with greater flexibility in terms of the location from where they can transmit a live shot, at a fraction of the cost of conventional uplink technology.

Last year, Dejero was awarded its first Technology and Engineering Emmy® Award for 'excellence in engineering creativity', honoring a decade of achievements in the field of live transmission driven by its vision of reliable connectivity anywhere.

 

New EnGo 260 mobile transmitter makes NAB debut

The latest version of Dejero's renowned EnGo mobile transmitter will be on display at NAB for the first time. Featuring Dejero's Emmy® Award-winning Smart Blending and Hybrid Encoding technologies, the 5G-ready EnGo 260 weighs 30% less than its predecessor, features a screen that is 85% larger, and now includes a 3-hour internal rechargeable battery and global modems for simplified international travel. Built with aircraft aluminum construction and polycarbonate ABS bumpers, the professional-grade EnGo is designed for durability to withstand on-the-go daily use by news, sports, and live production crews.

 

Compact CuePoint low-latency return video

At NAB, Dejero will be unveiling a new, smaller form-factor CuePoint server for use in field environments where it can be easily racked into mobile carts or vehicles. This follows the launch of the 1RU CuePoint 100 at last year's NAB. The low-latency return feed servers simplify talent cueing, production and confidence monitoring, and real-time teleprompting in the field. With as little as 250 milliseconds of latency, CuePoint servers keep teams at the broadcast facility and remote location synchronized, by sending video and audio, alongside teleprompting feeds, to production teams in the field to facilitate the creation of compelling live content. Up to eight return video and teleprompting feeds from the broadcast facility can be seen in the field by the talent on a tablet or dedicated monitor above or below the camera, or on multiple mobile devices by camera operators, field directors, and technicians.

 

WayPoint support for SMPTE ST 2110

The Dejero WayPoint 204 receiver makes the IP transition easier for broadcasters embracing the SMPTE ST 2110 suite of standards. As the first Dejero product to support SMPTE ST 2110 standards for professional media industries, WayPoint 204 reconstructs video transported over multiple IP connections from Dejero transmitters, decodes HEVC or AVC, delivers four channels of balanced IFB, and provides four outputs supporting SMPTE ST 2110. For broadcasters using SDI workflows, Dejero will be debuting a new, smaller form-factor of the WayPoint at NAB for use in field environments, where it can be easily racked in mobile carts or vehicles.

 

New GateWay 200 series for reliable general-purpose connectivity in the field

A new fanless networking appliance for nomadic and mobile connectivity, Dejero GateWay 200 provides fast, reliable, and secure access to the public Internet, private networks, and SaaS providers while in nomadic or mobile situations. Recently added features include increased reliability on any type of IP connection and faster file transfer methods. Dejero will also show how the GateWay can be used for backup connectivity as part of a disaster recovery plan, and other use cases that solve first- and last-mile connectivity challenges of broadcasters and media organizations.

 

IronRoute for Media - cloud-based content distribution

The IronRoute for Media solution is tailored to the needs of broadcasters and media organizations by combining the link diversity, service quality, and centralized management benefits of software-defined blended connectivity, with the flexibility and scalability benefits of a cloud-based workflow for cost-effective global distribution over IP networks. IronRoute blends broadband and cellular (3G/4G/5G) alongside satellite connectivity from Intelsat’s global network. The cloud-based solution also simplifies the simultaneous distribution of live and file-based content to multiple locations anywhere in the world, whether it be network affiliates, station groups, or to other broadcasters and media organizations in point-to-point, point-to-multipoint, and multipoint-to-multipoint scenarios.

To see these new developments and find out about more exciting announcements that will be made at the show, visit Dejero at booth C1307.

www.dejero.com

Tags: Dejero | field contribution | content distribution | connectivity | NAB 2020 | Las Vegas | Emmy Award winner | EnGo 260 | CuePoint | WayPoint | SMPTE ST 2110 | GateWay 200 | IronRoute | Smart Blending Technology | Video Over Bonded Cellular Internet | MKM Marcomms | NAB 2020 | NAB 2020
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FilmLight teams up with ARRI in Paris creative community Posted: 24/01/2020
FilmLight teams up with ARRI in Paris creative community

Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that it has now established a permanent presence in Paris. By sharing premises with ARRI France, FilmLight is developing a strong hub for creative and technical knowledge and events.

The hub will host the first of FilmLight’s Colour Day workshops in 2020, on 28 January. One of the advantages of sharing the centre with ARRI is that it underlines the seamless workflows from camera to finish, using the BLG format for render-free viewing and creativity. The BLG grading metadata is stored in the ARRIRAW and QuickTime headers, ensuring the content and its look are permanently linked.

The Paris Colour Day on 28 January, aimed at creatives and technicians in production and post production, will see FilmLight’s workflow specialists, Straub and Thomas Eberschveiler unveil new FilmLight tools. Attendees will also hear from guest colourist Stéphane Azouze about his collaboration with directors Anastasia Mikova and Yann Arthus-Bertrand on the recent award-winning documentary ‘Woman’. Finally, colour scientist Florine Bel will share her image expertise and discuss her work developing film aesthetics, colour spaces and conversions.

The shared space has already hosted successful events, including a workshop day for DITs. Led by Straub, with guest speakers from Netflix and from post house Mikros, the group discussed the latest developments in colour space management and workflows. ARRI’s presence allowed the discussion to include ARRI Looks and how they can be incorporated into FilmLight BLG post production. In the demonstration area, they featured an ARRI ALEXA camera feeding Prelight and Daylight software, allowing the delegates to experiment with look development and make comparisons between standard and high dynamic range colour spaces.

Explaining the importance of bringing together creative artists and technicians, FilmLight’s Matthieu Straub said “My background is as a digital image technician, and I know how directors and cinematographers are increasingly relying on DITs to find technical solutions to their demanding creative requirements. “Our intention is to use our demonstration and meeting space here on the Rue René Boulanger to be a place where we can encourage the sharing of knowledge and experiences, to help the French cinema industry achieve ever greater things.”

Tags: FilmLight | ARRI | Paris | Colour Day | Matthieu Straub | workshop | Thomas Eberschveiler | Stéphane Azouze | colourist | colour science | BLG format | Baselight | Prelight | Daylight | MKM Marcomms | MKM Marketing Communications
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Baselight helps to polish Uncut Gems Posted: 14/01/2020
Baselight helps to polish Uncut Gems

Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at The Mill NY by colourist and director of DI, Damien Van Der Cruyssen.

Van Der Cruyssen collaborated closely with cinematographer Darius Khondji, as well as the Safdie Brothers, all of whom he had worked with previously on the Jay-Z video for Mercy Me. “At that point I got a good understanding of their relationships and how I could fit into the equation.”

Visually, Uncut Gems has a classic New York City look, but with a modern twist. “The Diamond District hasn’t changed much over the last forty years, so it automatically had that 70’s ‘noir’ feel,” commented Van Der Cruyssen. “But we wanted to break away from the steely, gritty New York to a more real-life aesthetic – less forced and contrived.”

Around half of the movie was shot on 35mm film to give it a more natural look, which meant Van Der Cruyssen had to treat the digital footage to match. “Marrying the film footage with the digital scenes was quite challenging,” he explained. “So I asked the crew to shoot some grain elements that could be overlaid in Baselight and adjusted per scene.”

 

Tags: FilmLight | Baselight | Uncut Gems | Safdie Brothers | Adam Sandler | The Mill NY | colourist | Damien van der Cruyssen | Darius Khondji | Diamond District | New York City | BLG metadata workflow | colour grading | Netflix | MKM Marcomms | MKM Marketing Communications
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Argosy Extends Reach of Touchscreen Interfaces between Operational and Local Apparatus Rooms at UK National Broadcaster HQ in London Posted: 09/01/2020
Argosy Extends Reach of Touchscreen Interfaces between Operational and Local Apparatus Rooms at UK National Broadcaster HQ in London

Argosy, a leading international supplier of broadcast cables and infrastructure products, has announced it has supplied the UK’s public broadcaster with a number of ultra-reliable IP-based KVM extenders and data cabling as part of a building-wide hardware upgrade performed by systems integrator, VSC Design.

VSC Design was responsible for the overall systems integration, asset management, design, installation, change control, machine cloning and safety testing during the upgrade; and brought Argosy onboard to support the data cabling and KVM aspects.

The systems integrator rolled out a number of kvm-tec Smartline SVX ultra-reliable KVM extenders over IP, supplied by Argosy, at the broadcaster’s HQ in London. This technology extends the reach of touchscreen interfaces relating to the building-wide BNCS control system between operational areas and local apparatus rooms (LAR). The project also involved an upgrade to Windows 10 and a replacement of the server hardware associated with the BNCS control system.

 

www.argosycable.com

 

Tags: Argosy | touchscreen interfaces | VSC Design | KVM | London | infrastructure | data cables | kvm-tec | Smartline SVX | John Hartz | Chris Smeeton | MKM Marcomms | MKM Marketing Communications
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Gravity Media Gears Up for a Summer of Sport with New Flyaways Posted: 07/01/2020
Gravity Media Gears Up for a Summer of Sport with New Flyaways

Gravity Media, a leading provider of outside broadcast trucks and flyaway production kits, is building further systems in preparation for premier sporting events in 2020, including a major football competition in Europe. Central to the new flyaway kits is the Platinum™ IP3 router from Imagine Communications.

The key to success in building flyaways is to create a system which provides all the resilience and reliability needed for live broadcasting, but in a compact footprint. As the name suggests, these often have to travel by air freight to meet deadlines, where additional space and weight can be prohibitively expensive.

“We picked the Platinum IP3 because we know it is reliable — we know what it does,” said Peter Newton, technical and operations director at Gravity Media. “Because of the established partnership with Imagine, we knew that we would get good support if we need it, and we will get ample utilization of the equipment. It is a good solid product that does what it says it will.”

Gravity Media has used equipment from Imagine Communications for over 15 years, which has established Imagine as a trusted partner. When it came to choosing routers for the new flyaways, Gravity Media compared all the popular models on the market, but was confident in selecting the field-proven Platinum IP3. The new flyaways will use both the 15RU and 28RU routers.

The key project for which these flyaways are designed requires support in 12 locations over a four-week period in June 2020. The kits will provide live production functionality. The Platinum IP3 routers incorporate integral multiviewer technology, reducing space in the racks and simplifying setup. The order also includes a number of modules from Imagine’s Selenio 6800+™ processing range, along with Magellan™ router control panels.

“While the headlines are about the transition to IP, it is important to remember that a lot of broadcasters and production companies need to extend and enhance existing, SDI-based systems,” said Mathias Eckert, SVP & GM EMEA/APAC, Playout & Networking, at Imagine Communications. “Because of our close partnerships with major operators like Gravity Media, we clearly understand the need for high-functionality, high-reliability SDI solutions, as well as IP technology, and we are committed to supporting our customers for as long as they need SDI, as part of our ‘your path, your pace’ approach to the IP transition.”

For more information about Imagine Communications’ products and solutions, please visit https://www.imaginecommunications.com.

 

 

 

 

 

 

 

Tags: flyaway production kits | Gravity Media | Imagine Communications | live broadcasting | Mathias Eckert | Peter Newton | Platinum IP3 | portable kit | MKM Marcomms | MKM Marketing Communications
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