At NAB 2019 FilmLight adds more to modern colour finishing and delivery

Date: 28/03/2019
At NAB 2019 FilmLight adds more to modern colour finishing and delivery
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for collaborative workflows.
The question is this: how best to fit this potentially time-consuming work stage into the production and post-production cycle. And the answer? Communicating a consistent look across on-set dailies, editing, VFX and finishing, for one thing. And providing a powerful, painless framework for taking raw files from wide gamut cameras and tailoring that to the colour range available in television, HDR, digital cinema, laser projection and so on – all on the same project.
At NAB2019 (8–11 April, Las Vegas Convention Center, booth SL4105) FilmLight will showcase the latest additions to the Baselight toolkit, using several system configurations to reflect the different requirements in production and post globally.
Given the rich variety of delivery formats and viewing conditions available now, it is vital that the colourist has confidence that the master grade will be effective on all deliverables. T-CAM v2 is FilmLight’s new improved colour appearance model, which allows the user to render an image for all formats and device types with absolute certainty.
It combines well with the Truelight Scene Looks and ARRI Look Library, now implemented within the Baselight software. “T-CAM colour handling with the updated Looks toolset produces a cleaner response compared to creative, camera-specific LUTs or film emulations,” said Andrea Chlebak, Senior Colourist at Deluxe’s Encore in Hollywood. “I know I can push the images for theatrical release in the creative grade and not worry about how that look will translate across the many deliverables.”
A new approach to colour grading has also been added with Texture Blend tools. They allow the colourist to apply any colour grading operation dependent on image detail. This shift in paradigm gives the colourist fine control over the interaction of colour and texture.
Other workflow improvements aimed at speeding the process for time-pressed colourists include: enhanced cache management; a new client view that displays a live web-based representation of a scene showing current frame and metadata; and multi-directory conform for a faster and more straightforward conform process.
The latest version of Baselight software also includes per-pixel alpha channels, eliminating the need for additional layer mattes when compositing VFX elements. Tight integration with leading VFX applications including NUKE and Flame means that new versions of sequences can be automatically detected, with the colourist able to switch quickly between versions within Baselight.
“These are a handful of the big improvements we have introduced to smooth critical workflows and collaborative pipelines,” said Daniele Siragusano, Image Engineer at FilmLight. “Professionals in colour from around the world, who depend upon Baselight day in, day out, told us they wanted to concentrate on making beautiful pictures to best serve the story. They asked us to make the mechanics of workflows and versioning as seamless as possible – we have listened to all their suggestions and used that to improve our software.”
As well as demonstrations of Baselight version 5.2, and soon-to-come 5.3, NAB attendees will also see in-context colour grading for the full range of Baselight Editions, including Flame, NUKE, and Avid. Along with Prelight on-set pre-visualisation and Daylight dailies processing, they are all part of a single, render-free, non-destructive colour pipeline from set to multi-delivery.
Also on display: the Blackboard Classic, debuting at NAB, is the newest control surface which follows the design cues of the original and very popular Blackboard 1, while adding large high-resolution displays, a bigger tablet and simplified connectivity.
Visitors are also invited to register for the FilmLight NAB2019 Colour Day, where they will be able to experience top colourists demonstrating colour workflow and Baselight features on recent, high-profile productions. The NAB2019 Colour Day will be held on Monday 8 April at the Renaissance Hotel, adjacent to NAB. It is free but places are limited and pre-registration is required. Visit https://filmlightnab2019colorday.eventbrite.com for more information.
FilmLight can be found on booth SL4105 at NAB2019.
http://www.filmlight.ltd.uk


Tags: FilmLight | NAB | NAB2019 | colour grading | colorist | colourist | colour tools | Baselight | Andrea Chlebak | cache management | VFX | Flame | NUKE | Avid | Prelight | Daylight | MKM Marcomms | MKM Marketing Communications | NAB 2019 | NAB 2019
Submitted by MKM (MKM Marketing Communications)
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    PHABRIX Rx range at NAB 2015

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    CLEARCOM IOS INTERCOM at NAB 2015

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    NETIA Media Assist at NAB 2015

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    CHYRONHEGO PAINT at NAB 2015

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    BRAINSTORM VIRTUAL SETS at NAB 2015

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    AXON at NAB 2015

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    Quantel Pablo Rio at NAB 2014

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    Cobham: RF Transmitter at NAB 2013

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    Facilis at NAB 2012

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    Editshare at NAB 2012

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    Singular Software at NAB 2012

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    Cintel at NAB 2012

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    Qualis at NAB 2012

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News
With New FOR-A HVS-2000 Switcher and ClassXGraphics, WLVT-TV Improves Production Workflows and On-Air Look Posted: 19/02/2020
With New FOR-A HVS-2000 Switcher and ClassXGraphics, and nbsp;WLVT-TV Improves Production Workflows and On-Air Look

FOR-A Corporation of America today announced PBS39/WLVTTV, part of Lehigh Valley Public Media based in Bethlehem, Penn., upgraded its control room last August with a FOR-A HVS-2000 HANABI video production switcher and ClassX broadcast graphics system. The new equipment has improved the on-air look of the station’s original programming as well as its live production workflows.

 

For example, the HVS-2000 can load and playback graphics from the ClassX, so the TD can access them during live productions. As a result, PBS39’s graphics designer does not have to be in the control room for “routine” productions. “When I saw how well the two integrated together, plus the price, it seemed like an obvious choice,” said Andrea Cummis, chief technology officer.

The ClassX also supports the use of RSS feeds for updating election results and other data in graphics, a feature that was not supported by the station’s older graphics system. Cummis said the system “worked great” for local primary election coverage last year, but she is looking forward to using the system to its full potential for Election Night in November.

 

Tags: FOR-A | PBS | production switcher | video switcher | live production | CG | broadcast graphics
Submitted by Pipeline Communications
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GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020 Posted: 19/02/2020
GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020

CABSAT 2020, Dubai, 31 March - 2 April 2020, Stand G3-24: Leaders in intelligent storage solutions, GB Labs, will showcase its award-winning Mosaic automatic asset organiser and the new CORE.4 Lite operating system during CABSAT 2020 at the Dubai World Trade Centre from 31 March – 2 April.

The Mosaic asset organiser makes it far easier to quickly search for, retrieve, and view video assets. Mosaic automatically scans all inbuilt metadata and integrates it with AI tagging enabling the ability to store, catalogue and access assets with no need for manual intervention, making it a substantial time and money saver.

GB Labs new CORE.4 Lite operating system is a custom OS specifically designed to serve media files. Its high degree of speciality guarantees stable performance for every user, whether as workgroups or individuals, while maximising the efficiency of every disk.

A powerful new feature included with CORE.4 Lite is Analytics Centre, a dashboard that runs in the background of GB Labs intelligent storage devices and continuously analyses the network, providing complete visibility of exactly how, and by whom, data is being used.

GB Labs CEO-CTO Dominic Harland said, “Read/write speeds are usually compromised by a misconfigured network, which wastes resources. But configuration issues can be difficult to locate and resolve manually. Analytics Centre automatically analyses the read/write process through the network with specially designed algorithms that identifies, locates, and suggests how to resolve any issues, often before they occur, thereby eliminating the need for painstaking manual intervention.”

GB Labs will also demonstrate how its proprietary Dynamic Bandwidth Control identifies and selects high, medium, and low priority users to guarantee that the storage system automatically adjusts to operate at peak performance for all.

According to Harland, “Dynamic Bandwidth Control makes storage malleable to ensure it can flexibly respond to changes in usage priorities without breaking. This is unique to GB Labs and can be implemented whether storage is in use by one user or an entire workgroup.”

For backup and archiving, the exhibition stand workspaces will be coupled with GB Labs EasyLTO, an easy-to-use, cost-effective, all-in-one, high-speed solution.

Finally, the company will also discuss the success of recent GB Labs deployments to new customers including M for Media; Qatl Al Youm TV; Polimer TV; Craft; Kalvi TV; and Madha TV.

Tags: GB Labs | Media storage | CABSAT | CORE.4 Lite | OS | AI tagging | Mosaic | Analytics Centre | Dynamic Bandwidth Control | EasyLTO
Submitted by Manor Marketing
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Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020 Posted: 19/02/2020
Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020

Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – will showcase the powerhouse capabilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, 17-20 Feb, Rancho Mirage, CA. The company will also participate in the groundbreaking, cloud-based, live production of “The Lost Lederhosen” short film, and share details of its pivotal role in the making of this mini-movie during the Retreat’s “HPA Makes A Movie” Supersession on Feb 18th.

Tags: Colorfront | On-Set Dailies | Expres Dailies | SDR | HDR | UHD | HFR | 4K | 6K | 8K | dailies | Transkoder | Lederhosen | AJA
Submitted by Prince PR
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ASG Serves as Founding Member of Silicon Valley Video, Inaugural March 12 Event Will Tour LinkedIn Studios Posted: 18/02/2020
ASG Serves as Founding Member of Silicon Valley Video, Inaugural March 12 Event Will Tour LinkedIn Studios

Advanced Systems Group (ASG), a leading media technology and engineering firm, today announced it is a founding member and sponsor of Silicon Valley Video (SV.V), a new international information resource for tech industry leaders in the San Francisco Bay Area. The association’s first event, “IP Academy,” will be held March 12 at 5 p.m. at LinkedIn Studios in Mountain View, Calif. Registration is free to qualified video professionals at siliconvalley.video.

“IP Academy” will discuss the benefits and potential drawbacks of moving to an IP-based infrastructure in today’s corporate video environment. Gary D. Schneider, manager of broadcast systems engineering and lead media systems architect for LinkedIn Corporation, will serve as conference chair and keynote speaker. The four-hour program will also include dinner, networking opportunities, panel discussions with video technology experts, and tours of the LinkedIn production facilities.

 

Produced in association with Sports Video Group, which has supported the professional sports production industry since 2006, SV.V is dedicated to developing educational resources for the video production teams of Silicon Valley tech companies. Industry leaders will serve on an advisory board to help the association produce events and provide platforms for professional development. A portion of all SV.V proceeds will support local community causes and initiatives.

 

 

Tags: ASG | SVG | SVV | corporate video | video production | NAB | NAB 2020 | NAB 2020
Submitted by Pipeline Communications
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VuWall Expands VuStream Series Encoders and Multiview Decoders to Deliver High-Quality Video Streams Across Corporate Networks Posted: 18/02/2020
VuWall Expands VuStream Series Encoders and Multiview Decoders to Deliver High-Quality Video Streams Across Corporate Networks

 VuWall, a leader in video wall control systems, has broadened its family of VuStream encoders and decoders. Demonstrated for the first time at ISE 2020 in Booth 15-K250, VuStream encoders and decoders support H.264 and Software Defined Video-over-Ethernet (SDVoE) standards. These solutions allow high-quality video streams to be delivered across an organization's standard IP network. The VuStream Series includes a range of appliances available in various form factors, resolutions, and performance features to suit any application, even within the same deployment.

 

Tags: VuWall | VuStream | Encoders | H.264 | SDVoE | VuScape | TRx AV
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ROH Chooses Leader LV7300 Rasterizers for Technical Control Gallery Posted: 18/02/2020
ROH Chooses Leader LV7300 Rasterizers for Technical Control Gallery

 

Leader Europe has provided two LV7300 rasterizing waveform monitors to the Royal Opera House in London's Covent Garden. They were chosen as part of an extensive UHD/HDR upgrade carried out to the facilities used to relay stage performances for live viewing by cinema audiences in Europe and for distribution to other venues around the world.

"We needed instruments that would operate reliably in our current HD-SDR production environment and in the 4K-HDR standard to which we aspire," comments ROH Media broadcast engineer and production mixer Mark Thackeray. "The Royal Opera House in London has been broadcasting live to cinemas in 5.1 surround sound for 10 years. In any one season we transmit 12 or more productions."

"Our first 4K-HDR project was a documentary in 2017 for NHK. Leader lent us an LV5490 portable waveform monitor for that production as we needed the ability to capture, monitor and deliver Rec. 2020 wide color gamut video. The instrument functioned well both as an engineering reference and with its intuitive CINEZONE and CINELITE toolsets which are particularly useful during live production.

"For permanent installation, we decided on two LV7300 rasterizers which provide a full set of 12G/3G/HD/SD-SDI measurement facilities that our production staff can view on a larger display screen. The instruments are useful both to ensure accurate color matching of camera channels and for ensuring that we are delivering the best possible signal quality right through the production chain."

 

 

 

Tags: Leader Instruments | Asaca Shibasoku | video test equipment | audio test equipment | video waveform monitors | 3D video monitoring | surround sound audio monitors | rasterizers | loudness monitors | lipsync timing analysers | lipsync timing displays | 4K test equipm
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Ikegami Announces Product Lineup for CABSAT 2020 Posted: 18/02/2020
Ikegami Announces Product Lineup for CABSAT 2020

 

 

 

 

Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

 

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

 

 

 

 

Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came
Submitted by Stylus Media Communications
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PPTV Invests in AirBox Neo-19 CIAB from PlayBox Neo Posted: 18/02/2020
PPTV Invests in AirBox Neo-19 CIAB from PlayBox Neo

PlayBox Neo announces the completion of a new AirBox Channel-in-a-Box playout system for Plovdiv Orthodox TV (PPTV), commissioned by the Metropolis of Plovdiv. It includes a server running Neo-19 ingest, transcoding, titling, scheduling and transmission modules. The new installation augments and upgrades existing AirBox CIAB infrastructure commissioned when PPTV commenced broadcasting 10 years ago.

"This investment provides us with latest-generation software running on new dedicated hardware," says PPTV Technical Director Yuriy Todorov. "It includes many refinements which make our day to day channel management operations more efficient than ever. Particularly appreciated is the low-glare graphic user interface which our presentation colleagues find eye-friendly throughout the duration of a working shift."

"Also appreciated is Neo-19's very logical display structure which provides the information essential to each phase of the content sourcing, finessing and scheduling process without peripheral distractions. Supplementary information, if or when needed, is easily accessible from the main GUI.

"A great strength of Neo-19 is that it alerts the operator if any aspect of a prescheduled playout process still needs attention. The PlayBox Neo system also gives our staff the option of working with full automation while retaining the ability to insert live content whenever required."

 

 

 

Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
Submitted by Stylus Media Communications
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Tedial to Demonstrate Expanded MAM Platform at NAB 2020 with New Tools to Enhance Sports and Live Production, Improve Storytelling, Streamline Workflows and Optimize Cloud Architecture Posted: 18/02/2020
Tedial to Demonstrate Expanded MAM Platform at NAB 2020 with New Tools to Enhance Sports and Live Production, Improve Storytelling, Streamline Workflows and Optimize Cloud Architecture

Tedial, the leading independent MAM technology solutions specialist, has announced plans to launch a complement of significant enhancements to the Company’s award-winning MAM platform at NAB. Tedial’s cutting-edge, award-winning SMARTLIVE sports and live events solution has integrated new cloud-based technology for a better viewing experience. HYPER IMF continues to lead the industry with unique features and can now be deployed in numerous configurations, and the Company has deployed and supports a field proven HYBRID-CLOUD architectural model. Tedial will be in the South Upper Hall, Booth SU5921.

 

Tags: MAM | Storage | archive | content management | media management | cloud | hybrid cloud | partial file restore | disaster recovery | workflow | sports | production | AI | SMARTLIVE | HYPERIMF | NAB 2020 | NAB 2020
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GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative Posted: 17/02/2020
GB Labs FastNAS F-16 Nitro Installed at Kingdom Creative

GB Labs, innovators of powerful and intelligent media storage solutions for the media and entertainment industries, today confirmed that the specialist video production company, Kingdom Creative Studios, has installed GB Labs’ FastNAS F-16 Nitro storage system.

Kingdom Creative founder and Managing Director, Simon Harrison, said, “Our talented in-house team works closely with major brands¬ - primarily in automotive but rapidly expanding into new markets - to deliver powerful video content tailored to engage audiences on every platform, from television to social media.

“However, our expansion, coupled with the advent of 4K, multi-cam shoots and the increasing demand for rapid turnaround, meant that we reached the practical limits of what our existing storage system could do. We had to find a better way to manage and operate storage.”

For the majority of its existence, Kingdom Creative had relied on what many still rely on today, i.e., storing video content on individual drives, backing them up, and walking them up and down corridors or transferring them via couriers.

“As we began taking on larger and more complicated projects,” said Kingdom Creative Head of Creative Technology Ben Treston, “especially when collaboration between editors became important, it turned out that the old methods were no longer viable. Today, we have multiple editors working on many pieces of content from the same project. You can’t share individual hard drives and meet today’s expectations for speed and reliability in those types of scenarios.”

The FastNAS F-16 Nitro system meets those objectives for speed, reliability and value in shared storage. Unlike other NAS products on the market, FastNAS is purpose built to sustain heavy workloads and provide stable and reliable performance, based on best of breed technology exclusively developed in-house, and is comprised of a high-performance unit with unique hybrid disk technology, powered by GB Labs’ proprietary CORE.3 OS.

GB Labs CEO-CTO Dominic Harland said, “Kingdom Creative emerged from a motorsport world built for speed, and that’s what modern shared storage has been engineered to deal with. FastNAS F-16 Nitro easily accommodates the need for speed – and safety – when dealing with fast turnarounds and sharp bends.”

 

 

 

Tags: GB Labs | Storage Solutions | Kingdom Creative Studios | FastNAS F-16 Nitro storage system | 4K | multi-cam shoots .CORE.3 OS
Submitted by Manor Marketing
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Adler Mannheim, Champion German Ice Hockey Club, Scores With Riedels Bolero Wireless Intercom Posted: 14/02/2020
Adler Mannheim, Champion German Ice Hockey Club, Scores With Riedels Bolero Wireless Intercom

Adler Mannheim, the ranking champion in the German ice hockey league (), has adopted Riedel Communications' award-winning Bolero wireless intercom and Bolero S managed communication service for its 2019/2020 season. Bolero and Bolero S enable clear three-way communications between the goalie coach in the stands, the video analyst in the locker room, and the assistant coach on the bench for every Adler Mannheim game.

"As a top team in the DEL, we aim to be the technological pioneer in European ice hockey and have a deep commitment to technical innovation. To give one example, we have been using live tagging for video analysis for many years," said Youri Ziffzer, Team Manager, Adler Mannheim. "Riedel is the ideal partner to ensure absolutely reliable communication between our coaching staff and video analyst. The Bolero solutions give us maximum flexibility, especially for away games, freeing our staff from having to worry about acquiring radio frequencies."

Tags: Adler Mannheim | Bolero Wireless Intercom | Riedel Communications | Bolero S | Deutsche Eishockey Liga | DEL
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Riedel MediorNet, Artist, and Bolero Form Complete Comms and Signal Transport Backbone for Parliament of Catalonia Posted: 14/02/2020
Riedel MediorNet, Artist, and Bolero Form Complete Comms and Signal Transport Backbone for Parliament of Catalonia

The Parliament of Catalonia in Barcelona has installed a comprehensive signal routing and communications backbone based on Riedel's MediorNet real-time signal transport, processing, and routing technology, together with the Artist digital matrix intercom and Bolero wireless intercom. The new networking infrastructure is a core element in a multiyear HD upgrade of the Parliament's video recording and broadcast capabilities.

The Parliament of Catalonia is the unicameral legislature of Spain's autonomous community of Catalonia, occupying a historic, 300-year-old palace in Barcelona's Ciutadella Park. Since 2002, the Parliament has been producing its own institutional television signal and making it available, free of charge, to media outlets.

 

Tags: Riedel Communications | MediorNet signal transport | Artist digital matrix | Bolero wireless intercom | Parliament of Catalonia | signal routing
Submitted by Wall Street Communications
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Riedels MediorNet, Artist, and Bolero Drive Integrated and Reliable Comms in Paris La Defense Arena Posted: 14/02/2020
Riedels MediorNet, Artist, and Bolero Drive Integrated and Reliable Comms in Paris La D and eacute;fense Arena

Riedel Communications' MediorNet real-time media network, Artist digital matrix intercom, and Bolero wireless intercom are providing a comprehensive signal routing and communications backbone for Paris La Défense Arena, a showpiece domed stadium located in the famous La Défense business area west of Paris. MediorNet provides integrated, decentralized, and fully redundant signal distribution and processing throughout the 40,000-seat arena, which opened to much acclaim in October 2017. Through tight integration with MediorNet, Artist and Bolero enable flexible communications with crystal-clear audio quality.

One of only two multiuse domed stadiums in Europe, Paris La Défense Arena features moveable seating that enables it to be used for a variety of indoor sports and entertainment events at various capacities. The arena is the home venue for the French rugby union club, Racing 92, and will play host to gymnastics events for the 2024 summer games.

 

Tags: Riedel\'s Communications | MediorNet signal distribution | Riedel Artist | Riedel Bolero | La Défense Arena | digital matrix intercom
Submitted by Wall Street Communications
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Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Theatre Royal de la Monnaie Posted: 14/02/2020
Riedel Provides Comprehensive, Future-Proof Comms Solution for Belgiums Historic Th and eacute; and acirc;tre Royal de la Monnaie

The historic Théâtre Royal de la Monnaie, also known as the De Munt Theatre, has upgraded its entire staff communications infrastructure based on intercom equipment from Riedel Communications. Consisting of the Artist digital matrix intercom, Bolero wireless intercom in both integrated and standalone modes, and SmartPanel multifunctional user interfaces, the Riedel solution surpasses the theater's requirements for highly flexible, reliable, high-quality, and future-proof intercom operations.

Located in the heart of Brussels at the Place de la Monnaie, the De Munt Theatre is one of the most prestigious opera houses in the world and the largest in Belgium, with more than 450 employees. Over its 300-year history, the theater has survived a revolution, a fire, and two world wars, as well as the normal passage of time and evolution of technology. The Riedel upgrade was part of a massive renovation project that closed the De Munt Theatre for two years beginning in 2016.

 

Tags: Riedel Communications | Théâtre Royal de la Monnaie | De Munt Theatre | Artist digital matrix | Bolero wireless intercom | SmartPanel multifunctional interfaces
Submitted by Wall Street Communications
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VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features Posted: 13/02/2020
VuWall Enhances VuScape Video Wall Controller With Collaboration and KVM Features

VuWall, a leader in video wall control systems, continues its commitment to bridging AV and IT sources and allowing users to easily and intelligently control and manage any video wall deployment with the addition of new collaboration and KVM features to its VuScape video wall controller. With VuScape's full-featured management software, users can "control what they see" and distribute all content sources to any display on the network with the utmost flexibility.

"Today's control room is a complex hub of incoming data from a range of sources — including IP cameras, encoders, applications and documents, as well as HDMI/DVI/DP inputs — that users must command easily at any given moment," said Paul Vander Plaetse, CEO at VuWall. "VuScape simplifies the control room workflow, giving users everything they need to manage all their content streams. Whether at the video wall or from a desktop, VuScape effectively closes the gap between the different source formats in a user-friendly, future-proof controller."

Tags: VuWall | VuScape | Video Wall Controller | ISE 2020 | KVM
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