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Cloud Editing at BVE


Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus
Published 01 April 2015

Fuelling productivity at BP


by Angus Mackay Issue 99 - March 2015 As one of the world\'s leading oil and gas companies, BP has a long history of producing a variety of film, video, and multimedia, and currently has an archive of over fifteen thousand films dating back over a century. The productions cover topics ranging from scientific discovery, energy exploration, community...

Submitted by Angus Mackay
Published 01 April 2015

The changing face of film and TV


by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver
Published 01 April 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015

Venice live productions tools go to the consumer


by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead
Published 01 March 2015

The fast-moving business of providing pop-up editing suit...


by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri
Published 01 February 2015

Archiving as a service at BBC Studios and Post Production


by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw
Published 01 February 2015

Post Production gear guide - what new products to watch o...


by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh
Published 01 February 2015

Still unsure about cloud editing? Read this..


by Stephen Streater Issue 97 - January 2015 For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won\'t cloud edit...

Submitted by Stephen Streater
Published 01 February 2015

Fixing it in parallel


by Daniele Siragusano Issue 97 - January 2015 Whenever something went wrong in television production, the cry was always "We\'ll fix it in post". Except that there was rarely enough time, in a broadcast schedule, to fix anything. Today we expect every programme - even routine television programmes like daily dramas - to look and sound perfect. But...

Submitted by Daniele Siragusano
Published 01 February 2015

Four must-haves for modern media workflows: Enhancing you...


by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet
Published 01 February 2015

Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

Heavy duty LCD Transportation


Over the last few years we have seen the release of hundreds of new plasma LCDs LEDs and now 3D LED with new models from new manufactures being released with what seems like every day. The huge growth in the sector has driven down the cost of production allowing companies to be very creative in how and which way to use the screens. For example we n...

Submitted by Bob Pank#
Published 01 January 2015

High Resolution graphics for 4k and beyond


by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell
Published 01 January 2015

4k - The biggest New Years resolution


by John Ive Issue 96 - December 2014 Whether it is Ultra High Definition (UHD), 4K or 8K - the predictions surrounding when and if this higher resolution format will become a widespread reality are still rife in the broadcast and media industry. The consensus in the sector seems to be that we may be edging marginally closer. However, many of the ba...

Submitted by John Ive
Published 01 January 2015