Blackmagic Design Announces New HyperDeck Extreme 8K HDR

Date: 09/04/2019
Blackmagic Design Announces New HyperDeck Extreme 8K HDR
Blackmagic Design today announced HyperDeck Extreme 8K HDR a new innovative broadcast deck with advanced H.265 8K recording combined with touch screen user interface and traditional broadcast deck controls. HyperDeck Extreme 8K HDR will be available in June 2019 from Blackmagic Design resellers worldwide for US$4995.
The HyperDeck Extreme 8K HDR will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.
The new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. With the ability to record native 8K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.
HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. Customers can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.
With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.
HyperDeck Extreme Control lets customers connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. Customers can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.
The latest Quad Link 12G-SDI is included so it’s possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so customers can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors.
The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs. Customers also get direct buttons for transport control, enabling the 3D LUT and remote enable.
HyperDeck Extreme Control extends their HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. Customers can control up to 8 decks via industry standard RS-422 control. Customers can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS-422, customers can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus customers can even edit between frame rates if standards converting between formats.
CFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. With H.265, customers can record 498 minutes at 8Kp60 on a 1 TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1 TB card. That’s over 8 hours in 8K and over 39 hours in HD.
If recording to other media types is required, then the USB-C Expansion port lets customers plug in an external flash disk for recording. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. Customers even get on screen menus for managing external disks using the touch screen.
Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets customers record formats that are too fast for the media card or external disk.
HyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analog, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The latest 10G Ethernet is included for high speed upload using FTP protocols.
Customers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme 8K HDR LCD color gamut can even handle 100% of the DCI-P3 format.
HyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of color at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in their images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.
The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Customers can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p.
8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Customers can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out.
HyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analog audio inputs that let customers record all 4 channels from Betacam SP decks. Customers can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analog connections have also been designed to low noise and low distortion broadcast specifications.
Multiple languages are fully supported so customers don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish.
With 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. All models use an easy text based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.
There's a wide range of Blackmagic Design products customers can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS-422 deck control protocol so it works with any broadcast deck. It's possible to add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO reordering. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.
The files from HyperDeck Extreme 8K are common they are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so customers can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, color correction, audio post production and visual effects all in one software application.
"We think the new HyperDeck Extreme 8K HDR will offer customers a whole new generation of technology while enabling a new wave of 8K production," said Grant Petty, Blackmagic Design CEO. "Even if customers don't need 8K, we think this new HyperDeck has so many features, it will become the centerpiece of live production, digital signage and broadcast!"
HYPERDECK EXTREME 8K HDR FEATURES
* Supports live production, digital signage and archive use.
* Supports legacy program ingest for streaming.
* Record and playback in full resolution 8K.
* Large LCD screen for with touch user interface.
* Optional traditional broadcast deck controls.
* Dual CFast media cards for non stop recording.
* Records direct to external USB-C media disks.
* Optional media cache eliminates dropped frames.
* Quad Link 12G-SDI for 8K, HDMI and legacy analog connections!
* Advanced HDR support with bright wide gamut LCD.
* Built in scopes include waveform, vector, parade and histogram.
* Latest Multi-rate 12G-SDI for SD, HD, Ultra HD and native 8K.
* Standard H.265 and ProRes files for wide compatibility.
* Professional multi channel digital and analog audio.
* Localized for 11 popular languages.
* 10G Ethernet for extremely fast remote media upload.
* Traditional RS-422 broadcast deck control.
* Compatible with new ATEM Constellation 8K switcher.
* Works with popular NLE software such as DaVinci Resolve.


Tags: Blackmagic Design | Blackmagic | BMD | HyperDeck | 8K | HDR | H.265 | Recording | Playback | Live Production | Digital Signage | NAB 2019 | NAB 2019
Submitted by Patrick Hussey (Blackmagic design)
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News
GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative Posted: 17/02/2020
GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative

GB Labs, innovators of powerful and intelligent media storage solutions for the media and entertainment industries, today confirmed that the specialist video production company, Kingdom Creative Studios, has installed GB Labs’ FastNAS F-16 Nitro storage system.

Kingdom Creative founder and Managing Director, Simon Harrison, said, “Our talented in-house team works closely with major brands¬ - primarily in automotive but rapidly expanding into new markets - to deliver powerful video content tailored to engage audiences on every platform, from television to social media.

“However, our expansion, coupled with the advent of 4K, multi-cam shoots and the increasing demand for rapid turnaround, meant that we reached the practical limits of what our existing storage system could do. We had to find a better way to manage and operate storage.”

For the majority of its existence, Kingdom Creative had relied on what many still rely on today, i.e., storing video content on individual drives, backing them up, and walking them up and down corridors or transferring them via couriers.

“As we began taking on larger and more complicated projects,” said Kingdom Creative Head of Creative Technology Ben Treston, “especially when collaboration between editors became important, it turned out that the old methods were no longer viable. Today, we have multiple editors working on many pieces of content from the same project. You can’t share individual hard drives and meet today’s expectations for speed and reliability in those types of scenarios.”

The FastNAS F-16 Nitro system meets those objectives for speed, reliability and value in shared storage. Unlike other NAS products on the market, FastNAS is purpose built to sustain heavy workloads and provide stable and reliable performance, based on best of breed technology exclusively developed in-house, and is comprised of a high-performance unit with unique hybrid disk technology, powered by GB Labs’ proprietary CORE.3 OS.

GB Labs CEO-CTO Dominic Harland said, “Kingdom Creative emerged from a motorsport world built for speed, and that’s what modern shared storage has been engineered to deal with. FastNAS F-16 Nitro easily accommodates the need for speed – and safety – when dealing with fast turnarounds and sharp bends.”

 

 

 

Tags: GB Labs | Storage Solutions | Kingdom Creative Studios | FastNAS F-16 Nitro storage system | 4K | multi-cam shoots .CORE.3 OS
Submitted by Manor Marketing
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Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Theatre Royal de la Monnaie Posted: 14/02/2020
Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Th and eacute; and acirc;tre Royal de la Monnaie

The historic Théâtre Royal de la Monnaie, also known as the De Munt Theatre, has upgraded its entire staff communications infrastructure based on intercom equipment from Riedel Communications. Consisting of the Artist digital matrix intercom, Bolero wireless intercom in both integrated and standalone modes, and SmartPanel multifunctional user interfaces, the Riedel solution surpasses the theater's requirements for highly flexible, reliable, high-quality, and future-proof intercom operations.

Located in the heart of Brussels at the Place de la Monnaie, the De Munt Theatre is one of the most prestigious opera houses in the world and the largest in Belgium, with more than 450 employees. Over its 300-year history, the theater has survived a revolution, a fire, and two world wars, as well as the normal passage of time and evolution of technology. The Riedel upgrade was part of a massive renovation project that closed the De Munt Theatre for two years beginning in 2016.

 

Tags: Riedel Communications | Théâtre Royal de la Monnaie | De Munt Theatre | Artist digital matrix | Bolero wireless intercom | SmartPanel multifunctional interfaces
Submitted by Wall Street Communications
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VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features Posted: 13/02/2020
VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features

VuWall, a leader in video wall control systems, continues its commitment to bridging AV and IT sources and allowing users to easily and intelligently control and manage any video wall deployment with the addition of new collaboration and KVM features to its VuScape video wall controller. With VuScape's full-featured management software, users can "control what they see" and distribute all content sources to any display on the network with the utmost flexibility.

"Today's control room is a complex hub of incoming data from a range of sources — including IP cameras, encoders, applications and documents, as well as HDMI/DVI/DP inputs — that users must command easily at any given moment," said Paul Vander Plaetse, CEO at VuWall. "VuScape simplifies the control room workflow, giving users everything they need to manage all their content streams. Whether at the video wall or from a desktop, VuScape effectively closes the gap between the different source formats in a user-friendly, future-proof controller."

Tags: VuWall | VuScape | Video Wall Controller | ISE 2020 | KVM
Submitted by InGear
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Actus Digital to Demonstrate All-in-One Media Platform at 2020 NAB Show Posted: 13/02/2020
Actus Digital to Demonstrate All-in-One Media Platform at 2020 NAB Show

2020 NAB Show Exhibitor Preview, Las Vegas, April 19-22, Booth SU 13910

At the 2020 NAB Show, Actus Digital will demonstrate how its mandatory compliance solution is part of a much larger media intelligence platform, providing cross-organizational benefits to the operations, marketing and research, and new media departments of broadcasters and media companies. The platform includes solutions for compliance, quality-of-service assurance, technical monitoring, content repurposing, rating and competitive analysis tools, advanced AI options, and more.

"We have enhanced the Actus Digital intelligent media platform to include more functionality, additional AI options, and extended automation related to compliance, clips creation, and export capabilities for social media, with intelligent content monitoring and analysis," said Raphael Renous, CTO at Actus Digital. "Having all of these capabilities on one integrated platform gives customers the freedom to choose what makes the most sense for their business today and easily add features in the future. At the 2020 NAB Show, we will showcase how media companies can use the new platform to improve their daily workflow and reduce costs."

 

Tags: Actus Digital | 2020 NAB Show | media intelligence platform | TS analysis solution | SCTE | NAB 2020 | NAB 2020
Submitted by 202 Communications
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Interra Systems Simplifies Video Caption Creation With Machine Learning-Based QC Solution Posted: 13/02/2020
Interra Systems Simplifies Video Caption Creation With Machine Learning-Based QC Solution

Interra Systems, a leading global provider of software products and solutions to the digital media industry, today announced BATON Captions, a new addition to its BATON platform. Leveraging cutting-edge machine learning (ML) and automatic speech recognition technology, BATON Captions brings simplicity and cost savings to the creation, management, and delivery of captions for traditional TV and video streaming. BATON Captions allows broadcasters and other media professionals to address all of their captioning needs, from caption generation to QC, auto corrections, review, and editing.

Keeping in mind the high volumes of content being generated and distributed today, a defining feature of BATON Captions is that it offers industry-leading performance. Utilizing the high-performance solution, media companies can dramatically expedite the caption creation and verification processes for both live and VOD content.

 

Tags: Interra Systems | Video Caption Creation | BATON Captions | 2020 NAB Show | digital media | NAB 2020 | NAB 2020
Submitted by 202 Communications
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Broadpeak Performs World-First Video Unified Packaging and Encryption of DASH and HLS Posted: 13/02/2020
Broadpeak Performs World-First Video Unified Packaging and Encryption of DASH and HLS

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that it has completed the world's first unified packaging and encryption of DASH and HLS formats. Using the latest version of its BkS350 origin packager, Broadpeak successfully delivered DASH and HLS video fragments using the same chunks (encrypted with CBCS) and container (CMAF) for both protocols, a unique capability that will optimize storage costs for OTT service providers.

Until CMAF was developed, HLS and DASH needed to be delivered in different containers. In addition, Apple FairPlay and Google Widevine used different encryption schemes (i.e., CBCS and CTR), creating the need for a different chunk for each streaming format (i.e., HLS and DASH) even with the new CMAF container. Now that Widevine allows CBCS encryption, it is possible to encrypt one CMAF fragment for both HLS and DASH formats. Broadpeak's BkS350 origin packager is the first solution to offer this capability.

 

Tags: Broadpeak | DASH | HLS | BkS350 Origin Packager | CMAF | Unifying Encryption | CDN
Submitted by 202 Communications
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Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution Posted: 13/02/2020
Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution

AVIWEST, a leading provider of video contribution systems, announced today that the Vattenfall Solar Team recently equipped its solar car convoy with AVIWEST's AIR Series ultra-compact HEVC bonded-cellular transmitter and QUAD CellLink four-modem antenna during the Bridgestone World Solar Challenge. Thanks to AVIWEST's equipment, fans could follow the largest solar race in the world in real time. The race was held in October 2019, starting in Darwin, Australia, with the finish line in Adelaide. Amber Technology, AVIWEST's partner and Australian distributor, helped to ensure a smooth deployment and Dutch media company Stream My Event was in charge of the live video production feed that was streamed to the Vattenfall Solar Team's YouTube and Facebook channels.

The Bridgestone World Solar Challenge is a 3,000-plus km solar car race across Australia's deserts, involving teams comprised of tertiary and secondary students from over 30 countries.

Tags: World Solar Challenge | AVIWEST | video contribution system | AIR Series | ultra-compact HEVC | bonded-cellular transmitter | QUAD CellLink
Submitted by 202 Communications
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ChyronHegos Paint 8.1 Is Now Shipping Posted: 13/02/2020
ChyronHegos Paint 8.1 Is Now Shipping

ChyronHego is now shipping Paint 8.1, the newest release of the company's powerful sports analysis and telestration tool. Thanks to innovative updates in version 8.1, Paint gives broadcasters the unprecedented ability to record and play out a multicamera ultra-high-definition (UHD) panoramic video stitch and then manipulate it using full pan, tilt, and zoom (PTZ) control. H.264 streaming and enhanced remote access and control capabilities are among the other new updates that further boost Paint's value in enriching sports analysis and production.

"Paint was already the market leader in telestration, and with new functionality in version 8.1, we've totally revolutionized telestration," said Niall Hendry, product manager - sports at ChyronHego. "Delivering full PTZ control of a multi-UHD panorama, Paint 8.1 takes things to the next level."

Tags: ChyronHego | Paint 8.1 | Live Sports Production | telestration | PTZ | H.264 streaming | UHD
Submitted by Wall Street Communications
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Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools Posted: 13/02/2020
Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools

Sinclair Broadcast Group, one of the largest television broadcast companies in America, is deploying Marquis Broadcast’s Analysis Parking software with a new enterprise monitoring dashboard for its many facilities across the United States. During its expansion, Sinclair Broadcast Group has always focused on optimising best practices for its news technology and operations. Part of this focus was to streamline and simplify the management and monitoring of multiple Avid NEXIS® systems, helping users manage Avid projects and valuable storage space more efficiently.

Sinclair Broadcast initially deployed Marquis Broadcast’s Analysis Parking in three major sites. The software understands the relationships between Avid projects, folders, bins and media, and runs automated Avid NEXIS analytics and visualization processes, enabling each station to maximise the use of space on their Avid NEXIS storage systems.

Paul Spinelli, director of engineering at Sinclair Broadcast Group, explains: “As a group, we’re continually evaluating new technologies that can realise further operational benefits and efficiencies. Our goal is to standardise technologies and workflows across all our Avid news operations, which now total over 60 sites. The new systems enable the recovery of large amounts of blocked-out – but usable – space and offers detailed enterprise-wide analytics on our Avid storage.”

Tags: Marquis Broadcast | Sinclair Broadcast Group | broadcast | Analysis Parking | Avid | Avid NEXIS | editing | enterprise | workflow | NAB 2020 | NAB 2020
Submitted by Brill Media Limited
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Artel Video Systems at the 2020 NAB Show Posted: 13/02/2020
Artel Video Systems at the 2020 NAB Show

 

On Booth SU5021 at the 2020 NAB Show, Artel will feature products that simplify broadcasters' shift to hybrid IP/SDI and all-IP operations. Visitors to the Artel booth will have the opportunity to see firsthand how new features and capabilities recently added to the company's award-winning SMART Media Delivery Platform™ bring even greater operational simplicity, flexibility, and scalability. Artel also will exhibit the company's Quarra IP PTP switches and FiberLink® family of media transport products.

SMART Media Delivery Platform™

Artel's SMART Media Delivery Platform™ is a software defined, four-channel, auto-sense 3G/HD/SD-SDI-over-IP multifunction gateway with integrated nonblocking Layer 2/3 switching and routing capabilities. The software-enabled solution features four video ports for transport of video, audio, and ancillary data and four GigE data ports bridged to one or two 10G interfaces. Designed to attach seamlessly to the IP network without the need for external network elements, the SMART platform supports SMPTE ST 2022: 1, 2, 5, 6, and 7 hitless switching; J2K compression; QoS; VLAN tagging; and traffic management.

 

Tags: Artel Video Systems | 2020 NAB Show | hybrid IP/SDI | all-IP operations | SMART Media Delivery | Quarra IP PTP | FiberLink media transport | NAB 2020 | NAB 2020
Submitted by Wall Street Communications
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Calrec NAB 2020 Preview: Central Hall Stand C8008 Posted: 13/02/2020
Calrec NAB 2020 Preview: Central Hall Stand C8008

Calrec’s Type R for TV is a new virtual mixing console with its design allowing customers to take advantage of these new workflows. It’s flexible and integrated native IP core gives customers a way to benefit from virtual working practices by integrating with station automation systems. Type R for TV is driven by station automation and is compatible with popular station automation systems including Ross Overdrive, Sony ELC and Grass Valley Ignite. Type R is the best of both worlds – it provides fully automated programming with real-time adjustment of unpredictable external factors via a standard web browser. Type R’s small, adaptable and highly portable hardware elements can be easily added if desired.Powered by standard POE switches, Type R has three different panel options. If broadcasters prefer a physical surface then banks of 6 x faders can be added, or adaptable soft panels like Calrec’s Large Soft Panel (LSP) and Small Soft Panel (SSP) can be used.

VP2 virtualized mixing system

Calrec’s VP2 virtualized mixing system has no physical control surface and utilisesCalrec’s Assist software for setup and control. VP2’s 4U core comes in three DSP sizes; 128, 180 and 240 input channels, and incorporates Calrec’s powerful Hydra2 networking solution. As with all Hydra2 products this can be controlled by a station automation system.

VP2 enables a station to reap many of the benefits of using a Calrec console, but without a physical control surface. Calrec’s Assist UI can be accessed from multiple locations via a web-browser. Control can be limited to basic functions or full control can be awarded to delve deeper to fine tune the setup or recall different shows as needed.

Tags: Calrec | Calrec Audio | audio | digital consoles | consoles | broadcast | mixing | NAB | production | IP AoIP | NAB 2020 | NAB 2020
Submitted by Jump PR
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VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION Posted: 13/02/2020
VUALTO PARTNERS WITH ATEME FOR AUTOMATED ENCODER INTEGRATION

VUALTO, an expert in cloud-based OTT video delivery and orchestration, has partnered with ATEME, a leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, for automated encoder integration within the VUALTO CONTROL HUB (VCH) video orchestration tool, which allows for multiple origins and encoders to be integrated seamlessly. The VCH is vendor agnostic and interoperable with a host of technology partners.

The VCH now has full integration for ATEME’s TITAN Live and TITAN Mux encoding solutions, providing integration with the TITAN Live API to automate live event streaming workflows, the ability to set specific inputs and outputs dynamically using the VCH channel configuration, provides support for redundant setups and has capabilities for on-premise and in cloud.

The automated integration with VCH makes streaming easier, removing the requirement for manual configuration and risk of error, which can be a particularly cumbersome process when using a redundant setup. The addition of ATEME’s TITAN solutions has also facilitated an extension of the VCH plugin set.

Combining the two technologies provides broadcasters with a premium quality streaming service, which is flexible, agile and entirely suited to their business model and end goals.

 

 

Tags: VUALTO | ATEME | OTT | Streaming | TITAN | Broadcast
Submitted by Whiteoaks
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Shine TV Expands Innovative Use of LiveU Technology Across Series 2 of The Heist and Series 3 of Celebrity Hunted. Posted: 13/02/2020
Shine TV Expands Innovative Use of LiveU Technology Across Series 2 of The Heist and Last Year and rsquo;s Series 3 of Celebrity Hunted

After the success of the first series of The Heist, Sky has commissioned a second series from leading UK production company Shine TV, with this airing from February 6th on Sky One. Once again Shine turned to LiveU to create an innovative production gallery, as well capturing onscreen footage, with the company also deploying LiveU to create a flexible nationwide filming and comms system for its series, Hunted and Celebrity Hunted. LiveU’s UK partner Garland Partners oversaw technology supply and provided support.

The filming of this year’s series of The Heist, which took place in and around Alnwick, Northumberland, UK, differed in two main ways from the first: the use of HEVC via five LU600 units and five LU300s; and a significant increase in the use of LiveU’s smartphone app LU-Smart with a 30 per cent growth in footage captured using this technology.

Filming The Heist has unique challenges as a group of thieves – nine members of the public split into four teams of two and one operating alone – takes part in a bank job to steal £1m. If they do this successfully and manage to keep the cash for 20 days, while being pursued by former real-world detectives, then it’s theirs to keep. The challenge comes in having the producer/directors – or storytellers – be able to see what the main camera teams are shooting while also being able to see what the thieves are up to in order to tell the best story possible. As well as the low-res feeds from the main cameras, the thieves used mobile phones and the LU-Smart app to send footage back to the low-res production gallery with that footage also stored on the phones for use in the show.

Tags: cellular bonding | smartphone | HEVC | production gallery
Submitted by Jump PR
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Calrec CABSAT 2020 Show Preview Posted: 13/02/2020
Calrec CABSAT 2020 Show Preview

Exhibiting with GSL Professional stand 308

Type R

Calrec is showing its Type R modular, expandable, IP-based system at CABSAT. Type R makes use of standard networking technology and combines it with configurable soft panels that can be tailored to operator needs.

Type R’s physical control system consists of three slimline panels: a fader panel, a large soft panel and a small soft panel. Each is compatible with COTS hardware and powered over Ethernet to keep cabling to a minimum. At the heart of Type R is a simple 2U core with integrated I/O resources to get customers up and running immediately.

Calrec’s Brio console – immense power in a compact package

Calrec’s compact, high power Brio consoles are designed with versatility in mind to work across all different broadcast applications for everything from live sports to news and light entertainment. The Brio36 includes an impressive range of on board I/O so it’s operational straight out of the box. It also has full Hydra2 network compatibility and a sensitive price point that doesn’t reflect the full and rich broadcast feature set. The smaller Brio12 is only 484mm with standard trims and just 430mm with Calrec’s slim trim option.

Last year, Calrec upgraded the channel count for both the Brio36 and Brio12 with DSP expansion packs, bringing their channel counts from 64 to 96 inputs and 48 to 64 inputs, respectively.

Tags: CABSAT 2020 | CABSAT | audio | consoles | AoIP
Submitted by Jump PR
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AJA Ships HDR Image Analyzer 12G with 8K Support Posted: 12/02/2020
AJA Ships HDR Image Analyzer 12G with 8K Support

AJA Video Systems is now shipping HDR Image Analyzer 12G, the powerful, real-time HDR and WCG monitoring and analysis platform featuring 12G-SDI connectivity. Developed in partnership with Colorfront, HDR Image Analyzer 12G supports up to 8K/UHD2 HDR monitoring and analysis for high raster content over 12G-SDI, with the simplicity of single-cable connectivity for higher bandwidth workflows.

Tags: AJA | HDR | HDR Production | HDR Workflow | HDR Pipeline | HDR Image Analyzer 12G | 8K | 12G-SDI
Submitted by Raz Public Relations
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