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Workflow Shooting flat is all the rage, with every manufacturer from Blackmagic Design to Panasonic now arming their large sensor cameras with a log profile. This flat, uninspiring look – often appearing hopelessly over- exposed – is increasingly the starting point for the post production workflow. For editors used to working with media with a burnt in LUT, this represents a significant learning curve, the need for additional software and an unwelcome extension of the from Blackmagic Design and post production process. Grass Valley’s EDIUS Pro 8 At BVE, Holdan is running are both next generation log a series of demos that editors. The former, known as show how to make the log a grading tool, now has workflow easy. The latest DaVinci Resolve release excellent multi-track editing capabilities. The latter, a pure breed editing system, now has sophisticated colour correction tools. With both, it’s one software application, one way of working and superb results. Demos run daily on Holdan’s stand at BVE. KITPLUS - THE TV-BAY MAGAZINE: ISSUE 108 DECEMBER 2015 | 21