Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Date: 10/01/2018
Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Lighting and video rental specialist Colour Sound Experiment has invested in new Robe MegaPointe moving lights, Blackmagic video control technology and new pre-rigged trusses, all of which is out on the current 2CELLOS tour playing arenas in key capital cities around Europe .

West London based Colour Sound is providing lighting, video, rigging and crew, working closely with lighting designer Crt Birsa and production manager Chris Griffiths.

The UK performance was a roof-raising extravaganza staged at Londons Royal Albert Hall with the band accompanied by The Royal Philharmonic Concert Orchestra. They played out some of 2CELLOS hugely dynamic repertoire which went from the decorum and refinement of assorted film scores to the raucous rock-out mayhem of AC/DC and the Rolling Stones covers.

Crt, a big Robe fan, was delighted when Colour Sound was able to offer its brand new Robe MegaPointes! The fixture was launched in September and this is one of its first European tours.

It is the first time hes worked with Colour Sound and comments that its been a totally positive experience. The guys are extremely nice, highly knowledgeable and absolutely dedicated to doing a great job in getting the show onstage every day.

Colour Sounds crew of Simon Robertson, Frank Williams and David Cattermole are being chiefed by Kester McClure.

The lighting is all toured in the pre-rigged trussing for convenience and to speed up the get-ins / outs. The main touring rig features three 14 metre long overheads trusses - front mid and back, with one more added for the Albert Hall.

The moving lights - 26 x MegaPointes, 20 x Spiider LED wash beams and five BMFL Spots for key lights are distributed across all trusses with eight of the MegaPointes on the floor. They do most of the work, creating subtle and beautifully composed looks for the first section of the show, augmented with 2-lite and 4-lite blinders for audience illumination, together with strobes on the mid and upstage trusses which kick in later in the set.

Some of the lights were rigged on drop-bars to achieve more separation between the sources.

They played the RAH show with the organ revealed, an approach that worked highly effectively in conjunction with their 10 metre wide x 3 metre deep LED screen. Built from Colour Sounds BT7 product, this was rigged on a Litec QL52 truss and flown just below the bottom of the organ pipes, filling the space as if it had been specially tailored.

The extra truss at the RAH was rigged with another 6 x MegaPointes bringing the total for that gig to 32.

It still wasnt a massive amount of lights for an arena tour or a venue of the RAHs volume and stature ¦ but Crt is a master of less-is-more, and the 40 MegaPointes gave more than enough visual vibrancy at his fingertips to make each number look dramatically different as the set progressed.

The MegaPointes were utilized for numerous effects and eye-candy as well as for profile and beam looks looking excellent in both modes. The Spiiders took care of all the basic stage washes and had no problem in covering the expanded orchestra for the RAH show, while the colours showed their continuity with the MegaPointes.

As the set started off refined and almost understated, lighting working harmoniously with the playback video, matching colours and textures as they worked through the film scores and other popular 2CELLOS works.

This progressed to the pop / rock section which had audiences on their feet dancing and jumping every night ¦ and this is where Crt was really able to let rip with the lighting, creating numerous epic looks and sequences that reach out and pulled fans into the action.

He programmed and ran lighting on his own ChamSys MQ80 console with a Wing, and Colour Sound providing a complete replica system for backup.

The bands video director Zaor Kolar puts together the playback visuals in conjunction with 2CELLOS creative director Miro Vidovi.

Colour Sound supplied two Panasonic AW-HE60 robo cameras, - one for each of the two stars Luka uli and Stjepan Hauser which were operated by Kester and combined with an input from the bands own GoPro focussed on drummer Duan Kranjc who plays with them regularly. He has some absolutely killer rock-style solos on this tour!

All these inputs were fed into the new Blackmagic kit, first into the Smart Videohub CleanSwitch 12x12 matrix stationed at dimmers, with the signals sent to FOH where they were mixed and output to screen via the new Blackmagic ATEM Television Studio Pro HD switcher operated by Zaor, who also added in the playback footage input from 2CELLOS own Resolume system.

Crew chief Kester has been impressed with all the new kit they have had on the tour, Its always good to work with new technology, and the MegaPointes are really bright, small and impressive and utilising the pre-rigged truss greatly helped the speed and efficiency of the get ins and outs.

EXE-Rise 1000kg 8:1 double-braked chain hoists were used for all the rigging, and the touring lighting and visuals package was completed with two Robert Juliat Merlin followspots and three hazers.

Colour Sounds H (Haydn Cruickshank) commented, We are really pleased to be servicing and supporting this tour. It was an ideal opportunity for all of us to see the MegaPointes in action as Crt really uses them extensively and effectively and great to also get the new video kit on the road. Its been a great experience working with Crt we have loved his enthusiasm and imagination and indeed that of the whole 2CELLOs production team.

In return, Crt one of Slovenias best known lighting, set and visual designers commented, Its been a pleasure to work with Kester and the Colour Sound crew on the road, and H and Alex in the office. They have paid great attention to detail and given fantastic service, so I look forward to the next time.

Photo by Louise Stickland



Tags: Robe | Blackmagic | video | lighting | Panasonic | robo camera | ATEM Television Studio Pro HD
Submitted by Louise Stickland
View author's directory page

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    The Benefits of LED Lighting in Broadcast

  • The future of post production

    The future of post production

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Space lights and a man called Bill

    Space lights and a man called Bill

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Highlighting YouTube Space

    Highlighting YouTube Space

  • IBC - how was it you

    IBC - how was it you

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • The Future of LED Lighting

    The Future of LED Lighting

  • Dance hall days are over for professional lighting

    Dance hall days are over for professional lighting

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Raising the bar at BVE

    Raising the bar at BVE

  • Grading Temple - Making the future look vintage

    Grading Temple - Making the future look vintage

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • Educating with Robots

    Educating with Robots

  • EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

    EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • 7 must sees at IBC 2015

    7 must sees at IBC 2015

  • Lighting fundamentals

    Lighting fundamentals

  • How full is your spectrum?

    How full is your spectrum?

  • Venice live productions tools go to the consumer

    Venice live productions tools go to the consumer

  • Bring up the bodies

    Bring up the bodies

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • Panasonic Previews Field of Hope

    Panasonic Previews Field of Hope

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Top Five most viewed interviews at IBC 2014

    Top Five most viewed interviews at IBC 2014


News
Anevia joins Red Hat Technology Partner Program to Offer Customers Flexible and Reliable Hybrid Cloud Solutions Posted: 16/07/2018
Anevia joins Red Hat Technology Partner Program to Offer Customers Flexible and Reliable Hybrid Cloud Solutions

Anevia, a leading provider of OTT and IPTV software solutions, is collaborating with Red Hat, the world's leading provider of open source solutions. As a result, Anevia is now part of the Red Hat Technology Partner Program and can integrate Red Hat’s enterprise-grade, fully-supported open source technology, with added professional support, within its product ranges. These include the Genova low-latency live encoders, OTT packaging, cloud DVR and CDN solutions (NEA-LIVE, NEA-DVR and NEA-CDN) and Anevia’s multiscreen TV head-end, Flamingo.

Tags: Anevia | Red Hat | Broadcast
Submitted by Anevia
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Globosat Chooses Harmonic for Live UHD Broadcast of International Football Tournament Posted: 13/07/2018
Globosat Chooses Harmonic for Live UHD Broadcast of International Football Tournament

Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery technology services, today announced that Globosat, Latin America’s largest content and program creator, has selected Harmonic’s Ultra HD (UHD) contribution solution for broadcast of the world’s largest football tournament, being held in Russia.

Tags: Harmonic | video delivery technology | live UHD broadcasting | media processing
Submitted by Dundee Hills Group
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Blackmagic Design Announces Blackmagic eGPU Posted: 13/07/2018
Blackmagic Design Announces Blackmagic eGPU

Blackmagic Design today announced the Blackmagic eGPU, a high performance graphics processor for pro creative software such as DaVinci Resolve, 3D games and VR. Designed in collaboration with Apple, the Blackmagic eGPU features a built-in Radeon Pro 580, two Thunderbolt 3 ports, HDMI 2.0, 85W of charging power and four USB 3.1 connections. It comes in an integrated design that brings high-end desktop class graphics processing to MacBook Pro for professional video workflows, 3D games and immersive VR. And, the Blackmagic eGPU is the first to support Thunderbolt 3 displays.

Tags: Blackmagic Design | Apple | eGPU | Graphics | Processing | Post Production | editing | colour correction | visual effects | DaVinci Resolve | 3D | VR
Submitted by Blackmagic design
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Broadpeak and CDN Solutions Power New OTT Service for Taiwan Broadband Communications Posted: 12/07/2018
Broadpeak and reg; CDN Solutions Power New OTT Service for Taiwan Broadband Communications

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that Taiwan Broadband Communications has launched a new OTT service called TBC GO powered by Broadpeak's advanced CDN solutions. Broadpeak's BkM100 video delivery manager and BkS400 HTTP video cache servers reduce network bandwidth, enabling operators to cost-effectively provide pay-TV subscribers with "on-the-go" access to live TV, VOD, and catch-up TV on connected devices such as smartphones and tablets.

Tags: Broadpeak | OTT service | CDN solutions | video streaming solutions | Taiwan Broadband Communications
Submitted by Dundee Hills Group
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IMT Vislink Announces Reseller Partnership with Broadcast Technical Services, Inc. (BTS) Posted: 12/07/2018
IMT Vislink Announces Reseller Partnership with Broadcast Technical Services, Inc. (BTS)
xG Technology, Inc. ("xG" or the "Company") (Nasdaq: XGTI, XGTIW), whose IMT and Vislink brands are recognized as the global leaders in live video communications in the broadcast, sports and entertainment and public safety markets, today announced that its IMT Vislink business has entered into a reseller partnership with Houston, Texas-based Broadcast Technical Services, Inc. (BTS). IMT Vislink and BTS will collaborate on the sale, integration, service and support of IMT Vislink's wireless camera systems, including the HCAM 4K UHD transmitter, MicroLite 2 midmarket system and the miniaturized IMTDragonFly, in the states of Texas and Louisiana.
Tags: xG technology | D.Pagan Communications | Visilink
Submitted by D. Pagan Communications
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Industry Veteran Carlo Bolognesi to Lead Broadcast Pix EMEA Sales Posted: 12/07/2018
Industry Veteran Carlo Bolognesi to Lead Broadcast Pix EMEA Sales

Broadcast Pix today announced Carlo Bolognesi joined the company last month to lead sales in the Europe, Middle East, and Africa (EMEA) region. Since 1994, Bolognesi has owned IREL Engineering, a systems integration and consulting firm based in Alessandria, Italy.

Tags: Broadcast Pix | personnel news | professional video | broadcast | Carlo Bolognesi
Submitted by Pipeline Communications
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Sony empowers media professionals to a Go Make Tomorrow and at IBC 2018 Posted: 12/07/2018
Sony empowers media professionals to a Go Make Tomorrow and at IBC 2018
Sony will return to IBC 2018 to present its latest solutions that help customers build their brands and audiences under the banner of “Go Make Tomorrow”. On stand 13.A10, Sony will showcase its fully integrated, end-to-end services and technologies that empower media companies to create more amazing content and more engaged audiences, more profitably.
Tags: Sony | IBC | IBC 2018 | media | Amsterdam | press conference | IBC preview | IBC 2018 | IBC 2018
Submitted by Sony Professional Europe
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RASCULAR IBC 2018 PREVIEW DOCUMENT Posted: 12/07/2018
RASCULAR IBC 2018 PREVIEW DOCUMENT

SDI and NDI router control

For the first time at IBC, Rascular will be showing its recently updated, comprehensive range of router control technologies across SDI and NDI domains.
Tags: Control | NDI | IP | broadcast control | routing | router control | Facebook | Facebook Live | streaming | IBC 2018 | IBC 2018
Submitted by Jump PR
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MILLER TRIPODS PROVIDE ALL-IN-ONE FLUID HEAD SOLUTIONS FOR CINEMATOGRAPHER ANT and Oacute;NIO MORAIS Posted: 11/07/2018
MILLER TRIPODS PROVIDE ALL-IN-ONE FLUID HEAD SOLUTIONS FOR CINEMATOGRAPHER ANT and Oacute;NIO MORAIS
When Sony unveiled the Venice, its first full-frame cinema camera system, Cinematographer Antonio Morais couldn’t wait to get his hands on it. Knowing his camera is only as good as its supporting platform, Morais once again turned to Miller Camera Support LLC, through EACAMPOS, the official local dealer, to put the highly anticipated camera to the test for his work on the Portuguese film, A Sound in Motion. The film, fully shot in the city of Porto, is a fictional story based on the way deaf people adapt themselves to normal daily life situations.
Tags: miller | miller tripods
Submitted by D. Pagan Communications
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PMC Joins The Cinema Designer Database, Allowing Integrators To Design The Ultimate Home Theatre And Media Room In Minutes Posted: 11/07/2018
PMC Joins The Cinema Designer Database, Allowing Integrators To Design The Ultimate Home Theatre And Media Room In Minutes
UK loudspeaker company PMC has strengthened its commitment to providing the custom install market with the ultimate surround sound cinema experience by joining The Cinema Designer’s (TCD) manufacturer database.
Tags: PMC Speakers | The Cinema Designer Database | QB1-XBD-A Main Monitors
Submitted by White Noise Public Relations Ltd
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Friend MTS appoints Simon Williamson as Chief Commercial Officer to accelerate business growth Posted: 11/07/2018
Friend MTS appoints Simon Williamson as Chief Commercial Officer to accelerate business growth

Friend MTS, the content and revenue protection specialist, today announced that it has appointed Simon Williamson as Chief Commercial Officer to drive global business growth.

Tags: Friend MTS | Simon Williamson | Chief Commercial Officer | Content Protection | Watermarking
Submitted by Platform Comms
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Deadpool 2 Graded in DaVinci Resolve Studio by EFILMs Skip Kimball Posted: 11/07/2018
Deadpool 2 Graded in DaVinci Resolve Studio by EFILMs Skip Kimball
Blackmagic Design announced today that Deadpool 2, the highly anticipated sequel in the 20th Century Fox/Marvel franchise, was colored by EFILM Senior Colorist Skip Kimball using DaVinci Resolve software. The irreverent series, starring Ryan Reynolds as a wisecracking reluctant superhero, is unique not only because of its main character, but also for the style of imagery used to depict the dark world surrounding Deadpool and his adventures.
Tags: Blackmagic Design | Deadpool | DaVinci Resolve | Grading | Post Production | Marvel | 20th Century Fox | VFX | Filmmaking
Submitted by Blackmagic design
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GLOBECAST IBC 2018 PREVIEW Posted: 11/07/2018
GLOBECAST IBC 2018 PREVIEW
Globecast is launching its new Digital Media Hub suite of services for sports and live events. By aggregating multiple virtualized technologies into a single ecosystem, the Digital Media Hub allows a live feed to be treated in multiple ways to create content suitable for cross-platform use, in both real-time or for use at a later date.
Tags: Media Management | content distribution | TV Everywhere | video onP | monitoring | public internet | IBC 2018 | IBC 2018
Submitted by Jump PR
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Embrionix Strengthens North American Sales Team With Appointment of Roy Folkman as Director of Sales Posted: 11/07/2018
Embrionix Strengthens North American Sales Team With Appointment of  Roy Folkman as Director of Sales

Embrionix is pleased to welcome Roy Folkman to its sales team as Director of Sales. In his new role, Folkman will focus on creating opportunities and long-term value for key Embrionix customers across North America, while supporting business development efforts. He reports to Denis Pare, Embrionix vice president of sales.

Tags: Folkman | Embrionix | gateways
Submitted by Cypher
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Artel Video Systems Announces IP and Video Technology Training Program Posted: 10/07/2018
Artel Video Systems Announces IP and Video Technology Training Program

Artel Video Systems, a world-class provider of innovative real-time multimedia delivery solutions, is pleased to announce a new series of technology and solutions training programs aimed at helping broadcast video professionals prepare for the industry’s transition to IP and at providing IT networking professionals an understanding of video technology. The new courses are designed to accelerate understanding of the underlying technologies needed in the broadcast industry’s migration to IP and to facilitate productivity as IT and video workflows converge.

Tags: Artel Video Systems | IP training program | video technology training | networking courses | IBC2018 | IBC 2018 | IBC 2018
Submitted by Dundee Hills Group
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