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Why Routing Control


Routing control sits at the very heart of all advanced control systems. A well-configured system that manages signal routes throughout a facility and groups multi-level actions into a single control surface allows for much richer and focused production. Using one-touch panels, operators could route video, audio and data signals between the various...

Submitted by Mark Davies
Published 26 March 2020

Why MADI is Still Relevant


While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill
Published 10 September 2019

The Evolution of Audio Monitoring


Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest l...

Submitted by Stephen Brownsill
Published 16 July 2019

Taking a hybrid approach to the SDI/IP transistion


Broadcasters are not newcomers to technological transitions. As an industry, we\'ve survived analogue to digital, baseband to file-based workflows, SDTV to HDTV and now 4KUHD resolution, not to mention weathering a barrage of new compression formats. Today, we\'re facing one of the most dramatic transformations we\'ve ever undergone: SDI to IP. Unl...

Submitted by Matthew Coleman
Published 07 December 2016

Audio


by Pieter Schillebeeckx Issue 113 - May 2016 Audio monitoring has come a long way since its humble beginnings of a box with a speaker, a volume control and an analogue input. Today\'s high-end audio monitoring units boast an impressive array of I/O such as SDI, MADI, AES-3 and Analogue while offering a large amount of functionality such as accurate...

Submitted by Pieter Schillebeeckx
Published 13 May 2016

A box of delights


by Dick Hobbs Issue 101 - May 2015 In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction. His original work was more complicated than this diagram, but fundamentally...

Submitted by Dick Hobbs.
Published 01 June 2015

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Take it to the bridge


by Will Strauss Issue 91 - July 2014 Since the late 1980s, studios, facilities, OB trucks and many other professional broadcast set-ups have relied on digital video standards such as SDI (Serial Digital Interface) to move audio and video around. Using SDI it has been possible to happily construct a reliable, error-free, plug-and-play, real-time ope...

Submitted by Will Strauss#
Published 01 August 2014

Will Strauss rounds up IBC 2013


by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#
Published 01 November 2013

Singularity - QA and compliance monitoring in one box


by Martin DysterIssue 79 - July 2013 The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and des...

Submitted by Martin Dyster
Published 01 August 2013

The greening of broadcast facilities


By Chris Exelby, Managing Director, TSL Professional Products, Ltd. In today’s world of tightening broadcast facility budgets, planners need to keep a keen eye on the bottom line to ensure operational efficiency. An integral part of this process is getting a green handle on power management, an increasing necessity around the globe. Power managemen...

Submitted by Chris Excelby
Published 01 July 2013

The intricacies of capturing phase-coherent surround soun...


By Pieter Schillebeeckx – Product Manager, SoundField at TSL PPLSince its acquisition of SoundField, TSL Professional Products Ltd, a leading manufacturer of surround microphones, audio monitoring, tally and power management solutions for the broadcast industry, routinely field a growing number of questions from the industry regarding the successfu...

Submitted by Pieter Schillebeeckx
Published 01 June 2013

Monitoring OBs the light and easy way


by Stuart Cameron, MD of Cache-MediaI wonder sometimes whether a successful OB should be measured as Outside Broadcast Coverage per KG or OB coverage per KM. The cost of fuel keeps rising and so the cost of getting to an OB location is also increasing. To anyone who is a cyclist, you know that extra weight slows you down when climbing hills. Theref...

Submitted by Stuart Cameron
Published 01 April 2013

Metering in the age of loudness: Keeping things on the le...


By Martin DysterThe new age of production and post production for HD broadcast has gotten more complicated with the advent of legislation and guidelines concerning the relative loudness between different programs, channels and, especially, commercials. With ATSC A85 in place in the U.S., EBU R128 covering the members of the European Broadcasting Un...

Submitted by Martin Dyster
Published 01 February 2013