Blackmagic Design Announces DaVinci Resolve 14 is Now Shipping

Date: 08/09/2017
Blackmagic Design Announces DaVinci Resolve 14 is Now Shipping
Blackmagic Design today announced that the final release of DaVinci Resolve 14, its professional editing, color correction and digital audio software, is now available for download from the Blackmagic Design website.
DaVinci Resolve 14 is the biggest release in the history of the product, and has been designed to be a complete revolution in post production. DaVinci Resolve 14 is the worlds only fully integrated professional editing, color correction and audio solution. It scales from a single user all the way up to the largest collaborative studio workflows.
New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built in, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. In addition, DaVinci Resolve 14 includes hundreds of new features for editors and colorists, including over 20 new effects such as automatic facial recognition and tracking so customers can quickly refine and enhance faces in their shots.
DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and new Fairlight audio tools. All it takes is a single click to switch between editing, color and audio. For multi user studios, DaVinci Resolve 14 Studio features bin and timeline locking, secure chat, a graphical timeline comparison tool for accepting and merging changes, and more. These features dramatically change post production from a linear to a parallel workflow. Customers no longer have to import, export, translate or conform projects. Everyone can work on the same project at the same time.
DaVinci Resolve 14 is the first NLE that offers me all of the professional tools I need in one app, said Eric Wilson, Editor of the hit television show NCIS: LA. The combination of editing, color correction, effects and high end audio, along with 4K multi format support and all of the new collaboration tools, is exciting and innovative. Its going to be a game changer.
The public beta of DaVinci Resolve 14 has been downloaded more than any other version of the software in its history, said Grant Petty, CEO, Blackmagic Design. This new version is a major leap forward because it now gives every customer, from individual users to large studios, a way to seamlessly move between editing, grading, and audio. That means they can spend more time being creative and less time translating projects and switching between multiple applications!
The free version of DaVinci Resolve 14, which includes more features than most paid software applications, is available for download from the Blackmagic Design website.
For even more creative options, customers can purchase the full DaVinci Resolve 14 Studio for only $299, which is less than the cost of most annual cloud based subscription plans. The paid DaVinci Resolve 14 Studio adds the new collaborative multi user tools, over 20 new Resolve FX including the advanced face enhancement tools, 4K and 120fps project support, stereoscopic 3D, optical quality blur and mist effects, film grain, de-noise tools and much more. Best of all, DaVinci Resolve 14 Studio does not require a connection to the internet or a cloud subscription to work.
DaVinci Resolve 14 runs on all major platforms, including Mac, Windows and Linux, making it easy to integrate with existing systems and workflows. Customers running Red Hat or CentOS Linux can even build their own workstations using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs for incredible real time performance.
AVAILABILITY AND PRICE
DaVinci Resolve 14 is available today as a free download from the Blackmagic Design website for all current DaVinci Resolve and DaVinci Resolve Studio customers. DaVinci Resolve Studio is available for $299 from Blackmagic Design resellers worldwide.
DAVINCI RESOLVE 14 DETAILED OVERVIEW
DaVinci Resolve 14 features a new high performance playback engine thats up to 10 times faster than before.
In addition to extensive CPU and GPU optimizations, customers also get better threading and GPU pipelining, lower latency, much faster UI refresh rates, support for Apple Metal and much more. This makes DaVinci Resolve 14 faster and more responsive than ever so customers get incredibly fluid performance and more precise editing, even on long timelines with thousands of clips. Scrubbing and playback are instantaneous and there is powerful new acceleration for processor intensive formats like H.264, making it possible to edit 4K images on a laptop.
Legendary Fairlight audio is now fully built into the DaVinci Resolve 14 application itself. Fairlight is famous for being used at the worlds highest end studios for audio post on film and television. Fairlight is known for both its superior sound quality and its speed. Customers get a massive set of professional audio tools for recording, editing and sweetening, professional bussing, mixing and routing, and multi format mastering to 3D audio formats such as 5.1, 7.1, Dolby and even 22.2. The state of the art, super low latency audio engine is designed to work with 192kHz 24-bit audio with real time EQ, dynamics processing and plug-ins on every track when used with the Fairlight Audio Accelerator. Plus the new Fairlight audio can record up to 96 channels while simultaneously playing back up to 150 audio channels, while mixing it all in real time! There simply is no other software available with this level of dedicated audio power.
The new Fairlight audio in DaVinci Resolve 14 supports up to 1,000 tracks and features subframe editing of audio, down to the sample level. The mixer is designed to let customers create sophisticated sequences and has several main, sub and aux buses for mastering and delivering to multiple formats at the same time. Every channel on the mixer features real time 6 band parametric EQ, along with expander/gate, compressor and limiter dynamics. Clip time warping lets customers stretch or compress audio without shifting pitch. In addition, every single parameter can be automated, even VST plug ins, using a variety of automation modes.
In addition to audio editing, sweetening, and mixing, Fairlight audio in DaVinci Resolve 14 also includes multi channel recording tools that are far superior to those found in most editing systems. Customers can record voice overs or even an entire symphony orchestra while also monitoring video and multiple channels of dialog and sound effects. The advanced monitoring can handle buses up to 24 channels wide with customizable fold-up and fold-down for crossing between formats. Monitoring can be done on up to 16 different sets of speakers, including massive cinematic installations.
DaVinci Resolve 14 works with the Fairlight Audio Accelerator card, which gives customers 100s of zero latency tracks and real time effects processing for EQ, dynamics, and up to 6 VST plug ins per channel. Even without the accelerator, most modern computers can still process more than 60 tracks in real time. In addition, DaVinci Resolve 14 can also be used to drive the entire line of Fairlight hardware mixing consoles, which makes working on complex multi track projects faster than any other system available.
The advanced busing and mixing architecture also allows multi language and multi format delivery to be handled simultaneously from the same project, dramatically reducing the time required to deliver final masters.
All this editing, color correction and audio post production power also means multiple people need to work on the same job, at the same time. This is where the revolutionary new collaboration tools are vital to the dream of revolutionizing post production. The new collaboration tools completely redefine post production workflows by supporting simultaneous editing, color correction and audio post. Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time.
New bin, clip and timeline locking lets users safely work on a specific part of the project without overwriting each other. Theres also a built in secure chat client that lets team members talk to each other from within DaVinci Resolve without the need for an external internet connection. This secure chat is vital because most high end facilities are unable to use services such as Slack or Skype for messaging because they need to remain completely disconnected from the internet to ensure security against hacking.
The new timeline comparison tool makes it fast and easy to see differences and merge changes between two timelines by viewing a side by side comparison of every single change made between users. Best of all, DaVinci Resolve 14 works with the storage you already have. Theres no need to buy expensive or proprietary storage and servers to work collaboratively.
The new multi user features of DaVinci Resolve 14 eliminate the need for importing, exporting, translating and conforming projects. Customers no longer have to wait for a locked edit before starting color and audio work. Switching between editing, color and audio is just a single click away. That means picture editors, colorists, and sound editors can all work in parallel, making DaVinci Resolve 14 the fastest way to edit, grade, mix and deliver projects.
In addition to the incredible performance improvements, editors also get new slip and slide trim commands that make it easier to dynamically trim live on the fly during playback. They can now save interface layout presets, view multiple bins at once and open multiple bin windows. New marker overlays, audio only and video only edit tools, track colors, and subframe audio editing make it the worlds most powerful creative editor.
For colorists, there are over 20 new Resolve FX filters that make it easy to remove dust, fix dead pixels, warp images and more. The amazing new face enhancement tool automatically recognizes and tracks facial features so colorists can quickly smooth skin, adjust skin tone, brighten eyes, and even change lip color, all without having to manually select or rotoscope any part of the image. The face enhancement tool is an indispensable feature that colorists will use every single day. In addition, there are new stabilization, match move, and other image processing tools that give colorists more creative options than ever before.
Customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.


Tags: Blackmagic Design | DaVinci Resolve 14 | Shipping | Fairlight | Editing | Colour Correction
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

Related Interviews
  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • SGO at IBC2011

    SGO at IBC2011


Related Shows
  • Larry Jordan and Den Lennie talk editing at BVE

    Larry Jordan and Den Lennie talk editing at BVE


Related Articles
  • Meet the experts: Six steps for award winning sound design

    Meet the experts: Six steps for award winning sound design

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • The future of post production

    The future of post production

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Editing broadcast video in a mobile app a ridiculous notion or the next big thing

    Editing broadcast video in a mobile app a ridiculous notion or the next big thing

  • Making multi-camera shooting faster & more affordable

    Making multi-camera shooting faster & more affordable

  • Back in the day

    Back in the day

  • Cloud Editing at BVE

    Cloud Editing at BVE

  • The fast-moving business of providing pop-up editing suites

    The fast-moving business of providing pop-up editing suites

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • Studio furniture at the cutting edge

    Studio furniture at the cutting edge

  • Still unsure about cloud editing? Read this..

    Still unsure about cloud editing? Read this..

  • Fixing it in parallel

    Fixing it in parallel

  • Increase productivity while editing

    Increase productivity while editing

  • Dialog-based search accelerates content discovery for anyone with a media library

    Dialog-based search accelerates content discovery for anyone with a media library

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Manipulate and Edit

    Manipulate and Edit

  • Trouble- Shooting Your Mac Editing System

    Trouble- Shooting Your Mac Editing System

  • Capture and Produce

    Capture and Produce

  • The First Musketeer

    The First Musketeer

  • Tales from the teaching trenches: The offline, online battle

    Tales from the teaching trenches: The offline, online battle

  • Will Strauss looks at post production in 2014

    Will Strauss looks at post production in 2014

  • How the cloud is changing the post production landscape

    How the cloud is changing the post production landscape

  • Taking legacy content into the 4K world

    Taking legacy content into the 4K world

  • The joys of the outside broadcast!

    The joys of the outside broadcast!

  • Sportsnet stays ahead of the game with Quantel

    Sportsnet stays ahead of the game with Quantel

  • A runaway success at Graduate Fashion Week with Blackmagic

    A runaway success at Graduate Fashion Week with Blackmagic

  • A cinematic makeover with Blackmagic Design

    A cinematic makeover with Blackmagic Design

  • Is 4K the end of the line?

    Is 4K the end of the line?

  • Cameras, conversations and conversions at Camera Diner with Teranex

    Cameras, conversations and conversions at Camera Diner with Teranex

  • Lincolnshire Police Enhances Distance Learning Program

    Lincolnshire Police Enhances Distance Learning Program

  • Why does my project look different on every screen I watch it on?

    Why does my project look different on every screen I watch it on?

  • The joy of field editing

    The joy of field editing

  • Plan Bs Playing with Fire Gets the DaVinci Resolve Treatment

    Plan Bs Playing with Fire Gets the DaVinci Resolve Treatment

  • Professional Video Editing Just Got Better

    Professional Video Editing Just Got Better

  • Bob Pank looks at Editing and the Cloud

    Bob Pank looks at Editing and the Cloud

  • Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom

    Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom

  • Camera innovations from IBC

    Camera innovations from IBC

  • Taking the pain out of collaborative editing

    Taking the pain out of collaborative editing

  • How much RAM do I need to edit video?

    How much RAM do I need to edit video?

  • Grading across the Atlantic

    Grading across the Atlantic

  • Following the alien route of a freelancer

    Following the alien route of a freelancer

  • Back to Basics with Stereo 3D

    Back to Basics with Stereo 3D

  • Apple Final Cut Pro X  The Critic

    Apple Final Cut Pro X The Critic

  • AdVision TV: Editing... Live

    AdVision TV: Editing... Live

  • NFTS, the future of digital visionaries

    NFTS, the future of digital visionaries

  • tv-bay Questions

    tv-bay Questions


News
New BLAM features released for BroadcastAsia2018 increase creative productivity in edit by 50% Posted: 23/05/2018
New BLAM features released for BroadcastAsia2018 increase creative productivity in edit by 50%

Blue Lucy has enhanced their BLAM plug-in for Adobe Premiere with new features focused on reducing administrate overhead for creative operators. The new functions, which are already available to BLAM users, will be will be showcased at BroadcastAsia2018.

Tags: Blue Lucy | BLAM | media asset management | media operations management | BroadcastAsia | BroadcastAsia2018
Submitted by Little Cricket PR
More from this author
The Tiffen Company Continues Celebrating 80 Years at Cinegear Los Angeles Posted: 23/05/2018
The Tiffen Company Continues Celebrating 80 Years at Cinegear Los Angeles
The Tiffen Company, the leading manufacturer of imaging accessories for the consumer/professional imaging and the motion picture and broadcast television industries, will be showcasing its latest products from Tiffen Filters, Steadicam, Lowel, Domke, and Davis & Sanford at Cinegear 2018 in Los Angeles. Reaching a new milestone this year, The Tiffen Company is proud to be celebrating 80 years in the industry. Following Cinegear on June 3, Tiffen will be hosting its third annual Open House at their Burbank location along with the Stabilizer Gear Expo.
Tags: Tiffen | Cinegear | Steadicam | Tiffen Filters | Lowel
Submitted by The Tiffen Company
More from this author
EditShare Expands Americas Territory Sales Team Posted: 23/05/2018
EditShare Expands Americas Territory Sales Team

EditShare, a technology leader in intelligent scale-out storage, automated QC and media management solutions, welcomes new team members Jason Quast to the territory sales director position for Southeast U.S. and Dave Spraker for the territory sales director role for Northwest U.S. and British Columbia, Canada. They join Jeff Barnes and Grant Carroll, who have moved into new territory sales director positions for the Southwest, U.S., and Northeast, U.S. respectively, further strengthening EditShare's geographic coverage for sales and support across North America.

Tags: editshare | sales team | expansion | new roles
Submitted by Zazil Media Group
More from this author
Artel Video Systems Welcomes David Dolch as Key Accounts Manager Posted: 22/05/2018
Artel Video Systems Welcomes David Dolch as Key Accounts Manager
Artel Video Systems, a world-class provider of innovative real-time multimedia delivery solutions serving global markets, today announced the appointment of David Dolch as Key Accounts Manager. Dolch brings to the role more than 20 years of experience in the development of video and data network systems, process engineering, project management, and workflow management across multifunction organizations in support of mission-critical business objectives.
Tags: Artel Video Systems | multimedia delivery | IP technologies | fiber technologies | data networking | IP streaming
Submitted by Dundee Hills Group
More from this author
ChyronHego Introduces Coach Capture, the Ultimate Coaching Tool by Analysts, for Analysts Posted: 22/05/2018
ChyronHego Introduces Coach Capture, the Ultimate Coaching Tool by Analysts, for Analysts
ChyronHego today introduced the newest member of its award-winning coaching product suite, Coach Capture. Designed to suit the everyday needs of the sports video analyst and coach, Coach Capture allows for both live and post-game video recording in HD 1080 format, tagging, logging, and telestration of game events. As the only logging tool available on macOS X, Windows™ (versions 7 and 10), and Windows tablets, Coach Capture offers complete cross-platform compatibility with existing workflows.
Tags: ChyronHego | live production software | sports production | coaching tools
Submitted by Dundee Hills Group
More from this author
Harmonic Drives Faster Broadband Services and Speeds Up OTT Delivery at ANGA COM Posted: 22/05/2018
Harmonic Drives Faster Broadband Services and Speeds Up OTT Delivery at ANGA COM
Driving innovations in virtualized cable access technology, OTT and UHD HDR delivery with low latency, Harmonic will demonstrate to attendees at ANGA COM 2018 how broadband operators and content providers can deliver higher-quality video on every screen and realize new revenue streams.
Tags: Harmonic | broadcast delivery | OTT | cloud-based media processing | ANGA COM
Submitted by Dundee Hills Group
More from this author
ATEME Enables Swisscom Innovative Video Headend to Go Virtual at Lower Costs Posted: 22/05/2018
ATEME Enables Swisscom and rsquo;s Innovative Video Headend to Go Virtual at Lower Costs

ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, announced today that Swisscom, Switzerland’s leading telecoms company and one of its leading IT companies, has selected ATEME’s TITAN virtual encoding solution for its innovative MediaCloud project.

Tags: ATEME | Swisscom | video | broadcast | headend | telecoms
Submitted by ATEME
More from this author
LIVEU 2018 BROADCAST ASIA PREVIEW Posted: 22/05/2018
LIVEU 2018 BROADCAST ASIA PREVIEW

At this year’s Broadcast Asia, LiveU will be showcasing its newly enhanced LU600 4K HEVC portable transmission product suite, including:

Tags: Cellular bonding. acquisition | uplinking | contribution | news | sport | HEVC | 4K
Submitted by Jump PR
More from this author
Cooke brings acclaimed lenses to the KitPlus Shows in 2018 Posted: 22/05/2018
Cooke brings acclaimed lenses to the  KitPlus Show 2018

Cooke Optics will present a range of its acclaimed hand-crafted lenses to the KitPlus Shows in Glasgow and Bristol on 31st May and 5th June respectively. From the latest full frame cine lenses to those with a vintage look, Cooke lenses bring the revered ‘Cooke Look’ to all kinds of content from Oscar-winning movies to TV dramas and music promos.

Tags: kitplus sohw | lens | panchro | anamorphic | KitPlus Show G | KitPlus Show G
Submitted by tvbay
More from this author
Jay Batista to Present and ldquo;Real World Savings through SMPTE IMF Adoption and rdquo; Paper at 2018 Creative Storage Conference Posted: 22/05/2018
Jay Batista to Present and ldquo;Real World Savings through SMPTE IMF Adoption and rdquo; Paper at 2018 Creative Storage Conference

Tedial, the leading independent MAM technology solutions specialist, has announced that Jay Batista, General Manager, US Operations, will be a keynote speaker at the 2018 Creative Storage Conference, which draws creative professionals seeking the latest trends and requirements for digital storage. Batista’s presentation, titled “Real World Savings through SMPTE IMF Adoption”, supports the event’s theme – Storage Enabling Immersive Content. The event takes place on June 7th at the Double Tree Hotel in Culver City, California.

Tags: MAM | Storage | archive | content management | media management | cloud | partial file restore | disaster recovery | workflow | sports | production | Creative Storage Conference
Submitted by Jump PR Ltd
More from this author
RED Digital Cinema Simplifies Its Portfolio Posted: 21/05/2018
RED Digital Cinema Simplifies Its Portfolio
RED Digital Cinema is advancing its product portfolio of high-quality cameras and sensors with a focus on simplicity, price and quality for customers. Beginning today, RED’s camera line-up will be modified to include one DSMC2 camera BRAIN with three sensor options - MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. The single DSMC2 camera BRAIN includes high-end frame rates and data rates regardless of the sensor chosen and, in addition to this new value, the streamlined approach will result in a price reduction compared to RED’s previous camera line-up.
Tags: RED Digital Cinema | RED Digital | Camera | Cameras | Cinematography
Submitted by ignite strategic communications
More from this author
SMPTE Partners With IRT to Conduct IMF Interoperability Posted: 21/05/2018
SMPTE and reg; Partners With IRT to Conduct IMF Interoperability

SMPTE®, the organisation whose standards work has supported a century of advances in entertainment technology and whose membership spans the globe, is collaborating with the Institut für Rundfunktechnik (IRT) to conduct a face-to-face Interoperable Master Format (IMF) plugfest that tests the ability of vendors to create and play interoperable IMF packages. IRT is the research institute of the public broadcasters of Germany, Austria, and Switzerland.

Tags: SMPTE | IRT | Institut für Rundfunktechnik | IMF interoperability | IMF plugfest | SMPTE standards
Submitted by Dundee Hills Group
More from this author
Full Match Coverage for Fulham FC Fans Posted: 21/05/2018
Full Match Coverage for Fulham FC Fans
Craven Cottage has been the home of London-based Championship club, Fulham FC, for more than a century. The installation of two LED scoreboard displays at either end of the 25,700 capacity stadium also triggered the need for the club to expand its content production to keep spectators entertained before, during and post match. Fulham turned to Enabledware to design and deliver an IPTV and broadcast studio installation that would enhance match coverage and give fans vital facts and match statistics in a single glance.
Tags: Blackmagic Design | Fulham | Football | Streaming | Live production | ATEM 1 M/E Production Studio 4K
Submitted by Blackmagic design
More from this author
DPA Microphones Boosts Its Presence in Singapore and Thailand With Two New Appointments Posted: 21/05/2018
DPA Microphones Boosts Its Presence in Singapore and Thailand With Two New Appointments
DPA Microphones has appointed Acoustic & Lighting Systems to handle the distribution of its entire product range in Singapore and Thailand. And, in a move that will allow it to get even closer to its customer base in the live, PA and MI markets, DPA has also appointed Arcadia Tech as a direct dealer in Singapore.
Tags: DPA Microphones | New Distributors | Arcadia Tech | Acoustic & Lighting Systems | Singapore | Thailand | APAC
Submitted by White Noise Public Relations Ltd
More from this author
Nevion announces record year, reporting a healthy 16% overall revenue growth in 2017 Posted: 21/05/2018
Nevion announces record year, reporting a healthy 16% overall revenue growth in 2017

Nevion, the award-winning provider of virtualized media production solutions, has reported 47% growth in IP and software defined networking solutions and 67% growth in its services business. Nevion’s overall revenue has grown by 16% year-on-year.

Tags: Nevion | IP | Growth | Finance | Broadcast
Submitted by Whiteoaks
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>