Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Date: 10/01/2018
Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Lighting and video rental specialist Colour Sound Experiment has invested in new Robe MegaPointe moving lights, Blackmagic video control technology and new pre-rigged trusses, all of which is out on the current 2CELLOS tour playing arenas in key capital cities around Europe .

West London based Colour Sound is providing lighting, video, rigging and crew, working closely with lighting designer Crt Birsa and production manager Chris Griffiths.

The UK performance was a roof-raising extravaganza staged at Londons Royal Albert Hall with the band accompanied by The Royal Philharmonic Concert Orchestra. They played out some of 2CELLOS hugely dynamic repertoire which went from the decorum and refinement of assorted film scores to the raucous rock-out mayhem of AC/DC and the Rolling Stones covers.

Crt, a big Robe fan, was delighted when Colour Sound was able to offer its brand new Robe MegaPointes! The fixture was launched in September and this is one of its first European tours.

It is the first time hes worked with Colour Sound and comments that its been a totally positive experience. The guys are extremely nice, highly knowledgeable and absolutely dedicated to doing a great job in getting the show onstage every day.

Colour Sounds crew of Simon Robertson, Frank Williams and David Cattermole are being chiefed by Kester McClure.

The lighting is all toured in the pre-rigged trussing for convenience and to speed up the get-ins / outs. The main touring rig features three 14 metre long overheads trusses - front mid and back, with one more added for the Albert Hall.

The moving lights - 26 x MegaPointes, 20 x Spiider LED wash beams and five BMFL Spots for key lights are distributed across all trusses with eight of the MegaPointes on the floor. They do most of the work, creating subtle and beautifully composed looks for the first section of the show, augmented with 2-lite and 4-lite blinders for audience illumination, together with strobes on the mid and upstage trusses which kick in later in the set.

Some of the lights were rigged on drop-bars to achieve more separation between the sources.

They played the RAH show with the organ revealed, an approach that worked highly effectively in conjunction with their 10 metre wide x 3 metre deep LED screen. Built from Colour Sounds BT7 product, this was rigged on a Litec QL52 truss and flown just below the bottom of the organ pipes, filling the space as if it had been specially tailored.

The extra truss at the RAH was rigged with another 6 x MegaPointes bringing the total for that gig to 32.

It still wasnt a massive amount of lights for an arena tour or a venue of the RAHs volume and stature ¦ but Crt is a master of less-is-more, and the 40 MegaPointes gave more than enough visual vibrancy at his fingertips to make each number look dramatically different as the set progressed.

The MegaPointes were utilized for numerous effects and eye-candy as well as for profile and beam looks looking excellent in both modes. The Spiiders took care of all the basic stage washes and had no problem in covering the expanded orchestra for the RAH show, while the colours showed their continuity with the MegaPointes.

As the set started off refined and almost understated, lighting working harmoniously with the playback video, matching colours and textures as they worked through the film scores and other popular 2CELLOS works.

This progressed to the pop / rock section which had audiences on their feet dancing and jumping every night ¦ and this is where Crt was really able to let rip with the lighting, creating numerous epic looks and sequences that reach out and pulled fans into the action.

He programmed and ran lighting on his own ChamSys MQ80 console with a Wing, and Colour Sound providing a complete replica system for backup.

The bands video director Zaor Kolar puts together the playback visuals in conjunction with 2CELLOS creative director Miro Vidovi.

Colour Sound supplied two Panasonic AW-HE60 robo cameras, - one for each of the two stars Luka uli and Stjepan Hauser which were operated by Kester and combined with an input from the bands own GoPro focussed on drummer Duan Kranjc who plays with them regularly. He has some absolutely killer rock-style solos on this tour!

All these inputs were fed into the new Blackmagic kit, first into the Smart Videohub CleanSwitch 12x12 matrix stationed at dimmers, with the signals sent to FOH where they were mixed and output to screen via the new Blackmagic ATEM Television Studio Pro HD switcher operated by Zaor, who also added in the playback footage input from 2CELLOS own Resolume system.

Crew chief Kester has been impressed with all the new kit they have had on the tour, Its always good to work with new technology, and the MegaPointes are really bright, small and impressive and utilising the pre-rigged truss greatly helped the speed and efficiency of the get ins and outs.

EXE-Rise 1000kg 8:1 double-braked chain hoists were used for all the rigging, and the touring lighting and visuals package was completed with two Robert Juliat Merlin followspots and three hazers.

Colour Sounds H (Haydn Cruickshank) commented, We are really pleased to be servicing and supporting this tour. It was an ideal opportunity for all of us to see the MegaPointes in action as Crt really uses them extensively and effectively and great to also get the new video kit on the road. Its been a great experience working with Crt we have loved his enthusiasm and imagination and indeed that of the whole 2CELLOs production team.

In return, Crt one of Slovenias best known lighting, set and visual designers commented, Its been a pleasure to work with Kester and the Colour Sound crew on the road, and H and Alex in the office. They have paid great attention to detail and given fantastic service, so I look forward to the next time.

Photo by Louise Stickland



Tags: Robe | Blackmagic | video | lighting | Panasonic | robo camera | ATEM Television Studio Pro HD
Submitted by Louise Stickland
View author's directory page

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  • Marjan Television Network - a case study

    Marjan Television Network - a case study

  • Reunion on Kingsman ensures efficient workflow for sequel

    Reunion on Kingsman ensures efficient workflow for sequel

  • Supporting creativity and driving better workflows

    Supporting creativity and driving better workflows

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • 5 reasons to use a soft box with LED lighting

    5 reasons to use a soft box with LED lighting

  • Lighting - the stuff you do not see

    Lighting - the stuff you do not see

  • Advances in LED lighting innovation with Rotolight AEOS

    Advances in LED lighting innovation with Rotolight AEOS

  • The 7 Steps to Saving Film

    The 7 Steps to Saving Film

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • Audio at 750mph

    Audio at 750mph

  • Swimrun World Championships - LiveU report

    Swimrun World Championships - LiveU report

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • How to illuminate a better shot

    How to illuminate a better shot

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • The now and how of LED Lighting

    The now and how of LED Lighting

  • The future of post production

    The future of post production

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Space lights and a man called Bill

    Space lights and a man called Bill

  • Highlighting YouTube Space

    Highlighting YouTube Space

  • IBC - how was it you

    IBC - how was it you

  • The Future of LED Lighting

    The Future of LED Lighting

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • Dance hall days are over for professional lighting

    Dance hall days are over for professional lighting

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Grading Temple - Making the future look vintage

    Grading Temple - Making the future look vintage

  • Raising the bar at BVE

    Raising the bar at BVE

  • Educating with Robots

    Educating with Robots

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

    EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • 7 must sees at IBC 2015

    7 must sees at IBC 2015

  • Lighting fundamentals

    Lighting fundamentals


News
Live Streaming of Dick Whittington The Purrrrrfect Rock Roll Panto is just the tonic for Deeside Hospital patients Posted: 11/01/2019
Live Streaming of Dick Whittington and ndash; The Purrrrrfect Rock and lsquo;N and rsquo; Roll Panto is just the tonic for Deeside Hospital patients

As part of its innovative project with the Anglo-Danish technology company Streamer, Theatr Clwyd has made the rock ‘n’ roll panto the latest show to be streamed live to a local audience.

Tags: Streaming | #BeAStreamer | live
Submitted by Streamer Ltd
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Integrations With Leading MacOS and IOS Applications Expand UltraSync BLUE Ecosystem Posted: 10/01/2019
Integrations With Leading MacOS and IOS Applications Expand UltraSync BLUE Ecosystem
Working with market-leading macOS software expert Softron and established iOS app developer PureBlend Software, Timecode Systems has extended the footprint of its UltraSync BLUE solution by adding the power of its timecode-over-Bluetooth® technology to multicamera logging, reporting, and collaborative editing processes. The MovieSlate iOS app from PureBlend Software and the MovieRecorder and Multicam Logger solutions for Mac® from Softron are the latest applications to adopt Timecode Systems' patented Bluetooth timing protocol.
Tags: MacOS | IOS | UltraSync BLUE Ecosystem | Softron | PureBlend | Software | Timecode-Over-Bluetooth Solution | Timecode Systems
Submitted by Wall Street Communications
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First-Time Exhibitor Wisycom USA Presents High-End In-Ear Monitoring Solutions at NAMM 2019 Posted: 10/01/2019
First-Time Exhibitor Wisycom USA Presents High-End  In-Ear Monitoring Solutions at NAMM 2019

Wisycom USA, which was established this year to grow the Italy-based Wisycom brand throughout the Americas, is exhibiting for the first time at NAMM 2019 (Booth 15222). The company will present its line of high-end in-ear monitoring solutions and wireless RF systems, which are steadily growing in popularity in the live touring industry.

Tags: Wisycom USA
Submitted by D. Pagan Communications
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EditShare Appoints Sundeep Menon to Sales Director South Asia Posted: 10/01/2019
EditShare Appoints Sundeep Menon to Sales Director South Asia

EditShare® a technology leader in intelligent scale-out storage, AQC and media management solutions, announced today that business development expert Sundeep Menon has joined EditShare as the Sales Director for South East Asia. A skilled media enterprise strategist, Menon will be responsible for defining the business development strategy across all sectors of Media and Entertainment, supporting EditShare market expansion which saw more than 30% growth in 2018.

Tags: EditShare | workflow | director | sales | editing | collaboration
Submitted by Zazil Media Group
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FilmLight activates v5 for Baselight STUDENT Posted: 10/01/2019
FilmLight activates v5 for Baselight STUDENT

Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their skills as a colourist to have the full range of creative features, based on the same platform as every Baselight system.

Tags: FilmLight | Baselight Student | Baselight v5 | colourist | colorist | free macOS applications | innovative | creative advances | creative features | Base Grade | colour manipulation | Boost operators | Justin Tran | Steve Chapman | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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New digital clips service generates 46 million online views, while 32 live broadcast feeds are delivered worldwide Posted: 10/01/2019
New digital clips service generates 46 million online views, while 32 live broadcast feeds are delivered worldwide

London-based sports production specialists Input Media captured and delivered complete coverage of The Emirates FA Cup third round for the first time, with all 32 matches made available as world feeds for The FA’s international rights-holders and a new digital clips service racking up 46 million views on social media.

Tags: Input Media | Gravity Media | Group | FA Cup
Submitted by Red
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Barry Revels appointed Business Development Director at Gravity Media Group Posted: 10/01/2019
Barry Revels appointed Business Development Director at Gravity Media Group

Gravity Media Group (GMG), the owner of worldwide production and broadcast services specialists Gearhouse Broadcast, Hyperactive Broadcast and Input Media, has appointed Barry Revels as its Business Development Director. Based at its Watford, UK, headquarters, Barry will spend much of his time on the road, meeting with customers and assessing new markets that could benefit from Gravity Media’s wide range of innovative production services.

Tags: Gravity Media Group | Gearhouse | Appointment | Barry Revels | LAWO
Submitted by Red
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TVU MediaMind and TVU Producer Win 2018 Production Innovation Awards from Future Publishing Posted: 10/01/2019
TVU MediaMind and TVU Producer Win 2018 Production Innovation Awards from Future Publishing

TVU Networks, the global technology and innovation leader in live IP solutions, today announced the company was awarded two 2018 Product Innovation Awards from Future Publishing. Publishers of TV Technology, Government Video, Radio World and Creative Planet/DV and VE magazines, the annual Future Publishing awards honor the year’s top product introductions in TV, professional video and broadcast/online radio technology.

Tags: TVU Networks | Production Innovation Award | Future Publishing
Submitted by Platform Comms
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Simplestream enhances VOD in a Box platform with offline downloads and chromecast for iOS and Android Posted: 10/01/2019
Simplestream enhances VOD in a Box platform with offline downloads and chromecast for iOS and Android

Simplestream, the leader in live, live-2-VOD and on-demand OTT services, has strengthened its VOD in a Box technology with download for offline viewing and Chromecast integration across its mobile services.

Tags: Simplestream | VOD in a Box | OTT | on-demand | Live-2-VOD
Submitted by platformcomms
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Australias Stage Mums Shot with URSA Mini 4.6K and Edited with DaVinci Resolve Studio Posted: 10/01/2019
Australias Stage Mums Shot with URSA Mini 4.6K and Edited with DaVinci Resolve Studio
Blackmagic Design today announced that season one of the popular Australian television comedy “Stage Mums” was shot using its URSA Mini 4.6K and Pocket Cinema Camera digital film cameras. The show’s editing, audio editing and color correction were also completed using DaVinci Resolve Studio.
Tags: Blackmagic Design | Blackmagic | TV Series | Comedy | URSA Mini | Pocket Camera | Filmmaking | Editing | DaVinci Resolve | Resolve
Submitted by Blackmagic design
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DPA Microphones Appoints A New Distributor in the Philippines Posted: 10/01/2019
DPA Microphones Appoints A New Distributor in the Philippines
DPA Microphones is pleased to announce the appointment of Music & Audio Solutions & Services as its new distributor in the Philippines, with immediate effect and across all markets including live sound, House of Worship, broadcast, pro audio, film and theatre.
Tags: DPA Microphones | New Distributors | Music & Audio | Philippines | APAC
Submitted by White Noise Public Relations Ltd
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Globecast launches the first CIS HD channel on Eutelsat HotBird - Belarus 24 HD Posted: 10/01/2019
Globecast launches the first CIS HD channel on Eutelsat HotBird - Belarus 24 HD
The biggest media company in the Republic of Belarus - The National State TV and Radio Company of the Republic of Belarus - has selected Globecast, the global solutions provider for media, to launch the HD variant of its international satellite channel Belarus 24.
Tags: Distribution | channel distribution | satellite | public internet | HD
Submitted by Jump PR
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Riedel Products at ISE 2019 Posted: 09/01/2019
Riedel Products at ISE 2019
At this year's ISE show, Riedel Communications will showcase its latest innovations in real-time signal distribution and networking solutions for broadcast and live performance. Riedel's product line reflects the company's continued support of standards and interoperability, ongoing development and expansion of software app-based solutions, and groundbreaking concept of decentralized signal routing.
Tags: Riedel | ISE 2019 | Bolero Standalone Wireless Intercom System | SmartPanel 1200 Series | MediorNet MicroN IP App
Submitted by Wall Street Communications
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Viaccess-Orca Joins Forces With Technicolor, Bringing New Security Features to the Android TV Environment Posted: 09/01/2019
Viaccess-Orca Joins Forces With Technicolor, Bringing New Security Features to the Android TV Environment
Viaccess-Orca (VO), a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that it has teamed up with Technicolor to simplify the delivery of Android TV experiences. VO's DRM solution and its secure VO Player have been integrated on Android TV set-top boxes (STBs) from Technicolor in full compliance with the TV Input Framework (TIF). By making the plug-in for its DRM available in the media DRM format, VO ensures seamless integration into Android TV platforms and minimizes complexity for STB device manufacturers.
Tags: Viaccess-Orca | VO | Technicolor | Security Features | Android | TV Environment | DRM | Secure VO Player | Android TV Input Framework | STB Integration
Submitted by 202 Communications
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Magewell to Highlight Practical Solutions for Transition to Video over IP at ISE 2019 Posted: 09/01/2019
Magewell to Highlight Practical Solutions for Transition to Video over IP at ISE 2019

Magewell -- the award-winning developer of innovative video interface, streaming and conversion devices -- is kicking off its extensive 2019 trade show schedule by bringing its rapidly-expanding product range to Integrated Systems Europe (ISE) 2019 in Amsterdam. The company will showcase new and established offerings in stand 8-G430 at the event from February 5-8, with an emphasis on solutions that simplify streaming production and make the transition from baseband signal transport to video-over-IP more affordable and practical.

Tags: NDI | converter | conversion | IP | network | capture | video capture | live | streaming | encoder | hardware | recorder | recording | encoding | broadcast | professional AV | HDMI | Magewell | IBC | production | SDI | USB | OEM | M.2 | 4K | Ultra HD | UHD | UltraHD | SDK | playout
Submitted by Write Turn Communications
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