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For Sale: Atomos Shogun Studio II


Atomos Shogun Studio II (GREAT CONDITION) record 8-channels at the same time

Atomos Shogun Studio II - image #1
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Key Details

Condition: Used

Category: VTRs

Published: 17-11-2023

Views: 252

Description

Atomos Shogun Studio II. We will add a support request to deregister once payment has been received - this can take a couple of days but once Atomos have completed, we will let you know so you can add to your account

 
OVERVIEW
Atomos Shogun Studio II - Dual Channel 4Kp60 3000NIT Deck (AO-ATOMSHSTU02) atomos-ao-atomshstu02-shogun-studio-ii / AO-ATOMSHSTU2. The Shogun Studio II Rackmount 4K Dual Recorder & Monitor from Atomos features two 7" monitors with a high brightness of 3000 cd/m². It allows continuous 4K60 recording and monitoring on both channels, and it supports four 1080p60 SDI ISO recordings in a multicamera setup. The 3RU rackmount solution offers SDI and HDMI input/output with signal conversion, stereo XLR input/output per channel with 48V phantom power, and compatibility with ProRes RAW, ProRes, DNxHR, and Adobe CDNG codecs.
HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI...
 
 

About The Atomos Shogun Studio II

The Shogun Studio II Rackmount 4K Dual Recorder & Monitor from Atomos features two 7" monitors with a high brightness of 3000 cd/m². It allows continuous 4K60 recording and monitoring on both channels, and it supports four 1080p60 SDI ISO recordings in a multicamera setup. The 3RU rackmount solution offers SDI and HDMI input/output with signal conversion, stereo XLR input/output per channel with 48V phantom power, and compatibility with ProRes RAW, ProRes, DNxHR, and Adobe CDNG codecs.

HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness

Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, colour accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and edit

Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.
Groups of clips can be played in either a run down or reverse order without the need for an additional playout server. Mark in and out points to create sub clips in metadata that can be brought into your NLE for rapid editing. Loop the playlist, or for single files you can mark in and out points for repeated play back.

Advanced record modes

The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

Master your rack

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Bi-directional SDI & HDMI signal convertors easily allow for connection of HDMI equipment like mirrorless cameras for routing to a mixer or LCD screens in the gallery. Built into the I/O are 4K-to-HD signal down convert on both SDI and HDMI.

Class leading screen technology

The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

The ProRes RAW Advantage

Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colourfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.

Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D mm) 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears)
  490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
Operating power (including SSD) 20 - 86W
Compatible batteries No
Input voltage (battery) -
DC Out No
Size 7.2”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut Up to Wide color gamut (105% DCI-P3)
Look up table (LUT) support 3D LUT (.cube format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 4:3
Technology Dynamic AtomHDR zoned backlight
Backlight Direct LED
Zones 360 direct backlight individual LEDs
LEDs Wide Color Calibrated D65 or D95
Bit depth 10-bit (8+2 FRC)
Color DCI-P3 105%
Brightness 3000nit (+/- 10%)
Brightness 3000nit (+/- 10%)
Control On the fly real-time brightness analysis for LED control
HDR Conversion Log/RAW to HLG or PQ, Dolby Vision Loop out
Gamma Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI
  Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 /
  LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic
  Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k
  and HLG
Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3
  / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020
  JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
HDMI HDMI 1 x HDMI (2.0)**
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
Signal (camera dependent) Uncompressed true 10-bit or 8-bit 422
LTC (Record Mode Only) LTC input signal and loop out
Genlock (Playback Mode Only) Genlock input signal and loop out
HDMI 1 x HDMI (2.0)**
SDI (Play Out) 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI
  output available in Playback mode
Signal Uncompressed true 10-bit or 8-bit 422
  (playback file dependent)
HDMI to SDI 720p 50/60, 1080i 50/60,
  1080p 24/25/30/50/60/100/120/200*/240*
  2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
  1080p 24/25/30/50/60/100/120/200*/240*
  2160p 24/25/30/50/60
Signal Uncompressed true 10-bit or 8-bit 422
  (playback file dependent)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out Dynamic range >90dB
  Max signal level +24dBu
  3.5mm 2ch.
Raw to: ProRes RAW, ProRes
  CinemaDNG (CDNG up to 30p only)
  Avid DNxHD
Sony^^ 4K DCI; 24/25/30/50/60p
FS700, FS-5, FS-7, FS-7MkII 4K UHD; not supported in camera
  2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Canon 4K DCI; 24/25/30p
C300MKII/C500 CDNG 4K UHD; 24/25/30p
  2K; not supported in camera 1080; not supported in camera
Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
  4K DCI; 24/25/30/50/60p
  4K UHD; 24/25/30/50/60p
  2K; 24/25/30/50/60/100/120/200/240p 1080;
  not supported in camera
Supported base resolution & FPS from cameras 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p
  1080p: 23.98/24/25/29.9/30/50/59.94/60p
  1080i: 50/59.94/60i
  720p: 50/60p
  PSF inputs converted to P but looped out as PSF
Supported FPS & resolution from gaming consoles and graphic cards 4k UHD: 24/25/30/50/60p
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
  60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in all RAW modes)
HDMI Auto HDMI Trigger
  Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
RS422* 9pin transport control on qualified controllers
SDI SDI trigger camera selectable
Other LANC control - Slave / Calibration on front. Serial - Calibration on front
Playlist / Genlock / LTC Yes / Yes / No
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback.
  Playback in slow motion >= 100fps.
DNxHR / DNxHD All recorded files can playback.
(recorded content) Playback in slow motion >= 100fps.
Pre-roll record Yes (HD 8s, 4K 2s)
ISO Record Up to 8 streams in 60pHD in parallel
Custom timelapse Yes*
Supported media 2.5” SSD/HDD compatibility depends on recording format,
  resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Supported applications Final Cut Pro / Media Composer / Premiere Pro / After Effects
  / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
 
Features and functionality are compacted into 3U of rack space that could previously require over 10U
  • Dual 4k p60 recording (1 x input per channel)
  • Up to 8 channel of 8 x 1080 p60 ISO as and switched program output (4 x per recorder channel)
  • Bi-directional SDI <-> HDMI conversions with support for Quadlink SDI inputs simultaneously output to 12G SDI and HDMI 2.0
  • 4k to HD down convert on loop out with DCI crop option
  • Colour Pipeline management with real-time transforms between Log, HDR Standards (Rec.2100 - HLG, ST.2084 and Dolby Vision)
  • Built in 3D LUT box for monitoring, loop out and burn in
  • Raw to Video input conversion for Raw Masters with downstream video outputs, ideal for Panasonic CineLive applications
  • In-Rack HDR monitoring on 7” 1500 Nit screen with 360 backlight zones

Following the same core Atomos principles of Record, Play, Monitor and Edit, the Shogun Studio 2 allow you to over come many of the challenges faced with in live events, production galleries, post production facility MCR, video wall playout, on set DIT, sports officiating and many more. Atomos have defined the ability to migrate away for MPEG based GOP codecs with high levels of compression and reduced colour accuracy by capturing content direct from the sensors of any camera that outputs a clean fee d such as studio camera channels, Remote Pan Tilt Zoom and TX outputs from vision mixers. This also includes RAW outputs from large sensor cinematic cameras into highly efficient ProRes RAW codec or visually lossless industry standard Apple ProRes and Avid DNx edit ready codecs.

Image Analysis & QC 

The 7” Monitors provide accurate viewing of content as well as a host of tools for image analysis. 

Wave Form Monitors – offer Luma, RGB parade, Vector Scope with Vector zoom.

1:1 and 2:1 zoom – allow for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.

Focus peaking, zebra and false colour – allow for further image QC checks to be remotely monitored from a distance in conjunction with control via a separate camera control unit.

Audio monitoring – providing VU meters for up to 12 channels of embedded audio with the ability to monitor individual tracks and select which tracks to record.

Fast Act Dual Record Button

The Shogun Studio 2 also includes a hardware button that allows for both channels to be set to start recording. Pressing the button on the front of the unit for 4 seconds will set both channels to start to record. With SSDs inserted and sources connect you can switch from playing back clips to dual recording in under 10 seconds or even if the devices is not turn on to jump to recording from a cold boot in under round 20 seconds.  

Metadata tagging, Cut Edits & EDL XML

Atomos improve the speed of your end-to-end workflow, allowing for fast turn around of content, edits, highlight packages, creation of dallies and preparation of content for ingest into Media Asset Management environments. Make edit decisions on the fly and in review with a choice of 10 tags. You can start to favorite or reject clips while you record and then Review, cut and tag in playback mode. Assemble clips to create a linear playlist of your favorite clips and instantly push these out to live screens, directors’ viewing monitors, galleries etc. Marked in and out points are carried right through to your edit with the export of edit decisions lists in XML that can be imported with clips in to Apple or convert the XML for use in Avid or Adobe. Scene, Shot and take naming criteria allow for storage management systems to identify clips and start to orchestrate projects or even create pre-populated bins

Playback & Playlist

Complementing the record and monitoring tools are the ability to play out at up to 60p and HD HFR rate at reduced speeds. 4k and HD content in the same visually lossless quality as the input. Play lists can be created from clips either recorded on an Atomos recorder or from your edit system in a supported codec, resolution and framerate. Group clips to be played in either a run down or reverse order with out the need for a spate playout server. Mark in and out points to create sub clips, loop the playlist or a single file or for single clips mark in and out puts for looped play back.

Master your rack

The 3RU form factor offers a toolset beyond that of a simple recorder with features that could traditionally require up to 10u of equipment. It’s short rack depth also means that it’s perfect for use in monitor bridges or small more mobile OB vehicles.

HDR and colour pipeline management

Supporting Log inputs from all major camera vendors to provide options for use of 3D LUTs with included Log to 709 and support for up to 8 .cube files per recorder channel. The built in AtomHDR engine also provides support for Rec.2100 standards with options to monitor in HDR for LOG, HLG and PQ with output transfers to colour gamuts, HDR monitoring with EOTF transform on output options for HLG, ST.2084 PQ in Rec.2020 or DCI-P3. Realtime Dolby Vision output tunneling allows for inputs to be dynamically out put to supported HDR consumer TVs for client viewing, Gallery viewing or infield QC before final mastering via the Dolby eMCU in Post.

Video, audio and synchronisation I/O

The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outs along side XLR audio I/O, Genlock and LTC input as well as loop through. Bi-directional SDI & HDMI signal converters easily allowing the use of HDMI equipment such as DSLRs on input for routing to a mixer or LCD screens in the gallery to take a feed from and SDI multi viewer. Built into the IO are 4k to HD signal down convert on both SDI and HDMI. Redundant Dual Power Supply balance the power load and are lined to the user interface to provide warning if a PSU fails.

Advanced record modes

Beyond a simple recorder, the Shogun Studio 2 offers a number of different record modes that make it suited for a wide range of uses

Pre Roll: Continually cache record 8 seconds in HD or 2-3 seconds in 4k to make sure you never miss the action.

Multi Camera ISO recording and Switching: Record up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have 2 video switched or mange more feeds than you may have input for on your video mixer.

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