News
Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools Posted: 13/02/2020
Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools

Sinclair Broadcast Group, one of the largest television broadcast companies in America, is deploying Marquis Broadcast’s Analysis Parking software with a new enterprise monitoring dashboard for its many facilities across the United States. During its expansion, Sinclair Broadcast Group has always focused on optimising best practices for its news technology and operations. Part of this focus was to streamline and simplify the management and monitoring of multiple Avid NEXIS® systems, helping users manage Avid projects and valuable storage space more efficiently.

Sinclair Broadcast initially deployed Marquis Broadcast’s Analysis Parking in three major sites. The software understands the relationships between Avid projects, folders, bins and media, and runs automated Avid NEXIS analytics and visualization processes, enabling each station to maximise the use of space on their Avid NEXIS storage systems.

Paul Spinelli, director of engineering at Sinclair Broadcast Group, explains: “As a group, we’re continually evaluating new technologies that can realise further operational benefits and efficiencies. Our goal is to standardise technologies and workflows across all our Avid news operations, which now total over 60 sites. The new systems enable the recovery of large amounts of blocked-out – but usable – space and offers detailed enterprise-wide analytics on our Avid storage.”

Tags: Marquis Broadcast | Sinclair Broadcast Group | broadcast | Analysis Parking | Avid | Avid NEXIS | editing | enterprise | workflow | NAB 2020 | NAB 2020
Submitted by Brill Media Limited
More from this author
Calrec NAB 2020 Preview: Central Hall Stand C8008 Posted: 13/02/2020
Calrec NAB 2020 Preview: Central Hall Stand C8008

Calrec’s Type R for TV is a new virtual mixing console with its design allowing customers to take advantage of these new workflows. It’s flexible and integrated native IP core gives customers a way to benefit from virtual working practices by integrating with station automation systems. Type R for TV is driven by station automation and is compatible with popular station automation systems including Ross Overdrive, Sony ELC and Grass Valley Ignite. Type R is the best of both worlds – it provides fully automated programming with real-time adjustment of unpredictable external factors via a standard web browser. Type R’s small, adaptable and highly portable hardware elements can be easily added if desired.Powered by standard POE switches, Type R has three different panel options. If broadcasters prefer a physical surface then banks of 6 x faders can be added, or adaptable soft panels like Calrec’s Large Soft Panel (LSP) and Small Soft Panel (SSP) can be used.

VP2 virtualized mixing system

Calrec’s VP2 virtualized mixing system has no physical control surface and utilisesCalrec’s Assist software for setup and control. VP2’s 4U core comes in three DSP sizes; 128, 180 and 240 input channels, and incorporates Calrec’s powerful Hydra2 networking solution. As with all Hydra2 products this can be controlled by a station automation system.

VP2 enables a station to reap many of the benefits of using a Calrec console, but without a physical control surface. Calrec’s Assist UI can be accessed from multiple locations via a web-browser. Control can be limited to basic functions or full control can be awarded to delve deeper to fine tune the setup or recall different shows as needed.

Tags: Calrec | Calrec Audio | audio | digital consoles | consoles | broadcast | mixing | NAB | production | IP AoIP | NAB 2020 | NAB 2020
Submitted by Jump PR
More from this author
VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION Posted: 13/02/2020
VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION

VUALTO, an expert in cloud-based OTT video delivery and orchestration, has partnered with ATEME, a leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, for automated encoder integration within the VUALTO CONTROL HUB (VCH) video orchestration tool, which allows for multiple origins and encoders to be integrated seamlessly. The VCH is vendor agnostic and interoperable with a host of technology partners.

The VCH now has full integration for ATEME’s TITAN Live and TITAN Mux encoding solutions, providing integration with the TITAN Live API to automate live event streaming workflows, the ability to set specific inputs and outputs dynamically using the VCH channel configuration, provides support for redundant setups and has capabilities for on-premise and in cloud.

The automated integration with VCH makes streaming easier, removing the requirement for manual configuration and risk of error, which can be a particularly cumbersome process when using a redundant setup. The addition of ATEME’s TITAN solutions has also facilitated an extension of the VCH plugin set.

Combining the two technologies provides broadcasters with a premium quality streaming service, which is flexible, agile and entirely suited to their business model and end goals.

 

 

Tags: VUALTO | ATEME | OTT | Streaming | TITAN | Broadcast
Submitted by Whiteoaks
More from this author
Media Links Appoints Andy Armstrong to Drive Expansion into Cable Markets Posted: 12/02/2020
Media Links Appoints Andy Armstrong to Drive Expansion  into Cable Markets

Media Links®, manufacturer and pioneer in Media over IP transport technology, announces the appointment of Andrew (Andy) Armstrong to the newly created position of Vice President of Sales, North American Cable Markets.

Andy has a comprehensive understanding of the media workflows and business needs across the North American cable / MSO industry. In this new role, Andy will establish new revenue opportunities for Media Links through his thorough understanding of the challenges that cable service providers face.

Al Nuñez, Media Links Senior Vice President of Sales for Americas & EMEA comments: “We welcome Andy to the Media Links sales management team. Andy’s extensive experience in cable television spans more than 25 years, and his highly regarded reputation and technology expertise will be valuable as the company expands to serve the ever important cable sector.”

Tags: Andy Armstrong | Media links | video over IP | broadcast video over ip for cable
Submitted by Media Links
More from this author
Riot Games in a league of their own with Calrec RP1 remote production solution Posted: 12/02/2020
Riot Games in a league of their own with Calrec RP1 remote production solution

Riot Games’ 2019 League of Legends World Championship final in Paris relied on Calrec’s RP1 remote production technology for the English language feed for viewers in North America, Europe and Oceania.

Dave Talavera, Audio Engineer with Riot Games, said, “When it came to building our new European facility in Berlin two years ago, we knew, given our experience with remote production, that was the path that we wanted to continue down. Calrec was the only company that had come up with a remote production solution for IFB and they are still very much at the forefront of this. This was essential for the remote production of the English language feed for the final in Paris.”

 

 

 

Tags: audio | consoles | esports | calrec | broadcasting | NAB 2020 | NAB 2020
Submitted by Jump PR
More from this author
Sony creates the ideal future for education and the workplace at ISE 2020 Posted: 12/02/2020
Sony creates the ideal future for education and the workplace at ISE 2020

Sony Professional Solutions Europe demonstrates a bold vision to create the ideal future for education and work at ISE 2020, as it reveals its latest AV and IT solutions. These include a new beamforming microphone MAS-A100 for lectures and presentations, an upgrade to the transformative workplace management solution with TEOS 2.2, and significant expansions to its laser projector line up.

The future of education:

Sony is expanding its range of advanced solutions for delivering, recording and streaming engaging presentations and video content in education environments. The MAS-A100 is a new IP-based ceiling beamforming microphone enabling flexible and creative “hands-free” lectures and presentations. 

The future of work:

TEOS 2.2 is the latest update allowing for more collaboration and flexibility. It uses the advances in IoT sensor technology to boost integration and unlock efficiencies with 20 new functionalities and features. The tailored Smart Automation is a new customisable Meeting Display interface and an intuitive Outlook integration for room booking, reception sign-in and content sharing.

The future of laser projection

From entry-level through to premium projectors, Sony offers a solution for any space and budget, whether in classrooms and conference venues or museums and churches. VPL-FHZ131L is the newest and brightest premium WUXGA projector from Sony, boasting outputs of 13,000lm. 

Tags: Sony | ISE | TEOS | VPL-FHZ131L | Edge Analytics | REA-C1000 | MAS-A100 | Crystal LED | TEOS 2.2 | UbiCast | future of work | future of broadcast | laser projection
Submitted by Sony Professional Solutions Europe
More from this author
ES Broadcast recruits Rob Newton as Head of Technology Posted: 11/02/2020
ES Broadcast recruits Rob Newton as Head of Technology

ES Broadcast has appointed former NEP UK & Ireland Engineering and Technical Director Rob Newton as its Head of Technology. He joins the systems integration, equipment sales and rental specialist after more than 30 years with NEP.

The appointment will see Newton work to a broad remit across all major channels of ES Broadcast’s business, in tandem with the company’s existing technology specialists. He will help drive the technical design and implementation at all stages of a project from scoping to delivery, with responsibility for identifying and designing pioneering broadcast solutions for clients from across the broadcast spectrum.

Newton’s career has seen him play a key role in introducing numerous ground-breaking technological advances to the industry, including designing the first HD outside broadcast truck to enter the UK market in 2001. He oversaw NEP UK’s move to HD for Premier League football coverage in 2004, as well as the step up to UHD in 2016 and remote production in 2019. He has also been heavily involved in the adoption of HD for productions as diverse as news channels and popular reality TV shows.

Tags: ES Broadcast | Watford | NEP | Rob Newton | systems integration
Submitted by ES Broadcast Ltd
More from this author
Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020 Posted: 10/02/2020
Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020

Argosy, a leading international supplier of broadcast and AV cables and infrastructure products, will provide support for the Middle East and North Africa media market at CABSAT 2020 (31 March – 2 April 2020, Dubai World Trade Centre, stand G3-201). By providing a one-stop shop for systems engineers and designers, Argosy supports them in building sophisticated solutions quickly, simply and cost-effectively.

Argosy specialises in every aspect of media infrastructure, from cables and connectors to active hardware devices such as network switches, fibre transport and KVM switches. At CABSAT it will showcase a range of its offerings, including its own manufactured patching and termination panels, equipment racks and tactical fibre and SMPTE camera cables. Plus products from some of the market leading manufacturers including: BES, Canare, Cliff Connectors, Ghielmetti, and Neutrik.

Experts from Austrian vendor kvm-tec will also be available on the Argosy stand, explaining how the latest generation of high-bandwidth, IP-connected KVM (keyboard, video and mouse) solutions can deliver secure connectivity with low latency while linking multiple workstations to multiple computers. Such solutions reduce clutter in operational areas by needing only one set of keyboard, mouse and monitor while instantly accessing multiple services. This also helps to reduce cost by eliminating multiple monitors which contributes significantly to an improvement in environmental performance.

“With the media world changing so rapidly, demanding more outputs and higher resolutions, we know our customers need to be able to rely on suppliers to ensure they have the right infrastructure hardware, now and for the future,” said Chris Smeeton, CEO of Argosy. “We have a strong and long standing presence in the Middle East, and our many customers know that we are much more than just cable stockists – we can help finalise the details of installations, ensuring that the system works first time and stays working.

“CABSAT is a great opportunity for us to talk to our client base in the region,” Smeeton added. “They know us as problem solvers, and we enjoy finding solutions for them that are reliable, practical and, in an atmosphere of increasing environmental concerns, as green as we can make them.”

For more information, visit Argosy at CABSAT on stand G3-201.

Tags: Argosy | media infrastructure | broadcast cables | AV cables | infrastructure products | CABSAT 2020 | Dubai | cost-effective | switches | fibre transport | KVM swithces | equipment racks kvm-tec | Chris Smeeton | flexibility | MKM Marketing Communications
Submitted by MKM Marketing Communications
More from this author
New firmware for JVC CONNECTED CAM cameras enables Apple ProRes 422 recording to SSD Posted: 10/02/2020
New firmware for JVC CONNECTED CAM cameras enables Apple ProRes 422 recording to SSD

JVC has announced new firmware for its range of CONNECTED CAM models – now shipping – including the handheld GY-HC500 and GY-HC550 4K camcorders and the GY-HC900 broadcast camcorder, available in ENG and studio configurations. The latest firmware upgrade (v0110 for the GY-HC500/550 and v3.0 for GY-HC900, available free to existing customers) lets the cameras record to both SSD and SD media in a wide variety of formats, including Apple ProRes 422 recording and backup mode recording to an SSD drive.

The GY-HC500 and GY-HC550 handheld models feature class-leading streaming and IP connectivity, with the new firmware delivering 10-bit Apple ProRes 422 50/60p recording in both 4K and HD to SSD. The update on all CONNECTED CAM models also enables HEVC/H.265 live streaming via the KA-EN200 streaming encoder; this adapter can be inserted directly into a slot on the GY-HC500, GY-HC550 and GY-HC900 camcorders, supporting up to 1920x1080 resolution and reducing network bandwidth by half compared to H.264. Other features added by the new firmware include support of SRT protocol and Network Time Protocol, plus integrated broadcast overlay graphics on JVC’s GY-HC900 broadcast camcorder.

Customers will be able to see the range of JVC CONNECTED CAM models at the KitPlus show in London at the end of this month. 

Tags: JVC | camcorders | cameras | ISE | KitPlus event | CONNECTED CAM | live streaming | broadcast | live production | events | production | streaming | KPS London | KPS London
Submitted by Brill Media Limited
More from this author
Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets Posted: 07/02/2020
Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets

Blackmagic Design today announced that ViSo Video Solutions has upgraded its virtual reality studios, relying on Ultimatte 12 compositing processors and URSA Broadcast cameras, to produce national television commercials and shows, for clients such as Sky Italia, Mediaset, ESL and Netco Sports.

Founded in 2010, the company not only offers clients its VR services, it also creates all computer generated (CG) and 3D assets needed in house, and provides all post production which includes editing and grading in DaVinci Resolve Studio.

“Augmented and virtual studio environments bring so many benefits to productions,” begins Luigi Nino, general manager at ViSo. “We chose to develop our VR system in house so that we could control every aspect, and customize materials, lighting, animations and effects for each clients’ specific needs.”

The studio’s VR set is 130 square meters and uses three tripod mounted URSA Broadcasts as well as a dolly mounted 4.5m jib on a six meter track. An ATEM 4 M/E Broadcast Studio 4K, with ATEM 1 M/E Advanced Panel, is used for live vision mixing.

Tags: Blackmagic Design | Blackmagic | Ultimatte | Green Screen | Compositing | Virtual Reality | VR | URSA Broadcast | DaVinci Resolve
Submitted by Blackmagic design
More from this author
No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala Posted: 07/02/2020
No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala

Blackmagic Design today announced that LA based event production company No Static AV (NSAV) used an Ultra HD live production workflow featuring URSA Broadcast cameras and ATEM switchers to deliver in house AV and IMAG for the annual Baby2Baby fundraising gala, which raises millions of dollars for the nonprofit and the children living in poverty that it serves.

Held at the 3Labs event space in Culver City, CA, the Baby2Baby gala brings together celebrities, entrepreneurs and philanthropists, and the evening hosts the top chefs in Los Angeles, an exclusive auction and inspiring program, all while honoring this year’s Giving Tree Award winner, Chrissy Teigen. Past honorees include Amy Adams, Gwyneth Paltrow, Jennifer Garner, Kerry Washington, Kate Hudson, Drew Barrymore and Jessica Alba.

With no shortage of AV deliverables, NSAV used its mobile production unit featuring a custom made flypack designed specifically with the Baby2Baby gala in mind. The unit relied on several Blackmagic Design products, including four URSA Broadcasts complete with URSA Studio Viewfinders, four Camera Fiber Converters and four Studio Fiber Converters for fiber connectivity between the cameras and switcher, an ATEM 1 M/E Production Studio 4K and ATEM 1 M/E Advanced Panel for live switching, and a Smart Videohub 20x20 router to distribute content throughout the venue. NSAV also used an ATEM Camera Control Panel for remote camera control and Teranex AV standards converter for on the fly conversions.

NSAV praised the image quality from the URSA Broadcasts and the ease of use of the live production gear. The URSA Broadcasts were used for IMAG and the content was also recorded in camera in 4K and in 1080 at the mobile production unit. Camera Fiber Converters and Studio Fiber Converters were necessary for fiber communication between the cameras and the switcher, giving the team real time control of all camera aspects, and the ATEM Camera Control Panel allowed NSAV to properly adjust color correction, shading and shutter speed during rehearsals and the live show.

Tags: Blackmagic Design | Blackmagic | Ultra HD | Live Production | Live Stream | Fundraising Gala | URSA Broadcast | ATEM
Submitted by Blackmagic design
More from this author
DigiBox Highlights Pro-AV Partners at ISE 2020 Posted: 07/02/2020
DigiBox Highlights Pro-AV Partners at ISE 2020

ISE 2020, 11-14 February, Stand 10.K165 — DigiBox, the UK’s leading distributor of technologies for the pro-AV and Broadcast industry, will participate in ISE 2020, the world’s largest pro-AV show, taking place at the RAI Amsterdam alongside partners Haivision, SNS and BirdDog.

In conjunction with partner Haivision, a market-leader in video streaming solutions, DigiBox will showcase the many benefits of Haivision’s award-winning Makito X4 video encoder, a highly-secure, ultra-low latency HEVC and H.264 video encoder that delivers exceptional video quality, next-gen performance, SRT streaming, and best-of-breed 4K UHD and HD encoding density. Also featured will be the newly launched Haivision Play Pro, an iOS App which offers a quick and easy way to watch and monitor SRT video streams from anywhere on a mobile device.

Haivision will also demonstrate the benefits of SRT, the open-source protocol that optimises streaming performance over unpredictable networks to deliver high quality, low latency media. SRT will feature on a continuous showreel of highlights and applications.

SNS (Studio Network Solutions) leaders in media storage will be showing how EVO shared storage works with your favourite NLE with the latest updates to ShareBrowser, including AI Autotagging that eliminates hours of manual metadata logging, extended file support for previews, and new integrations for Adobe Premiere Pro, Final Cut Pro X and After Effects. Get hands-on with EVO DPX, their highest performance EVO system yet.

In addition to this, DigiBox will be exhibiting alongside BirdDog also in Hall 10 on Stand K160. Anticipating the launch of some exciting new products specifically designed for the AV market, BirdDog will be featuring products from its PTZ range of cameras which are equipped with BirdDog’s proprietary silicon chip developed internally specifically to encode and decode full NDI.

DigiBox CEO Mike Heaney said, “We are dedicated to providing the best technical solutions our dedicated partners and internal team have to offer. Our experience in content distribution, digital conversion, and systems integration offers unrivalled benefits for new and long-term professionals in a wide range of pro-AV markets, virtually all of which will be represented at ISE 2020.”

DigiBox representatives will be available on attending partner stands including Adder Technologies, Stand 10.P180; AJA on Stand 8.G110; Gefen, Stand 1.N50, and Theatrixx on Stand 14.K130 as well as canvassing the ISE show floor for opportunities to establish new, complementary partnerships.

 

Tags: DigiBix | ISE | AV | Broadcast | Production | AJA | Adder | BirdDog | Haivision | SNS | Gefen | Theatrixx
Submitted by Manor Marketing
More from this author
Presteigne Goes for Gold Posted: 06/02/2020
Presteigne Goes for Gold

Multi-location production solution provider, Presteigne Broadcast Hire, has joined Sports Video Group (SVG) Europe as a Gold level member.

For nearly 15 years, SVG has provided support for all professionals who rely on video, audio, and broadband technologies to produce and distribute sports content. In addition to its mission to advance the creation, production, and distribution of sports content, it also strives to enable service providers such as Presteigne to access new business opportunities by providing a contemporary, informed understanding of the current state of the sports production marketplace.

Presteigne Broadcast Hire CEO Adrian Young explained, “SVG Europe is an invaluable platform for sharing insight into the latest workflows, applications of technology, and emerging developments in the delivery of content across multiple channels.

“Presteigne has a nearly 30-year track record as a service provider to the live sports market, and it has never been more important that we not only listen to the requirements of our customers and partners, but share the depth of our practical, hands-on experience. Being an SVG Europe Gold member enables us to do this through participation in regular summits, seminars, and roundtables in parallel with SVG Europe’s robust, year-round digital marketing programme.”

SVG Europe Editorial Director Fergal Ringrose said, “Gold Membership provides a wide range of benefits, including attendance at European and regional SVG Europe summits that have proven to be the most advanced, and talked about, professional exchange and development events in the sports production industry. We are delighted to welcome Presteigne to our team of industry-wide manufacturers, suppliers and technology developers who continuously work to improve the quality and profitability of sports programming.”

###

About Presteigne Broadcast Hire

Established in 1991, Presteigne Broadcast Hire is a leading dry hire and complete multi-location production solution provider. With offices in the UK and operating globally, Presteigne Broadcast Hire has the expertise to offer worldwide solutions to meet a wide range of production needs. Its rental department is one of the most comprehensive in the industry, with access to more than 30,000 items of equipment, while specialising in project solutions where they bring their extensive RF, Audio, PPU, Server, Video, 4K, Lighting, Specialist Cameras, Communications and Project divisions together to offer customers a unique and seamless broadcasting experience.

Be it live sports, drama or documentaries, major global production companies and international broadcasters rely on Presteigne Broadcast Hire to satisfy their needs and provide the ultimate in support, 24/7, 365 days a year. Presteigne continually invests in the latest technology and solutions to ensure the ultimate customer experience. For more information, please see: http://presteigne.tv/

Tags: Presteigne | Presteigne Broadcast Hire | Live Events | SVG | SVG Europe | Video | Audio | Broadband Hire
Submitted by Manor Marketing
More from this author
CBC Radio-Canada Chooses Dejero for Field Contribution Technology Posted: 05/02/2020
CBC Radio-Canada Chooses Dejero for Field Contribution Technology

Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, announced today that it has once again been selected as the primary field contribution solutions provider for Canada's national public broadcaster, CBC/Radio-Canada (CBC). As part of this renewed multi-year agreement, Dejero will help with CBC’s transition to IP workflows.

A major project that CBC is currently undertaking is relocating the broadcaster's French Services HQ to the groundbreaking all-IP 'Maison de Radio-Canada' (MRC) broadcast center in Montreal. Upon completion later this year, the new SMPTE ST 2110 compliant MRC will stand as one of the most advanced, state-of-the-art IP broadcast facilities in the world, supporting CBC's multiplatform and ever-increasing digital strategy. As a long-time partner of CBC in the area of field contribution, Dejero is supporting the all-IP infrastructure at the MRC by providing the national broadcaster with the latest Dejero solutions including WayPoint 204 SMPTE ST 2110 receivers, EnGo 260 mobile transmitters, rack-mounted PathWay transmitters, and the LivePlus mobile app for iOS and Android devices across the network. Dejero is also providing CBC with connectivity and cloud-management services.

“Dejero’s proven track record, partnership, and ongoing support have been invaluable to CBC over the last decade," commented François Vaillant, executive director, engineering solutions at CBC/Radio-Canada. "Some of the key factors that stood out for us when we examined Dejero’s technology during the selection process, were that their solutions clearly met CBC’s needs and expectations, being reliable and agile, particularly when broadcasting in bandwidth-constrained scenarios from the field."

“We are thrilled to have been re-selected as the field contribution technology partner of CBC/Radio-Canada, a close relationship we have cultivated for over a decade," said Bogdan Frusina, founder of Dejero. “We look forward to continuing our support of CBC/Radio-Canada as it transitions to IP workflows and completes its groundbreaking project in Montreal.”

This announcement comes on the back of a successful year for Dejero that saw the company being awarded a second prestigious Technology and Engineering Emmy® Award recognizing its innovation in the industry, thanks to its Smart Blending Technology and unique hybrid encoding approach. Last year, Dejero was awarded its first Technology and Engineering Emmy® Award for 'excellence in engineering creativity', honoring a decade of achievements in the field of live transmission driven by its vision of reliable connectivity anywhere.

Tags: Dejero | CBC/Radio-Canada | transmitters | receivers | broadcast facility | all-IP infrastructure | WayPoint 204 | EnGo 260 | cloud-management | Francois Vaillant | CBC | reliable | agile | Bogdan Frusina | Smart Blending Technology | MKM Marketing Communications
Submitted by MKM Marketing Communications
More from this author
Trickbox TV hosts live Brexit coverage in front of striking City of London skyline. Posted: 03/02/2020
Trickbox TV hosts live Brexit coverage in front of striking City of London skyline.

Trickbox TV championed its versatility with simultaneous live broadcasts of Brexit coverage on Friday 31 January, for two separate broadcasters in neighbouring studios.

Interest in Trickbox’s Tower Bridge TV studios initially arose due to its location and views of Tower Bridge, City Hall and the City of London. A terrestrial UK broadcaster hired one of the facilities studios, complete with full technical support from Trickbox. A European broadcaster hired the second studio, also with technical support. Both studios broadcast live throughout the evening as the UK left the EU.

A studio director reflected on the success of the broadcast, “Thanks to Andy Yates and everyone at Trickbox that helped make the show run so smoothly. We were all very happy with the result. It’s a great location, everyone was extremely flexible and helpful, and the professional approach from Trickbox was appreciated. We’ve done two successful broadcasts from the studio and hope to do more.”

Tickbox TV’s Head of Live, James O’Farrell said, “Our studios provided perfect backdrops for such a momentous and historic occasion. I’m immensely proud of our team, for delivering two simultaneous live broadcasts.”

Tags: Trickbox | Brexit | Live | Broadcast
Submitted by Trickbox TV Ltd.
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>