British Film Institute (BFI) Digitising Videotape with Bluefish444 IngeSTore to Preserve Precious UK Video Heritage

Date: 11/12/2018
British Film Institute (BFI) Digitising Videotape with Bluefish444 IngeSTore to Preserve Precious UK Video Heritage

Founded in 1933, the British Film Institute (BFI) is the leading body for film in the UK with the ambition to create a flourishing film environment in which innovation, opportunity and creativity can thrive, encompassing a range of cultural, creative and industrial roles for film production, distribution, exhibition and education in order to advance the position of film in the UK.

Among the oldest film archives, founded in 1935, the BFI National Archive has grown to become one of the largest and most important collections of film and television in the world. An international leader in film preservation, acting as guardians for Britain’s unparalleled film and television heritage, the conservation team at the BFI National Archive, based in the BFI John Paul Getty Jr Conservation Centre are responsible for the collection, storage and digitisation of significant numbers of legacy film and videotape formats.

With substantial collections held on Digital Betacam, BFI required a solution to capture multiple streams of SDI video from their DigiBeta VTRs, in as efficient a way as possible, that could be easily managed by a small team.

BFI compared the options to meet their requirement for 12 channels of simultaneous SDI recording from their VTRs. Having discovered Bluefish444’s Epoch | Supernova CG I/O card, paired with the complementary IngeSTore multi-channel capture software, they realised a solution that would give them the desired results at the right price point. Alex Zorba, Archive Technology Manager at the BFI National Archive, was involved with extensive testing of the Supernova CG cards and IngeSTore software to ensure it would suit their long-term goals.

“Bluefish444’s Supernova CG cards give us the quality and flexibility that we require for our digitisation process, and they integrate with our legacy videotape machines perfectly,”

Alex Zorba, Archive Technology Manager, BFI National Archive

Bluefish444’s IngeSTore software allows for four channels of simultaneous ingest, so to meet the 12 channel requirement, BFI installed two HP Z820 workstations each containing two Supernova CG cards. They worked with Bluefish444 to get each of the workstations running two concurrent instances of IngeSTore software enabling six channels of SD Ingest per workstation.

With visual and audio monitoring whilst capturing, and the ability to switch to 16:9 anamorphic mode when the content dictates this, BFI has found IngeSTore to be a great fit in the 12 months they have been using the software. The other plus they have found is how easy the software is to use for their needs, with little operator input required once it’s recording.

“The reliability that we have with the Bluefish444 cards within IngeSTore means that we know we’ll get a consistent result from our recordings, which is paramount when getting these tapes into digital format for long-term preservation,”

“The solution from Bluefish444 has met all of our requirements, and the support we have received for any troubleshooting or custom functionality has been first class.”
Alex Zorba, Archive Technology Manager, BFI National Archive

After a successful first 12 months of using the Bluefish444 solution for their digitisation needs, the BFI technology team is now developing a U-Matic mass digitisation facility, in which they will once again be utilising Bluefish444 hardware with IngeSTore software.

Distributed by Polar Graphics Ltd
For more information on the Bluefish444 product range contact Polar Graphics:
www.polar-graphics.com | +44 (0)20 8868 2479 | info@polar-graphics.com



Tags: Bluefish444 | BFI | ingeSTore | Supernova CG | I/O Cards | Epoch | National Archives | Film | Television
Submitted by Peter Rowsell (Polar Graphics Ltd)
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