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FilmLight presents Colour On Stage at IBC2019 Posted: 13/08/2019
FilmLight presents Colour On Stage at IBC2019

At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to participate in live presentations and discussions with colourists and other creative professionals at the peak of their craft.

Tags: FilmLight | IBC2019 | Baselight | Colour on Stage | colourist | colour management | grading tools | colour grading | Alex Gascoigne | Technicolor | Eric Weidt | Stephen Edwards | Tom Chittenden | David Williams | CV Rao | Karine Feuillard | MKM Marketing Communications | IBC 2019 | IBC 2019
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Creating movie star looks for HBO Big Little Lies Posted: 12/08/2019
Creating movie star looks for HBO and rsquo;s Big Little Lies
The second season of HBO’s runaway hit drama Big Little Lies was completed at Technicolor in Los Angeles. Finishing artist and Vice President of business development Pankaj Bajpai, famed for grading the HBO series Sex in the City, True Detective and Nat Geo’s Genius seasons for both Einstein and Picasso, used Baselight to enhance the distinctly Californian look of the show.
Tags: FilmLight | Big Little Lies | HBO | Technicolor | Pankaj Bajpai | Baselight | Base Grade | Film Grade | Flare control | BLG for Flame | Baselight for NUKE | VFX | color grading | colour grading | MKM Marcomms | MKM Marketing Communications
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Legendary colourist Yvan Lucas reunites with Quentin Tarantino for Once Upon a Time... in Hollywood Posted: 05/08/2019
Legendary colourist Yvan Lucas reunites with Quentin Tarantino for Once Upon a Time... in Hollywood
The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson.
Tags: FilmLight | colourist | Yvan Lucas | Quentin Tarantino | Oce Upon A Time... In Hollywood | Cannes Film Festival | Robert Richardson | Baselight | colour grading | Éclair | Matt Tomlinson | Elodie Ichter | Daylight | MKM Marcomms | MKM Marketing Communications
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Youngster builds powerful workflows with BLG Posted: 18/07/2019
Youngster builds powerful workflows with BLG
One of London’s newest high-end finishing houses, Youngster, is delivering uncompromised quality thanks to FilmLight’s unique BLG workflow. Youngster is using the innovative setup to provide seamless, renderless content exchange between Flame VFX, Avid editing and the Baselight grading and finishing suite. The BLG workflow is already being used on commercials including those for Treatwell and Mulberry as well as music videos for the likes of Joji, whose Sanctuary promo received over 14 million hits on YouTube in its first few days.
Tags: FilmLight | Youngster | BLG workflow | Flame VFX | Avid | Baselight | colour grading | Treatwell | Mulberry | Joji | Sanctuary | Whitehouse Post | The Quarry | finishing services | Jim Bracher | The Mill | Wolfgang Lempp | MKM Marcomms | MKM Marketing Communications
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At NAB 2019 FilmLight adds more to modern colour finishing and delivery Posted: 28/03/2019
At NAB 2019 FilmLight adds more to modern colour finishing and delivery
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for collaborative workflows.
Tags: FilmLight | NAB | NAB2019 | colour grading | colorist | colourist | colour tools | Baselight | Andrea Chlebak | cache management | VFX | Flame | NUKE | Avid | Prelight | Daylight | MKM Marcomms | MKM Marketing Communications | NAB 2019 | NAB 2019
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FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018 Posted: 08/11/2018
FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018

FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). This marks both the five-year anniversary of the FilmLight office in Tokyo, and provides the opportunity to showcase the latest version of FilmLight’s colour grading and management platform, Baselight v5, for the Japanese market.

Tags: FilmLight | Japan | Inter BEE 2018 | Baselight v5 | post production | Tokyo | colour grading | cutting edge | creative tools | Koichi Matsui | streamline complex workflows | Prelight | Baselight Editions | Daylight | VFX | MKM Marketing Communications
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FilmLight creates Cold War look for The Americans Posted: 29/10/2018
FilmLight creates Cold War look for The Americans

The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colourist, working on the Baselight colour grading system from FilmLight.

Tags: FilmLight | Cold War | The Americans | Technicolor PostWorks | HDR | 4K Ultra HD | John Crowley | colorist | colourist | Baselight | colour grading | Dan Sackheim | David Woods | Crystal Whelan | Fox 21 Television Studios | FX Productions | Emmy Award | MKM Marcomms
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Baselight innovation streamlines collaborative creativity at IBC2018 Posted: 07/09/2018
Baselight innovation streamlines collaborative creativity at IBC2018

FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown on Baselight grading stations, and also implemented across FilmLight’s product range, which includes Prelight for on-set visualisation, the Daylight dailies system and the expanding Baselight Editions range for editing and VFX.

Tags: FilmLight | Baselight | IBC | IBC2018 | new functionality | color grading | colour grading | Prelight | Daylight | Baselight Editions | streamline workflows | cutting edge | Martin Tlaskal | rotoscoping | Merge View | Panorama sandwich | Blend panel | MKM Marcomms | IBC 2018 | IBC 2018
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FilmLight introduces BLG for Flame at NAB2018 Posted: 20/06/2018
FilmLight introduces BLG for Flame at NAB2018

At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a Linux-only plugin for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade (BLG) files or directly from a Baselight scene.

Tags: FilmLight | NAB2018 | BLG for Flame | Baselight | Prelight | Daylight | Will Harris | Autodesk | Flame | colour correction | colorist | colour grading | Mike Nuget | MKM Marcomms | MKM Marketing Communications
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FilmLight launches worldwide colour masterclass tour Posted: 20/06/2018
FilmLight launches worldwide colour masterclass tour

To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive and specialist masterclasses on a world tour. Dates are already set for London (15 May), Mumbai (16 May), Hollywood (4 June) and Seoul (7 June), with more to be added.

Tags: FilmLight | Baselight | masterclass | colourist | colorist | colour grading | colour-managed workflow | colour spaces | colour science | grading tool | Filmlight expert | Andy Minuth | Daniel Siragusano | Peter Postma | MKM Marcomms | MKM Marketing Communications
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Baselight helps Donbass meet Cannes deadline Posted: 20/06/2018
Baselight helps Donbass meet Cannes deadline

Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.

Tags: FilmLight | Baselight | Cannes Film Festival | Donbass | Ukrainian movie | Sergei Loznitsa | Digital Cube | Oleg Mutu | Claudiu Doaga | Sebastian Plamadeala | Danielus Kokanauskis | colorist | colour grading | MKM Marcomms | MKM Marketing Communications
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The Grand Tour Goes HDR with DaVinci Resolve Posted: 26/03/2018
The Grand Tour Goes HDR with DaVinci Resolve
With its second series streaming to viewers around the globe, Amazon Prime’s The Grand Tour takes the world’s most exciting cars, driven by Jeremy Clarkson, Richard Hammond, and James May, to some of the world’s most scenic locations.
Tags: Blackmagic Design | Colour Grading | DaVinci Resolve | The Grand Tour | SDR | HDR | Workflow
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DaVinci Resolve Studio Used to Grade National Broadcast Spots for Kmart Posted: 01/03/2018
DaVinci Resolve Studio Used to Grade National Broadcast Spots for Kmart
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Lauren Malis of Chicago-based The Colonie to grade and finish several national broadcast spots for retail giant Kmart. The creative editorial and post production house was tapped to deliver the seasonal spots throughout 2017, and while each spot is different in content, they all have a similar feel essential to the Kmart brand.
Tags: Blackmagic Design | DaVinci Resolve Studio | Colour Grading | Kmart
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Norsemen Graded on DaVinci Resolve Studio Posted: 01/02/2018
Norway and rsquo;s and lsquo;Norsemen and rsquo; Graded on DaVinci Resolve Studio
NRK’s Viking comedy-drama, ‘Vikingane’, which is broadcast internationally as ‘Norsemen’ on Netflix, has been graded by ShortCut Oslo’s colorist Dylan R. Hopkin using DaVinci Resolve Studio.
Tags: Blackmagic Design | Norsemen | Netflix | DaVinci Resolve Studio | Colour Grading
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More than 55 Sundance Films, Series and Projects Created Using Blackmagic Design Posted: 23/01/2018
More than 55 Sundance Films, Series and Projects Created Using Blackmagic Design
Blackmagic Design congratulates the many films, episodic series and projects at the 2018 Sundance Film Festival that were shot and completed using Blackmagic Design products.
Tags: Blackmagic Design | Sundance Film Festival | Camera | Post Production | Colour Grading
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