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Polecam user review


When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs. Polecam has been a major player in the crane market for nearly two decades and its rigs have captured everything from interesting perspectives of major sporting eve...

Submitted by Phil Vinter
Published 15 March 2017

Selecting the right broadcast minicam lens


So we all know that HD and 4K (and beyond) is the norm for content creation and delivery, with the need for unique and versatile shots being offered to increase the audiences participation and visual experiences. A major factor aside from the camera itself is the selection of lens, for some of the UHD sensor formats a broad spectrum of "off the she...

Submitted by Steffan Hewitt
Published 10 November 2016

Filming in 4k in not just about the camera


Filming in 4K is not just about the camera. The whole workflow and supply chain needs to be considered. A BNC cable that you have used for the last few years has happily coped with 1.5G HD-SDI, now we are wanting twice the data rate. Camera Corps asked Polecam to help with its supply of cameras to the Champions of Hockey Games at the Olympic Hockey...

Submitted by Steffan Hewitt
Published 26 September 2016

Shooting the WRC Rally


Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway
Published 25 August 2016

Soutions for Portable Storage


We all know how frustrating it can be to keep losing data because your hard drive keeps packing in, right? So, I 've done my research to help you choose the best portable hard drives with a focus for the 'on the go ' editor of today!1. Coming in at No.1 is the 2TB Seagate Backup Plus Slim. This little beauty weighs 5.6 ounces and is incredibly thin...

Submitted by Beth Zarkosh
Published 14 June 2016

Ed Sheeran goes 4k live at Wembley


by Steffan Hewitt Issue 106 - October 2015 Ed Sheeran has had a phenomenal ride to music success world wide. In July 2015 as part of his x World Tour he played three sold out concerts at Londons Wembley Stadium, his biggest solo shows to date with combined show audiences of 240,000 plus. Paul Dugdale and Jim Parsons whilst working for JA Digital pl...

Submitted by Steffan Hewitt
Published 01 November 2015

DOPs discuss minicams, lenses, 4k and all


by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan
Published 01 May 2015

Hands-on with the Antelope PICO ultra slow motion minicam


by Mel Noonan Issue 98 - February 2015 Super slow motion, or super motion, has been around for years and is mostly 3x recording speed. If you record say 3 seconds of action and play it back at normal European production frame rate you\'ll have 9 seconds of slow motion replay. These cameras must integrate with the live production workflow in use. SS...

Submitted by Mel Noonan
Published 01 March 2015

Miniature cameras on the move


by Kieron Seth Issue 95 - November 2014 Using cameras in-car has always been problematic. Most importantly, the size of camera is crucial: sit a camera operator in the vehicle with a camcorder and the natural sense of intimacy is lost. Mount the camcorder within the cockpit and it is sure to obscure the driver\'s view of the road. The alternative i...

Submitted by Kieron Seth#
Published 01 December 2014

The UKs PTZ explosion


by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#
Published 01 December 2013

Polecam delivers 500th rig


by Mel NoonanIssue 81 - September 2013 We in the UK should be rightly proud of Polecam and what it has achieved, with news that the 500th rig has been delivered. Extreme sports cameraman Steffan Hewitt designed the lightweight jib for his own use, as a tool to get the shots he wanted. He kept refining it as he used it. Others saw it and wanted it....

Submitted by Mel Noonan
Published 01 October 2013

Does size matter? with Polecam


It’s simple. Horses for Courses! ScenarioWhen shooting Anything, Anywhere, there is always a trade between budget, performance, manpower, speed and space – the production company and client will inevitably want quite simply “the best they can get and at the best price”. However when the application and location of the shoot dictate over and above t...

Submitted by KitPlus
Published 01 July 2013

Tv-bay questions with Richard Hooking


Richard Hookings Q&A for TV-BayDifferent Animals - The Polecam Full Rig owner opHow did you get in to the Broadcast business?When I was 12 I went to a Michael Faraday lecture; they were demonstrating the latest TV technology of the day– how they made Superman fly with green screen, how they did the weather - I got the bug, and from then on I wanted...

Submitted by KitPlus
Published 01 April 2013

Finally a compact HD zoom lens!


By Steffan Hewitt, director, PolecamThere are a great number of situations in our industry where the requirement for a small low profile broadcast quality HD camera is needed, whether it be for documentaries, natural history, in car, on board, covert, news, drama, underwater, on a jib arm or small remote head – the list goes on, and expands from th...

Submitted by Steffan Hewitt
Published 01 March 2013

3d Screens


Often exhibitions such as IBC and NAB can be summed up as progressive – slightly better products but nothing really new. Sometimes there is a breakthrough such as Ampex’s introduction of the VTR in 1956. The early years of digital production and post tools were rich in totally new things. At the time I worked at Quantel and seeing inventions like P...

Submitted by Bob Pank#
Published 01 December 2012