Blackmagic Design Announces DaVinci Resolve 15.2

Date: 14/11/2018
Blackmagic Design Announces DaVinci Resolve 15.2
Blackmagic Design today announced DaVinci Resolve 15.2, a major update to its editing, color correction, visual effects and professional audio post production software. DaVinci Resolve 15.2 has been designed based on feedback from professional customers around the world. It includes over 30 new features that simplify and streamline everyday tasks so editors, colorists and sound engineers can work even faster.
DaVinci Resolve 15.2 is available today for immediate download from the Blackmagic Design website. DaVinci Resolve 15.2 will also be demonstrated on the Blackmagic Design InterBEE 2018 booth at #8216. A video showing these new features can be viewed on the Blackmagic Design website at www.blackmagicdesign.com
The editing timeline in DaVinci Resolve 15.2 draws at a higher frame rate which makes editing and trimming feel faster, more responsive and more fluid than ever. In addition, new animations have been added so clips slide in and out of position, making it easier to see exactly how different edits affect other clips in the timeline.
Visual dup detection lets customers see when the same clip has been used more than once. In addition, clips displayed in the bin now display usage indicators for the current active timeline. White vertical lines highlight the currently marked portion of a clip, while red horizontal lines show which frames are used. The timeline can also be cleaned up by flattening down unused clips, and timecode entry has been simplified throughout the application.
DaVinci Resolve 15.2 also adds features that make pancake editing, which is the editing of clips between multiple timelines, much easier and faster than before. Timelines or compound clips can now be loaded into the source viewer and edited into the current timeline in their decomposed state. Most importantly, editors can tap the X key to instantly mark a clip in the source timeline and edit that clip directly into the active program timeline.
The inspector, on-screen controls and metadata viewer on the Edit page now automatically update to show the relevant information for the highest visible clip under the playhead. That means customers no longer have to manually select a clip to change a parameter.
Keyboard customization has been completely redesigned in DaVinci Resolve 15.2. The new visual interface lets editors quickly see which keys are in use and assign shortcuts. The included keyboard sets emulate other popular editing applications, making it easier for editors switching to DaVinci Resolve. Keyboard sets can be shared between systems and shortcuts can now be assigned to different pages and user interface panels within the application. Shortcuts can even be assigned to commands in contextual pop-up menus. New highlights make it easier to see which portion of the interface is active so customers know which keyboard shortcuts they can use.
DaVinci Resolve 15.2 also includes new ResolveFX plugins. The Blanking Fill plugin automatically fills black letterbox or pillar box areas of the screen with defocused video. This makes it easier to use vertical video or photos in standard widescreen timelines because customers no longer have to manually create a background. The new Beauty plugin is designed to gently and realistically smooth textures and blemishes on skin and other surfaces. Colorists will also find new plugins for ACES transformations and limiting gamut. In addition, colorists can now bypass mixer node inputs by turning off connected nodes and can export gallery stills with custom label names.
The Fairlight page includes dozens of refinements along with new FairlightFX plugins that make fixing common problems and mastering final audio faster and easier than before. The new Stereo Fix plugin features presets for the most common channel mapping operations so clips can be fixed with a single click. This lets customers quickly fix problems such as dual-channel mono dialogue that was edited in stereo tracks.
The new Multi-band compressor features realtime spectral analysis and four different independently adjustable frequency bands. This lets customers achieve the desired overall volume without creating artifacts when mastering sound. The Fairlight page also adds new VCA groups for ganging channel strips together. This makes it possible to adjust the gain on multiple tracks simultaneously.
Since it was announced at NAB last April, Blackmagic Design engineers have been listening to feedback from professional customers around the world and have been working hard to add the features they need. Over 110 new features have been added to DaVinci Resolve since April.
“The momentum of DaVinci Resolve and the speed at which it’s being adopted is incredible,” said Grant Petty, CEO, Blackmagic Design. “It’s exciting because many of the new features in DaVinci Resolve 15.2 are things that will make a difference to artists that use it each and every day. This is a massive release that customers are going to love!”
New features added since the release of DaVinci Resolve 15
Edit
  • High frame rate timeline refresh with animations.
  • Visual keyboard customization.
  • Support for custom shortcuts in different parts of the UI and contextual menus.
  • Highlight indicators showing active portion of interface.
  • Live save and backup support for new, unsaved projects.
  • Import and export dialog boxes now remember last used location.
  • Undo history available in edit menu.
  • Keyword dictionary management tool.
  • Duplicate frame detection with visual indicators on clips in the timeline.
  • Clean up timeline feature to remove and flatten unused clips.
  • Simplified timecode entry.
  • Clip usage and marked range indicators in media pool icon view.
  • Split dual pane media pool option on edit page.
  • Shortcut for editing compound or nested timeline source clips into current timeline.
  • Inspector, overlays and metadata view now update based on highest clip under playhead.
  • Dynamic zoom automatically turns on when on screen controls are moved.
  • Temporary snapping toggle while dragging.
  • Maximum number of characters per second setting for subtitles.
  • Subframe audio transition editing.
  • Blanking fill ResolveFX plug-in automatically fills frame for clips with different aspect ratio.
  • Match frame for the selected clip in the timeline (for a stack of two clips that intersect the playhead).
  • Create subclass from media pool markers.
  • Add flags to clips in media pool.
  • Show source timecode overlays for audio and video tracks in the timeline viewer.
  • Keyframing for OpenFX dropdown and checkbox based parameters.
  • Show clip marker annotations on the timeline viewer.
  • Create clip annotations for a selected clip on the timeline from the timeline viewer.
  • Display marker annotations and overlays for the selected clip marker under the playhead.
  • Delete transitions across clips when one of the clips is deleted.
  • Swap clips in the edit timeline using cmd/ctrl+shift and dragging.
  • Perform insert and swap edits by holding cmd/ctrl+shift while dragging clips from the media pool or source viewer.
  • Custom clip colors for subtitle elements.
  • Insert nested and compound clips in decomposed state during edit operations.
  • Keyword support added to clip and timeline markers.
  • Marker keywords column on the edit index.
  • Display multi-cam angle name in the timeline and source viewer.
  • Clip level panning in the edit and Fairlight inspectors.
  • Export subtitles from timeline track context menus.
  • Export the current subtitle track in the timeline from the file menu.
  • Constrain motion with shift key while modifying title, transform and dynamic zoom viewer overlays.
Fusion
  • Create new Fusion compositions independent of the edit timeline.
  • Saver nodes and loader nodes.
  • ResolveFX plugins on the Fusion page.
  • GPU accelerated OpenFX plugin support.
  • Temporal OpenFX plugins.
  • Frame range sliders automatically scale to render range.
  • Console dialog now accessible from all pages.
  • Color
  • ResolveFX ACES transform plug-in.
  • ResolveFX gamut limiter plug-in.
  • ResolveFX beauty smoothing plug-in.
  • Bypass mixer node input by turning off connected nodes.
  • Support for exporting gallery stills with custom label names.
  • Tool usage badges.
  • LUTs can be applied on compound nodes.
  • Shared nodes can be converted to a corrector node.
  • Change clip color from the thumbnail context menu on the color page.
  • Display multi-cam angle name on color page clip information.
  • Support for ResolveFX and OpenFX static keyframes in the color page.
  • Hard clip option in the tone and gamut mapping sections of color space transform ResolveFX.
  • Access and select between multiple inputs for OpenFX nodes.
Fairlight Audio
  • FairlightFX multi-band compressor.
  • FairlightFX stereo fixer.
  • Support for modifying transitions created on edit page.
  • Navigate timeline by typing timecode.
  • Darker clip colors for modified clips.
  • Support for adding FairlightFX to multiple select clips at the same time.
  • VCA grouping for ganging channel faders together.
  • Audio ducking using side chain compression in track dynamics.
  • Search field in the Fairlight page track and marker index.
  • Default audio crossfades changed to 0dB.
  • Reset command for edited audio samples in a clip.
  • Round trip audio clips to third party audio processing applications.
  • Cache clips with FairlightFX and AudioFX.
  • Bounce clips with FairlightFX and AudioFX to a new layer.
  • Paste attributes for audio tracks.
  • Remove attributes for audio tracks.
  • Solo-safe for audio tracks and buses by cmd/ctrl-alt-clicking solo buttons in the mixer.
  • Fairlight FX soft clipper.
  • Sub-bus and aux-bus routing in nested timelines.
  • Automatically disable source audio clips after bouncing audio effects.
  • Show source timecode overlays for audio and video tracks in the timeline viewer.
Deliver
  • Added support for exporting alpha when rendering TIFF files.
  • Added support for encoding at maximum bit rate for Kakadu JPEG 2000 when rendering DCP and IMF in DaVinci Resolve Studio.
  • Added support for Kakadu based lossless JPEG 2000 encoding in DaVinci Resolve Studio.
  • Improved performance when rendering H.264 clips on Windows.
  • Added support for rendering with Dolby Vision/HDR10+ tone mapping applied.
  • Added support for modifying the filename field in the deliver page.
  • Added support for delivering supplemental IMF packages with versioning metadata for frame replacement and shot replacement workflows.
  • Added support for importing IMF packages and supplemental compositions as timelines.
  • Added support for encoding per frame timecode metadata in Grass Valley HQ and HQX clips.
  • Added support for Photon validation of IMF packages in the media pool and in the render settings in the deliver page.
Collaboration
  • Support for collaboration across different network subnets.
  • Support for Fusion in collaborative projects.
  • Adding or modify markers without locking a bin.
  • Indicator for clips with color grading and Fusion comp updates on edit page.
  • Command to refresh single clip or all clips on edit page.
General
  • Supports hardware accelerated decode of long GOPonic AVC clips on NVIDIA hardware.
  • Supports stereoscopic 3D multi-view EXR files.
  • Improved scripting with ability to add and query markers, flags and clip color metadata.
  • Support for storing alpha channel when caching to uncompressed 16-bit float - HDR.
  • Support for storing alpha channel when caching to uncompressed 10-bit float formats.
  • Support for caching compound clips, Fusion clips and nested timelines.
  • Support for tetrahedral 3D interpolation in DCTLs.
  • Support for ACES 1.1.
  • Processing Fusion compositions in linear gamma in color managed and ACES workflows.
  • Copy and paste actions for Dolby Vision trim data in the application menu.
  • Alt/option + middle click to copy Dolby Vision trim metadata for the current target display.
  • Alt/option + shift + middle click to copy Dolby Vision trim metadata for all target displays.
  • Clip thumbnail indicator can show clips analyzed for Dolby Vision and HDR10+.
  • Support for importing clip markers from a Final Cut Pro 7 XML file.
  • Support for preserving bin hierarchy when importing media and metadata from a Final Cut Pro 7 XML file.
  • Support for importing marker colors and duration markers on clips when importing media using FCP7 XML files.
  • Support for exporting subtitle files in project archives.
  • Support for automatic generation of MD5 media hash lists from clone tool operations.
  • Display audio channel names in clip attributes.
  • Show clip color indicator on media pool thumbnails.
  • Change clip color from the application menu on the media, edit and color pages.
  • See bin name in the title bar of a floating media pool bin.
  • Add information about synced audio name option, audio channel metadata.


Tags: Blackmagic Design | Blackmagic | DaVinci | DaVinci Resolve | Resolve | Grading | Editing | VFX | Post Production | Audio | Fairlight | Fusion
Submitted by Patrick Hussey (Blackmagic design)
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  • The 7 Steps to Saving Film

    The 7 Steps to Saving Film

  • 360 degree video storage requirements

    360 degree video storage requirements

  • Audio at 750mph

    Audio at 750mph

  • Object Based Audio - The first steps

    Object Based Audio - The first steps

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • What happened to audio networking

    What happened to audio networking

  • Designing the correct workflow

    Designing the correct workflow

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • Swimrun World Championships - LiveU report

    Swimrun World Championships - LiveU report

  • Streaming and the need for continued innovation

    Streaming and the need for continued innovation

  • Who really benefits from the Cloud?

    Who really benefits from the Cloud?

  • The Transistion in Audio Monitoring

    The Transistion in Audio Monitoring

  • The future of post production

    The future of post production

  • Sully - Grading a miracle

    Sully - Grading a miracle

  • 5 top tips to getting the grade you want

    5 top tips to getting the grade you want

  • Grading Quantum Break

    Grading Quantum Break

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Smart audio - the way foward for live broadcast production

    Smart audio - the way foward for live broadcast production

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Measurement and Visualization of Loudness

    Measurement and Visualization of Loudness

  • Sound Devices: My Choice For Everything Audio

    Sound Devices: My Choice For Everything Audio

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Audio

    Audio


News
Elaine Frost joins Flashlight Posted: 26/04/2019
Elaine Frost joins Flashlight

Film, TV and theatre lighting supplier Flashlight has announced the appointment of Elaine Frost, who joins the company's UK sales department as a business development manager. Elaine will provide field-based sales and support for the company's expanding range of leading lighting brands.

Tags: Flashlight | Lighting
Submitted by Flashlight Ltd
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VI RENTAL REPLACES ENTIRE TRIPOD FLEET WITH SACHTLER FLOWTECH100 TRIPODS Posted: 25/04/2019
VI RENTAL REPLACES ENTIRE TRIPOD FLEET WITH SACHTLER FLOWTECH100 TRIPODS

Sachtler today announced that VI Rental, the hire division of UK broadcast equipment provider Visual Impact, has made a major purchase of Sachtler's flowtech100 carbon-fibre tripods and Video 18 S2 fluid heads. In response to customer demand, VI Rental has replaced its entire inventory of tripods with 40 new flowtech100 units and 18 Video 18 S2 fluid heads.

Tags: VI RENTAL | TRIPOD | SACHTLER | FLOWTECH100 | video 18 S2 | fluid heads
Submitted by Wall Street Communications
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New App for Riedels 1200 Series SmartPanel Provides API for Third-Party Control, Monitoring, and Automation Systems Posted: 25/04/2019
New App for Riedels 1200 Series SmartPanel Provides API for Third-Party Control, Monitoring, and Automation Systems
At the 2019 NAB Show, Riedel Communications previewed a new API, based on open NMOS standards, for its 1200 Series SmartPanel. This innovation will enable industry partners to utilize the SmartPanel as a user interface for their control, monitoring, and automation solutions, and is another example of how the app-based SmartPanel can be leveraged to take on additional duties within broadcast workflows.
Tags: Riedel | 1200 Series SmartPanel | API | Third-Party Control | Monitoring | Automation Systems
Submitted by Wall Street Communications
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TV Azteca Deploys TVU Remote Production System for Annual Hollywood Awards Show Coverage Posted: 25/04/2019
TV Azteca Deploys TVU Remote Production System for Annual Hollywood Awards Show Coverage

TVU Networks, the global technology and innovation leader in live IP solutions, today announced that TV Azteca, one of Mexico’s largest media companies, produced its coverage of Hollywood’s most prestigious awards show held annually in February with the company’s innovative TVU Remote Production System (TVU RPS). TVU RPS was used to transmit video footage from TV Azteca’s mobile unit at the venue in Los Angeles to a remote studio set up in a nearby hotel. A small stage on the terrace of the hotel suite served as a makeshift talk show set for commentary from the hosts during the live broadcast.

Tags: TVU Networks | TV Azteca | Hollywood Awards Show
Submitted by Platform Comms
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Visual Data Media Services Earns Prestigious Queens Award for Enterprise Posted: 25/04/2019
Visual Data Media Services Earns Prestigious Queen and rsquo;s Award for Enterprise

Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, announced today that it is the proud recipient of a Queen’s Award for Enterprise. The award recognises the company’s outstanding achievements in the category of international trade, as a successful exporter of British services and skills.

Tags: Visual Data | Queens Award
Submitted by Bubble Communications
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MEDIA ALERT: LiveU to Power TNW TV studio at TNW2019, in Partnership with Stream My Event Posted: 25/04/2019
MEDIA ALERT: LiveU to Power TNW TV studio at TNW2019, in Partnership with Stream My Event
LiveU’s live streaming technology will be powering the live studio show at next month’s TNW2019 (The Next Web) for TNW’s editorial team, in partnership with Stream My Event. “TNW TV” will be streamed live to the TNW web site and promoted on TNW’s social media channels throughout the two-day festival in Amsterdam (May 9/10).
Tags: Cellular bonding. acquisition | uplinking | contribution | news | sport | HEVC | 4K | streaming | live streaming
Submitted by Jump PR
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RED R3D SDK For NVIDIA CUDA-Accelerated Workflow Now Available Posted: 24/04/2019
RED R3D SDK For NVIDIA CUDA-Accelerated Workflow Now Available
RED Digital Cinema® released its RED R3D® SDK and accompanying REDCINE-X PRO® software with accelerated decode and debayering on NVIDIA CUDA® platforms. By offloading the compute-intensive decoding and debayering of RED R3D files onto one or more NVIDIA GPUs, real-time playback, edit and color grade of 8K footage is now possible.
Tags: RED | RED Digital Cinema | NVIDIA | Workflow
Submitted by ignite strategic communications
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Speedcast Strengthens Team With Appointment of Barrie Woolston as Senior Vice President Posted: 24/04/2019
Speedcast Strengthens Team With Appointment of Barrie Woolston as Senior Vice President

Speedcast International Limited (ASX: SDA), the world's most trusted provider of remote communication and IT solutions, announced today that Barrie Woolston has been appointed senior vice president of the company's Media and Broadcast team. In his new role at Speedcast, Woolston will help broadcasters and media companies navigate the complexities of global content distribution and the emerging trend toward IP and cloud-based services using the company's scalable global infrastructure that consists of satellite, fiber, and cellular networks.

Tags: Speedcast | Barrie Woolston | Senior Vice President | Media | Broadcast
Submitted by 202 Communications
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Digital Nirvana Announces Metadator 2.0, an Automatic, Intelligent Metadata Generator Integrated With Avid Interplay Posted: 24/04/2019
Digital Nirvana Announces Metadator 2.0, an Automatic, Intelligent Metadata Generator Integrated With Avid Interplay and reg;
Digital Nirvana, a provider of leading-edge media monitoring and metadata generation services, today introduced Metadator 2.0, a secure, scalable software-as-a-service platform for Avid® users that automates the process of metadata generation for production, preproduction, and live content. Metadator 2.0 comes with powerful video-intelligence functions and tools for better-structured, more detailed, and more accurate metadata.
Tags: Digital Nirvana | Metadator 2.0 | Automatic | Intelligent | Metadata Generator | Avid Interplay®
Submitted by Wall Street Communications
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VITECs EZ TV IPTV Digital Signage Solution Captivates Fans at Northwestern Universitys New Arena Posted: 24/04/2019
VITECs EZ TV IPTV and amp; Digital Signage Solution Captivates Fans at Northwestern Universitys New Arena

VITEC, a worldwide leader in advanced video encoding and streaming solutions, today announced that its multi-award-winning EZ TV IPTV & Digital Signage Solution for Sports Venues was successfully installed in the Welsh-Ryan Arena at Northwestern University (NU). As part of the $110-million renovation, EZ TV distributes ultra-low-latency, high-quality live game day feeds, digital signage and video wall content, and IPTV streams from multiple service providers to more than 75 screens in the facility. NU can easily and affordably create eye-catching digital signage campaigns or point-of-sale menu boards and centrally manage every content feed and IPTV streams from the same intuitive user interface, setting a new benchmark in fan engagement, facility management, and revenue.

Tags: VITEC | EZ TV | IPTV | Digital Signage | Northwestern University | Ultra-Low-Latency | Video
Submitted by InGear
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NUGEN Audio Seamlessly Integrated for First South American Show Using Dolby Atmos Posted: 24/04/2019
NUGEN Audio Seamlessly Integrated for First South American Show Using Dolby Atmos

As a sound designer, re-recording mixer and partner at Panela Productions, Marcelo Cyro takes pride in telling stories with sound. When Cyro and his team were given the task of mixing Netflix’s Super Drags, the first show in South America to use Dolby Atmos, he turned to NUGEN Audio’s NUGEN Post bundle to control the consistency of the mix.

Tags: NUGEN Audio | Netflix | Super Drags | Post Production
Submitted by D. Pagan Communications
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Technological Wizardry from DPA Microphones Brings Extra Magic To The Theatre Stage Posted: 24/04/2019
Technological Wizardry from DPA Microphones Brings Extra Magic To The Theatre Stage
Major theatre productions often have lives involving multiple productions in multiple countries, which provides a great opportunity for the production team to assess the equipment they are using and make changes to benefit from advances in technology. This was exactly the situation multi-award-winning sound designer Gareth Fry found himself in, opening Harry Potter and the Cursed Child in Melbourne, Australia after its success in London and New York.
Tags: DPA Microphones | d:screet 6061 Subminiature Microphone; Harry Potter and the Cursed Child | Gareth Fry | Melbourne
Submitted by White Noise Public Relations Ltd
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Danish School System Builds Agile, Responsive Remote IT Support Model on Black Box Emerald KVM Platform Posted: 23/04/2019
Danish School System Builds Agile, Responsive Remote IT Support Model on Black Box Emerald KVM Platform

Black Box, an industry-leading provider of pro AV connectivity and signal distribution systems, today announced that Helsingør Kommune, a community of 17 middle schools in and around the Danish city of Helsingør, is using the Emerald™ high-performance KVM (keyboard, video, mouse) platform to enable remote IT support and troubleshooting for students and teachers. The Emerald-enabled support booth gives students and teachers immediate access to the IT service desk throughout every school day and significantly improves the efficiency of the support team in addressing service requests.

Tags: Danish School System | Agile | Remote | IT | Support | Black Box | Emerald KVM Platform
Submitted by Wall Street Communications
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VITEC GROUPS PRODUCTION SOLUTIONS DIVISION ADDS SERGIO BRIGHEL TO MANAGEMENT TEAM Posted: 23/04/2019
VITEC GROUPS PRODUCTION SOLUTIONS DIVISION ADDS SERGIO BRIGHEL TO MANAGEMENT TEAM

Vitec Production Solutions today announced the appointment of Sergio Brighel as vice president of Studio Solutions Development and Support.

Tags: VITEC GROUP | PRODUCTION | SERGIO BRIGHEL | Vice President | Studio Solutions | Development | Support
Submitted by Wall Street Communications
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Dejero and Source Elements team up to boost audio file transfers from the field Posted: 23/04/2019
Dejero and Source Elements team up to boost audio file transfers from the field
Dejero, an innovator in cloud-managed solutions that provide video transport and Internet connectivity while mobile or in remote locations, is joining forces with Source Elements, a high-quality audio software provider allowing users to work remotely and collaborate effectively over the Internet. This technology partnership means that broadcast teams can achieve faster remote audio file transfers from the field—using a combination of the Dejero GateWay Smart Blending Technology and Source Elements' Source-Connect ISDN replacement.
Tags: Dejero | Source Elements | GateWay | Source-Connect | faster audio file transfers | Smart Blending Technology | Todd Schneider | Rebekah Wilson | cloud-managed solutions | high-quality audio | real-time | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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