Blackmagic Design Announces New DaVinci Resolve Editor Keyboard

Date: 09/04/2019
Blackmagic Design Announces New DaVinci Resolve Editor Keyboard
Blackmagic Design today announced DaVinci Resolve Editor Keyboard, a new premium keyboard for DaVinci Resolve that dramatically improves the speed of editing because it allows the use of 2 hands while editing so transport control and selecting clips can be done while performing edits. DaVinci Resolve Editor Keyboard will be available in August from Blackmagic Design resellers worldwide for US$995.
The DaVinci Resolve Editor Keyboard will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.
More than just a simple keyboard, the DaVinci Resolve Editor Keyboard has been designed as an alternative way to edit that’s much faster than a mouse because customers can simultaneously use both hands at the same time. Customers also get an integrated search dial built right into the keyboard.
The all metal design is more robust because it’s been designed for professional editors who spend hours each day editing and demand a premium keyboard solution. Unlike modern keyboards with flat keys, the keys have a tiered profile so it’s easy to feel their way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows very precise transport and trimming control. Plus the keys caps, hand rest and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.
The reason the DaVinci Resolve Editor Keyboard is so fast is customers can use both hands when editing. Unlike a mouse, customers can use their right hand to control the position in a clip, while their left hand is setting in and out points as well as applying edits. This means customers can move, mark in and out points, apply an edit, then move again, repeatedly, one after the other, again and again. It’s an extremely fast way to work, using both hands at once.
The integrated search dial is machined metal with rubber coating so it feels very nice to use and customers always feel they have solid control over DaVinci Resolve’s clip or timeline. There's an integrated electronic clutch that creates end stops when used for shuttle and position, all under software control. With multiple roller bearings, the search dial is very smooth and it can be spun in jog mode to allow a natural timeline scroll.
Entering edit points is one of the most used functions in editing, so we designed the in and out point buttons larger in size, and to include a small space above to allow locating them by feel. That helps customers when doing transport control with their right hand and punching in and out points using their left hand. Then once the in and out points are set, they just reach their fingers up to the edit buttons.
The editing functions are located just above the in and out keys, to allow a simple movement of their fingers to activate the edit customers require. Because editing with a keyboard is quite different to editing on a computer’s user interface, the editing functions have been optimized to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself. That's much faster as it eliminates time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit, or even match timecode. A good example is smart insert, which locates the nearest edit and inserts at that point.
With a high quality search dial built in, customers get an extremely accurate and fast way to do trimming of edit points. Using roll trimming is easy and is operated by pressing and holding one of the roll buttons, depending on the type of trim customers need to do, while then rotating the search dial.
The cut key will remove any transition on an edit point and leave it as a simple edit between the 2 clips. Pressing dissolve will add a 1 second dissolve between the two clips, and using roll duration will set the desired transition length. There's also a smooth cut button to allow jump cuts to be removed at the press of a button.
The new DaVinci Resolve Editor Keyboard also includes a revised qwerty key layout that’s been updated using feedback from professional editors. However customers still get all the traditional editing features for both the cut and edit pages in DaVinci Resolve, so the core qwerty part of the keyboard still operates in a familiar way. All the standard edit modes are included on the main keyboard. But customers still get new features in the revised layout, such as a viewer button to allow instant change to full screen view, and it’s even possible to edit from the keyboard in full screen view.
When entering edit points and durations numerically, there's a keypad specifically designed for timecode entry. The F/TC button allows switching between timecode or frames. Just press the F/TC button and entry changes to frames. When typing longer timecode values, there's also a double zero button so customers don't have to press the standard zero key as often. The plus and minus keys allow time values as offsets to current values vs absolute entry.
"We think this is an incredibly exciting product as it has such dramatic workflow ramifications," said Grant Petty, Blackmagic Design CEO. "For years, linear editing was considered old fashioned, and now we have harnessed these benefits for modern linear editing for the first time. I cannot believe no one else has thought about this before and we have been shocked at the speed we can perform editing when using 2 hands on the new DaVinci Resolve Editor Keyboard!"
DAVINCI RESOLVE EDITOR KEYBOARD FEATURES
* All metal design for increased strength.
* Enables faster editing than possible on NLE software.
* Integrated search dial control.
* Source tape allows faster clip searching.
* Buttons to instantly re-sort bins.
* Large trim in and out buttons.
* New keyboard modes for intelligent editing.
* Buttons to allow search dial to live trim.
* Buttons to change transition type.
* Improved DaVinci Resolve keyboard shortcuts.
* Keypad for direct timecode entry.
* Can be installed into a hole cutout in edit consoles


Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Editing | Editor | Keyboard | NAB 2019 | NAB 2019
Submitted by Patrick Hussey (Blackmagic design)
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Recreate the Magic from Frozen II with a New Red Giant Cheap Tricks Tutorial

Red Giant has released another Cheap Tricks episode: Frozen II VFX, in which Daniel “Hashi” Hashimoto of Action Movie Kid demonstrates how to recreate the magical visual effects from the newest Frozen film. Now available on YouTube for unlimited viewing pleasure, Hashi explains how to use the full arsenal of tools from Red Giant Complete, including Particular, Starglow, Colorista IV, Supercomp and Reflection, to create smokey portals, ice diamonds that float through the sky, and, of course, the enchanting sparkle magic Elsa creates when using her powers.

WATCH NOW: Cheap Tricks Episode 12 - Frozen II VFX

Red Giant Complete is the subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price - Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. With Red Giant Complete, annual subscribers will have the most up-to-date versions of all tools, saving thousands of dollars over traditional perpetual licenses.

 

Tags: Red Giant | Frozen II | Cheap Tricks | VFX
Submitted by Zazil Media Group
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disguise solutions Powered Video-Intensive Set for Network on Broadway Posted: 06/12/2019
disguise solutions Powered Video-Intensive Set for and lsquo;Network and rsquo; on Broadway

When Tal Yarden created the projection design for ‘Network’ on Broadway he selected disguise gx 2 media servers to drive the video-intensive environment that sets the scene for the iconic story of network anchor Howard Beale. Bryan Cranston won a Tony Award for his portrayal of Beale, an ageing anchor struggling with low ratings, who unravels live on the air only to become a new populist prophet.

Based on the Oscar-winning 1976 film, ‘Network’ was directed by Ivo van Hove and opened at the Belasco Theatre in December 2018. Brian Cranston reprised the role he premiered at the National Theatre in London in 2017. The show’s limited run was extended in 2019 with the final performance in June 2019.

Video was used as a way to heighten the story of Beale and his rise to fame. New York-based disguise rental partner Sound Associates supplied the video and audio equipment for the production. The set design for the TV studio featured over 50 screens across various types of monitors plus a large LED video wall and 6 projectors powered by disguise gx 2 media servers. The capture capabilities of the servers were also used to pipe in live video footage from moving cameras on the set further enhancing the storytelling and video design.

Although the film was written in 1976, the play’s creative team made the story relevant to the time while leaving in the original period references. “We wanted to extrapolate a kind of anachronistic storytelling,” says Tal. “So, technologically, it’s not all period television sets or cameras, and some of the content - although most of it is from the 70’s - spans time.” Interestingly, in doing research for the show he found a correlation between news stories and commercial advertising past and present.

Tags: disguise | Network | Broadway
Submitted by Bubble Agency
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The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
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Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting Posted: 05/12/2019
Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting

Digital Nirvana, a provider of leading-edge media-monitoring and metadata generation services, today announced new enhancements within MonitorIQ 6.1, the company's next-generation broadcast monitoring and compliance logging platform. A new Digital Program Monitoring application in MonitorIQ 6.1 gives users unprecedented visibility into SCTE 35/104 messages for more effective resolution of digital program insertion (DPI) issues and better control over advertising insertions in a variety of streaming environments.

"MonitorIQ 6.1 incorporates powerful new features and capabilities that take compliance monitoring and advertising optimization to a new level," said Russell Wise, senior vice president of sales and marketing for Digital Nirvana. "The platform's new Digital Program Monitoring application simplifies the monitoring of content and SCTE 104/35-based metadata to ensure DPI messages were inserted correctly. We monitor the presence of markers that allow the ad to be inserted, which provides our users better control in existing and new streaming environments. Thanks to these and other enhancements in MonitorIQ 6.1, broadcasters are better prepared than ever to identify, resolve, and document critical issues and, in turn, meet their regulatory, compliance, licensing, and advertising requirements."

Tags: Digital Nirvana | MonitorIQ 6.1 | Ad Insertion | metadata generation | Digital Program Monitoring | SCTE 35/104 | digital program insertion
Submitted by Wall Street Communications
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Fincons Group joins Deutsche TV-Plattform Posted: 05/12/2019
Fincons Group joins Deutsche TV-Plattform

Fincons Group, a leading IT management consultancy for the Media & Broadcast sector, through its German subsidiary Fincons.DE GmbH, joins Deutsche TV-Plattform, the German non-profit association whose purpose, since its foundation in 1990, is to introduce, disseminate and further develop digital Television in Germany.

Fincons Group has played a pivotal role in the development of HbbTV technology in Europe – the standard aimed at harmonising the broadcast and broadband delivery of entertainment services to consumers through connected TVs, set-top boxes and multiscreen devices - and has contributed to define best-practice in the new US ATSC 3.0 standard. The company is thus well placed to make a significant contribution to Deutsche TV-Plattform, while continuing to scout for new broadcast technologies and to acquire new skills in the field by working with major players in Italy and Europe.

Andre Prahl, CEO of the Deutsche TV-Plattform: "We are very pleased to see Fincons Group joining Deutsche TV-Plattform. This underlines the relevance of the Smart Media topics and projects we are pushing forward - in particular the minimum requirements for HbbTV-2 devices, which pave the way for new HbbTV services from broadcasters, and our initiative to harmonise metadata requirements for the distribution of audiovisual content".

 

 

 

 

Tags: HbbTV | ATSC 3.0
Submitted by ThoughtSpark
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ATEME Enables CJ Hello to Leverage Video Transcoding to Deliver High Quality Video Services to Millions of Viewers Posted: 05/12/2019
ATEME Enables CJ Hello to Leverage Video Transcoding to Deliver High Quality Video Services to Millions of Viewers

ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, announced today that CJHello, the largest cable operator and a leader in Korea’s media industry, has successfully deployed its TITAN Live software solution for MPEG-2 HD transcoding for delivery of high-quality video services to its viewers.

TITAN Live is a hardware agnostic, real-time multi-channel/format solution designed for processing SD, HD and Ultra HD content for any screen. TITAN Live enables CJ Hello to deliver a premium experience to its customers while providing the following major benefits:

·      Lower OPEX: based on ATEME’s High-Efficiency MPEG-2 (HE-MPEG-2®), CJ Hello is able to save bandwidth and add additional HD channels to existing transponder

·      Flexible operations: ATEME’s software is server-agnostic and can run on any private/public and on/off-premises cloud infrastructure with the same benefits and value proposition.

·      Future-proof solution: TITAN Live benefits from ATEME’s continuous research and innovation in video quality, allowing for future evolutions of the solution

Tags: ATEME | IPTV | CJHello | MPEG | Broadcast | Korea
Submitted by Whiteoaks
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PMC Highlights Its Burgeoning Role In The Immersive Audio Market At NAMM 2020 Posted: 05/12/2019
PMC Highlights Its Burgeoning Role In The Immersive Audio Market At NAMM 2020

UK-based reference monitor manufacturer PMC will be highlighting the importance of its products in the burgeoning immersive sound market by making a PMC-equipped Dolby Atmos® demo suite the centerpiece of its booth (16112) at NAMM 2020.

Artists, composers, sound designers, producers and recording engineers will have an opportunity to experience a 7.1.4 Dolby Atmos enabled system, consisting of the company’s award-winning large, active three-way MB3-XBD-A monitors (left, right and center channels), four PMC twotwoSub2 monitors and a total of 16 Wafer 1 compact slimline monitors for the surround, rear and height channels. Content will be played back using Dolby Atmos renderer software, Pro Tools and Focusrite RedNet I/O.

At NAMM, PMC will also showing other products from its extensive range of professional monitors, including its ever popular twotwo series, its powerful IB2 and BB6 monitors and the result6 compact nearfield reference monitor that combines all the attributes for which the company’s pro reference monitors are internationally renowned and distils them into an affordable monitor with the emphasis on elegant simplicity.

www.pmc-speakers.com. NAMM 2020 Booth 16112.

 

 

Tags: PMC Speakers | NAMM 2020 | Immersive Audio | Dolby Atmos | result6 monitors | twotwo monitors | MB3 XBD-A monitors
Submitted by White Noise Public Relations Ltd
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Sonnet Announces Upgraded Compact Three-Slot Thunderbolt 3 to PCIe Card Expansion System Posted: 04/12/2019
Sonnet Announces Upgraded Compact Three-Slot Thunderbolt 3 to PCIe Card Expansion System

New auxiliary power connector enables support for entire line of high-performance AJA KONA audio and video I/O cards

What's New:

Sonnet Technologies today announced the launch of the Echo™ Express SE IIIe, the newest member of the company's award-winning Echo Express family of Thunderbolt™ 3 to PCI Express® (PCIe®) card expansion systems. The Echo Express SE IIIe is a compact desktop chassis that enables the use of up to three high-performance PCIe cards with computers equipped with Thunderbolt 3 ports. Replacing the popular Echo Express SE III, the SE IIIe supports AJA's complete family of KONA audio and video I/O solutions, including KONA 5, and has been upgraded with the addition of an auxiliary power connector to support cards that require more power to operate, and a new cooling fan for quieter operation.

"A portable video capture and playback setup is a necessity today for most video pros, and the Echo Express SE IIIe, with support for AJA KONA PCIe cards, provides great flexibility. The new auxiliary power connector is an exciting addition, allowing professionals to harness the power of Thunderbolt 3 connectivity with AJA KONA 5 with a smaller form factor PCIe card enclosure."

- Nick Rashby, President, AJA Video Systems

 

Tags: Sonnet Technologies | Thunderbolt 3 | PCIe Card Expansion | AJA | KONA | audio video I/O | Echo Express SE IIIe
Submitted by Wall Street Communications
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Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales - Distribution Posted: 04/12/2019
Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales - Distribution

Globecast, the global solutions provider for media, has further strengthened its management team in Asia with the appointment of Tan See Chai as Head of Sales – Distribution.

Beginning at the start of January 2020 and based in Singapore, See Chai will report to Shakunt Malhotra, Globecast Asia MD. See Chai is responsible for sales of Globecast’s permanent distribution services to broadcasters, cable operators, news agencies, corporations as well as other relevant organisations across Asia and Asia-Pacific. This will include identifying and pursuing new business as well as maintaining and growing relationships with existing customers.

Malhotra said, “We are pleased to welcome Tan to this important role. He has huge experience across the satellite industry, in particular, and this will come to the fore in this multifaceted position. As well as liaising with new and existing customers, he will also work closely with our Singapore-based operations and engineering group – where one of our three global Media Centers is located – as well as liaising with key personnel in other Global Business Units located around the world.”

See Chai has over 25 years’ experience in the industry and was most recently Director of Sales with Telesat, a position he held for the past 30 months. In that role he was responsible for major satellite capacity sales across the Asia-Pacific region. Prior to that, he held a range of positions with Globecast, the last as Senior Director of Sales – Head of Occasional Services for Asia, a job he held for five years. He has also worked for Verestar and Echostar International, among others.

See Chai said, “I’m genuinely excited to be appointed to this important position with my extensive experience across the industry being recognised as being invaluable to the role. I already have extensive experience with the company and I look forward to helping Globecast attain further growth across its distribution business.”

Tags: Distribution | playout | media management | satellite | cable | pay-TV | DTH
Submitted by Jump PR
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Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems Posted: 03/12/2019
Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems

Riedel's Artist-1024 digital matrix intercom system and Bolero wireless intercom system are supporting state-of-the-art communications capabilities within Videe SpA's innovative new 4K HDR OB van, OBX VIDEE. The Riedel systems provide the power, density, and flexibility critical for pioneering remote production operations.

"Videe SpA is well known for its ability to leverage cutting-edge technologies to achieve the performance and functionality essential to demanding remote productions," said Giuseppe Angilello, Italy Sales Manager, Riedel Communications. "With Artist and Bolero, we've delivered on both counts to bring clear, flexible, and reliable communications to Videe's new OB van. As a true, native 4K unit, OBX VIDEE has the power and sophistication to support the most challenging projects — and the ease of use, compact size, and straightforward configuration of our intercom systems make them an ideal fit."

OBX VIDEE is a triple-expanding mobile production unit that can support up to 30 cameras. Based on client requirements, the van can be configured with dual control rooms or as one large, 75-square-meter production area that can accommodate up to 36 onboard team members. The OB van was engineered for the future by Videe and systems integrator Chromaline, with a design that meets each and every production demand with the best, most intuitive, and most efficient technical solution. As a top-end OB production system, OBX is ideal to provide host broadcasting services for major live sporting, music, cultural, and entertainment events worldwide. Integrating smoothly into the van's IP infrastructure, the Artist and Bolero systems along with 36 RSP-2318 SmartPanels, on board OBX VIDEE play a critical role by enabling clear communications tailored to the requirements of each production.

 

 

 

 

Tags: Videe SpA | 4K HDR OB | Riedel Communications | Artist-1024 | digital matrix intercom | Bolero wireless intercom | OBX VIDEE
Submitted by Wall Street Communications
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